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The White Shark (Carcharodon Carcharias) in the Ancient Peruvian Ceremonial Centre of Huaca Pucllana
International Journal of Osteoarchaeology Int. J. Osteoarchaeol. 26: 114–120 (2016) Published online 9 March 2014 in Wiley Online Library (wileyonlinelibrary.com) DOI: 10.1002/oa.2401 The White Shark (Carcharodon carcharias) in the Ancient Peruvian Ceremonial Centre of Huaca Pucllana A. ALTAMIRANO-SIERRAa* AND P. VARGAS-NALVARTEb a Áreas Costeras y Recursos Marinos (ACOREMA), Pisco, Peru b Museo de Sitio Huaca Pucllana, Calle General Borgoño cuadra 8 S/N, Lima 18, Peru ABSTRACT New data regarding the white shark (Carcharodon carcharias) at the archaeological complex Huaca Pucllana (200–700 AD) are presented on the basis of the recent discovery of teeth in ritual offering features. Previous information of this species from fossil, archaeological and modern records is reviewed. The use of the white sharks as an El Niño indicator is rejected. Past and present white shark distribution in the South East Pacificis reviewed, and the extermination of pinniped colonies as a factor in the poor modern record is discussed. Copyright © 2014 John Wiley & Sons, Ltd. Key words: Carcharodon carcharias; ENSO; Huaca Pucllana; Lima culture; palaeoecology; Peru Introduction investigated this culture include Julio C. Tello (1999), Pedro Villar Córdova (1935), Max Uhle The white shark (Carcharodon carcharias) is a large apex (1970), Thomas C. Patterson (1966) and Isabel Flores predator species distributed in most of the world’s (1981, 2005). Huaca Pucllana was mainly a village of oceans. Its habitat comprises coastal and offshore farmers and fishermen. Inhabitants of this site built waters of continental and insular shelves. This shark large adobe pyramids, where they worshiped deities species has a wide range of prey items, including birds, symbolized by figures associated with the sea and cetaceans, pinnipeds, osteichthyians, chondricthyians marine life (waves, sharks, sea lions, etc.). -
Lost Ancient Technology of Peru and Bolivia
Lost Ancient Technology Of Peru And Bolivia Copyright Brien Foerster 2012 All photos in this book as well as text other than that of the author are assumed to be copyright free; obtained from internet free file sharing sites. Dedication To those that came before us and left a legacy in stone that we are trying to comprehend. Although many archaeologists don’t like people outside of their field “digging into the past” so to speak when conventional explanations don’t satisfy, I feel it is essential. If the engineering feats of the Ancient Ones cannot or indeed are not answered satisfactorily, if the age of these stone works don’t include consultation from geologists, and if the oral traditions of those that are supposedly descendants of the master builders are not taken into account, then the full story is not present. One of the best examples of this regards the great Sphinx of Egypt, dated by most Egyptologists at about 4500 years. It took the insight and questioning mind of John Anthony West, veteran student of the history of that great land to invite a geologist to study the weathering patterns of the Sphinx and make an estimate of when and how such degradation took place. In stepped Dr. Robert Schoch, PhD at Boston University, who claimed, and still holds to the theory that such an effect was the result of rain, which could have only occurred prior to the time when the Pharaoh, the presumed builders, had existed. And it has taken the keen observations of an engineer, Christopher Dunn, to look at the Great Pyramid on the Giza Plateau and develop a very potent theory that it was indeed not the tomb of an egotistical Egyptian ruler, as in Khufu, but an electrical power plant that functioned on a grand scale thousands of years before Khufu (also known as Cheops) was born. -
Los Patios Con Estructuras Escalonadas De Huaca Pucllana: Caracterización Y Función De Una Arquitectura Ceremonial Lima
Arqueología y Sociedad Nº 25, 2012: 57-88 ISSN: 0254-8062 Recibido: Junio de 2012 Aceptado: Octubre de 2012 LOS PATIOS CON ESTRUCTURAS ESCALONADAS DE HUACA PUCLLANA: CARACTERIZACIÓN Y FUNCIÓN DE UNA ARQUITECTURA CEREMONIAL LIMA isabel flores espinoza Proyecto de Investigación, Conservación y Puesta en Valor de Huaca Pucllana [email protected] Pedro Vargas nalvarte Proyecto de Investigación, Conservación y Puesta en Valor de Huaca Pucllana [email protected] José ccencho Huamaní Proyecto de Investigación, Conservación y Puesta en Valor de Huaca Pucllana [email protected] Hernán Silvera La Torre Proyecto de Investigación, Conservación y Puesta en Valor de Huaca Pucllana [email protected] RES um EN Los patios con estructuras escalonadas constituyen la unidad arquitectónica más recurrente en Huaca Pucllana, en este artículo se aborda una descripción detallada de éstas, así como, una caracterización gene- ral y una propuesta acerca de su función e importancia en el mundo ritual de la cultura Lima. La evidencia de Pucllana muestra características peculiares en cuanto a conservación y secuencia arquitectónica que permite realizar una propuesta global que abarque funcionalidad y cronología. Asimismo, se da revisión a la bibliografía existente acerca de este tema para así sustentar una propuesta que sirva para otros sitios Lima y ayude a caracterizar la arquitectura monumental del Periodo Intermedio Temprano de la costa central. 57 PALABRAS CLAVE : Cultura Lima, Huaca Pucllana, patio con estructura escalonada, arquitectura, cronolo- gía, funcionalidad. ABSTRACT The courts with staggered structures constitute the architectural unit more numerous in Huaca Pucllana, in this article a detailed description is approached of these as well as a general characterization and an Arqueología y Sociedad 25, 2012: 57-88 offer brings Lima over of his function and importance in the ritual world of the culture. -
© Hachette Tourisme 2011 TABLE DES MATIÈRES
© Hachette Tourisme2011 © Hachette Tourisme 2011 TABLE DES MATIÈRES LES QUESTIONS QU’ON SE POSE LE PLUS SOUVENT ....... 12 LES COUPS DE CŒUR DU ROUTARD ................................................. 13 COMMENT ALLER AU PÉROU ET EN BOLIVIE ? G LES LIGNES RÉGULIÈRES ............ 14 G DEPUIS LES PAYS G LES ORGANISMES DE VOYAGES ..... 14 LIMITROPHES ....................................... 38 GÉNÉRALITÉS COMMUNES AUX DEUX PAYS G AVANT LE DÉPART ............................ 40 G HISTOIRE CONTEMPORAINE ....... 59 G ARGENT, BANQUES, CHANGE .... 42 G ITINÉRAIRES ......................................... 59 G ART TEXTILE ......................................... 43 G LAMAS ET Cie ....................................... 60 G COCA ......................................................... 44 G LANGUE ................................................... 61 G CONSEILS DE VOYAGE G PHOTO ...................................................... 63 (EN VRAC) ............................................... 46 G RELIGIONS ET CROYANCES ........ 64 G COURANT ÉLECTRIQUE ................. 47 G SANTÉ ....................................................... 66 G GÉOGRAPHIE ....................................... 47 G TREKKING – RANDONNÉES ......... 68 G HISTOIRE ................................................. 49 G UNITAID .................................................... 70 PÉROU UTILE G ABC DU PÉROU ................................... 71 G DÉCALAGE HORAIRE ...................... 80 G AVANT LE DÉPART ............................ 71 G FÊTES ET JOURS FÉRIÉS ............. -
Visitantes Del Museo De La Inquisición
ESTADÍSTICAS DE VISITANTES DE LOS MUSEOS Y SITIOS ARQUEOLÓGICOS DEL PERÚ (1992 - 2018) ÍI,� tq -- ESTADÍSTICAS DE VISITANTES DEL MUSEO DEL CONGRESO Y DE LA INQUISICIÓN Y DE LOS PRINCIPALES MUSEOS Y SITIOS ARQUEOLÓGICOS DEL PERÚ ÍNDICE Introducción P. 2 Historia del Museo Nacional del Perú P. 3 Estadísticas de visitantes del Museo del Congreso y de la Inquisición P. 19 Estadísticas de visitantes del Museo Nacional Afroperuano del P. 22 Congreso Estadísticas del Sitio Web del Museo del Congreso y de la Inquisición P. 23 Estadísticas de visitantes del Museo del Congreso y de la Inquisición P. 29 Estadísticas de visitantes del Palacio Legislativo P. 40 Estadísticas de visitantes de los principales museos y sitios P. 42 arqueológicos del Perú 1 INTRODUCCIÓN El Museo del Congreso tiene como misión investigar, conservar, exhibir y difundir la Historia del Congreso de la República y el Patrimonio Cultural a su cargo. Actualmente, según lo dispuesto por la Mesa Directiva del Congreso de la República, a través del Acuerdo de Mesa N° 139-2016-2017/MESA-CR, comprende dos museos: Museo del Congreso y de la Inquisición Fue establecido el 26 de julio de 1968. Está ubicado en la quinta cuadra del Jr. Junín s/n, en el Cercado de Lima. Funciona en el antiguo local del Senado Nacional, el que durante el Virreinato había servido de sede al Tribunal de la Inquisición. El edificio es un Monumento Nacional y forma parte del patrimonio cultural del país. Además, ha estado vinculado al Congreso de la República desde los días del primer Congreso Constituyente del Perú, cuando en sus ambientes se reunían sus miembros, alojándose inclusive en él numerosos Diputados. -
Los Tesoros Culturales De La PUCP 06.Pdf
OT. 16793 / Public - Mirtha / PUCP - Ocina de Obras... / Los Tesoros Culturales de la PUCP - PORTADA / Medida: 40.6 x 20 cm / Lomo OK: 0.6 mm. / Int. 100 pp en Couche Mate 115 gr. / Cosido / TIRA PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ Rector Marcial Rubio Correa Vicerrector Académico Efraín Gonzáles de Olarte Vicerrectora de Investigación Pepi Patrón Costa Vicerrector Administrativo Carlos Fosca Pastor CRÉDITOS ÍNDICE © Pontificia Universidad Católica del Perú Av. Universitaria 1801, Lima 32, Perú Dirección de Actividades Culturales Enrique González Carré Dirección de Infraestructura Agradecimientos José Kanematsu Hazama Edición Presentación 10 Alain Vallenas Chacón Andrea Bringas Heredia Textos Introducción 14 Luis Armando Muro Ynoñán Ana Cecilia Mauricio Llonto Verónica Crousse de Vallongue Rastelli Redescubriendo la historia de Lima: Huaca 20 en el Fotografías contexto del Complejo Maranga 19 Miguel Cayo Urrutia Diseño y diagramación La cerámica de los Lima 29 César Soria Morales Las formas de la memoria 39 Primera edición marzo 2018 Tiraje 500 ejemplares Colección Huaca 20 50 Hecho el Depósito Legal en la Biblioteca Nacional del Perú: N° 2018-03085 Apéndice 99 Impresión Tarea Asociación Gráfica Pasaje María Auxiliadora 156-164 Lima 05. Publicado en marzo de 2018 AGRADECIMIENTOS La sexta edición de la colección Tesoros Culturales de la PUCP está dedicada a una colección de piezas de cerámica provenientes del sitio arqueológico de Huaca 20. Este En tercer lugar, queremos agradecer a Miguel Cayo y a César Soria, con quienes trabajamos número ha contado con aportes de varias personas de diversas disciplinas. En primer lugar, desde la conceptualización del catálogo y de las imágenes hasta los innumerables aspectos de queremos agradecer al doctor Carlos Fosca, Vicerrector Administrativo, quien, desde hace la diagramación final. -
Duccio Bonavia Berber (March 27, 1935-August 4, 2012) Ramiro Matos Mendieta Smithsonian Institution, [email protected]
Andean Past Volume 11 Article 9 12-15-2013 Duccio Bonavia Berber (March 27, 1935-August 4, 2012) Ramiro Matos Mendieta Smithsonian Institution, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/andean_past Recommended Citation Matos Mendieta, Ramiro (2013) "Duccio Bonavia Berber (March 27, 1935-August 4, 2012)," Andean Past: Vol. 11 , Article 9. Available at: https://digitalcommons.library.umaine.edu/andean_past/vol11/iss1/9 This Obituaries is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Andean Past by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. DUCCIO BONAVIA BERBER (MARCH 27, 1935-AUGUST 4, 2012) Ramiro Matos Mendieta National Museum of the American Indian Smithsonian Institution Portrait of Duccio Bonavia Berber courtesy of the Bonavia family Duccio Bonavia Berber died at dawn, at the I can imagine that Duccio had a premoni- age of seventy-seven, on Saturday, August 4, tion of his death. During conversations in June, 2012, in Ascope, Department of Trujillo, Peru. less than two months before he died, uncharac- Death surprised him while he was carrying out teristically, he emphasized his worries about his the last phase of his field-work at Huaca Prieta, life, and the serious problems that Tom would Magdalena de Cao, on Peru’s north coast. His face if there were a death in the field, as well as research project at the emblematic site was co- those of his daughter and son, because of the directed with Tom Dillehay of Vanderbilt Uni- distance, and even the effect such an event versity. -
ACTAS DEL VI CONGRESO NACIONAL DE ARQUEOLOGÍA DEL VI CONGRESO NACIONAL ACTAS Nacional De Www
ACTAS Congreso ACTAS DEL VI CONGRESO NACIONAL DE ARQUEOLOGÍA DEL VI CONGRESO NACIONAL ACTAS Nacional de www. congresoarqueologia.cultura.gob.pe VI Arqueología 1 2 ACTAS VI CONGRESO NACIONAL DE ARQUEOLOGÍA VOLUMEN I y II SIMPOSIO REGIONAL DE ARQUEOLOGÍA SIMPOSIO QHAPAQ ÑAN: DE LA COSTA NORTE TECNOLOGÍA Y TERRITORIO SIMPOSIO REGIONAL DE ARQUEOLOGÍA SIMPOSIO TEMÁTICO: ANÁLISIS DE DE LA COSTA CENTRAL COLECCIONES DE MATERIAL CERÁMICO SIMPOSIO REGIONAL DE ARQUEOLOGÍA DE LA COSTA SUR SIMPOSIO TEMÁTICO: ANÁLISIS BIOARQUELÓGICOS APLICADOS SIMPOSIO REGIONAL DE ARQUEOLOGÍA A ESTUDIOS FUNERARIOS DE LA SIERRA NORTE SIMPOSIO TEMÁTICO: GESTIÓN INTEGRAL DE SIMPOSIO REGIONAL DE ARQUEOLOGÍA PROYECTOS Y MUSEOS ARQUEOLÓGICOS DE LA SIERRA CENTRAL SIMPOSIO TEMÁTICO: ¿CÓMO PARTICIPAN SIMPOSIO QHAPAQ ÑAN: IDENTIFICACIÓN LOS PUEBLOS INDÍGENAS EN LA GESTIÓN Y REGISTRO DEL QHAPAQ ÑAN DEL PATRIMONIO CULTURAL? EXPERIENCIAS DE GESTIÓN EN EL ÁREA ANDINA SIMPOSIO QHAPAQ ÑAN: INTERVENCIONES EN SITIOS DEL CAMINO DE LOS LLANOS SIMPOSIO TEMÁTICO: EL FORMATIVO EN LOS ANDES CENTRALES SIMPOSIO QHAPAQ ÑAN: INTERVENCIONES EN SITIOS DEL CAMINO LONGITUDINAL DE LA SIERRA SIMPOSIO TEMÁTICO: PAISAJES PREHISPÁNICOS E IDEOLOGÍA SIMPOSIO QHAPAQ ÑAN: PUESTA EN USO SOCIAL DEL PATRIMONIO CULTURAL: REFLEXIONES CONCEPTUALES, SIMPOSIO TEMÁTICO: CONSERVACIÓN Y PUESTA HERRAMIENTAS METODOLÓGICAS Y EXPERIENCIAS EN VALOR DE SITIOS ARQUEOLÓGICOS SIMPOSIO QHAPAQ ÑAN: USO PÚBLICO DEL SIMPOSIO TEMÁTICO: ARQUEOLOGÍA QHAPAQ ÑAN: LAS MÚLTIPLES POSIBILIDADES DE PERIODOS HISTÓRICOS DE LA GESTIÓN DEL PATRIMONIO CULTURAL SIMPOSIO TEMÁTICO: ARQUEOLOGÍA SIMPOSIO QHAPAQ ÑAN: DE LA MUERTE QHAPAQ ÑAN, CAMINO VIVO SIMPOSIO TEMÁTICO: INTERVENCIONES SIMPOSIO QHAPAQ ÑAN: POBLADORES ARQUEOLÓGICAS EN EL MARCO DE Y RECURSOS DEL CAMINO PROYECTOS DE INFRAESTRUCTURA 3 Alejandro Arturo Neyra Sánchez Ministro de Cultura Leslie Carol Urteaga Peña Viceministra de Patrimonio Cultural e Industrias Culturales María Belén Gómez de la Torre Barrera Dirección General de Patrimonio Arqueológico Inmueble Ministerio de Cultura Av. -
Machu Picchu Was Rediscovered by MACHU PICCHU Hiram Bingham in 1911
Inca-6 Back Cover-Q8__- 22/9/17 10:13 AM Page 1 TRAILBLAZER Inca Trail High Inca Trail, Salkantay, Lares, Choquequirao & Ausangate Treks + Lima Lares, Choquequirao & Ausangate Treks Salkantay, High Inca Trail, THETHE 6 EDN ‘...the Trailblazer series stands head, shoulders, waist and ankles above the rest. Inca Trail They are particularly strong on mapping...’ Inca Trail THE SUNDAY TIMES CUSCOCUSCO && Lost to the jungle for centuries, the Inca city of Machu Picchu was rediscovered by MACHU PICCHU Hiram Bingham in 1911. It’s now probably MACHU PICCHU the most famous sight in South America – includesincludes and justifiably so. Perched high above the river on a knife-edge ridge, the ruins are High Inca Trail, Salkantay Trek Cusco & Machu Picchu truly spectacular. The best way to reach Lares, Choquequirao & Ausangate Treks them is on foot, following parts of the original paved Inca Trail over passes of Lima City Guide 4200m (13,500ft). © Henry Stedman ❏ Choosing and booking a trek – When Includes hiking options from ALEXANDER STEWART & to go; recommended agencies in Peru and two days to three weeks with abroad; porters, arrieros and guides 35 detailed hiking maps HENRY STEDMAN showing walking times, camp- ❏ Peru background – history, people, ing places & points of interest: food, festivals, flora & fauna ● Classic Inca Trail ● High Inca Trail ❏ – a reading of The Imperial Landscape ● Salkantay Trek Inca history in the Sacred Valley, by ● Choquequirao Trek explorer and historian, Hugh Thomson Plus – new for this edition: ❏ Lima & Cusco – hotels, -
Ancient Aliens Tour Paititi 2016 Englisch
HIGHLIGHTS Lima „City of the Kings“ Paracs, Candelabro, the Ballestas Islands, elongated Skulls & the Alien-Skulls The engraved stones of Ica Nazca Lines, Cahuachi and the aqueducts of Cantalloc Machu Picchu Nazca Lines Pampas Galeras, The Pyramids of Sondor, the Monolith of Sayhuite & the Moon-Portal in Quillarumiyoc Cusco, navel of the world and the Sacred Valley of the Incas Saqsayhuaman, Ollantaytambo, Pisac und Machu Picchu Tipon, Andahuaylillas & the Alien-Mummy Pucara, Sillustani, Cutimbo and Chullpas of Sillustani "The Ica Stones" - Museo Cabrera it’s connections to Gobekli Tepe, Egypt, Greece, Italy and Southern Germany Copacabana, Sun Island, La Paz Tiahunaco, Puma Punku & the “Stargate” of Amaru Muro Breathtaking landscapes, nature, culture, colourful and living cultures Tiwanacu, Bolivien Tiwanaku-Idol "Cusco Alien" Culinary delicacies … E-Mail : [email protected] © by www.paititi.jimdo.com Peru is one of the most fascinating and mysterious countries on this planet. On this tour you will experience a mixture of nature, culture, breathtaking landscapes, living traditions and the unsolved enigmas of the Inca and pre-Inca cultures. On our search for tracks we’ll both take you to the well-known landmarks, for example Nasca or Machu Picchu, and to sites less known which are scarcely included by the conventional tourism. Explore with us in the land of the Inca the former empire of the “elongated skulls”, megalithic people, ancient astronauts and mountain gods. Marvel at amazing tool marks which indicate to ancient high-technologies as well as to extraterrestrial legacies, connections to Egypt, Greece, Germany or Gobekli Tepe in Turkey. A historic-archaeological side trip to Bolivia also is included. -
Huayllati Abancay
72° W 760000 765000 770000 775000 780000 Huamichulla CALCA Emp. AP-113 Tranca / Tanta AP LA CONVENCION 906 85 Sijahui LA MAR Æ «¬ Ä Huallparume AP 7 CUSCO 113 Collauro URUBAMBA HUAMANGA 125 CALCA Ccantuyoc CHINCHEROS ANTA CUSCO VILCAS HUAMAN PARURO ANDAHUAYLAS HUAYLLATI ABANCAY VICTOR FAJARDO µ S S ° ° 4 4 1 COTABAMBAS 1 GRAU Hacienda Chura APURIMAC Vilcaro SUCRE Vilcaro AP AYMARAES Sampuro «¬906 LUCANAS ANTABAMBA CHUMBIVILCAS CUSCO LA UNION PARINACOCHAS CAYLLOMA 130 AYACUCHO AREQUIPA CAYLLOMA Rosaspata PAUCAR DEL SARA SARA CASTILLA CONDESUYOS CAYLLOMA 72° W 135 Manasqui Llicchivilca Llicchivilca. Pacallaque GAMARRA Vilcaki 0 0 0 0 0 0 0 Siclla 0 6 Ccasccarumi 6 4 Rocca 4 8 140 8 Tastapampa Adobina Huerta Ccata Chasquimocco 145 Ä Æ AP 7 a 112 Ocrabamba b m a Huayllati b HUAYLLATI a ilc Patahuasi V Patahuasi ío Huayllati R 150 AP «¬917 Osnobamba Huaccamolle Teneria Osccollo Tenería. Yanama Huayllapampa COYLLURQUI Chillec Ccallassoque / Callasoque Racrama Tamboratcay. R í Tamboraccay o Kiscamarca P Emp. AP-901. a l l c Yanarico. a CURPAHUASI Puyca Yanarico Sachayoc AP Pahuruma «¬905 AP «¬904 Molinopampa Llaulliyoc 155 Llaulliyoc Kullko Antiyo Kullco Ticapata Emp. AP-112 Yurac Rumi Emp. AP-112 Ñahuinlla 0 Q Ahuaytani 0 u 0 e 0 b r Comacha 0 a 0 d a 5 P 5 u Itaña 5 c 5 u 4 rh 4 u 8 a 8 y h u a y c o Tanta Sotoyo HUAYLLATI Machaypata Uchuypalca Matara Matara Ayahuillca 4020 Palpa Chico Palca Chico Pta. Carretera. AP Huampo 918 Emp. AP-112 «¬ AP 903 Emp. AP-901. -
Scale and the Incas PROD 01.Indd 1 1/10/18 2:48 PM © Copyright, Princeton University Press
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. CHAPTER ONE On Scale The storerooms of the Harvard Peabody Museum are filled with towering totem poles and tent posts, elongated dugout and birch bark canoes, and massive casts of stelae. The collection is at once a sprawling repository of art and industry and a microcosmic encapsulation of it because of the teaching museum’s vast size relative to other institutions and the staggering quantity of objects humans have produced. Amid this panoply of evidence of the ways civilizations have thought and wrought, strived and thrived, a clutch of diminutive Andean artifacts raises outsized questions about the ways societies conceptualize, perceive, and interpret scale (PLATES 1 & 2). Because the objects are so small — only a few centimeters long — curators have augmented their size. They have been grouped together, nestled into foam supports, and placed inside larger boxes. Removing a gray-blue lid, many of the contents may look like silver-colored wires, perhaps sewing needles. But, lifting one for inspection, a lump of metal placed toward one end makes clear that this particular object could never pass through cloth (PLATE 3). Its design is not for carrying thread but to spin it in the first place. The object takes the form of a drop spindle; except, at merely 48-37-30/7167.2 9.8 cm long, it is only one-half to one-third the typical length. Because it is made from a precious silver alloy and not wood, it is twice as heavy as a fine, functional spindle.