BAM Presents the Highly Anticipated US Premiere of Three One-Woman
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CV Will Dickie
CV Will Dickie www.willdickie.co.uk PHONE 07515 970648 E-Mail [email protected] ADDRESS Flat 9 Sydenham Mews, 33 Ullet Road, Liverpool. L17 3AS EDUCATION 2006 MA (Merit) Theatre in Practice (University of Exeter) 2005 BA (1st class honours) Drama (University of Exeter) 2001 A Levels (Hampton School) Theatre Studies (A) French (B) English Lit (C) Business Studies (C) SOLO PERFORMANCE MAKER 2019 – 2020 WHITE SUN Solo Dance Theatre work , performed at Emergency Festival Manchester, developed as part of Works Ahead at Contact Theatre Manchester. Live streamed to an audience of over 150 from our home in May 2020. 2019 – 2020 CANNING TOWN Dance Film , created in collaboration with Fabiola Santana, selected for Screen Dance Film Festival Edinburgh, and Europe Now Film Festival, Reykjavik 2016 - 19 THE RAVE SPACE Immersive DJ performance for night club spaces, Supported by Arts Council England. Developed in London and performed at Camden People's Theatre / Buzzcut Festival Glasgow / Quarter Block Party Cork / South Street Arts Centre Reading / Heads Up Festival Hull and London Shambala Meditation Centr / Word of Warning Manchester. Includes workshop tour to learning disabled arts groups and club nights. Including Heartnsoul Deptford / Club Soda Croydon / Access All Areas Hackney / Wild Bunch Islington. 2014 - 19 TEAM OF THE DECADES Site sensitive immersive work, developed and performed at Battersea Arts Centre. Toured nationally to their Collaborative Touring Network (Heads Up Hull, Strike a Light Gloucester, Great Yarmouth, Looping the Loop Thanet, Jaberwocky Market Darlington), Buzzcut Festival Glasgow, In Between Festival Bristol, Being a Man festival Southbank Centre. Toured internationally to Perth Fringe Australia at the Blue Room Theatre 2014 & 15 THE RESOLUTION STUDIO DJ performance, combining one to one interaction with midnight DJ set for NYE at Battersea Arts Centre. -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
Custodians for Covid, Theatres Press Release
Oxford-based photographer Joanna Vestey and collaborator Tara Rowse have set up a bold fundraising initiative, Custodians for Covid, to raise funds for threatened arts institutions. Its first edition focuses on raising money for theatres currently in crisis due to the Covid-imposed lockdown. This includes world renowned theatres such as the National Theatre, the Roundhouse and the Young Vic. (L) Deborah McGhee, Head of Building Operations, The Globe. London, June 2020 © Joanna Vestey (R) Charlie Jones, Building Services Manager, The Royal Albert Hall. London, June 2020 © Joanna Vestey Vestey has produced a collection of 20 photographs, each featuring an affected London theatre, portraying the custodian who is charged with its care during this time of crisis. The photographs are being sold in limited editions to raise funds for each theatre. The target is to raise £1million in charitable donations for the 20 London theatres, amounting to £50,000 per theatre. Each image in the series features an iconic theatre space in which Vestey has highlighted a custodian. The custodian’s presence brings the setting to life and celebrates the often-unknown role of the guardians who continue to maintain these institutions. The series explores themes such as heritage, stewardship, identity and preservation, which feel even more poignant given the isolation so many are currently experiencing and the uncertainties so many face. The images are for sale through Joanna Vestey's website and build on her widely acclaimed series custodians, the first of which focused on the hallowed institutions of Oxford, together with the custodians responsible for them. The series was exhibited at the Venice Biennale, Oxford Biennale as well as published by and exhibited at The Ashmolean Museum, Oxford. -
Introduction to Theatre | University of Reading
09/26/21 FT1ITH: Introduction to Theatre | University of Reading FT1ITH: Introduction to Theatre View Online This module introduces you to the study of theatre and performance through a series of play text case studies and theatre visits. ‘[1973] “Not I” (Samuel Beckett)’, 2010 <https://www.youtube.com/watch?v=M4LDwfKxr-M> ———, 2010 <https://www.youtube.com/watch?v=M4LDwfKxr-M> ‘About the Play | Cymbeline | Royal Shakespeare Company’ <https://www.rsc.org.uk/cymbeline> ——— <https://www.rsc.org.uk/cymbeline> ‘Alan Cumming and Tony Curran in Rehearsals for The Bacchae’, 21AD <https://www.youtube.com/watch?v=slqXLI2DoRc> ‘A Pacifist’s Guide to the War on Cancer | National Theatre’ <https://www.nationaltheatre.org.uk/shows/a-pacifists-guide-to-the-war-on-cancer> ——— <https://www.nationaltheatre.org.uk/shows/a-pacifists-guide-to-the-war-on-cancer> Arnott, Peter D., and ebrary, Inc, Public and Performance in the Greek Theatre (London: Routledge, 1991) <http://site.ebrary.com/lib/reading/Doc?id=10060943> Ashby, Clifford, and ebrary, Inc, Classical Greek Theatre: New Views of an Old Subject (Iowa City, Iowa: University of Iowa Press, 1999), Studies in theatre history & culture <http://site.ebrary.com/lib/reading/Doc?id=10579441> Aston, E., ‘“Semiotics of Performance”’, in Theatre as Sign-System: A Semiotics of Text and Performance (London: Routledge, 1991), pp. 99–122 <http://reading.eblib.com/patron/FullRecord.aspx?p=1581598> Aston, Elaine, and George Savona, Theatre as Sign-System: A Semiotics of Text and Performance (London: Routledge, 1991) -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Equality, Diversity and the Creative Case
Equality, Diversity and the Creative Case A Data Report 2018-19 Getting started Read a Foreword from our Chair, Sir Nicholas Serota; find out more about where the data in this report is from; and get the key findings from the Executive Summary. EQUALITY, DIVERSITY AND THE CREATIVE CASE A DATA REPORT: 2018-19 2 Foreword Foreword by Sir Nicholas Serota, Chair, Arts Council England In 2017, we announced a new This is the first report to focus on this new analysis, review of reports, conversations To fully embrace these opportunities, the National Portfolio and it’s also the first time and two national consultations. A core cultural sector needs to apply its creativity National Portfolio of organisations we’ve been able to look deeper into the detail. principle of the investment that will be made to all aspects of its business and activities. that would receive regular funding This reveals more information across different under the 2020-30 Strategy is the need to Organisations need to continue to change parts of the country and different types of diversify the cultural sector – the leadership, and develop, to innovate, to explore and to for the period 2018-22. Libraries organisations. We’ve also been able to release workforce and governance of organisations; progress. Diversity of thought, experience and Museums were integrated more granular data looking across disciplines, the audiences and visitors influencing and and perspective are vital, and inclusivity and including individual Creative Case ratings. experiencing the creative and cultural offer; relevance are therefore driving principles in into the portfolio for the first and the artists, creatives and producers. -
The Inside Guide to Directing
THE INSIDE GUIDE TO DIRECTING Introduction by 02 Katy Rudd What is Directing? 06 Artist profile: 08 Ashen Gupta Pre-Rehearsals 12 Artist Profile: 16 GUIDE Ebenezer Bamgboye Guide compiled by Euan Borland Rehearsal Room 20 Directing Exercises by Roberta Zuric Photography Credits Artist Profile: 24 Joanna Higson Manuel Harlan Sean Linnen EDUCATION & COMMUNITY How to be a Leader 28 Director of Education & Community Hannah Fosker Education Manager Top Tips for Directing 30 Euan Borland Young Person’s Programme Manager Naomi McKenna Lawson Further Reading, 32 Education & Community Coordinator Kate Lawrence-Lunniss Watching & Listening Education & Community Intern Annys Whyatt Abena Obeng Glossary of Terms 34 With generous thanks to Old Vic staff and associates Next Steps 36 If you would like to learn more about our education programmes please contact [email protected] CONTENTS 1 When I left university, I knew that I wanted to During this time I had the good fortune to be a director but I had no idea how, or where, meet Marianne Elliott who kindly had a cup to start. At university I wrote and directed of tea with me – she gave me some advice plays as part of my course and I was given and told me to go to the regions and learn a good introduction to making theatre. your craft. Then she wished me good luck. In our spare time we put on our own shows rehearsing after hours in whatever space we So I did. I went to Salisbury Playhouse where could commandeer; empty lecture rooms, I spent three glorious months assisting on communal spaces or failing that our bedrooms. -
BAM 2003 Next Wave Festival
BAM 2003 Next Wave Festival Roy Kortlck, ear arch with fountain, 2003 BAM 2003 Next Wave Festival ENCORE Is sponsored by: Altria 2003 ~ext Wave EesfuLaJL.....---- Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents The Hanging Man Improbable Theatre Approximate BAM Harvey Theater running time: Nov 4-8, 2003 at 7:30pm; Nov 9 at 3pm 1 hour and 30 minutes with Directed, designed, and scripted by no intermission Phelim McDermott, Lee Simpson, and Julian Crouch Co-designed by Phil Eddolls Lighting designed by Colin Grenfell , Choreographed by Steve Kirkham Soundscape by Darron L West Costumes designed by Stephen Snell Performed by Lisa Hammond Rachael Spence Nick Haverson Ed Woodall Richard Katz Tim Preece Catherine Marmier (Careful Assistance) A co-production with The West Yorkshire Playhouse, Wexner Center for the Arts at The Ohio State University with support from Doris Duke Charitable Foundation, the Walker Art Center through a grant from The Rockefeller Foundation's Multi-Arts Production Fund with additional support provided by the National Endowment for the Arts, The Lyric Hammersmith, Wiener Festwochen. Presented and produced in association with Pomegranate Arts. These performances are supported by the BritiSh Council. BAM 2003 Next Wave Festival is sponsored by Altria Group, Inc. The opening night reception for The Hanging Man is sponsored by Suba Restaurant. Next Wave Theater support is provided by The Peter Jay Sharp Foundation, The SHS Foundation, The Shubert Foundation, and Harold and Mimi Steinberg Charitable Trust. -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint. -
Theatre / Musical / Opera
THEATRE / MUSICAL / OPERA YEAR POSITION PRODUCTION VENUE/COMPANY DIRECTOR 2014 DSM Henry IV Donmar Warehouse Phyllida Lloyd 2014 SM New Views: Is there wifi in Heaven National Theatre – The Shed Adam Penford 2014 ASM Bkcover A Small Family Business National Theatre - Olivier Adam Penford 2014 DSM Other Desert Cities Old Vic Theatre Lindsay Posner 2013 DSM Much Ado About Nothing Old Vic Theatre Mark Rylance 2013 DSM Noises Off UK Tour / Old Vic Lindsay Posner 2013 DSM Equally Divided Watford Palace Theatre Brigid Larmour 2012-13 DSM Cinderella UCH Limerick / Robert C Kelly Karl Harpur 2012 DSM Where the Wild Things Are Aldeburgh Festival, Los Angeles and Barbican Netia Jones 2011-12 DSM Backbeat Duke of York’s WE & Royal Alex, Toronto David Leveaux 2012 DSM Being Shakespeare Trafalgar Studios 1 WE Tom Cairns 2011 Prod. Administrator Various Royal Court Theatre Various 2011 DSM The Wizard of Oz UK Tour / New World Productions Rob Forknall 2010-11 ASM / book cover When We Are Married Garrick Theatre WE / Nimax Christopher Luscombe Pelleas et Melisande and Oliva Fuchs 2010 SM Opera Holland Park Francesca di Rimini Martin Lloyd Evans 2010 DSM Lucky Numbers Royal Court Liverpool Ken Alexander 2009-10 ASM / book cover The Rise and Fall of Little Voice Vaudeville Theatre WE / Nimax Terry Johnson Hänsel und Gretel and Stephen Barlow 2009 SM Opera Holland Park Kat’a Kabanova Olivia Fuchs 2009 SM Bulgakov/Moliere workshop National Theatre Studio Blanche McIntyre 2009 ASM dep A Little Night Music Garrick Theatre WE/Menier Chocoate Factory Trevor Nunn 2008-09 SM Tosca OHP & Richmond Theatre Stephen Barlow 2008 DSM and relights Alex – Live on Stage International & UK tour / Eleanor Lloyd Prods Phelim McDermott 2008 DSM The Devil’s League Derby Playhouse Alan Dossor 2007 DSM Alex – Live on Stage Arts Theatre Phelim McDermott 2007 SM Il Barbiere di Siviglia Opera Holland Park Tim Carroll 2007 SM on book Total Eclipse Menier Chocolate Factory Paul Miller 2006/07 DSM Jack and the Beanstalk Kings Theatre, Southsea / New Panto Prod. -
The Agency Press Release
National Lottery funding supports the UK roll-out of The Agency, a unique creative programme for young entrepreneurs National Theatre Wales and FabLab Belfast join lead partners, Battersea Arts Centre, Contact and People’s Palace Projects, to run The Agency in 4 locations across the UK The Agency – a creative entrepreneurship programme that supports young people to make their ideas a reality – has secured just over £873,000 of National Lottery funding from the Big Lottery Fund to support its national roll-out over the next three years. National Theatre Wales and FabLab Belfast will now join forces with lead partners Battersea Arts Centre, Contact, Manchester and People’s Palace Projects to double the footprint of The Agency across the UK from September 2018, working with more young people than ever before. Recent research has confirmed that low-income families and young people across the UK are still struggling to recover from the financial crisis 1*. Of the more than half a million 16-24 year olds who are unemployed, it is the young people from underserved areas across the country who are hardest hit. The Agency specifically seeks out young people in some of these communities. It is unique amongst other training or skills development programmes because it combines the best of creativity and enterprise, connecting young people to arts organisations and the business sector, allowing them to harness the creative approaches, networks and skill sets of both of these vibrant industries. The programme puts young people in the lead, and supports them to realise their potential to make change happen, both for themselves and those around them. -
Syllabus 2013-14
Theatre in England Syllabus/Play Schedule, January 2014 Arrive either night of Jan. 1 or morning of Jan. 2 Each morning, we will meet in the parlor for seminar after breakfast (~9:00 am); each seminar will be an hour or slightly longer Thursday, Jan. 2 Matinee: 2:00 pm: Jack and the Beanstalk **Location: Lyric Hammersmith Tube Stop(s): Hammersmith Tube Zone: 2 General Location: Further West London Address: Lyric Square, King St, London W6 0QL . Run Time: 2 h 15 min . Synopsis/Tagline: Magic beans, a journey to an enchanted kingdom in the clouds, an evil giant, and some zumba, Jack and the Beanstalk has all the ingredients of a classic panto. (Panto = pantomime: a family-friendly musical comedy that also features dancing and slapstick humor, usually performed during the holiday season in the UK) . Cast and Crew: Steven Webb (Sprout), Howard Ward (Moreen Dripp), Nigel Richards (Mr Fleshcreep), Rochelle Rose (Jack), Joshua Tonks (Jill), Hannah Scarlett (Caroline the Cow), Emily Aitcheson, Bolaji Alakija, Seraphina Beh, Joe Black, Krystal Dockery, Elinor Machen-Fortune, Kaysha Woollery, Sarah Yesufu. Producer: Lyric Hammersmith. Author: Tom Wells. Director: Dan Herd. Website: http://www.lyric.co.uk/whats-on/production/jack-and-the-beanstalk/ Evening: 7:30 pm: Once a Catholic **Location: Tricycle Theatre Tube Stop(s): Kilburn Tube Zone: 2 General Location: Northwest London Address: 269 Kilburn High Road, London NW6 7JR . Run Time: 2 h 35 min . Synopsis/Tagline: Willesden, 1957. A convent girls’ school. Bad habits… and boys. The nuns at Our Lady of Fatima preach chastity and diligence as the swinging sixties approach.