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“4'33''” (John Cage 1952), 221 476 Players Theatre, London

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“4'33''” (John Cage 1952), 221 476 Players Theatre, London INDEX 0090 Festival, Antwerp, 205 Atys (Jean-Baptiste de Lully 1676), “4’33’’” (John Cage 1952), 221 67, 76n 476 Players Theatre, London, 206n Aufricht, Ernst Josef, 138-143, 145-6, à la Turca, 185; “Turkish” operas, 147-8n, 249 205n aurality, 15, 185-207, 236, 243 Abbate, Carolyn, 45-6, 60, 151, 162- Auslander, Philip, 26, 28-9, 249 3, 164n, 220, 235, 249 Bach, Johann Sebastian, 154, 176, Abel, Sam, 152, 249 180 Acousmêtre, 149-164, 234 Bacilly, Bénigne de, 71, 245 Adorno, Theodor W., 18, 24n, 39, 47- Bahn, Roma, 140 50, 55, 62-3, 64n, 245 Bählamms Fest (Olga Neuwirth aestheticity, 136 1998), 60, 63, 247, 253 affect, 21-2, 65, 79-101, 231-2, 256 Bakhtin, Mikhail, 174-5 Agamben, Giorgio, 58, 63, 75, 245 Balatri, Filipo, 70 agréments, 68 Ballhaus Naunynstrasse, Germany, Alagna, Roberto, 127 205n Ali Pasha von Janina (Albert Balme, Christopher, 27, 166-7, 179, Lortzing 1828), 205n 249 alienation (Verfremdung), 48-51, Baroni, Leonora, 71 136, 145, 199-200 Barthes, Roland, 40, 44, 54, 161, 225, Allons les gars (1991), 205 245 Altan, Sinem, 186, 207n; Türkisch für Bary, René, 71-2, 245 Liebhaber (2009), 207n; Tango Bataille, Georges, 59 Türk (2010), 10, 186, 193-4, 196- Battersea Arts Centre, 24n 7, 200-4, 236 Bazin, André, 153 Andersen, Hans Christian, 53-5 Beckett, Samuel, 19 Anderson, Laurie, 28, 66 becoming animal, 58-60 animal spirits/spiritus animales, 81-2, Beethoven, Ludwig van, 24n, 41-2, 101n 253 anti-humanism, 49-51, 230 Beggar’s Opera, The (John Gay Araiza, Francisco, 122-3 1928), 139 Arcola Theatre, London, 205n Belle et la Bête. La (Philip Glass Arianna (Claudio Monteverdi 1608), 1994), 152, 159-160, 163, 164n 80-2 bel canto, 14, 42, 58 Aristotle, 40, 67, 76n, 134, 245 Benjamin, Walter, 28, 62, 64n, 245 Armide (Jean-Baptiste de Lully Berberian, Cathy, 17, 24n, 219-220, 1686), 72, 77n 227n, 240, 243, 245-6, 253 Ashley, Robert: Perfect Lives (1978- Berg, Alban, 50, 51, 150; Lulu 1983), 21, 25, 27-32, 37-8n, 229, (1935), 150, 163n; Wozzeck 245, 255, 258 (1925), 51 Aşik (Turkish tradition), 194 Bieito, Calixto, 19 Atatürk, Mustafa Kemal, 198, 200-1, 207n 262 Index Birtwistle, Harrison, 50, 152, 160, Campra, Andre: Hésione (1700), 73 163; Mask of Orpheus, The Can, Kerem, 195, 202 (1986), 152, 160, 163 Carmen (Georges Bizet 1875), 47-8, Bizet, Georges: Carmen (1875), 47-8, 149; (Cecil B. DeMille 1915), 149 149 Björk, 168, 171, 174-6, 183n; Dancer Carreras, José, 13, 121, 126 in the Dark (2000), 10, 168, 170, Carrington, Leonora, 60 172-5, 177, 182-3n, 235, 255 Cartens, Caroline, 194 Björling, Jussi, 123, 128 Caruso, Enrico, 121, 126, 128, 129n; Black on White (Heiner Goebbels Great Caruso, The (Richard 1997), 176 Thorpe 1951), 126; Mario Lanza: Blair, Tony, 224, 227n, 245 The American Caruso (John Blau, Herbert, 17 Musilli 1983), 128, 259 body politic, 75 castration, 120; anxiety of, 151-4, Bono, 120 156, 161, 164n, 234 Boublil, Alain and Claude-Michel castrato / castrati, 70, 121-2, 225, Schönberg: Misérables, Les 253 (1985), 127, 259 chaconne, 97 Bourgeoıs Gentilhomme, Le (Jean- Chaplin, Charlie, 158; Burlesque on Baptiste de Lully 1670), 205 Carmen (1915), 149; Gold Rush, Brandt-Sigurdsson, Gunnar, 194, The (1925), 158 206n Chion, Michel, 153-4, 156, 161, 250 Brecht, Bertolt, 18, 22, 28, 131-148, civilising process, 7 154, 158, 164n, 234, 246, 251-5, CNN opera, 25 258-9; and epic theatre, 132-3, Cocteau Trilogy (Philip Glass), 159- 136-7, 141-2, 145, 158; 60, 164n Threepenny Opera, The (1928), Coliseum, 13, 259; English National 131-148, 234, 246, 250, 251-3; Opera, 13, 220, 242, 251, 259 Mahagonny (Aufstieg und Fall Comolli, Jean-Louis, 153 der Stadt Mahagonny) (1930), Cook, Nicholas, 46, 165-6, 251-2 131 Cordemoy, Géraud de, 73, 246 Breslin, Herbert, 121, 250 counter-tenor, 121-2 Brook, Peter, 19, 227n Couperin, François, 72 Bunraku, 14 Cremonesi, Attilio, 9, 79, 96, 97, Burlesque on Carmen (Charlie 101n, 232, 249 Chaplin 1915), 149 critical impro, 213, 237 Burst (Battersea Arts Centre), 24n cross-gender performance, 121, 257 Bussotti, Sylvano, 17, 24n, 227n, 246 cultural diversity, 185-207, 236 Bürger, Peter, 133-4, 234, 250 Cureau de la Chambre, Marin, 68, Cage, John, 50, 52, 62, 219, 221, 254- 246 5; “4’33’’” (1952), 221; Water cycle of enquiry, 217 Walk (1959), 52; Cage Against Dancer in the Dark (Lars von Trier the Machine (2010), 221, 227n, 2000), 10, 168, 170, 172-5, 177, 255 182-3n, 235, 255 Caine, Michael, 120 Danchet, Antoine: Hésione (1700), 73 Callas, Maria, 103-117, 121, 150, Dandrey, Patrick, 69, 255 163, 163-4n, 232-3n, 249-50, Davies, Peter Maxwell: Eight Songs 252-5, 258; Galas (Charles for a Mad King (1969), 52, 57 Ludlam, 1983), 150 .
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