DOCSLIB.ORG

Corrina Repp | Pat Kearns (BS4BH) | Moon Duo at SXSW Volume 1 Issue 5 | April 15 - May 15, 2015 Free Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Corrina Repp | Pat Kearns (BS4BH) | Moon Duo at SXSW Volume 1 Issue 5 | April 15 - May 15, 2015 Free Contents WWW.OREGONMUSICNEWS.COM Red Fang BELOVED ROCK BAND OR ONLINE ROLE-PLAYING FANTASY TRIBE? PLUS: CORRINA REPP | PAT KEARNS (BS4BH) | MOON DUO AT SXSW VOLUME 1 ISSUE 5 | APRIL 15 - MAY 15, 2015 FREE CONTENTS THE FRONT ROW 4 Keep on dancing HEADLINERS 6 Red Fang: OMN speaks with Frontman Aaron Beam 8 Corrina Repp: The Road Back to Music 10 Tony Ozier: And the Funk 12 Pat Kearns: Bright Forecast for Blue 6 HEADLINERS: Red Fang Skies For Black Hearts Creator 13 Spotlight on PDX Spotlight THE SCENE 16 Shy Girls: Unshy State of Dan Vidmar 17 Moon Duo Marches on Austin at SXSW + Their New Album 18 Daniel Lanois: A New Album, Multi-media Show and An Affinity for Portland 16 20 Keith Buncke: From Lake Oswego to the Chicago Symphony REVIEWS 21 Album Reviews: Lauren Sheehan and Zoë ADVERTISE IN OREGON’S ONLY Carpenter, Johanna Warren, and Danko Jones ALL-GENRE PUBLICATION AND GROW YOUR BUSINESS ALONG GET OUT! 21 WITH THE STATE’S VIBRANT Staff picks for shows to catch around Oregon MUSIC COMMUNITIES 22 Cover photo by Jon T. Cruz 503-687-1252 | [email protected] 503-687-1247 | [email protected] ADVERTISE IN OREGON’S ONLY ALL-GENRE PUBLICATION AND GROW YOUR BUSINESS ALONG WITH THE STATE’S VIBRANT MUSIC COMMUNITIES 503-687-1252 | [email protected] 503-687-1247 | [email protected] FRONT ROW FROM THE MANAGEMENT Publisher Ana Ammann Editor-in-Chief Keep on dancing Tom D’Antoni Photography Editor BY TOM D'ANTONI Kevin Tomanka EDITOR-IN-CHIEF Copy Editor It’s not important that you are a good Christine Autrand Mitchell dancer, what’s important is that you want to dance. The mission of Writers Oregon Music News Robert Ham “Keep on dancing.” That’s what (OMN) is to grow Sunny Clark Heatwave said in their song “Boogie and sustain Oregon’s James Bash Nights.” Try to separate the image of that music community by Christa McIntyre era from this idea: everybody talks about providing an all-genre Ruben Mosqueda music but few talk about dancing to it. music platform for Matthew Bernstein comprehensive online and They talk about the people who make Holly Johnson print music journalism. it, the industry that manufactures it and Cervante Pope Inessa the horses they rode in on… leaving us OMN develops writers, Tony Starlight with the one thing that nobody talks about, yet is the real reason we photographers and digital love music. media producers of all Scott Cunningham It makes us dance in whatever manner our souls decide. If we’re experience levels – driven Nathan Rizzo open enough, we can hardly control ourselves. We are compelled to by a passion for music Alaya Wyndham dance. and a commitment to Aaron Martin journalistic integrity. Estevan MuÑoz “Dancing is a perpendicular expression of a horizontal desire.” Stephen Murray — George Bernard Shaw Since its inception in 2009, Stephen Blackman OMN has strived to: Thea Prieto Think about all of the different kinds of dancing we do. Yes, it does Teri Briggs Dennise Kowalczyk blow your mind when you stop and consider. • Provide training and Mellish And it ranges from ballet and modern dance, the most artistic… mentorship for new Wait, or is it? Who’s to say? I was thinking about the range of dance writers and photojournalists Photographers but, really, it’s less a spectrum - with one type on one end and another John Rudoff type on the other – than something more like a circle of the dances we • Provide a vehicle for Jon T. Cruz do to music. established writers/ Jason E Kaplan photographers to have Anthony Pidgeon “You look ridiculous if you dance their work published/ Karen Fox You look ridiculous if you don't dance syndicated Henry Ammann So you might as well William Riddle dance.” — Gertrude Stein • Introduce and promote local artists through Design/Layout More people dance to music than sit and listen to it, if you count coverage in OMN Ossie Bladine the unofficial dancing we do every day, head bobbing, finger snapping, and the dozens of ways our butts move in time… or out of • Inform community about Production time. music events Teri Gunn It doesn’t matter what kind of dancing, either. Everybody’s got a right, everybody’s got their own dance. Respect it. • Impact local youth Advertising music programs through Tammy Cook “It doesn’t matter if I’m off the beat. It doesn’t matter if I’m snapping awareness and giving Adriana Ness to the rhythm. It doesn’t matter if I look like a complete goon when I dance. It is my dance. It is my moment. It is mine. And dance I will. Try Reach us at [email protected] or and stop me.” —Dan Pearce PO Box 5494, Portland, Oregon 97228 To advertise, email [email protected] George Clinton once said, “Free your mind, your ass will follow.” I Facebook: www.facebook.com/oregonmusicnews primary logos think it might be the other way around. lenames for les provided Twitter: @oregonmusicnews for use on general items – main webpahge, · OMN_BW_simple_headphones letterhead, business card OMN 4 | AprilO 15 -M May N15, 2015 OMN · OMN_BW_capsule_headphones oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_color_headphones · OMN_BW_simple_microphone · OMN_BW_capsule_microphone OMN OMN OMN · OMN_color_microphone oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_BW_simple_volume · OMN_BW_capsule_volume · OMN_color_volume OMN OMN OMN oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com secondary logos for use in specic contexts · OMN_alternate_color_keyboard OMN OMN OMN · OMN_alternate_color_guitar oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_alternate_color_camera · OMN_alternate_color_mic · OMN_alternate_color_ticket · OMN_alternate_color_news OMN OMN OMN oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com primary logos lenames for les provided Elder Bring 'Em Hung of The Mormon Trannys "VD Massacre" at The Sandy for use on general items – main webpahge, · OMN_BW_simple_headphones Hut Valentine's Day party, February 14, 2015 // Photo by William Riddle letterhead, business card 5 | April 15 - May 15, 2015 OMN OMN OMN · OMN_BW_capsule_headphones oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_color_headphones · OMN_BW_simple_microphone · OMN_BW_capsule_microphone OMN OMN OMN · OMN_color_microphone oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_BW_simple_volume · OMN_BW_capsule_volume · OMN_color_volume OMN OMN OMN oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com secondary logos for use in specic contexts · OMN_alternate_color_keyboard OMN OMN OMN · OMN_alternate_color_guitar oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_alternate_color_camera · OMN_alternate_color_mic · OMN_alternate_color_ticket · OMN_alternate_color_news OMN OMN OMN oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com HEADLINER Red Fang OMN SPEAKS WITH FRONTMAN AARON BEAM BY RUBEN MOSQUEda PHOTOS BY JON T. CRUZ primary logos lenames for les provided for use on general items – Aaron Beam // bass, lead vocals main webpahge, · OMN_BW_simple_headphones letterhead, business card OMN 6 | AprilO 15 -M May N15, 2015 OMN · OMN_BW_capsule_headphones oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_color_headphones · OMN_BW_simple_microphone · OMN_BW_capsule_microphone OMN OMN OMN · OMN_color_microphone oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_BW_simple_volume · OMN_BW_capsule_volume · OMN_color_volume OMN OMN OMN oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com secondary logos for use in specic contexts · OMN_alternate_color_keyboard OMN OMN OMN · OMN_alternate_color_guitar oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com · OMN_alternate_color_camera · OMN_alternate_color_mic · OMN_alternate_color_ticket · OMN_alternate_color_news OMN OMN OMN oregonmusicnews.com oregonmusicnews.com oregonmusicnews.com regon Music News loves Rock ‘n' Roll man last winter. How did that all come together? too so when it came time to feature What was that experience like? a Rock band for the cover story there It was all arranged by Libby Coffey at MSO PR. She is was no question: let’s get Red Fang. amazing. It was a bit shocking and seemed fake when Over the course of the past decade, she first emailed us about it. It said something like, “Ok the Portland act has been deliver- guys, which of these weekends works best for you for ing the goods — and has slowly but surely become an doing Letterman.” And I honestly thought it was a joke! undergroundO global act. Red Fang’s unadulterated, full- The experience was incredible! I likened it to going on throttle, alcohol fueled brand of Rock ‘n' Roll proves that a huge scary roller coaster for the first time. Once you music is the universal language. get in the car and commit to going, you know you can’t Red Fang is comprised of Aaron Beam on bass and lead turn around. It’s pretty scary. But the moment it was vocals, Bryan Giles on guitar and vocals, John Sherman over I wanted to do it again. If that is the only national on drums and David Sullivan on lead guitar. Red Fang is television thing I ever do, I have absolutely nothing to just as well known for their music videos as they are for complain about. their music. The videos showcase the band’s ‘fun’ at- titude and how they don’t take themselves too seriously. Perhaps that’s what makes Red Fang so endearing to the What’s your guilty pleasure band or artist and blue-collar guy and gal — they’re just like us and they why? love beer. Oregon Music News caught up with Aaron I am too old to feel guilty about anything
Load more

Recommended publications
  • 2L August 2003
    OREGON MUSIC / AUGUST 2003 photo Buko Black ‘N Blue’s Geffen Records hometown debut at the Memorial Coliseum. Pictured (L to R), Pete Holmes, Jaime St. James, Pat- rick Young, Jef “Woop” Warner and Tommy Thayer. The band’s fi rst release on a Metal Blade compilation included another newcomer named Metallica. David Geffen signed Black ‘N Blue to his label in ‘84 and they recorded four albums, the last two produced by KISS’ Gene Simmons. Tommy Thayer joined the KISS family at the sounding board and as a musical contributor. Over the years he co-wrote songs and produced CD and DVD projects for the band including the title montage for New Line Cinema’s “Detroit Rock City”. Last year he assumed guitarist Ace Frehley’s Spaceman persona and replaced him completely this year. Page 2 - TWO LOUIES, August 2003 TWO LOUIES, August 2003 - Page 3 Page 2 - TWO LOUIES, August 2003 TWO LOUIES, August 2003 - Page 3 with so much talent. It probably felt like a compromise working together. Not that the results ever came across that way. Had Billy’s career not been cut short one can only speculate if, or what, they might have gone on to do had they had a chance to work together in artistic maturity. If overcoming all the ambition, ego, sibling rivalry, as well as the usual artistic demons that accom- pany most musicians wasn’t enough to warrant Lenny his well earned artistic and commercial success, well, that’s just it. In the end, it just wasn’t enough. Just when all the musical potential and years of struggle were fi nally paying off in the form of a fi nancially lucrative career writing and producing music for radio and television commercials, Lenny made what I would think must have been one of his life’s toughest John Leonard Rancher: Off the Grid decisions; to follow his heart and walk away from what was becoming a hollow success to focus his efforts in was checking my voice mail the other day Lennon was murdered, or upending Asteroids the pursuit of a higher cause; saving our forests and and low and behold a voice from the past.
    [Show full text]
  • The Chancellor Search Quietly Continues
    INDEPENDENT SINCE 1956 INSIDE NEWS The The Aldermanic race and UWM UWM PAGE 3 EDITORIAL Dean blows the Iowa caucus January 28, 2004 The weekly campus newspaper of UWM Volume 48 | Issue 16 PAGE 25 UWM Dance Team wins NEWS Hip Hop Championships The SA Spotlight: Know what's PAGE 8 going on at UWM! PAGE 2 Men's Basketball hits SPORTS eight conference wins What you missed in UWM PAGE 18 athletics PAGES 18-19 Greenstreet to Veto override sent to Assembly Governor Doyle re-examines Conceal and Carry Bill continue progress very surprised that the veto was overridden," said Carpen­ ter. "I hold no ill will but I in plenary address think it was a terrible deci­ sion. By Nathan Hal! "It is one of the worst pieces Staff Writer of legislation I have seen writ­ ten in the last 20 years. It has The spring semester plenary a lot of flaws," said Carpenter. speech, titled "Building Bridges, Some Bill supporters are Laying Foundations—A Progress confident that the Assembly Report," was held on Thursday, will uphold the veto override; Jan. 22 in Bolton Hall. Interim others say it will be close. Chancellor Bob Greenstreet and "I think it will be a close call Provost/ Vice Chancellor for Aca­ in the assembly," said Rolf Lind- demic Affairs John Wanat gave gren the author of a brief report on the state of the recalldoyle.com. "I think it will university to an audience of come down to one vote." approximately 150 people, Carpenter agreed with Lind- including administrators, facul­ Greenstreet gren.
    [Show full text]
  • Glam / Punk / Rock Label: Mottowsoundz
    Glam / Punk / Rock Label: Mottowsoundz Romano Nervoso is an Italian-Belgian band with a wide range of musical influences defining their own style - spaghetti rock and roll; wild rock and roll played by Italians. In just a few short years the band has been tearing up the live music scene full speed ahead. From local bars and taverns to some of the biggest concert venues and festivals in Europe, Romano Nervoso has proven himself as the ‘Godfather of Spaghetti Rock’ and a worthy contender of any venue while honing his charismatic onstage presence and becoming a seasoned live act with an unmistakable personal style. Constantly playing live shows throughout the year (averaging over 60 gigs a year) and supporting acts such as Johnny Hallyday, Triggerfinger and Danko Jones, among many others, the time has come for Romano Nervoso to make his mark and take centre stage. NOTABLE ACHIEVEMENTS Handpicked by Johnny Hallyday to be the opening act for two of his sold out shows at the Sportpaleis in Antwerp (venue maximum capacity: 23,359) Hollywood production Mayans MC (Sons of Anarchy spin-off) bought ‘Meet the 300 Sicilians’ to feature on the series soundtrack Recorded ‘In My Mind’ feat. Beverly Jo Scott Third studio album produced & mixed by Pelle Gunnerfeldt Two sold out album release shows for both Born to Boogie and I Don’t Trust Anyone Who Doesn’t Like Rock ‘n’ Roll Performing at Sziget Festival, Budapest Opening act for Danko Jones (Luxemburg) and currently recording a song together Opening two sold out shows for Triggerfinger (in Lille & Luxemburg) Playing Brussels Summer Festival alongside Therapy? And Triggerfinger Awarded Citizen of the Year (La Louviere) Opening Dour Festival and being invited back to play at the festival Opening act - Band of Skulls at The Botanique (BE) PRESS “Du rock secoué dans un shaker de punk et de disco” (rock mixed in a cocktail shaker with punk and disco) – Télé Bruxelles, Belgium “…Les compositions sont généreuses, festives et fidèles ‘à leur cause’.
    [Show full text]
  • Febbraio 2006.Pdf
    1 Periodico di informazione, cultura e curiosità dell’I.S.I.S.S “M. Casagrande” di Pieve di Soligo Anno 4, numero 2, febbraio 2006 Tra le cose più sconvenienti dell’Inverno c’è l’arriva- re a scuola presto il lunedì mattina, soprattutto se il LA DANZA DELLA NEVE proprio banco si trova a più di un metro di distanza dal termo più vicino. Tra le cose più sconvolgenti dell’Inverno c’è come certe studentesse riescano a portare magliettine a reni Sui campi e sulle strade scoperti in pieno Gennaio, soprattutto se la temperatu- ra non sale nemmeno a mezzogiorno sopra gli 0 gradi. silenziosa e lieve Tra le cose più sconcertanti dell’Inverno ci sono le conseguenze che, inevitabilmente, una pancia scoperta volteggiando, la neve in pieno Inverno comporta!! Ma tra le cose più divertenti dell’Inverno c’è sicura- cade.c a d e . mente la neve!! Danza la falda bianca Non mi è mai piaciuto l’Inverno. l’Inverno è così freddo; l’Inverno cala un velo grigio sugli occhi e fa nell'ampio ciel scherzosa, sbiadire tutto, spegne piano piano ogni cosa. Ma quando nell'ampio ciel scherzosa, cade la neve non posso fare a meno di pensare che alla fine vale la pena soffrire un pochino se la ricompensa è Poi sul terren si posa questa!! Quando cade la neve il mondo sembra adeguarsi al placido ritmo con cui scende ogni singolo fiocco, ed stanca.s t a n c a . acquistarne in parte la delicatezza. Quando cade la ne- ve, poi, ogni forma s’ammorbidisce, e il mondo sembra In mille immote forme coprirsi di un candido telo, su cui è possibile ricomincia- re a disegnare tutto, daccapo.
    [Show full text]
  • Southern Medical and Surgical Journal
    T SOUTHERN MEDICAL AID SURGICAL JOUMAL KDlTlD B PAUL F. EVE, M. D., and I. P. GARVIN, M. D. Medical College of Georgia. " Je prends Ic Men ou je le trouvc." VOL. II.-- 184 6.-NEW SERIES. AUGUSTA, GA. JAMES McCAFFERTY, PRINTER AND PUBLISHER. 1846. SOUTHERN MEDICAL AND SURGICAL JOURNAL. Vol. I] NEW SERIES.—FEBRUARY, 1846. [No. 2. PART I.—ORIGINAL COMMUNICATIONS. ARTICLE V. Arc account of the operations of Lithotrity and Lithotripsy in the United States, with a successful Case. By Paul F. Eve, M. D., Professor of Surgery in the Medical College of Georgia. A brief historical notice of the operations for crushing stone in the bladder, that have been performed in our country, it is thought would not be uninteresting or unacceptable to the profession ; and be also a suitable introduction to the first case of the kind in which it is believed, this method has been successfully resorted to, in the South-west. The word Lithotrity is derived from Xi0o$, a stone, and Tirpau, or Tepcco, I pierce—that of Lithontripsy, or Lithotripsy, from \id6s, a stone and TpiSa, I pulverize, or Tpinrrw, 1 crush, or T> t7n S , pulverization. The first designates the operation which Civiale established twenty years ago, and consisted in repeatedly drilling holes through a calculus in the bladder ; and the latter term we apply to the more recent one of crushing the stone directly and at once, without previously piercing it. About the year 1820, a regular series of experiments were com- menced in the city of Paris, having for their object the destruction of stone in the bladder without resorting to cutting instruments.
    [Show full text]
  • THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
    ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
    [Show full text]
  • Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation
    Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation Dedicated to the memory of Kurt Lewin TAMARA DEMBO, Ph.D.,2 GLORIA LADIEU LEVITON, Ph.D.,3 AND BEATRICE A. WRIGHT, Ph.D.4 AT PARTICULAR times in the history of To investigate the personal and social science, particular problems become ripe for problems of the physically handicapped, two investigation. A precipitating event brings groups of subjects were needed—people who them to the attention of a single person and were considered handicapped and people sometimes to that of several at the same time. around them. Therefore, as subjects of the It is therefore understandable that during research both visibly injured and noninjured World War II the need was felt to investigate people were used. Interviews were employed as the problems of social-psychological rehabilita­ the primary method of investigation, the tion of the physically handicapped and that great majority of the 177 injured persons someone should look for a place and the means interviewed being servicemen or veterans of to set up a research project that would try to World War II. More than half the subjects solve some of these problems. In pursuit of had suffered amputations and almost one such a goal a research group was established fourth facial disfigurements. The injured man at Stanford University on February 1, 1945. was asked questions designed to elicit his expectations, experiences, and feelings in his Conducted partially under a contract between dealings with people around him. Sixty-five Stanford University and the wartime Office noninjured people also were interviewed in of Scientific Research and Development (rec­ regard to their feelings toward the injured man.
    [Show full text]
  • The Iron Butterfly Free
    FREE THE IRON BUTTERFLY PDF Chanda Hahn | 276 pages | 18 Apr 2012 | Createspace Independent Publishing Platform | 9781475070378 | English | United States Iron Butterfly Definition Iron Butterfly is an American rock band best known for the hit " In-A-Gadda-Da-Vida ", providing a dramatic sound that led The Iron Butterfly way towards The Iron Butterfly development of hard rock and heavy metal music. Formed in San Diego, Californiaamong band members who used to be "arch enemies", their heyday was the late s, but the band has been reincarnated with various members with varying levels of success, with no new recordings since Iron Butterfly was the first group to receive an In-House platinum album award from Atlantic Records. The band formed in in San Diego. The group were soon joined by vocalist and tambourine player Darryl DeLoach. Jerry Penrod replaced Willis after the band relocated to Los Angeles in the summer of Pinney eventually left to return to school. Bruce Morse then replaced The Iron Butterfly until Ron Bushy from a group called the Voxmen came aboard The Iron Butterfly Morse left due to a family emergency. In earlythe band's debut album Heavy The Iron Butterfly released after signing a deal with Atco Recordsan Atlantic Records subsidiary. The group was signed by Atlantic's Charles Greene, who was co-producer of Heavy. All but Ingle and Bushy left the band after completing the album in the late summer of The Iron Butterfly two remaining musicians, faced with the possibility of the record The Iron Butterfly being released, quickly found replacements in bassist Lee Dorman and year-old guitarist Erik Brann also known as "Erik Braunn" and "Erik Braun" and resumed touring.
    [Show full text]
  • OP 323 Sex Tips.Indd
    BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35
    [Show full text]
  • The Parthenon, April 23, 2014
    Marshall University Marshall Digital Scholar The aP rthenon University Archives Spring 4-23-2014 The aP rthenon, April 23, 2014 Bishop Nash [email protected] Follow this and additional works at: http://mds.marshall.edu/parthenon Recommended Citation Nash, Bishop, "The aP rthenon, April 23, 2014" (2014). The Parthenon. Paper 359. http://mds.marshall.edu/parthenon/359 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The aP rthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. WEDNESDAY, APRIL 23, 2014 | VOL. 117 NO. 121 | MARSHALL UNIVERSITY’S STUDENT NEWSPAPER | marshallparthenon.com Children’s Art “The good man is the friend of all living things.” Festival takes to — Mahatma Gandhi Heritage Station Marshall University celebrates Saturday By ALEXANDRIA RAHAL THE PARTHENON Huntington’s Regional Chamber of Commerce in collaboration with the Mar- shall University School of Art and Design and the Hun- tington Museum of Art are welcoming children ages EARTH DAY 2014 3-12 to participate in the seventh annual Children’s Art Festival Extravaganza. CAFE will take place from 11 a.m. to 2 p.m. Saturday at Heritage Station. It is free and open to the public. This year’s theme for the festival, chosen by the Marshall School of Art and Design, is Land, Sea and Sky. CAFE will consist of 10 booths, each featuring a different art project sur- rounding the theme. Marshall, the Huntington Museum of Art and Latta’s School Supply have donated all supplies for the projects.
    [Show full text]
  • Crinew Music Re Uoft
    CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
    [Show full text]
  • Weekly
    May WEEKLY SUN MON Tur INFO THU FRISAT no, 1 6 7 23 45 v4<..\k, 9 10 1112 13 14 15 $3.00 As?,9030. 8810 85 16 17 18 19 20 21 22 $2.80 plus .20 GST A 2_4 2330 243125 26 27 28 29 Volume 57 No. 14 -512 13 AA22. 2303 Week Ending April 17, 1993 .k2't '1,2. 282 25 No. 1 ALBUM ARE YOU GONNA GO MY WAY Lenny Kravitz TELL ME WHAT YOU DREAM Restless Heart WHO IS IT Michael Jackson SOMEBODY LOVE ME Michael W. Smith LOOKING THROUGH ERIC CLAPTON PATIENT EYES Unplugged PM Dawn Reprise - CDW-45024-P I FEEL YOU Depeche Mode LIVING ON THE EDGE Aerosmith YOU BRING ON THE SUN Londonbeat RUNNING ON FAITH CAN'T DO A THING Eric Clapton (To Stop Me) Chris Isaak to LOOK ME IN THE EYES oc Vivienne Williams IF YOU BELIEVE IN ME thebeANts April Wine coVapti FLIRTING WITH A HEARTACHE Ckade Dan Hill LOITA LOVE TO GIVE 0etex s Daniel Lanois oll.v-oceve,o-c1e, DON'T WALK AWAY Jade NOTHIN' MY LOVE CAN'T FIX DEPECHE MODE 461100'. Joey Lawrence ; Songs Of Faith And Devotion c.,25seNps CANDY EVERYBODY WANTS 10,000 FLYING THE CULT Blue Rodeo Pure Cult BIG TIME DWIGHT YOAKAM I PUT A SPELL ON YOU LEONARD COHEN This Time Bryan Ferry The Future ALBUM PICK DANIEL LANOIS HARBOR LIGHTS ALADDIN . For The Beauty Of Wynona Bruce Hornsby Soundtrack HOTHOUSE FLOWERS COUNTRY Songs From The Rain ADDS HIT PICK JUST AS I AM Ricky Van Shelton No.
    [Show full text]