The Classroom Music Program. INSTITUTION Bloomington Public Schools, Minn
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Creative Conver
TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E. -
2021 Anthology
CREATING SPACES 2021 A collection of the winning writings of the 2021 writing competition entitled Creating Spaces: Giving Voice to the Youth of Minnesota Cover Art: Ethan & Kitty Digital Photography by Sirrina Martinez, SMSU alumna Cover Layout: Marcy Olson Assistant Director of Communications & Marketing Southwest Minnesota State University COPYRIGHT © 2021 Creating Spaces: Giving Voice to the Youth of Minnesota is a joint project of Southwest Minnesota State University’s Creative Writing Program and SWWC Service Cooperative. Copyright reverts to authors upon publication. Note to Readers: Some of the works in Creating Spaces may not be appropriate for a younger reading audience. CONTENTS GRADES 3 & 4 Poetry Emma Fosso The Snow on the Trees 11 Norah Siebert A Scribble 12 Teo Winger Juggling 13 Fiction Brekyn Klarenbeek Katy the Super Horse 17 Ryker Gehrke The Journey of Color 20 Penni Moore Friends Forever 35 GRADES 5 & 6 Poetry Royalle Siedschlag Night to Day 39 Addy Dierks When the Sun Hides 40 Madison Gehrke Always a Kid 41 Fiction Lindsey Setrum The Secret Trail 45 Lindsey Setrum The Journey of the Wild 47 Ava Lepp A Change of Heart 52 Nonfiction Addy Dierks Thee Day 59 Brystol Teune My Washington, DC Trip 61 Alexander Betz My Last Week Fishing with my Great Grandpa 65 GRADES 7 & 8 Poetry Brennen Thooft Hoot 69 Kelsey Hinkeldey Discombobulating 70 Madeline Prentice Six-Word Story 71 Fiction Evie Simpson A Dozen Roses 75 Keira DeBoer Life before Death 85 Claire Safranski Asylum 92 Nonfiction Mazzi Moore One Moment Can Pave Your Future -
Alicia Keys Celebrates the Launch of Her New Book, More Myself: a Journey, in a Special Evening of Storytelling from Behind the Piano at BAM—Mar 31
Alicia Keys celebrates the launch of her new book, More Myself: A Journey, in a special evening of storytelling from behind the piano at BAM—Mar 31 First date of the More Myself Tour A part of Unbound, a book launch series co-presented by BAM and Greenlight Bookstore More Myself with Alicia Keys Co-presented by BAM and Greenlight Bookstore Launch of More Myself: A Journey Part of Unbound BAM Howard Gilman Opera House (30 Lafayette Ave) Mar 31 at 7:30pm Tickets start at $35 (all tickets include a pre-signed book) March 4, 2020/Brooklyn, NY— In celebration of the launch of her new book More Myself: A Journey, 15-time Grammy Award-winner and New York Times best-selling author Alicia Keys comes to BAM on March 31, the first night of her live storytelling and music series from the book, shared from behind the piano. Keys will kick off her More Myself Tour at BAM, in support of her new book, which will be published on the same date (March 31). As one of the most celebrated musicians in the world, Alicia Keys has captured audiences with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Away from the spotlight, she privately grappled with heartache, her challenging and complex relationship with her father, her people-pleasing nature that characterized her early life and career, the loss of privacy, and the oppressive expectations of female perfection, some of which she put on herself. More of Myself is Alicia’s journey from childhood to now: at once a riveting account and a clarion call to readers to define themselves in a world that rarely encourages a true and unique identity. -
Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute
Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
HEADLINE NEWS • 3/23/07 • PAGE 2 of 2
DISTAFF BC DRAWS 7 HEADLINE p. 2 NEWS For information about TDN, DELIVERED EACH NIGHT BY FAX AND FREE BY E-MAIL TO SUBSCRIBERS OF call 732-747-8060. www.thoroughbreddailynews.com FRIDAY, MARCH 23, 2007 BAILEY & NBC RECEIVE SPORTS EMMY NOMS ‘GOLD’ READY FOR FLORIDA DERBY Former jockey and ESPN horse racing analyst Jerry Adore the Gold (Formal Gold), last seen finishing a Bailey as well as NBC each received nominations for the good fourth behind Scat Daddy (Johannesburg) in the 28th annual Sports Emmy Mar. 3 GII Fountain of Youth S., Awards, it was announced yes- will take on that foe again in the terday. Bailey was nominated in Mar. 31 GI Florida Derby. AEv- the category of Outstanding erything is good,@ trainer Michael Sports Personality-Sports Event Gorham said. AWe just need to Analyst, while NBC was nomi- improve a length. Hopefully that nated for its coverage of the race helped him. He keeps get- ting a little fitter and that race 2006 GI Preakness S. in the Out- Adore The Gold helped. He's training good and standing Live Sports Special cat- Equi-Photo egory. AI=m flat- coming into tered to be this race really good. Having a race at nominated,@ “I look forward to a mile-and-an-eighth already should help as well.@ Adore the Gold, winner said Bailey. AIt=s receiving the TDN a tribute to the of the 1 1/16-mile Dover S. at Dela- Jerry Bailey every night. It has ware as a juvenile, notched Horsephotos people I work become the gold with, particu- Gulfstream=s 6 1/2-furlong GII Swale standard for learning larly Randy Moss, Chris Fowler, Kenny S. -
Futurism-Anthology.Pdf
FUTURISM FUTURISM AN ANTHOLOGY Edited by Lawrence Rainey Christine Poggi Laura Wittman Yale University Press New Haven & London Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the Kingsley Trust Association Publication Fund established by the Scroll and Key Society of Yale College. Frontispiece on page ii is a detail of fig. 35. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Nancy Ovedovitz and set in Scala type by Tseng Information Systems, Inc. Printed in the United States of America by Sheridan Books. Library of Congress Cataloging-in-Publication Data Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman. p. cm. Includes bibliographical references and index. ISBN 978-0-300-08875-5 (cloth : alk. paper) 1. Futurism (Art) 2. Futurism (Literary movement) 3. Arts, Modern—20th century. I. Rainey, Lawrence S. II. Poggi, Christine, 1953– III. Wittman, Laura. NX456.5.F8F87 2009 700'.4114—dc22 2009007811 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43 The Founding and Manifesto of Futurism (1909) F. -
Turf-Times Der Deutsche Newsletter Für Vollblutzucht & Rennsport Mit Dem Galopp-Portal Unter
Ausgabe 269 • 36 Seiten Freitag, 14. Juni 2013 powered by TURF-TIMES www.bbag-sales.de Der deutsche Newsletter für Vollblutzucht & Rennsport mit dem Galopp-Portal unter www.turf-times.de AUFGALOPP Probably läuft im Derby „Next stop German Derby“ lautete die Nachricht, die Die Bilder, die wir in den vergangenen Tagen in uns Trainer Rune Haugen am Mittwoch aus Norwe- den Medien gesehen haben, werden so schnell nicht gen bezüglich des von ihm betreuten Probably (Da- vergessen werden. Überschwemmte Landschaften, nehill Dancer) übermittelte. Damit wird das Sparda Menschen, die ihr Hab und Gut verloren haben, die 144. Deutsche Derby in jedem Fall international. Im vor den Trümmern ihrer Existenz stehen. Der Ga- vergangenen Jahr wurde der Hengst noch von David lopprennsport hat in der tagesaktuellen Berichter- Wachman für die Besitzergemeinschaft Tabor/Mag- stattung naturgemäß überhaupt keine Rolle gespielt, nier/Smith trainiert, gewann die Railway Stakes (Gr. auch wenn es zwei Rennbahnen betroffen hat, Halle II), war u.a. Dritter in den Beresford Stakes (Gr. II) und Magdeburg, nicht zum ersten Mal. Ausgerech- und Vierter in den National Stakes (Gr. I) in aller- net. Bahnen, die ohnehin nicht gerade mit Reichtum dings stets kleinen Feldern, über Winter wurde er an gesegnet sind, deren Überleben in der Vergangenheit den Stall NOR verkauft. Beim Jahresdebut belegte des Öfteren am seidenen Faden gehangen hat, denen er sieben Längen hinter Nicolosio (Peintre Celebre) schon mehrfach die Existenzberechtigung abgespro- Rang zwei im Derby-Trial in Hannover. Am Dienstag chen wurde, weil sie wirtschaftlich angeblich nicht gewann er im schwedischen Jägersro ein übersichtlich tragfähig sind. Doch wo in diesen Tagen trotzdem besetztes 2400-m-Rennen als 11:10-Favorit mit 22 Menschen arbeiten und alles erdenklich mögliche Längen Vorsprung. -
Glossary for Music the Glossary for Music Includes Terms Commonly Found in Music Education and for Performance Techniques
Glossary for Music The glossary for Music includes terms commonly found in music education and for performance techniques. The intent of the glossary is to promote consistent terminology when creating curriculum and assessment documents as well as communicating with stakeholders. Ability: natural aptitude in specific skills and processes; what the student is apt to do, without formal instruction. Analog tools: category of musical instruments and tools that are non-digital (i.e., do not transfer sound in or convert sound into binary code), such as acoustic instruments, microphones, monitors, and speakers. Analyze: examine in detail the structure and context of the music. Arrangement: setting or adaptation of an existing musical composition Arranger: person who creates alternative settings or adaptations of existing music. Articulation: characteristic way in which musical tones are connected, separated, or accented; types of articulation include legato (smooth, connected tones) and staccato (short, detached tones). Artistic literacy: knowledge and understanding required to participate authentically in the arts Atonality: music in which no tonic or key center is apparent. Artistic Processes: Organizational principles of the 2014 National Core Standards for the Arts: Creating, Performing, Responding, and Connecting. Audiate: hear and comprehend sounds in one’s head (inner hearing), even when no sound is present. Audience etiquette: social behavior observed by those attending musical performances and which can vary depending upon the type of music performed. Benchmark: pre-established definition of an achievement level, designed to help measure student progress toward a goal or standard, expressed either in writing or as an example of scored student work (aka, anchor set). -
Music Appreciation, 6 Grade
Pennington Traditional- Music Appreciation, 6th grade Teacher: Mrs. Stachour Updated: March 20, 2020 Prior Assignments, Month Objectives Covered Additional Available Resources Assessments, Resources 6.1 The student will read Teacher generated counting I Knew You Were Treble- song reviewing lines and notate music, including examples and spaces in treble clef 1. identifying melodic https://www.youtube.com/watch?v=U2TLtRu6Hqk&list=LLS- patterns; Rhythm counting Hlvqs0ihsX4F9mgHKX-g&index=12 2. recognizing diatonic manipulatives All About That Bass (Clef)- song reviewing lines intervals; and spaces in the bass clef 3. identifying notes written Students creating rhythms https://www.youtube.com/watch?v=EY-hJ9WZ6lk&list=LLS- on the bass staff; individually and in small Hlvqs0ihsX4F9mgHKX-g&index=11 4. notating melodies on the groups treble staff, with emphasis Counting review video- contains whole, half, on steps and skips; Teacher and student created quarter, and eighth notes and rests 5. reading and notating mnemonics for note names in https://www.youtube.com/watch?v=LVOjKCztqTs&list=LLS- September rhythmic patterns that treble and bass clef Hlvqs0ihsX4F9mgHKX-g&index=4&t=0s include whole notes, half notes, quarter notes, eighth Counting games such as notes, and corresponding “Poison Rhythm” to reinforce rests; and 6. identifying the written and aural identification meaning of the upper and of rhythms lower numbers of time signatures. 6.4 The student will perform rhythmic patterns that include whole notes, half notes, quarter notes, eighth notes, and corresponding rests. 6.1 and 6.4 continued Teacher and student generated 6.3 The student will play a examples variety of pitched and nonpitched instruments, Continued use of counting including manipulatives 1. -
Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected]
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2014 The niU versal Roar: Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the American Studies Commons Recommended Citation Balserait, Jason, "The nivU ersal Roar: Walt Whitman, John Muir, and the Song of the Cosmos" (2014). Master of Liberal Studies Theses. 54. http://scholarship.rollins.edu/mls/54 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Universal Roar: Walt Whitman, John Muir, and the Song of the Cosmos A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Jason A. Balserait May, 2014 Mentor: Dr. Steve Phelan Reader: Dr. Joseph V. Siry Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Acknowledgements There are a number of people who I would like to thank for making this dream possible. Steve Phelan, thank you for setting me on this path of self-discovery. Your infectious love for wild things and Whitman has changed my life. Joe Siry, thank you for support and invaluable guidance throughout this entire process. Melissa, my wife, thank you for your endless love and understanding. I cannot forget my two furry children, Willis and Aida Mae. -
Level 1 UPDATED July 2020 Performance Theory Ear Training Sight Reading Technique
Level 1 UPDATED July 2020 Performance Theory Ear Training Sight Reading Technique AIM Syllabus Level 1 - Page 1 2020 Copyright UMTA AIM Syllabus – May be copied by UMTA Members for their personal use only Level 1 PERFORMANCE Performance pieces must be original keyboard compositions and must be played FROM MEMORY. TWO pieces are required, ideally each from a different composer and contrasting in style, although no points will be deducted for playing pieces from the same book. Both pieces must be memorized in their entirety and be a minimum of 8 measures in length. The adjudicator will listen for a musical performance that includes dynamics and control of legato or staccato touch. Students must bring original music for the adjudicator. PLEASE HAVE MEASURES NUMBERED. Authorized photocopies are acceptable, if they are accompanied by a permission form signed by the publisher, an authorized copy with the student or parent’s name or a studio license authorization. Public domain copies downloaded from sites such as IMSPL.org, should have the name of the website written on the copy. Students without music or with unauthorized photocopies will be allowed to perform but will not receive a score. The following are NOT acceptable: Duets or ensemble numbers Simplified arrangements of orchestral or other piano pieces Movie Themes Popular/Commercial songs David Lanz, Yanni, Enya, George Winston, Billy Joel Student Compositions A transcription not currently accepted as a part of the standard repertoire The following are acceptable: New Age/Contemporary Composers Jon Schmidt, Jason Tonioli, Paul Cardall, Michael Hicks Music will be held to high performance standards and must be played as written on the music, not as performed by the composer.