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Lisa Batiashvili, Violin and Paul Lewis, Piano Wednesday, March 25, 2015 – 8:00 PM Perelman Theater, Kimmel Center
PREVIEW NOTES Lisa Batiashvili, violin and Paul Lewis, piano Wednesday, March 25, 2015 – 8:00 PM Perelman Theater, Kimmel Center Program Violin Sonata in A Major, D. 574, Grand Duo following year as Opus 70 it was given the title "Rondo Franz Schubert brillant" by the publisher. Born: January 31, 1797 in Vienna, Austria Died: November 19, 1828 in Vienna, Austria Violin Sonata in E Minor, BWV 1023 Composed: 1817 Johann Sebastian Bach Last PCMS performance: Jaime Laredo in 2005 Born: March 21, 1685 in Eisenach, Germany Duration: 17 minutes Died: July 28, 1750 in Leipzig, Germany Composed: 1714‐17 Not published until 1851, this work of Schubert's early Last PCMS performance: Jaime Laredo in 2005 maturity fully deserves the designation "duo" appended Duration: 10 minutes by the publisher; unlike Schubert's earlier works for violin and piano, this sonata makes the keyboard a full Most of Bach's accompanied violin sonatas pair the partner and displays the composer's increasing instrument with harpsichord alone, and cast the violin in confidence in writing for piano. The first of the four a supporting role. BWV 1023, however, puts the violin movements begins with a few bars of amiable piano front and center with support from a continuo. introduction that become the accompaniment to a low‐ key, songful violin theme. The second movement is a Violin Sonata in G Major, Op. 96 rollicking piece in which a little piano fanfare launches a Ludwig van Beethoven scurrying violin figure. The music lurches through some Born: December 16, 1770 in Bonn, Germany surprising key changes, often coming to a full stop Died: March 26, 1827 in Vienna, Austria before continuing with quite different material, and Composed: 1812 features highly chromatic writing for the violin. -
Chloë Hanslip, Violin Royal Philharmonic
559302 bk Adams US 7/14/06 12:41 PM Page 5 Charles Owen Royal Philharmonic Orchestra AMERICAN CLASSICS Charles Owen began his musical studies at the Yehudi Menuhin The Royal Philharmonic Orchestra was established in 1946 by Sir Thomas Beecham, who set about creating a world- School with Seta Tanyel and continued at the Royal College of class ensemble from the finest musicians in Britain. Since his death in 1961 the orchestra has continued under a Music under the guidance of Irina Zaritskaya. There he won all the number of very distinguished conductors, including Rudolf Kempe, Antal Doráti, André Previn and Vladimir major piano prizes before completing his studies with Imogen Ashkenazy, followed in 1996 by their present Music Director, Daniele Gatti. Based in London, with a resident series Cooper. He received the Silver Medal at the Scottish International at both the Royal Albert Hall and Cadogan Hall, the orchestra also has a comprehensive United Kingdom and JOHN ADAMS Piano Competition (1995) and was a finalist in the 1996 London overseas touring programme. Recent highlights have included playing for the late Pope John Paul II in the Vatican, Philharmonic/Pioneer Young Soloist of the year competition. In for the President of China in Tiananmen Square and at the tenth anniversary celebration of Kazakhstan’s 1997 he won the prestigious Parkhouse award in partnership with independence, in addition to touring regularly throughout Europe and the United States. The orchestra has made the violinist Katharine Gowers. His concert activities are diverse many recordings and has a commitment to community and education projects, as well as to contemporary composers. -
Lionel Bringuier
Lionel Bringuier Conductor French conductor Lionel Bringuier is one of the most engaging conductors of his generation, heralded for his artistic maturity, emotional insight, and insightful programming. He appears frequently with the world’s preeminent orchestras, and regularly collaborates with top solo artists both in concert and on critically lauded recordings. During the 2017/2018 season, Mr. Bringuier will make two appearances with the Orchestre National de Lyon, in November 2017 and May 2018. The season also includes engagements with the Leipzig Gewandhaus Orchestra, Chicago Symphony Orchestra, Orchestre Philharmonique de Radio France, Montreal Symphony Orchestra, Finnish & Swedish Radio Symphony Orchestras, Gothenburg Symphony Orchestra, Orquesta Sinfonica de Castilla y León, Gulbenkian Symphony Orchestra, and Malaysian Philharmonic, among others. Bringuier makes his seasonal return to the Los Angeles Philharmonic in March 2018, with a programme featuring Dvorak, Symphony No.8. Mr. Bringuier’s other programmes this season feature a vast range of repertoire; additional highlights include Dutilleux’ Symphony No. 1, Lutosławski’s Les espaces de sommeil, and Brett Dean’s Amphitheatre, alongside works by Shostakovich, Ravel, Salonen, Gruber, Varèse, Berlioz, and more. Bringuier has appeared as a guest conductor with the New York Philharmonic, Cleveland Orchestra, Munich Philharmonic, Simón Bolívar Symphony Orchestra of Venezuela, Philharmonia Orchestra, and Israel Philharmonic Orchestra. Named Chief Conductor and Music Director of the Tonhalle Orchestra Zurich in 2012, he now enters his seventh season working with the ensemble. Mr. Bringuier and the TOZ will embark on a multi- city tour throughout Europe in April 2018, with pianist Igor Levit as soloist. Following the landmark inauguration of the Creative Chair Initiative for the Tonhalle Orchestra Zurich in his first season, Lionel Bringuier will collaborate with the composer Brett Dean this year. -
Kammerorchester Des Symphonieorchesters Des BR
Kammerorchester des Symphonieorchesters des BR The Chamber Orchestra of the Bavarian Radio Symphony Orchestra was founded by Radoslaw Szulc and Karl Wagner in 2000 to mark the 50th anniversary of the symphony orchestra. Thus emerged a flexible collective of virtuosic players dedicated to cultivating the chamber music ideal. As primus inter pares Radoslaw Szulc oversees the ensemble’s artistic direction. The ensemble has been hailed by the Sueddeutsche Zeitung ”…from the start a first-rate orchestra with its own character. Their sophisticated playing has differentiated structures of communication as well as musical verve…they give special attention to a full sound and achieve the aspired ideal with utmost instrumental precision.” TV and CD productions quickly followed, starting with Tchaikovsky´s works for string orchestra. The chamber orchestra became known early on for its homogenous and lush string sound. They appear frequently in the major musical centers of Europe as well as at international festivals. The chamber orchestra developed a close friendship with Hélène Grimaud and Frank Peter Zimmermann. In 2011 Mozart´s piano concertos in F Major KV 459 and in A Major KV 488 featuring Hélène Grimaud were released by Deutsche Grammophon and became number one on the US Classic Charts. In 2014 the chamber orchestra began recording all of the Mozart violin concertos with Frank Peter Zimmermann; even before completion of the project in 2015 the first part of the recordings appeared in the Classic Charts. The orchestra has also recorded several Bach violin concertos featuring Lisa Batiashvili for Deutsche Grammophon. The chamber orchestra frequently collaborates with other famous soloists such as Lang Lang, Julia Fischer, Mischa Maisky, Sabine Meyer, Pinchas Zukerman, Diana Damrau, Igor Levit, Vadim Repin, Janine Jansen und Maxim Vengerov. -
Folk Roots, Urban Roots
Thursday 13 December 2018 7.30–9.55pm Barbican Hall LSO SEASON CONCERT FOLK ROOTS, URBAN ROOTS Bartók Hungarian Peasant Songs Szymanowski Harnasie Interval Stravinsky Ebony Concerto Osvaldo Golijov arr Gonzalo Grau Nazareno Bernstein Prelude, Fugue and Riffs ROOTS & Sir Simon Rattle conductor Edgaras Montvidas tenor Chris Richards clarinet Katia and Marielle Labèque pianos Gonzalo Grau percussion Raphaël Séguinier percussion London Symphony Chorus ORIGINS Simon Halsey chorus director In celebration of the life of Jeremy Delmar-Morgan Streamed live on youtube.com/lso Recorded by BBC Radio 3 for broadcast on Tuesday 18 December Welcome Jeremy Delmar-Morgan In Memory 1941–2018 We are also delighted to welcome Katia and Jeremy Delmar-Morgan was a member of Marielle Labèque, who perform Nazareno, the LSO Advisory Council for over 20 years, a double piano suite drawn from Osvaldo a Director of LSO Ltd from 2002 to 2013, and Golijov’s La Pasión según San Marco, thereafter a Trustee of the LSO Endowment arranged by Gonzalo Grau, who appears Trust. He was also Honorary President of alongside Raphaël Séguinier as one of this the Ronald Moore Sickness and Benevolent evening’s percussion soloists. We then close Fund, where he brought invaluable advice with Prelude, Fugue and Riffs by the LSO’s to the LSO musicians on the investment former President, Leonard Bernstein, with strategy for the fund. After studying LSO Principal Clarinet Chris Richards as soloist. medicine at Cambridge he went into the City for a career in stock-broking, latterly elcome to this LSO concert at Tonight’s concert is performed in combining the two in the financing of the Barbican. -
Dear Music Lover, Welcome to the 23Rd Year of Music at the National
Dear Music Lover, Welcome to the 23rd year of music at the National Museum of Women in the Arts. We are delighted to have been able to reschedule two of the concerts cancelled last season due to COVID-19 and to have added a third. This season, concerts will begin in the spring of 2021. Our concern for audience and artist safety led us to delay the season with the hope that it will be safer to congregate in person at that time. However we anticipate at this time that the concerts will be virtual. If things do change, we will certainly notify you. Our season kicks off on March 31 with the acclaimed McDermott Trio, featuring Anne-Marie, Kerry, and Maureen McDermott, with master violist Paul Neubauer. The McDermott Trio has been recognized as one of the most exciting trios of their generation and Neubauer has been called "a master musician" by the New York Times due to his exceptional musicality and effortless playing. On May 12, we welcome the talented Stefania Dovhan, who has performed at many opera houses including the Royal Opera House, the New York City Opera, and the Baltimore Lyric Opera. We will close out the season on June 2 with the amazing violinist Jennifer Koh, who is known for her intense, commanding performances delivered with dazzling virtuosity and technical assurance. Since 1998, we have presented more than sixty-nine free concerts featuring emerging and established women musicians who have brought to life the halls of this great museum with their artistry and talent. Thank you for your continued support of the Shenson Chamber Music Concert Series. -
The Mariinsky Ballet & Orchestra
Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko, -
Chicago Presents Symphony Muti Symphony Center
CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT. -
Haochen Zhang Bio | the Philadelphia Orchestra
Haochen Zhang Piano 2019 Tour of China Since his gold medal win at the Thirteenth Van Cliburn International Piano Competition in 2009, Haochen Zhang has captivated audiences in the United States, Europe, and Asia. In 2017 he received the prestigious Avery Fisher Career Grant. He has already appeared with many of the world’s leading festivals and orchestras including the BBC Proms; the China, Munich, London, Los Angeles, Israel, and Hong Kong philharmonics; the Easter Festival in Moscow; the London, San Francisco, Seattle, Singapore, and Sydney symphonies; the Mariinsky Orchestra; and the NDR Sinfonieorchester. He made his Philadelphia Orchestra debut in 2006 as a winner of the Orchestra’s Albert M. Greenfield Student Competition. Mr. Zhang is also an avid chamber musician, collaborating with colleagues such as the Shanghai Quartet, the Tokyo Quartet, the Brentano Quartet, violinist Benjamin Beilman, and cellist Aurélien Pascal. He is frequently invited by chamber music festivals in the United States including the Santa Fe Chamber Music Festival and La Jolla Summerfest. Highlights of the 2018-19 season included his debut with the Lucerne Festival Orchestra and performances with the National, Hong Kong, and China philharmonics; the San Angelo, Guangzhou, Shanghai, and Spokane symphonies; and recitals in Berlin, Paris, Madrid, Lucerne, and Brussels, among others. Mr. Zhang has recorded a recital CD, released by BIS Records in February 2017, which includes works by Schumann, Brahms, Janacek, and Liszt. He gave extensive recital and concerto tours in Asia with performances in China, Hong Kong, and Japan. In October 2017, Haochen gave a concerto performance at Carnegie Hall with the NCPA Orchestra, which was followed by his recital debut at Carnegie’s Zankel Hall. -
Michael-Francis-Press-Kit.Pdf
_____________________________________________ M I C H A E L F R A N C I S Conductor _______________________________________ ichael Francis has quickly established himself 2014/2015 conduct return engagements with the BBC M as an international conductor creating National Orchestra of Wales, RTÉ National ongoing relationships with the world’s leading Symphony of Ireland, the Dresden Philharmonic, orchestras. He came to prominence as a conductor in and the symphonies of Oregon, Cincinnati, Ottawa January 2007 when he replaced an indisposed and Pittsburgh. Valery Gergiev for concerts with the London Symphony Orchestra during the BBC His European engagements have included the Gubaidulina festival at the Barbican Centre. Only English Chamber Orchestra, Orchestre de Chambre one month later, Francis was asked, this time with de Lausanne, Orquesta Sinfónica de RTVE Madrid, only two hours’ notice, to replace the Helsinki Philharmonic, the Mariinsky Orchestra, composer/conductor John Adams in a performance Orchestre Philharmonique de Monte-Carlo, and of his own works with the LSO at the Philharmonie Stuttgart Radio Symphony. Luxembourg and one short year later, January 2009, he replaced André Previn leading a German tour of Michael Francis’ 2010 debut with the San Francisco the Stuttgart Radio Symphony. Symphony quickly established a formidable relationship with the orchestra. He has now led Recently appointed Music Director for the Florida twenty-one different classical programs and three Orchestra in the Tampa Bay area, Michael Francis New Year’s Eve programmes with the orchestra. will assume his new role September 2015. He is also in his third season as Chief Conductor and Artistic In Asia, Michael Francis has worked with Japan Advisor to Sweden’s Norrköping Symphony Philharmonic, Tokyo Symphony, Hong Kong Orchestra and follows in the footsteps of Herbert Philharmonic, and National Taiwan Symphony with Blomstedt and Franz Welser-Möst each of who was upcoming returns to the Malaysia and Seoul Chief Conductor with the orchestra. -
Foundation for Chinese Performing Arts 中華表演藝術基金會
中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Chinese music and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (currently conductor and Associate Professor of Music, Stanford University,) 1990: (late) Pei-Kun Xi, MM, conductor, NEC; 1991: pianists John Park and J.G. -
August 8-16 2019 August 15 2019
www.kirovmusicfestival.org August 8-16 2019 Kirov Academy of Washington D.C. August 15 2019 The Kennedy Center Family Theater KIROV ACADEMY of MUSIC | 2 The Kirov Academy is dedicated to artistic and academic excellence and to instilling a moral education in our students. Founded 30 years ago in Northeast D.C. on universal principles of love, respect, and service, Kirov Academy believes in the importance of the arts and culture in creating a world of beauty and effectuating positive change. This year marks the inaugural occurrence of the Kirov International Music Festival and Competition, Washington, D.C.’s most significant new competition and festival. Marking the commencement of the Kirov Academy’s ongoing collaboration with the Moscow Conservatory and the debut of its new Music Department, the Kirov International Music Festival has brought students and instructors from across the globe to participate in master classes with internationally renowned musicians and masters, and to be given the opportunity to compete with their talented and dedicated peers. In addition to performing at the Kennedy Center, competition winners have been extended an invitation to perform at the Moscow Conservatory. KIROV ACADEMY of MUSIC | 3 PRESIDENT Message Distinguished Friends and Patrons of the Arts, The Kirov Academy is honored to host the 1st Kirov International Music Festival and Competition in the heart of Washington DC. Our new initiative aims to connect tomorrow’s talent with a global family of outstanding musicians who are engaged in creating a world of beauty and effectuating positive change through the arts. The Kirov International Music Festival and Competition builds on the foundation of the celebrated Kirov Academy of Ballet that enjoys a 30 year tradition synonymous with Russian excellence.