Study on the Use of the Emblems Operational and Commercial and Other Non-Operational Issues
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Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
Arta 2005.001
ARTA 2005.001 St John Simpson - The British Museum Making their mark: Foreign travellers at Persepolis The ruins at Persepolis continue to fascinate scholars not least through the perspective of the early European travellers’ accounts. Despite being the subject of considerable study, much still remains to be discovered about this early phase of the history of archaeology in Iran. The early published literature has not yet been exhausted; manuscripts, letters, drawings and sculptures continue to emerge from European collections, and a steady trickle of further discoveries can be predicted. One particularly rich avenue lies in further research into the personal histories of individuals who are known to have been resident in or travelling through Iran, particularly during the 18th and 19th centuries. These sources have value not only in what may pertain to the sites or antiquities, but they also add useful insights into the political and socio-economic situation within Iran during this period (Wright 1998; 1999; Simpson in press; forthcoming). The following paper offers some research possibilities by focusing on the evidence of the Achemenet janvier 2005 1 ARTA 2005.001 Fig. 1: Gate of All Nations graffiti left by some of these travellers to the site. Some bio- graphical details have been added where considered appro- priate but many of these individuals deserve a level of detailed research lying beyond the scope of this preliminary survey. Achemenet janvier 2005 2 ARTA 2005.001 The graffiti have attracted the attention of many visitors to the site, partly because of their visibility on the first major building to greet visitors to the site (Fig. -
Whiteflag Protocol Specification
Whiteflag Protocol Specification Status version 1 status DRAFT 6 date 28 FEB 2019 1 1 Introduction 1.1 Background Current armed conflicts are highly complex, because of the sheer number of parties involved: regular military forces, armed groups, peacekeeping forces, neutral parties such as journalists and non-governmental human-rights and aid organisations, civilians, refugees etc. Even though parties are opposing forces, or neutral organisations that do not want to show any affiliation, they do require to quickly and directly communicate to one or more other parties involved in the conflict in different situations. This is not new. The white flag is the original internationally recognized protective sign of truce or ceasefire, and request for negotiation. A white flag signifies to all that an approaching negotiator is unarmed, with an intent to surrender or a desire to communicate. This standard for a digital white flag protocol, the Whiteflag Protocol, provides a reliable means for both combatant and neutral parties in conflict zones to digitally communicate pre-defined signs and signals using blockchain technology. These sign and signals can also be used to communicate information about natural and man-made disasters, thus creating shared situational awareness beyond conflicts. All in all, the protocol forms the basis for a neutral and open network, the Whiteflag Network, for trusted real-time messaging between parties in conflicts and disaster response. 1.2 Purpose The purpose of the Whiteflag Protocol is to provide an open, real-time, trusted communication channel between any or all parties in conflict and disaster zones, without the requirement for a trusted third party or any specific software or system. -
1970S P Rints
PARVIZ 1970s Prints TANAVOLI PARVIZ TANAVOLI 1970s Prints 26 APRIL – 8 MAY 2021 “It’s like a family when they’re all together. They look good together.” Parviz Tanavoli, Tate Shots, 2015 All works in the exhibition are different editions to those mentioned in the provenance. The sizes stated are for the entire sheet. Grosvenor Gallery . 35 Bury Street, London, SW1Y 6AU . +44(0)20 7484 7979 . [email protected] as they liked. They were free to choose the wear most colourful dresses. They were always CONVERSATION WITH colours and change the proportions. Most happy to take my imageries, in fact it was like of the weavers followed the model pretty a challenge to them. We should not forget that PARVIZ TANAVOLI close, but some changed the proportions. The their own rugs and gabbehs are among the attached lion rugs are a good example of the most colourful ones. second group (IV, V, VI). Tribal weavers do not CM: Have you done other collaborative work in your Charles Moore, April 2021 work with cartoons. They often use an older career? rug as a model, but change the colours and motifs accordingly. PT: Yes, I have worked with various craftsmen, CM: To the outsider your print work seems a great among them coppersmiths, potters, jewellers CM: Where were the prints produced? CM: How did they react to the imagery? It must have departure from your sculptural work. How did the and carpenters. Iranian craftsmen are humble PT: The prints were made in the heating room been familiar yet totally alien to them? series of prints come about? and working with them not only was a (the basement of our house). -
Islamic and Indian
ISLAMIC AND INDIAN ART including The Tipu Sultan Collection Tuesday 21 April 2015 Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Andrew McKenzie, Simon Mitchell, Jeff Muse, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Antony Bennett, Matthew Bradbury, Mike Neill, Charlie O’Brien, Giles Peppiatt, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Lucinda Bredin, Harvey Cammell, Simon Cottle, Peter Rees, Iain Rushbrook, John Sandon, Matthew Girling Global CEO, Andrew Currie, Paul Davidson, Jean Ghika, Tim Schofield, Veronique Scorer, +44 (0) 20 7393 3900 Patrick Meade Global CEO, Charles Graham-Campbell, Miranda Grant, James Stratton, Roger Tappin, Ralph Taylor, +44 (0) 20 7393 3905 fax Geoffrey Davies, Jonathan Horwich, Richard Harvey, Robin Hereford, Asaph Hyman, Shahin Virani, David Williams, James Knight, Caroline Oliphant, Charles Lanning, Sophie Law, Fergus Lyons, Michael Wynell-Mayow, Suzannah Yip. Hugh Watchorn. Gordon McFarlan, ISLAMIC AND INDIAN ART Tuesday 21 April 2015, at 10.30 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 12 April +44 (0) 20 7447 7447 Claire Penhallurick Monday to Friday 8:30 to 18:00 11.00 - 15.00 +44 (0) 20 7447 7401 fax +44 20 7468 8249 +44 (0) 20 7447 7447 Monday 13 - Friday 17 April To bid via the internet please [email protected] 9.00 - 16.30 visit bonhams.com As a courtesy to intending Saturday 18 April bidders, Bonhams will provide a 11.00 - 15.00 Please note that bids should be Matthew Thomas written Indication of the physical Sunday 19 April submitted no later than 16:00 +44 20 7468 8270 condition of lots in this sale if a 11.00 - 15.00 on the day prior to the sale. -
The International Conference of the Red Cross and Red Crescent
Volume 91 Number 876 December 2009 The International Conference of the Red Cross and Red Crescent: challenges, key issues and achievements Franc¸ois Bugnion* Franc¸ois Bugnion, Doctor of Political Science, is an independent consultant in humanitarian law and humanitarian action. From January 2000 to June 2006 he was Director for International Law and Cooperation at the International Committee of the Red Cross. Abstract Since the constituent Conference in October 1863, which gave birth to the Red Cross,1 the International Conference of the Red Cross and Red Crescent has met on thirty occasions. The first meeting took place in Paris in 1867 and the thirtieth in Geneva in November 2007. What contribution has the Conference made to the development of international humanitarian law and humanitarian action? What are the main challenges that the Conference has had to face? Where has it succeeded and where has it failed? These are the questions that this article seeks to answer. * This article is a personal contribution and does not necessarily reflect the views of the International Committee of the Red Cross. English translation by Mrs Glynis Thompson. doi:10.1017/S1816383110000147 675 F. Bugnion – The International Conference of the Red Cross and Red Crescent: challenges, key issues and achievements The International Conference of the Red Cross and Red Crescent: an unparalleled forum The composition of the Conference The matters submitted to the International Conference, the nature of its debates, and the bearing of its decisions are determined by its composition. Virtually unique among international bodies, the International Conference of the Red Cross and Red Crescent brings together institutions born out of private initiative – the components of the Red Cross and Red Crescent Movement – and the States parties to the Geneva Conventions.2 This hybrid composition, which brings together institutions established as a result of private initiative and states, derives from the organization’s objectives. -
DOI: 10.7596/Taksad.V5i4.603 the Study of Statue of Women On
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 5, No. 4, December 2016 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr/index.php مجلة البحوث التاريخية والثقافية والفنية DOI: 10.7596/taksad.v5i4.603 The Study of Statue of Women on Iranian Coins Leila Fathi1 Abstract By examining Iranian coins, this study investigates the statues of Iranian women and manner their presence from Achaemenid periods until Jalayerian era in Iran. The study deals with coins since they are regarded as the precious documents of history, culture, and art of every nation and state, and relatively less affected by physical corrosion. The general purpose of this research is to study the women statues in different periods of Iran with regard to the motifs and decorations as well as minted writing son the coins. Examined coins reveal that the presence of women on the coins changes depending on converting to Islam—as before and after Islam. The study concludes two different aspects whether before Islam and after Islam as follow: 1. Based on beliefs and faiths of those era with the goddesses' statues; 2. Based on political aspects of those era. Keywords: Coin, Women, Women statue, Before- Islam, After- Islam. 1 Department of Art, University of Semnan, Semnan, Iran. 278 1. Introduction Since ancient times many symbols of female goddesses have been obtained in Iran which generally shows the power of worshiping mother goddess in pre- agriculture societies, and then, this thought can be find in arts and human-made things. -
Folkrätt I Väpnad Konflikt Om Orsaker
6 Fredsinsatser Med anledning av det svenska engagemanget i fredsinsatser1 och Försvarsmaktens ökade fokus på deltagande i sådana insatser har folkrättsliga frågor kring denna verksamhet blivit allt mer viktiga för Sverige. Dagens fredsinsatser baseras oftast på ett mandat antaget under FN-stadgans kapitel VII, vilket bl.a. innebär att de ges en rätt att använda våld som inte är begränsat till självförsvar utan också innefattar sådant våld som behövs för att lösa de i mandatet definierade uppgifterna. Trots detta deltar styrkorna sällan i fientligheter på en sådan nivå att den humanitära rätten kan anses formellt tillämplig. Som beskrivits i kapitel 2.1.3 är det förekomsten av en väpnad konflikt som aktualiserar den formella tillämpningen av krigets lagar. (Se kapitel 2 för närmare resone- mang kring definitionen av en väpnad konflikt.) Enligt våra direktiv ska vi vid den kartläggning av de folk- rättsliga regler som gäller för väpnade konflikter, ockupation och neutralitet bl.a. belysa den internationella humanitära rättens tillämplighet i fredsfrämjande insatser. I detta kapitel tar vi upp vissa principiella frågeställningar som fredsinsatser väcker i för- hållande till den humanitära rätten och delar av de mänskliga rättigheterna. Vi har emellertid blivit informerade om att avsikten är att frågan om rättsliga grunder för vålds- och tvångsanvändning av svensk militär personal och poliser i fredsinsatser ska behandlas av en särskild utredning, varför vi i vår framställning inte går in i detaljresonemang kring dessa frågor. 1 Med fredsinsatser menar vi främst militära insatser som baseras på ett mandat från FN:s säkerhetsråd oavsett vilken aktör (FN, EU eller NATO) som leder insatsen. -
80TH REGULAR SESSION March 5–10, 2012 Mexico, D.F., Mexico
80TH REGULAR SESSION OEA/Ser.Q March 5–10, 2012 CJI/doc.403//12 rev. 1 Mexico, D.F., Mexico 12 July 2012 Original: Spanish MODEL LEGISLATION ON PROTECTION OF CULTURAL PROPERTY IN THE EVENT OF ARMED CONFLICT (presented by Dr. Ana Elizabeth Villalta Vizcarra) I. MANDATE Taking into account resolution AG/RES. 2650 (XLI-O/11), adopted at the fourth plenary session, held in San Salvador, El Salvador, on June 7, 2011, of the forty-first regular session of the General Assembly of the Organization of American States (OAS), which resolution is entitled “Promotion of and Respect for International Humanitarian Law,” and which refers to the rich legacy of cultural assets in the Hemisphere recognized by UNESCO as world heritage, which would benefit from the protection systems of international humanitarian law; and that, in that resolution, the OAS General Assembly resolves, in operative paragraphs 1 and 4.d: 1. To urge the member states and the parties engaged in armed conflict to honor and fulfill their obligations under international humanitarian law, including those pertaining to safeguarding the life, well-being, and dignity of protected persons and property, and the proper treatment of prisoners of war. 4. To urge the member states to adopt such legislative or other measures as may be necessary to meet their legal obligations under the treaties on international humanitarian law to which they are party, including: d. To adopt provisions to guarantee protection of cultural property from the effects of armed conflict, which may include preventive measures related to the preparation of inventories, the planning of emergency measures, and the appointment of competent authorities. -
The Lion and Sun Art from Qajar Persia New Bond Street, London | 30 April 2019 Bonhams 1793 Limited Bonhams International Board Registered No
The Lion and Sun Art from Qajar Persia New Bond Street, London | 30 April 2019 Bonhams 1793 Limited Bonhams International Board Registered No. 4326560 Malcolm Barber Co-Chairman, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Montpelier Street, London SW7 1HH Matthew Girling CEO, Asaph Hyman, Caroline Oliphant, +44 (0) 20 7393 3900 Edward Wilkinson, Geoffrey Davies, James Knight, +44 (0) 20 7393 3905 fax Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Rupert Banner, Simon Cottle. The Lion and the Sun Art from Qajar Persia New Bond Street, London | Tuesday 30 April 2019, from 11:30 am VIEWING Please note: REGISTRATION ILLUSTRATIONS Thursday 25 April Telephone bidding is available only IMPORTANT NOTICE Front cover: 62 12pm to 4.30pm on lots where the lower end Please note that all customers, Back cover: 63 Friday 26 April estimate is at £1000 or above. irrespective of any previous Inside front cover: 119 Inside back cover: 60 9am to 4.30pm activity with Bonhams, are Sunday 28 April ENQUIRIES Oliver White required to complete the Bidder 11am to 3pm Registration Form in advance of Monday 29 April (Head of Department) IMPORTANT INFORMATION the sale. The form can be found 9am to 4.30pm +44 207 468 8303 In February 2014 the United at the back of every catalogue [email protected] States Government SALE NUMBER and on our website at www. announced the intention to 25434 Matthew Thomas bonhams.com and should be ban the import of any ivory +44 207 468 8270 returned by email or post to the into the USA. -
The Tanker War and the Law of Armed Conflict (Loac)
Chapter V THE TANKER WAR AND THE LAW OF ARMED CONFLICT (LOAC) he 1980-88 Tanker War nearly ran the gamut of issues related to the law of T armed conflict (LOAC), or the law ofwar (LOW) and its component, the law of naval warfare (LONW). The general law of maritime neutrality, general issues of necessity and proportionality, and issues of specific concern-visit and search including operations against convoyed, escorted or accompanied neutral mer chant ships; commerce ofbelligerents including belligerents' convoys and contra band; acquisition of enemy character; blockade, maritime exclusion and other zones and other uses of the ocean for warfare; capture of neutral vessels; humani tarian law and belligerents' personnel interned by neutral governments; targeting of ships and aircraft including convoys; conventional weapons; mine warfare; treatment of noncombatants, e.g., merchant seamen; deception (ruses ofwar) dur ing armed conflict-all figured during the Tanker War. These are the subjects of this Chapter as they applied to belligerents and neutrals during the war. Chapter III analyzed UN Charter law with particular reference to the law of self-defense and its relationship to the law ofneutrality, the law oftreaties, custom ary law, andjus cogens-based norms, and the general principles ofneutrality as they apply to war at sea, and to conduct between neutrals and belligerents. This Chapter will not repeat that analysis, except as it interfaces with the LOAC in situations in volving neutrals, e.g., mine warfare, discussed in sub-Part G.2. Chapter IV analyzed the law of the sea, and those principles will not be repeated in here, except as LOS concepts, e.g., due regard for others' uses of the sea, 1 apply by analogy in the LOAC. -
Recognizing the Capability of National and Traditional Images in Identifying the Packaging of Products for Export (Case Study: Iranian Edible Export)
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 7, No. 1, March 2018 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr ﻣﺠﻠﺔ اﻟﺒﺤﻮث اﻟﺘﺎرﯾﺨﯿﺔ واﻟﺜﻘﺎﻓﯿﺔ واﻟﻔﻨﯿﺔ DOI: 10.7596/taksad.v7i1.1368 Citation: Minaei, L. (2018). Recognizing the Capability of National and Traditional Images in Identifying the Packaging of Products for Export (Case Study: Iranian Edible Export). Journal of History Culture and Art Research, 7(1), 205-214. doi:http://dx.doi.org/10.7596/taksad.v7i1.1368 Recognizing the Capability of National and Traditional Images in Identifying the Packaging of Products for Export (Case Study: Iranian Edible Export) Leila Minaei1, Mohsen Marasy2 Abstract Identity is a complicated and significant issue in contemporary era in such a way that attention to its status forms the basis of the present study. One of the areas that can play o role in representing identity is relying on images used in packaging. Packaging is an applied art known as essential in contemporary societies and it is present everywhere. Packaging with national and traditional visual components is an important way to create and transfer identity. The necessity of this research is to reach patterns and theoretical viewpoints related to the concept of identity and to focus on recognizing its aspects through the images on the packaging of products for export. On this basis, the present study was conducted to recognize identifying elements used in the packaging of Iranian edible products for export. This basic research is descriptive-analytic in nature.