And a Good Time Was Had by All Kathy Kienitz Returns From
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Laborintus II Can Be Heard on Proving He’S Willing to Try Anything, He Has Given Voices Think of the Show? Harmonia Mundi HMA 190764 (Musique D’Abord)
FREE PROGRAM The narrator and the singers often relate to each other Subtle, Rahzel, Amon Tobin, Team Sleep, Massive Attack, PROUDLY MADE like actors and the chorus in a Greek tragedy, at other Fennesz, Zu, Norah Jones, Tanya Tagaq, the Qemists, POSSIBLE BY times both are swallowed by the abstract framework given Kool Keith and TV on the Radio, to cite a very small by short patches of Cologne-style Elektronische Musik. cross-section. What did you How Berio conducted Laborintus II can be heard on Proving he’s willing to try anything, he has given voices think of the show? Harmonia Mundi HMA 190764 (musique d’abord). to characters such as the creatures in the Will Smith film We’re looking to you to help us build a This quintessential account of the piece’s history has I Am Legend and video games such as Portal and Left definitive shortlist of this year’s top Sanguineti himself as narrator and includes soprano 4 Dead. His eclectic career lead to the launch of Mondo Festival Picks to be published in the SMH. Christiane Legrand, jazz-hero Michel Portal on clarinet, Cane – an enormous highlight from Sydney Festival’s Jean-Pierre Drouet on drums and legendary jazz bass 2012 program. In his twisted genius, Patton returns to Upload your reviews & photos at player Jean-François Jenny-Clarke. Sydney Festival in 2014 with his chaotic reinterpretation smh.com.au/sydfest of Luciano Berio’s Laborintus II. or share with us using Lieven Bertels #smhpickthis Festival Director THE SONG COMPANY Formed by Charles Colman in 1984, The Song Company MIKE PATTON is a group of six full-time professional singers led by Mike Patton is many things to many people, but internationally acclaimed Artistic Director, Roland Peelman. -
“Disco Volante Era Improv at the Bomb Factory” Nft Series; Auction Begins Aug
MR. BUNGLE ANNOUNCE FOUR-PART “DISCO VOLANTE ERA IMPROV AT THE BOMB FACTORY” NFT SERIES; AUCTION BEGINS AUG. 2 VIA SUPERRARE https://superrare.com/mrbungleofficial EACH NFT FEATURES PREVIOUSLY UNRELEASED MUSIC WITH ANIMATION FROM ERIC LIVINGSTON NFT AUCTION WINNERS RECEIVE 1 OF 4 LATHE CUT VINYL FEATURING FULL 10-MINUTE SONG AND HIGH RESOLUTION MP4 Mr. Bungle “Disco Volante Era Improv at The Bomb Factory” animation and artwork by Eric Livingston July 29, 2021, Shotwell Bomb Factory – Mr. Bungle release their first ever NFT collection, a series of four NFTs dubbed “Disco Volante Era Improv at The Bomb Factory.” The auction for the series begins on Aug. 2 at 9 am pacific/12 noon eastern via SuperRare. Each NFT features 2 minutes and 30 seconds of previously unreleased music with animation created by Eric Livingston. The purchasers will also receive a hyper limited- edition (1 of 4) lathe cut vinyl featuring the full 10-minute song and high resolution animated mp4. “Disco Volante Era Improv at The Bomb Factory” lathe cut vinyl (limited-edition of 4) “During the Disco Volante writing sessions in a place we called The Shotwell Bomb Factory, San Francisco, we were blessed with an isolated & independent place to record and rehearse,” explains Trevor Dunn. “Endless days and nights were spent in there experimenting, improvising and piecing together what would be our ‘sophomore attempt’ among other gems. Often there was an ADAT machine ready to go for any spontaneous outbursts (think ‘Nothing’ from the end of Disco Volante), but we tested out various setups at our disposal.” Trey Spruance, who often engineered these chaotic recordings, recalls: “I remember wanting to enhance audio separation and isolation to an extreme, using a kind of ‘musique concrète live mix’ approach, hoping that would capture the unruly individual spirits of our improvisation more faithfully. -
Mike Patton Neigtalsozuuntertreibungen
MUSIK DEPT. PORTRAIT miKE PATTON KEINE RAST, KEINE RASTER ALS SICH FAITH NO MORE 1998 AUFLÖSTEN, WAR DAS FÜR SÄNGER UND FRONTMANN MIKE PATTON WIE EIN DAMMBRUCH. SEITDEM HAT ER SEINE KREATIVITÄT AUF SO VIELE VERSCHIEDENE PROJEKTE VERTEILT, DASS SELBST EINGEFLEISCHTEN FANS DER ÜBERBLICK FEHLT. TEXT: LARS SCHMEINK „KANNST DU MIT dem Interview auch ‘ne halbe Stunde früher anfangen? Neben zahlreichen Gastauftritten bei befreundeten Musikern, seinem Me- Der Sound-Check ist schon durch.“ Der Promoter am anderen Ende des Te- tal-Jazz-Ungetüm Fantômas, der Rock-Band Tomahawk, dem ewigen Lieb- lefons hat es nicht leicht. Er betreut Mike Patton und das ist in etwa so, wie lingsprojekt Mr. Bungle und zwei Soloscheiben hat Mike jetzt noch ein Al- einen Sack Flöhe zu hüten. Der Tausendsassa der alternativen Musik „Mr. bum namens „Peeping Tom“ in Kooperation mit diversen Musikgrößen he- Faith No More“ himself hat mal wieder eine neue Platte aufgenommen und rausgebracht. Und nicht zu vergessen, dass er im Moment mit dem Fantô- gibt dafür Interviews. Doch er ist nicht wie die meisten Musiker auf Promo- mas-Melvins-Kollektiv auf Tour ist, nur so zum Spaß. Tour. Stattdessen schiebt er die Interview-Termine für das neue Projekt Doch zurück zum neuesten musikalischen Sprössling aus dem Hause Peeping Tom in seinen vollen Tourkalender. Mit seinen Kumpels Dave Patton, den er in Zusammenarbeit mit den Größen der Elektro-Szene aus- Lombardo von Slayer und der gesamten Melvins-Truppe ist Mike derzeit getüftelt hat. Ein Album der Kollaborationen. Da vergreifen sich Massive Immer auf dem als Fantômas Melvins Bigband in Europa unterwegs. -
John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork. -
70000TONS of METAL Survival Guide
www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein. -
Fantomas Free
FREE FANTOMAS PDF Marcel Allain,Pierre Souvestre,John Ashbery | 295 pages | 01 Jan 2007 | Penguin Books | 9780143104841 | English | New York, NY, United States First Look: Fantômas Mabuse films. Juve Fantomas. The Murderous Corpse90 Min. The Fantomas Magistrate71 Min. What the spectator of would have experienced as heart-pounding sensation now seems as beautiful and gratuitous as a modern dance or abstract sculpture. Hi-Res Poster. Hi-Res Images. Click here to learn more at Kino Lorber Edu. Interested in bringing Fantomas to Fantomas school or library? If you'd like Fantomas have an Fantomas viewing, on-campus screening, or purchase the DVD for your library's collection, please visit our site or contact Estelle Grosso at EDU kinolorber. For publicity assistance and Fantomas inquiries Fantomas contact us Fantomas emailing dninh kinolorber. Please visit our educational site at www. For assistance with educational orders, please contact us at: Phone Fax: Email: edu kinolorber. Fantomas signups will receive a limited time coupon for an additional cart discount. Fantomas Directed by Louis Feuillade. Year: Reviews What the spectator of would have experienced as heart-pounding sensation now seems as beautiful and gratuitous as a modern dance or abstract sculpture. Join the Fantomas. For his new' CineSavant ' review of the film's' … '. New 4K restoration of William Greaves' documentary about Fantomas Na…. Watch this timely and timeless documentary Fantomas the National Black Political Conventio…. General Inquiries Fantomas Lorber, Inc. Email: contact kinolorber. Subscribe to this film Subscribe. Educational Please visit our educational site at www. Subscribe To Our Newsletter. All rights reserved. Email Address. -
Pillow Theory Is Doing Our Funk Gumbo 5 Questions
FUNK GUMBO RADIO -- http://www.live365.com/stations/sirhobson Funk Gumbo Radio is greatly honored that the highly talented Kelsey Warren of the veteran indie rock group pILLOW tHEORY is doing our Funk Gumbo 5 Questions. pILLOW tHEORY’’s newly released EP is called MELTDOWN. pILLOW tHEORY BIO: pILLOW tHEORY is a NYC quartet, Kelsey Warren (vocals & guitar), Danos Ettrick (guitar), Joaquin C. De Baca (bass), Rich Kulsar (drums), who delivers a high- powered dynamic sound while successfully genre hopping under the modern rock umbrella (metal, punk, pop, free jazz). pILLOW tHEORY released their sophomore album OUTPATIENCE, recorded by Steve Albini (Nirvana, Pixies, NIN). With Albini, they were able to manipulate their ever-changing moods to blend a sporadic yet cohesive sound. The album displays a delicate balance between heavy and light with change ups that may seem bizarre on paper, but work eloquently in sound. The band just released their new EP titled MELTDOWN, produced by Slim Willy of Ferrari Snowday (The Fray, Ninjasonik, LL Cool J) and Kelsey with additional mixing from sonic master Ron Saint Germain. And you can buy Meltdown on www.cdbabay.com. Also, look for pILLOW tHEORY on tour soon. Funk Gumbo Radio •• Los Angeles, CA 90019 • Live 365.com Internet Network •• [email protected] •• http://www.funkgumbo.com 11 8-15-2011 - Written By: David L. $Money Train$ Watts & Howard Hobson – – Funk Gumbo Radio Funk Gumbo 1: Describe the growth of the band from the first album 9 1/2 to Outpatience to your latest Meltdown EP. Describe the changes good or bad in the evolution of the group. -
Tomahawk – Tonic Immobility
Tomahawk – Tonic Immobility (39:22, CD, Vinyl, Digital, Ipecac Recordings / [PIAS], 2021) Was soll mam noch groß über Mike Patton sagen, das nicht schon gesagt worden wäre? Bekannt geworden als Sänger der Crossover-Legende Faith No More (wo er die Nachfolge von Courtney Love und Chuck Mosley antrat), an deren Durchbruch mit „Angel Dust“ er maßgeblich beteiligt war, fiel der Kalifornier in den letzten 20 Jahren vor allem durch seine Seitenprojekte wie Tomahawk, Mr. Bungle, Fantômas, Dead Cross, Peeping Tom und Tētēma sowie seine Soloalben auf. Dabei machte der Tausendsassa vor kaum einem Genre halt, was darin gipfelte, dass er sich im Jahre 2010 im Rahmen seines „Mondo Cane“-Albums sogar der Interpretation italienischer Schlager und Pop-Perlen der 50er und 60er Jahre widmete. Vor allem im Rahmen dieser Aufnahme stellte Patton ein weiteres Mal unter Beweis, dass er zurecht als einer der vielseitigsten und besten Sänger der Rock- und Popmusik gilt. Doch Patton ist nicht nur Musiker, sonder vor allem auch Künstler, so dass er sich immer wieder die Freiheit nimmt, nicht nur musikalische Experimente zu wagen, sondern vor allem auch mit seinem Sangesorgan zu experimentieren. Das Ergebnis sind dann oft Stücke, die so exzentrisch klingen, dass der künstlerische Ausdruck den musikalischen Genusswert überflügelt. Das hier vorliegende „Tonic Immobility“ ist das mittlerweile fünfte Album von Tomahawk, der 1999 gegründeten Band, die Patton zusammen mit GitarristDuane Denison (The Jesus Lizard), Schlagzeuger John Stanier (Helmet), und Bassist Trevor ‚Field Mouse‘ Dunn (Mr. Bungle, Fantômas) als Nebenprojekt betreibt. Und um eines gleich vorweg zu nehmen, die neue Tomahawk ist kein Album, vor dem man sich fürchten muss. -
Prime Focusfocus Moon Is 3.5° Above Antares and 14° Below a Publication of the Kalamazoo Astronomical Society Venus
Highlights of the January Sky. - - - 1st - - - Dawn: Waning Crescent PrimePrime FocusFocus Moon is 3.5° above Antares and 14° below A Publication of the Kalamazoo Astronomical Society Venus. Dawn: Mercury will be 10° above the SE horizon 30 January 2011 minutes before sunrise. Continues until the 11th. - - - 2nd - - - Dawn: Thin crescent Moon is 4.5°to lower right of Mercury low in SE. ThisThis MonthsMonths KAS EventsEvents PM: Uranus is within ½° of Jupiter between now and the 5th. Use binoculars or General Meeting: Friday, January 7 @ 7:00 pm a telescope. Kalamazoo Area Math & Science Center - See Page 10 for Details - - - 3rd - - - Earth is at perihelion, its closest point to the Sun. Board Meeting: Sunday, January 9 @ 5:00 pm - - - 4th - - - Sunnyside Church - 2800 Gull Road - All Members Welcome AM: Quadrantid meteor shower peaks. Full Moon Theater: Saturday, January 22 @ 7:00 pm New Moon WMU Main Campus, Rood Hall, Room 1110 - See Page 3 for Details - - - 9th - - - PM: Waxing Crescent Moon is about 8° to the right of Jupiter. - - - 10th - - - PM: The Moon is about 8.5° above Jupiter. Inside the Newsletter. Inside the Newsletter. - - - 12th - - - First Quarter Moon December Meeting Minutes................ p. 2 - - - 19th - - - Full Moon Theater Preview................. p. 3 Full Moon 2010: The “In-Between” Year............. p. 4 - - - 25th - - - AM: The Moon, Saturn, NASA Space Place.................................. p. 6 and Spica form a triangle. January Night Sky....................................p. 7 - - - 26th - - - Last Quarter Moon Membership Renewal Form................. p. 8 - - - 29th - - - Dawn: The Moon is ~9° to KAS Officers & Announcements........ p. 9 the right of Venus. General Meeting Preview..................... p. -
Stu Brooks – Primary Wave Music
STU BROOKS instagram.com/stubassiebrooks/ facebook.com/stu.brooks.33 open.spotify.com/playlist/1eRXBTPWtjQ2hiGP9eSSNZ Bass reverberates through the body. The reaction to those root notes and grooves actually manifests physically. Two-time GRAMMY® Award-nominated bassist, producer, songwriter, and Dub Trio CoFounder Stu Brooks beckons this response every time he picks up a bass. Sharing the stage or the studio with everyone from Academy® Award winner Lady Gaga, Danny Elfman, Lauryn Hill, 50 Cent, and Mary J. Blige to Mike Patton, Pretty Lights, Mark Guiliana, Slick Rick, and even a posthumous recording for Tupac Shakur, his playing reverberates on an emotional and spiritual level. “I think of it as getting hit with a massive telephone pole to the point where it changes your molecules and affects your body,” he grins. “It takes the wind out of your lungs. I like changing the air in a space. There’s nothing like the reaction when people are struck with sound. I love to play with emotion, but it also has to be a physical experience.” Among his earliest memories as a kid in Toronto, he recalls picking up piano at the age of five. Embracing music from this point on, he tried bass at 13-years-old and never put it down. He eventually caught the attention of Rock And Roll Hall Of Fame bassist Prakash John [Parliament-Funkadelic, Lou Reed, Alice Cooper] who quickly became a mentor. By sixteen, Stu had hit the local club circuit in Toronto, accompanying numerous rock and funk acts. After a summer session at Berklee College of Music on scholarship, he petitioned his high school for early graduation in order to attend Berklee after notably receiving a substantial international scholarship. -
SC3-2012-Presspromo.Pdf
• New 7" record featuring Anonymous 13 and Mike Patton • West Coast co-headlining tour with Dengue Fever • South America tour scheduled for April. After spending years expanding their reach abroad very significantly (see bio below), Secret Chiefs 3 are kicking off 2012 by making good on a promise to return to their home turf on the West Coast — this time in a co- headlining tour with Dengue Fever! They are also spicing up the long trail leading to the release of their long-awaited upcoming album Book of Souls by choosing this moment to release a very special single from that record, which involves some very special musical guests. Le Chanson du Jacky is a fiery three verse chanson written by Jacques Brel. In 1967 the nearly equally inimitable Scott Walker brilliantly re-interpreted Brel’s Chanson in English, to equal parts controversy and acclaim in the Anglosphere. In 2012, both versions of the tune have collided in an Anglo-Franco alliance, Secret Chiefs 3 style. This is an unprecedented stunt, simultaneously ill-advised and absolutely necessary, for a band like Secret Chiefs 3: Traditionalists to undertake — and it’s something that could only be pulled off with someone uniquely qualified to take command of the vocals. And in this day and age, who other than the maestro Mike Patton to do justice (and then some), without insult, to such a preposterously Spartan legacy as that of Brel and Walker? The flipside of this single (“The Western Exile”), exlusive to this release, sees one of the main themes from Secret Chiefs 3’s 2004 album Book of Horizons receiving a thunderhead-evoking spaghetti-seasoned aural marination. -
Ecclesiastes Et Psychosoma (2015) : Deux Manuscrits Inédits De John Zorn François-Xavier Féron
Document generated on 09/30/2021 9:37 a.m. Circuit Musiques contemporaines Ecclesiastes et Psychosoma (2015) : deux manuscrits inédits de John Zorn François-Xavier Féron Tzadik : l’esthétique discographique selon John Zorn Volume 25, Number 3, 2015 URI: https://id.erudit.org/iderudit/1034499ar DOI: https://doi.org/10.7202/1034499ar See table of contents Publisher(s) Les Presses de l’Université de Montréal ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Féron, F.-X. (2015). Ecclesiastes et Psychosoma (2015) : deux manuscrits inédits de John Zorn. Circuit, 25(3), 75–77. https://doi.org/10.7202/1034499ar Tous droits réservés © Les Presses de l’Université de Montréal, 2015 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ document Ecclesiastes et Psychosoma (2015) : deux manuscrits inédits de John Zorn Introduction de François-Xavier Féron En 2006, Zorn réunit Mike Patton (voix), Trevor Dunn (basse) et Joey Baron (batterie) le temps d’un cycle de chansons sans paroles, définitivement hard- core. Moonchild, le titre de l’album, devient celui de cet incroyable trio autour duquel Zorn va finalement concevoir une septologie (encore le chiffre 7 !) qu’il achèvera en 20141.