RSC PERFORMANCE HISTORY for Full Details, Including Cast Lists, Visit
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Mirvish Productions' Corporate Discount Program
MIRVISH PRODUCTIONS’ CORPORATE DISCOUNT PROGRAM Use promo code CORPGRP online at mirvish.com or by calling TicketKing at either 416-872-1212 or 1-800-461-3333. Information on the upcoming shows included in the program are below. Certain restrictions may apply. AUGUST 9–19, 2018 Ed Mirvish Theatre, 244 Victoria Street, Toronto Join the ultimate feel-good show MAMMA MIA!, the world’s sunniest and most exhilarating smash-hit musical! Set on a Greek island paradise where the sun always shines, a tale of love, friendship and identity is beautifully told through the timeless hits of ABBA. Sophie’s quest to discover the father she’s never known brings her mother face to face with three men from her distant romantic past on the eve of a wedding they’ll never forget! This irresistibly funny show has been thrilling audiences all around the world and now the International Tour comes to Toronto, so there’s never been a better time to see this unforgettable musical. Whatever age you are, you can’t help but have the time of your life at MAMMA MIA! SAVE UP TO 20% EXCLUDING SATURDAY EVENING PERFORMANCES. JUNE 12–17, 2018 Ed Mirvish Theatre, 244 Victoria Street, Toronto Chicago Welcomes NFL Legend & Heisman Trophy Winner Eddie George in the role of Billy Flynn. With a legendary book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb, Chicago is now the #1 longest-running American musical in Broadway history. Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. -
John Dryden and the Late 17Th Century Dramatic Experience Lecture 16 (C) by Asher Ashkar Gohar 1 Credit Hr
JOHN DRYDEN AND THE LATE 17TH CENTURY DRAMATIC EXPERIENCE LECTURE 16 (C) BY ASHER ASHKAR GOHAR 1 CREDIT HR. JOHN DRYDEN (1631 – 1700) HIS LIFE: John Dryden was an English poet, literary critic, translator, and playwright who was made England's first Poet Laureate in 1668. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the “Age of Dryden”. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. On December 1, 1663, he married Elizabeth Howard, the youngest daughter of Thomas Howard, 1st earl of Berkshire. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
CV Will Dickie
CV Will Dickie www.willdickie.co.uk PHONE 07515 970648 E-Mail [email protected] ADDRESS Flat 9 Sydenham Mews, 33 Ullet Road, Liverpool. L17 3AS EDUCATION 2006 MA (Merit) Theatre in Practice (University of Exeter) 2005 BA (1st class honours) Drama (University of Exeter) 2001 A Levels (Hampton School) Theatre Studies (A) French (B) English Lit (C) Business Studies (C) SOLO PERFORMANCE MAKER 2019 – 2020 WHITE SUN Solo Dance Theatre work , performed at Emergency Festival Manchester, developed as part of Works Ahead at Contact Theatre Manchester. Live streamed to an audience of over 150 from our home in May 2020. 2019 – 2020 CANNING TOWN Dance Film , created in collaboration with Fabiola Santana, selected for Screen Dance Film Festival Edinburgh, and Europe Now Film Festival, Reykjavik 2016 - 19 THE RAVE SPACE Immersive DJ performance for night club spaces, Supported by Arts Council England. Developed in London and performed at Camden People's Theatre / Buzzcut Festival Glasgow / Quarter Block Party Cork / South Street Arts Centre Reading / Heads Up Festival Hull and London Shambala Meditation Centr / Word of Warning Manchester. Includes workshop tour to learning disabled arts groups and club nights. Including Heartnsoul Deptford / Club Soda Croydon / Access All Areas Hackney / Wild Bunch Islington. 2014 - 19 TEAM OF THE DECADES Site sensitive immersive work, developed and performed at Battersea Arts Centre. Toured nationally to their Collaborative Touring Network (Heads Up Hull, Strike a Light Gloucester, Great Yarmouth, Looping the Loop Thanet, Jaberwocky Market Darlington), Buzzcut Festival Glasgow, In Between Festival Bristol, Being a Man festival Southbank Centre. Toured internationally to Perth Fringe Australia at the Blue Room Theatre 2014 & 15 THE RESOLUTION STUDIO DJ performance, combining one to one interaction with midnight DJ set for NYE at Battersea Arts Centre. -
Studies in the Work of Colley Cibber
BULLETIN OF THE UNIVERSITY OF KANSAS HUMANISTIC STUDIES Vol. 1 October 1, 1912 No. 1 STUDIES IN THE WORK OF COLLEY CIBBER BY DE WITT C.:'CROISSANT, PH.D. A ssistant Professor of English Language in the University of Kansas LAWRENCE, OCTOBER. 1912 PUBLISHED BY THE UNIVERSITY CONTENTS I Notes on Cibber's Plays II Cibber and the Development of Sentimental Comedy Bibliography PREFACE The following studies are extracts from a longer paper on the life and work of Cibber. No extended investigation concerning the life or the literary activity of Cibber has recently appeared, and certain misconceptions concerning his personal character, as well as his importance in the development of English literature and the literary merit of his plays, have been becoming more and more firmly fixed in the minds of students. Cibber was neither so much of a fool nor so great a knave as is generally supposed. The estimate and the judgment of two of his contemporaries, Pope and Dennis, have been far too widely accepted. The only one of the above topics that this paper deals with, otherwise than incidentally, is his place in the development of a literary mode. While Cibber was the most prominent and influential of the innovators among the writers of comedy of his time, he was not the only one who indicated the change toward sentimental comedy in his work. This subject, too, needs fuller investigation. I hope, at some future time, to continue my studies in this field. This work was suggested as a subject for a doctor's thesis, by Professor John Matthews Manly, while I was a graduate student at the University of Chicago a number of years ago, and was con• tinued later under the direction of Professor Thomas Marc Par- rott at Princeton. -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
Eaton Chelsea Toronto & Mirvish
EATON CHELSEA TORONTO & MIRVISH EATON CHELSEA The hotel you’ve always loved is now called the Eaton Chelsea, Toronto. HOTEL, TORONTO Canada’s largest hotel has joined the prestigious Langham Hospitality Group. Multi-million dollar refurbishments are underway – the first stage has been unveiled with a refurbished lobby, updated food and beverage offerings, and an overall refresh to the building’s exterior – just in time for the Summer travel season. The hotel is steps from Toronto’s best attractions and theatres – making it your ideal base in the city. The Eaton Chelsea, Toronto is in the heart of the city’s best shopping - the Toronto Eaton Centre, the boutiques of Yorkville, funky shops on Queen Street West or the underground PATH. And when you stay at the Eaton Chelsea, Toronto you will earn DOUBLE Aeroplan miles and be part of Langham’s celebrated 1865 loyalty program. To mark its grand re-opening and its new brand identity, Eaton Chelsea, Toronto has rates starting from just $139 per room per night, along with many special packages, making it the ideal choice for Summer fun in downtown Toronto. This summer the Eaton Chelsea, Toronto includes some of the most unique family-friendly activities Toronto has to offer. Cool off at Chelsea Beach on Centre Island, or take an exhilarating ride on downtown Toronto’s only indoor waterslide, “Corkscrew”. As a premier family destination, Eaton Chelsea, Toronto offers a full range of services including the Family Fun Zone, Camp Chelsea supervised activities program, Kid Centre and Club 33 Teen Lounge. In the evenings, the whole family can enjoy scheduled activities such as Family Fear Factor, Bingo Bonanza, Chelsea Challenge and Movie Mania. -
Ocad University
Duerin Ossington YORKVILLE M M M M M M Bloor West M M M M Bloor East KOREA STUDENT RESIDENCE OPTIONS TOWN Yonge Huron Bathurst Grace Charles 1. Campus Common St. George St. Spadina 2. Campus Co-Operative Residence Inc M Park Queen’s 3. CampusOne 4. Neill-Wycik Co-op and Hotel Hoskin 5. Parkside Student Residence Harbord Bay 6. YWCA Housing Gloucester LITTLE CULTURAL ATTRACTIONS QUEEN’S Church UNIVERSITY PARK Jarvis 7. Art Gallery of Ontario ITALY OF M Wellesley 8. Artscape Youngplace TORONTO 9. Bata Shoe Museum 10. Campbell House Museum THE 11. Centre for Social Innovation – Annex BROCKTON VILLAGE 12. Centre for Social Innovation – Spadina College 13. Dundas Square VILLAGE H (LGBTQ+) 14. Ed Mirvish Theatre 15. Elgin and Winter Garden Theatre Centre College M M 16. Four Seasons Centre for the Performing Arts LITTLE Carlton 17. Gardiner Museum Spadina PORTUGAL Oxford 18. Harbourfront H 19. MaRS Discovery District KENSINGTON H COLLEGE 20. Michener Institute Nassau MARKET PARK Mutual H Gerrard 21. Princess of Wales Theatre Shaw Baldwin 22. Queen’s Park H H Bellevue H RYERSON 23. Roy Thomson Hall Elm UNIVERSITY Ossington 24. Royal Alexandra Theatre Dundas West Augusta Gould Lansdowne Duerin Jarvis 25. Royal Conservatory of Music Beverley Brock 26. Royal Ontario Museum Dundas West M 27. Ryerson Image Arts Centre M 28. Textile Museum of Canada CHINATOWN McCaul Dundas TRINITY 29. TIFF Bell Lightbox Bay OSSINGTON BELLWOODS 30. Toronto City Hall PARK GALLERY PARK Gladstone Church 31. Toronto Eaton Centre DISTRICT GRANGE University Beaconsfield 32. University of Toronto Art Centre Bathurst 33. -
Now Until Jun 16. NXNE Music Festival. Yonge and Dundas. Nxne
hello ANNUAL SUMMER GUIDE Jun 14-16. Taste of Little Italy. College St. Jun 21-30. Toronto Jazz Festival. from Bathurst to Shaw. tolittleitaly.com Featuring Diana Ross and Norah Jones. hello torontojazz.com Now until Jun 16. NXNE Music Festival. Jun 14-16. Great Canadian Greek Fest. Yonge and Dundas. nxne.com Food, entertainment and market. Free. Jun 22. Arkells. Budweiser Stage. $45+. Exhibition Place. gcgfest.com budweiserstage.org Now until Jun 23. Luminato Festival. Celebrating art, music, theatre and dance. Jun 15-16. Dragon Boat Race Festival. Jun 22. Cycle for Sight. 125K, 100K, 50K luminatofestival.com Toronto Centre Island. dragonboats.com and 25K bike ride supporting the Foundation Fighting Blindness. ffb.ca Jun 15-Aug 22. Outdoor Picture Show. Now until Jun 23. Pride Month. Parade Jun Thursday nights in parks around the city. Jun 22. Pride and Remembrance Run. 23 at 2pm on Church St. pridetoronto.com topictureshow.com 5K run and 3K walk. priderun.org Now until Jun 23. The Book of Mormon. Jun 16. Father’s Day Heritage Train Ride Jun 22. Argonauts Home Opener vs. The musical. $35+. mirvish.com (Uxbridge). ydhr.ca Hamilton Tiger-Cats. argonauts.ca Now until Jun 27. Toronto Japanese Film Jun 16. Father’s Day Brunch Buffet. Craft Jun 23. Brunch in the Vineyard. Wine Festival (TJFF). $12+. jccc.on.ca Beer Market. craftbeermarket.ca/Toronto and food pairing. Jackson-Triggs Winery. $75. niagarawinefestival.com Now until Aug 21. Fresh Air Fitness Jun 17. The ABBA Show. $79+. sonycentre.ca Jun 25. Hugh Jackman. $105+. (Mississauga). Wednesdays at 7pm. -
Custodians for Covid, Theatres Press Release
Oxford-based photographer Joanna Vestey and collaborator Tara Rowse have set up a bold fundraising initiative, Custodians for Covid, to raise funds for threatened arts institutions. Its first edition focuses on raising money for theatres currently in crisis due to the Covid-imposed lockdown. This includes world renowned theatres such as the National Theatre, the Roundhouse and the Young Vic. (L) Deborah McGhee, Head of Building Operations, The Globe. London, June 2020 © Joanna Vestey (R) Charlie Jones, Building Services Manager, The Royal Albert Hall. London, June 2020 © Joanna Vestey Vestey has produced a collection of 20 photographs, each featuring an affected London theatre, portraying the custodian who is charged with its care during this time of crisis. The photographs are being sold in limited editions to raise funds for each theatre. The target is to raise £1million in charitable donations for the 20 London theatres, amounting to £50,000 per theatre. Each image in the series features an iconic theatre space in which Vestey has highlighted a custodian. The custodian’s presence brings the setting to life and celebrates the often-unknown role of the guardians who continue to maintain these institutions. The series explores themes such as heritage, stewardship, identity and preservation, which feel even more poignant given the isolation so many are currently experiencing and the uncertainties so many face. The images are for sale through Joanna Vestey's website and build on her widely acclaimed series custodians, the first of which focused on the hallowed institutions of Oxford, together with the custodians responsible for them. The series was exhibited at the Venice Biennale, Oxford Biennale as well as published by and exhibited at The Ashmolean Museum, Oxford. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Equality, Diversity and the Creative Case
Equality, Diversity and the Creative Case A Data Report 2018-19 Getting started Read a Foreword from our Chair, Sir Nicholas Serota; find out more about where the data in this report is from; and get the key findings from the Executive Summary. EQUALITY, DIVERSITY AND THE CREATIVE CASE A DATA REPORT: 2018-19 2 Foreword Foreword by Sir Nicholas Serota, Chair, Arts Council England In 2017, we announced a new This is the first report to focus on this new analysis, review of reports, conversations To fully embrace these opportunities, the National Portfolio and it’s also the first time and two national consultations. A core cultural sector needs to apply its creativity National Portfolio of organisations we’ve been able to look deeper into the detail. principle of the investment that will be made to all aspects of its business and activities. that would receive regular funding This reveals more information across different under the 2020-30 Strategy is the need to Organisations need to continue to change parts of the country and different types of diversify the cultural sector – the leadership, and develop, to innovate, to explore and to for the period 2018-22. Libraries organisations. We’ve also been able to release workforce and governance of organisations; progress. Diversity of thought, experience and Museums were integrated more granular data looking across disciplines, the audiences and visitors influencing and and perspective are vital, and inclusivity and including individual Creative Case ratings. experiencing the creative and cultural offer; relevance are therefore driving principles in into the portfolio for the first and the artists, creatives and producers.