DOCSLIB.ORG

Information to Users

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of Computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indícate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are availabüe for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 NorthZeebRoad, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 EDICION CRITICA DE TEODOSIOII, DE FRANCISCO MANUEL DE MELO, CON UN ESTUDIO CRITICO Y ANALITICO DOCTORAL DISSERTATION Presented in Partial Fullfilment of the Requirements for the Degree Doctor of Philosophy in the Spanish Literature Program of The Ohio State University b y Héctor Brasil-Laurenzo, M. A. The Ohio State University 1996 Dissertation Committee: Approved by Professor Salvador García-Castañeda, Adviser Professor Donald Larson 7 Adviser Professor Helena Kaufman Spaniph and Portuguese UMI Number: 9639194 Copyright 1996 by Brasil-Laurenzo, Héctor Raúl All rights reserved. UMI Microform 9639194 Copyright 1996, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 "La tierra propia comunica alientos contra el que pretende ganarla, y puesta delante da ánimo al más cobarde para defenderse"Guerra ( , 306). Don Teodosio II, Duque de Braganza (Retrato propiedad de La Misericordia de Barcelos, hoy perdido, tomado de Teodosio II, traducción de Augusto Casimiro) ABSTRACT This dissertation is a critical edition ofTeodosio II, a Seventeenth century manuscript written in Spanish by Francisco Manuel de Meló. It is the unfinished biography of Don Teodosio II, the Seventh Duke of Braganza (1568 to 1630), written at the request of king Don Joao the IV, Teodosio’s son. The original manuscript ofTeodosio II is lost, but five extant manuscripts exist in several Portuguese libraries, the oldest from Evora (1648), and the other four from the Eighteenth century. In this study, all manuscripts have been consulted and compared. Beside the three already known manuscripts, mentioned in bibliographies and catalogs, I was able to lócate two more, which I have included in this study. Apparently a biography, the author’s real objective is to reclaim from the Spanish the historical events that took place in Portugal during the life of Don Teodosio and to assign them to him. In doing so, Meló established an antecedent for his defense of the Braganza’s rights to the Portuguese Crown. The sixty year period of unión with Spain under the Habsburg Dynasty (1580-1640) lasted the entire life of Teodosio. This biography, written in the Spanish "conceptist" tradition, and inspired by the works of the classic writers, integrates the political and social events of this period as part of Teodosio’s life. Chapter One explains the historical and literary approach of my research, which focuses on the role of literature in historical discourse. Chapter Two presents the political, social, and economic background of Portugal during the time of Teodosio II. Chapter Three is a brief biographical essay on the life of Meló, and a study of his political and historical works that form a single political corpus with Teodosio. Chapter Four discusses Meló as an historian, his ideas on history and truth, and his classical and contemporary influences. Chapter Five is a study of Teodosio in which I discuss how it was written, its purpose, language, and style as well as a brief synthesis of its parts and topics. Chapter Six is a full transcription of the manuscript Teodosio maintaining the author’s intended style and language usage. DEDICTORIA Dedicado in memoria a mis padres, Ildefonso Brasil Pias y Emma Laurenzo Irureta-Goyena y, en agradecido reconocimiento, a Emma Brasil de Vidal, hermana, amiga y maestra. AGRADECIMIENTO En primer lugar, deseo agradecer infinitamente a mi director de tesis, profesor Salvador García-Castañeda por su atención, dedicación y paciencia en guiar, corregir y editar este trabajo. Gracias a él y a su constante ánimo ha llegado a ser una realidad. Hago extenso este agradecimiento a los profesores Donald Larson y Helena Kaufman por su activa participación y trabajo animándome a continuar adelante esta investigación. Un agradecimiento especial al profesor Nicolaas B. Teensma, de la Universidad de Leiden quien me facilitó una fotocopia del manuscrito de Cadaval animándome en este trabajo. Deseo agradecer también al profesor José de Pina Martins, de la Academia de Ciencias de Lisboa y al Sr. Pedro da Silveira, de la Biblioteca Nacional de Lisboa por su guía y apoyo incondicional. Mi reconocimiento a la Sra. Mécia De Sena por su apoyo y entusiasmo con mi trabajo. Ella puso a mi disposición valiosísima información que he usado en este estudio, además de los recursos de su biblioteca privada. También deseo extender mi agradecimiento a mis colegas y amigos en Ohio University: el profesor Mark Larson y la profesora Carolyn Lukens-Olson por su ayuda y apoyo leyendo y editando mi manuscrito, al mismo tiempo que me alentaban en el trabajo. A Laurie Ann Thomas y a Teresa Jean lies, en Residence Halls, por facilitarme el uso de un ordenador de primerísima calidad. Y a Steve Hirschinger, en Computer Center, por su asistencia técnica cuando tuve problemas con los ordenadores. Y, para no pecar por omisión, a todos mis amigos que de una u otra forma me alentaron y apoyaron durante este largo proceso, muchas gracias. Debo extender mi agradecimiento a la administración de: la Biblioteca del Palacio de Ajuda, en Lisboa; la Biblioteca Distrital de Evora; y, la Biblioteca de la Academia de Ciencias de Lisboa por facilitarme copias de los manuscritos. De la misma manera, deseo agradecer a la administración de: la Biblioteca Provincial de Toledo; y, Archivos de la Audiencia de Toledo que pusieron a mi disposición su apoyo técnico y espacio de estudio. Este trabajo fue subvencionado por varias instituciones lo que me permitió llevar a cabo las investigaciones in situ: la "Funda^ao Calouste Gulbenkian," en Lisboa; la Fundación Ortega y Gassett, en Toledo; la "Tinker Foundation," el "Quincentennial Committee" y el Departamento de Español y Portugués, todas éstas de Ohio State University. VITA Nacido e Paysandú, Uruguay 1970 Bachiller en Derecho, IES de Paysandú, Uruguay. 1971-72 Facultad de Derecho, Extensión Universitaria, Salto, Uruguay. 1980 B.A. en Estudios Latinoamericanos y Español, en la Universidad Brigham Young, Provo, Utah. 1982 M.A. en Literatura y Lingüística Española, en California State University, Los Angeles. 1988 M.A. en Literatura y Lengua Portuguesa, en University of California, Santa Barbara. 1987- 88 Becario de la Fundafao Gulbenkian de Lisboa, Portugal 1989 Conferenciante invitado en los Cursos de Verano de la Universidad de Guarda, (Secretaría de Estado) Portugal. 1988 - 89 Profesor/Director del Programa de la Casa Española en Oberlin College, Oberlin, Ohio. 1989 - 92 Profesor Adjunto, The Ohio State University. 1991 Becario en la Fundación Ortega y Gasset en Toledo, España. "Tinker Foundation Fellow" en España y Portugal. 1991- 93 Profesor Adjunto, Columbus State Community College, Columbus, Ohio. 1993 - 96 Profesor Visitante de Español, Ohio University, Athens, Ohio. PUBLICACIONES Y CONFERENCIAS 1989 "Presencia y esencia luso-brasileña en la formación socio-cultural del Uruguay." Universidad de Guarda, Portugal. Publicares da Secretaria do Estado e do Instituto de Apio as Comunidades Portuguesas, Lisboa, 1990. "Portugal na formado política y social do Uruguai," en OSáculo , Lisboa: Agosto 20, 1989. Escrito a petición del Sr. Embajador de Uruguay en Portugal, Dr. Alambert Vaz, en conmemoración de la visita a Portugal del Presidente del Uruguay, Dr. Julio M. Sanguinetti. 1990 "Francisco Manuel de Meló: Movimiento, tiempo y espacio en la Guerra de Cataluña." University of Michigan, Ann Arbor. 1990 "Pero Vas de Caminha e o descobrimento do Brasil." University of Cincinnati, Cincinnati, Ohio. 1991 "A burla como crítica social no Fidalgo Aprendiz de Francisco Manuel de Meló." Radford University, Radford,Virginia. "Alvar Núñez Cabeza de Vaca y su expedición a la América Austral." Ohio State University, Columbus, Ohio. Publicado por la Asociación de Estudiantes de Español y Portugués en 1992. 1992 De la Política de Dios, gobierno de Cristo de Francisco Quevedo a la Política Militar de Francisco Manuel de Meló." University of Cincinnati, Ohio. FIELDS OF STUDIES Major Field: Spanish and
Recommended publications
  • Before the Forties

    Before the Forties

    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
  • November 19, 1987 in Troy, OH Hobart Arena Drawing ??? 1. NWA

    November 19, 1987 in Troy, OH Hobart Arena Drawing ??? 1. NWA

    November 19, 1987 in Troy, OH Hobart Arena drawing ??? 1. NWA U.S. Tag Champs The Midnight Express (Eaton & Lane) vs. The Rock-n-Roll Express. November 5, 1988 in Dayton, OH UD Arena drawing ??? ($20,000) 1. The Sheepherders vs. ???. 2. Al Perez & Larry Zbyszko vs. Ron Simmons & The Italian Stallion. 3. Rick Steiner vs. Russian Assassin #2. 4. Bam Bam Bigelow & Jimmy Garvin vs. Mike Rotunda & Kevin Sullivan. 5. Ivan Koloff vs. Russian Assassin #1. 6. NWA U.S. Champ Barry Windham vs. Nikita Koloff. 7. The Midnight Express (Eaton & Lane) Vs. The Fantastics (Fulton & Rogers). 8. Lex Luger beat NWA World Champ Ric Flair via DQ. February 22, 1989 in Centerville, OH Centerville High school drawing 600 1. Match results unavailable. April 24, 1989 in Dayton, OH UD Arena drawing ??? 1. Shane Douglas beat Doug Gilbert. 2. The Great Muta beat George South. 3. The Samoan Swat Team beat Bob Emory & Mike Justice. 4. Ranger Ross beat The Iron Sheik. 5. NWA TV Champ Sting beat Mike Rotunda. 6. Ricky Steamboat & Lex Luger beat Ric Flair & Michael Hayes. Great American Bash 1989 July 21, 1989 in Dayton, OH UD Arena drawing ??? 1. Brian Pillman beat Bill Irwin. 2. Sid Vicious & Dan Spivey beat Johnny & Davey Rich. 3. Norman beat Scott Casey. 4. Scott Steiner beat Mike Rotunda via DQ. 5. Steve Williams beat ???. 6. Sid Vicious and Dan Spivey won a “two ring battle royal.” 7. The Midnight Express (Eaton & Lane) beat Rip Morgan & Jack Victory. 8. The Road Warriors beat The Samoan Swat Team. 9. NWA TV Champ Sting beat Norman.
  • Visibilizacion De La Mujer En La Vida De

    Visibilizacion De La Mujer En La Vida De

    Torre del Agua Boletín de la Asociación Histórico Cultural Torre del Agua de Peñafiel D. L.: VA-985-2014 Boletín nº 15/Octubre de 2018 Visibilización de la mujer en la vida de Don Juan Manuel La fiesta de San Pablo de la Cruz Los archivos de la Torre del Agua Las cifras de la despoblación en la comarca de Peñafiel TIEMPOS DE VENDIMIA Y LÁGRIMAS Un año más estamos de vendimia en toda la zona del Duero, época de alegría, de esperanza, de ilusión, de nervios y de rezos. De alegría…, porque se recoge el trabajo de todo un año; ahora, eso sí, ¡siempre mirando al cielo! De esperanza…, porque se recogerá una buena cosecha y nuestras comarcas podrán crecer en este sector, aun a pesar de los eternos pedigüeños que intentan restar fuerzas a zonas que poco reivindican. De alegría, de esperanza, pero también de lágrimas por lo que perdimos en tiempos muy E recientes y no podrá recuperar nuestro querido Peñafiel (¡parece que fue hace un siglo!, a tenor de E nuestra frágil memoria). Es digno destacar la lucha por sobrevivir de las pequeñas bodegas familiares, en un mercado excesivamente tupido de ofertas vinícolas. Y también los logros de un sector industrial que ha sabido adaptarse a las exigencias de un guión no escrito a su medida, aún más si se tiene en cuenta las DD dificultades que tienen que salvar los intrépidos y valientes bodegueros, que soportan estoicamente los vaivenes de un mercado que parece que navegue sin timón. En el año 1969 se celebró la primera “feria del vino” que se exponía, junto a nuestra tradicional feria agrícola, en el barrio de El Salvador (en el lugar popularmente llamado Valle de las Espadas).
  • UNIVERSITY of CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early M

    UNIVERSITY of CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early M

    UNIVERSITY OF CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sara Victoria Torres 2014 © Copyright by Sara Victoria Torres 2014 ABSTRACT OF THE DISSERTATION Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia by Sara Victoria Torres Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Christine Chism, Co-chair Professor Lowell Gallagher, Co-chair My dissertation, “Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia,” traces the legacy of dynastic internationalism in the fifteenth, sixteenth, and early-seventeenth centuries. I argue that the situated tactics of courtly literature use genealogical and geographical paradigms to redefine national sovereignty. Before the defeat of the Spanish Armada in 1588, before the divorce trials of Henry VIII and Catherine of Aragon in the 1530s, a rich and complex network of dynastic, economic, and political alliances existed between medieval England and the Iberian kingdoms. The marriages of John of Gaunt’s two daughters to the Castilian and Portuguese kings created a legacy of Anglo-Iberian cultural exchange ii that is evident in the literature and manuscript culture of both England and Iberia. Because England, Castile, and Portugal all saw the rise of new dynastic lines at the end of the fourteenth century, the subsequent literature produced at their courts is preoccupied with issues of genealogy, just rule, and political consent. Dynastic foundation narratives compensate for the uncertainties of succession by evoking the longue durée of national histories—of Trojan diaspora narratives, of Roman rule, of apostolic foundation—and situating them within universalizing historical modes.
  • Uzun-Mirkova-Jul-Avgust-2021.Pdf

    Uzun-Mirkova-Jul-Avgust-2021.Pdf

    програм Југословенска кинотека ЈУЛ 2021 Узун Миркова 1, Сала МАКАВЕЈЕВ ЧЕТВРТАК 1. пројекција у 18.00 пројекција у 20.30 ЈУЛ БУЛЕВАР СУМРАКА АВАНТУРА (САД, 1950) (ИТА/ФРА, 1960) Sunset Boulevard L’avventura .................................................................................... .................................................................................... Улоге: Вилијем Холден Улоге: Габријеле Ферцети (William Holden), Глорија Свансон (Gabriele Ferzetti), (Gloria Swanson) Моника Вити (Monica Vitti) Режија: Били Вајлдер Режија: Микеланђело Антониони (Billy Wilder) (Michelangelo Antonioni) ПЕТАК 2. пројекција у 18.00 пројекција у 20.30 ЈУЛ КОНФОРМИСТА СЕДМИ ПЕЧАТ (ИТА/ФРА/НЕМ 1970) (ШВЕ, 1957) Il conformista Det sjunde inseglet .................................................................................... .................................................................................... Улоге: Жан Луј Трентињан Улоге: Макс фон Сидов (Jean Louis Trintignant), Стефанија (Max von Sidow), Гунар Сандрели (Stefania Sandrelli) Бјернстранд (Gunnar Björnstrand) Режија: Бернардо Бертолучи Режија: Ингмар Бергман (Bernardo Bertolucci) (Ingmar Bergman) СУБОТА 3. пројекција у 18.00 пројекција у 20.30 ЈУЛ САЊАРИ ГОЛИ У СЕДЛУ (ВБ/ФРА/ИТА, 2003) (САД, 1969) The Dreamers Easy Rider .................................................................................... .................................................................................... Улоге: Мајкл Пит (Michael Pitt), Улоге: Питер Фонда Луј Гарел (Louis Garrel) (Peter
  • La Política Aragonesa De Alfonso XI Y Los Hi¡Os De Leonor De Guzmán

    La Política Aragonesa De Alfonso XI Y Los Hi¡Os De Leonor De Guzmán

    La política aragonesa de Alfonso XI y los hi¡os de Leonor de Guzmán No es posible una adecuada comprensión de la guerra civil caste- llana que se desarrolló en la segunda mitad del siglo xiv y del papel sustancial jugado en la misma por el vecino reino aragonés sin re- montarnos a los últimos años del reinado de Alfonso XI. Años com- prendidos entre la conquista de Algeciras (1344) y la muerte del rey en el sitio de Gibraltar (1350), y en los que el vacío informativo de las Crónicas debe suplirse con los datos aportados por diversos do- cumentos ~.Conocemos los referentes a las Cortes celebradas durante este período, entre los que alcanza particular relieve el Ordenamiento de Alcalá de 1348 2 Asimismo, conocemos varios aspectos de la rela- ción con Inglaterra y Francia, que recién iniciada la guerra do los Cien Años se disputaban la amistad castellana, gracias a las obras de 1 La obra recientemente publicada de la profesora Esther GONZÁLEZ CRESPO aporta valiosos datos también sobre este período: «Colección documental de Alfonso XI. Diplomas reales conservados en el Archivo Histórico Nácional, Sección de Clero. Pergaminos»> Universidad Complutense (1984). 2 M. CoLMrnRo: Cortes de los antiguos reinos de León y de Castilla, tomo 1, Madrid 1861, Pp. 477-627; W. PsKoasKI: Las Cortes españolas en la Edad Media, trad. de C. Sánchez Albornoz, Barcelona, 1930. Ver las fuentes que cita A. BAIxnsmRos en Historia de España> III, p. 157, notas 360-364. La pérdida de Gibraltar en 1333 y el infructuoso asedio a que a continuación la sometiera habían sin duda hecho reflexionar a Alfonso XI sobre la conveniencia de adueñarse de Algeciras antes de ocupar aquella plaza, para asegurar su con- quista.
  • Dur 08/05/2013

    Dur 08/05/2013

    5 MIÉRCOLES 8 DE MAYO DE 2013 DT LOCAL TRADICIÓN Y VERDAD El Siglo de Durango JUAN ÁNGEL CABRAL / Entrega. La jornada tres de la Liga de Slow Pitch Interdependen- cias Inmude estuvo al rojo vivo. Bomberos apaga a Educación JUAN ÁNGEL CABRAL EL SIGLO DE DURANGO Invictos Durango Después de tres fechas, Prensa La tercera fecha de la Liga EL SIGLO DE DURANGO Deportiva no conoce la de Slow Pitch Interdepen- Emoción. El Hijo del Perro Aguayo estará en Durango enfrentando a La Parka. derrota; superó 17-5 a dencias Inmude mantuvo a su similar de los la afición con los cabellos de Locatarios. LUCHA LIBRE FESTEJOS DE LA CIUDAD punta. Uno de los equipos que llegó esta temporada, Aso- Las parábolas triunfado- ciación Estatal de Bomberos, ras salieron del braso de y Educación dieron un duelo Hugo Mata, en tanto que el de alto poder. Al final de las derrotado fue Juan de Dios siete entradas, los “traga fue- Torres. go” ganaron 11-10. Otro de los duelos que hi- Los lanzamientos de la cieron que la tierra vibrara victoria fueron manufactura fue el que sostuviero Restau- Durango, de Leopoldo Chávez, mien- rante La Victoria-Carritos y tras que Omar Lizárraga se Piperos. Los restauranteros llevó el descalabro. cayeron 8-4 ante los lanza- En más acciones, los anfi- mientos de Arturo de la To- a la televisión nacional triones del Inmude cerraron rre. Enrique Calderón resul- la llave del agua al derrotar tó ser el pitcher derrotado. 8-6 a Aguas del Municipio de Slurrys superó 17-1 a los ■ La Plaza de Toros Alejandra recibirá una función ■ El duranguense Dark Scoria protagonizará la Durango.
  • Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions

    Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions

    RCHI ATECTURE IN C EMA O C MIC A D NCE ITER LATURE U M SIC AI PNTING HOT POGRAPHY CU S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI ATECTURE IN Due to the temporal and geographic amplitude of the history of C EMA Spain, Spanish architecture has received many different influences and has had many different expressions. O C MIC The real development came with the Romans who left behind in A Hispania some of their most amazing monuments. The Muslim D NCE invasion in 711 meant a radical change during the eight ITER centuries that followed and produced great step forwards in the LATURE culture and the architecture. Córdoba, the capital of the U Umayyad dynasty and Granada, capital of the Nasrid dynasty, M SIC became cultural centers of great importance. AI Many Spanish architectural structures, even big parts of the NTING P cities, have been given the status of World Heritage Site given HOT their artistic relevance. Spain is the second country with more POGRAPHY places with the status of World Heritage Site granted by the CU UNESCO, the first one is Italy. S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI MEGALITHIC ARCHITECTURE IBERIAN AND CELTIC ARCHITECTURE TECTURE During the Stone Age the Castro de Baroña The Castro culture, A Galicia most widespread megalith that arose in the north and in the IN Cueva de Menga in the Iberian Peninsula was C EMA Antequera the dolmen. The plans of center of the these funerary chambers used to be pseudocircles or Peninsula and that O trapezoids, formed by huge stones stuck on the ground was directly or indirectly related to C MIC and with others above them as a roof.
  • Ambler Theater a NONPROFIT

    Ambler Theater a NONPROFIT

    A NONPROFIT Ambler Theater ART HOUSE Previews105A SEPTEMBER – DECEMBER 2018 Bengt Ekerot and Max von Sydow in THE SEVENTH SEAL in Sydow and Max von Bengt Ekerot INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The Ambler Theater has wheelchair-accessible auditoriums and restrooms, and is Affiliated Theater Members* .............................$6.75 equipped with hearing enhancement headsets and closed You must present your membership card to obtain membership discounts. caption devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking – Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not How can you support AMBLER THEATER exist. Thank you for being a member. Contact us with your feedback the Ambler Theater? MEMBER or questions at 215 348 1878 x115 or email us at Be a member.
  • Here Is a Printable

    Here Is a Printable

    James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn.
  • Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries

    Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries

    Dynastic Marriage in England, Castile and Aragon, 11th – 16th Centuries Lisa Joseph A Thesis submitted in fulfilment of the requirement for the degree of Masters of Philosophy The University of Adelaide Department of History February 2015 1 Contents Abstract 3 Statement of Originality 4 Acknowledgements 5 Abbreviations 6 Introduction 7 I. Literature Review: Dynastic Marriage 8 II. Literature Review: Anglo-Spanish Relations 12 III. English and Iberian Politics and Diplomacy, 14 – 15th Centuries 17 IV. Sources, Methodology and Outline 21 Chapter I: Dynastic Marriage in Aragon, Castile and England: 11th – 16th Centuries I. Dynastic Marriage as a Tool of Diplomacy 24 II. Arranging Dynastic Marriages 45 III. The Failure of Dynastic Marriage 50 Chapter II: The Marriages of Catherine of Aragon I. The Marriages of the Tudor and Trastámara Siblings 58 II. The Marriages of Catherine of Aragon and Arthur and Henry Tudor 69 Conclusion 81 Appendices: I. England 84 II. Castile 90 III. Aragon 96 Bibliography 102 2 Abstract Dynastic marriages were an important tool of diplomacy utilised by monarchs throughout medieval and early modern Europe. Despite this, no consensus has been reached among historians as to the reason for their continued use, with the notable exception of ensuring the production of a legitimate heir. This thesis will argue that the creation and maintenance of alliances was the most important motivating factor for English, Castilian and Aragonese monarchs. Territorial concerns, such as the protection and acquisition of lands, as well as attempts to secure peace between warring kingdoms, were also influential elements considered when arranging dynastic marriages. Other less common motives which were specific to individual marriages depended upon the political, economic, social and dynastic priorities of the time in which they were contracted.
  • Sources for the History of Art Museums in Portugal» Final Report

    Sources for the History of Art Museums in Portugal» Final Report

    PROJETHA Projects of the Institute of Art History Sources for the History of Art Museums in Portugal [PTDC/EAT-MUS/101463/2008 ] Final Report PROJETHA_Projects of the Institute of Art History [online publication] N.º 1 | «Sources for the History of Art Museums in Portugal» _ Final Report Editorial Coordination | Raquel Henriques da Silva, Joana Baião, Leonor Oliveira Translation | Isabel Brison Institut of Art History – Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa | 2013 PROJETHA_ Projects of the Institute of Art History SOURCES FOR THE HISTORY OF ART MUSEUMS IN PORTUGAL CONTENTS Mentioned institutions - proposed translations _5 PRESENTATION | Raquel Henriques da Silva _8 I. PARTNERSHIPS The partners: statements Instituto dos Museus e da Conservação | João Brigola _13 Museu Nacional de Arte Antiga | António Filipe Pimentel _14 Art Library of the Calouste Gulbenkian Foundation | Ana Paula Gordo _15 II . THE TASKS TASK 1. The origins of the Galeria Nacional de Pintura The origins of the Galeria Nacional de Pintura | Hugo Xavier _17 TASK 2. MNAA’s historical archives database, 1870-1962 The project “Sources…” at the Museu Nacional de Arte Antiga | Celina Bastos e Luís Montalvão _24 Report of the work undertaken at the Archive of the Museu Nacional de Arte Antiga. Research Fellowship | Andreia Novo e Ema Ramalheira _27 TASK 3. Exhibitions in the photographic collection of MNAA . The Photographic Archive at the Museu Nacional de Arte Antiga. A historical sketch | Hugo d’Araújo _35 TASK 4. Inventory and study of the “Arrolamentos” of the Royal Palaces of Necessidades and Ajuda. The project “Sources…” at the Palácio Nacional da Ajuda | PNA _52 Report of the work undertaken at the Palácio Nacional da Ajuda.