One Night with Janis Joplin
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Janis Joplin and the Sexual Revolution
Janis Joplin and the Sexual Revolution This item contains selected online content. It is for use alongside, not as a replacement for the module website, which is the primary study format and contains activities and resources that cannot be replicated in the printed versions. About this free course This free course is an adapted extract from the Open University course A113 Revolutions http://www.open.ac.uk/courses/modules/a113. This version of the content may include video, images and interactive content that may not be optimised for your device. You can experience this free course as it was originally designed on OpenLearn, the home of free learning from The Open University – https://www.open.edu/openlearn/history-the-arts/the-american-civil-rights-movement/content-section-0 There you’ll also be able to track your progress via your activity record, which you can use to demonstrate your learning. Copyright © 2020 The Open University Intellectual property Unless otherwise stated, this resource is released under the terms of the Creative Commons Licence v4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/deed.en_GB. Within that The Open University interprets this licence in the following way: www.open.edu/openlearn/about-openlearn/frequently-asked-questions-on-openlearn. Copyright and rights falling outside the terms of the Creative Commons Licence are retained or controlled by The Open University. Please read the full text before using any of the content. We believe the primary barrier to accessing high-quality educational experiences is cost, which is why we aim to publish as much free content as possible under an open licence. -
Tribute to Three Giants Figures of the Sixties' Pop
TRIBUTE TO THREE GIANTS FIGURES OF THE SIXTIES’ POP MUSIC IN THE 50th ANNIVERSAIRE OF THEIR DEATH. ALAN WILSON, JIMI HENDRIX AND JANIS JOPLIN: ASTROLOGICAL REVIEW OF THREE 27’ CLUB MEMBERS. We were at the end of the “sixties”, a remarkable decade of 20th century for popular music, revolutionary movements, technological achievements and radical changes in human relationships. It was also the time of “hippie liberation”, the spread of drugs through young people. Everything was fine when, just in the span of thirty days, three outstanding members of musical background suddenly died. 1970, September the 3th: Alan Wilson, “Canned Heat” guitar, harmonica and vocal, commit suicide at home of another member group, Bob Hite, in Topanga Canyon, California. An overdose was the cause of his death. He was 27 years old. 1970, September the 18th: Jimi Hendrix, one of the bests guitarrist of all times, share his last night with Monica Dannemann in Samarkand Hotel, London. When she woke up Jimi was inconscious, yet breathe. He was moved at St. Mary Abbot Hospital, but he was not alive. The cause of his death: asphyxia per vomit. His partner declared that Jimi had had seven tablets of Vesparax, a barbituric, say, 18 times the recommended dose. He was 27 years old. 1970, October the 4th: Janis Joplin, a singer and contraculture icon of the sixties was found dead in her hotel room, at Los Angeles, just when she was going to record the vocal part of Buried Alive in the Blues next morning. A portent, maybe a synchronicity. The official cause of her death was an heroine overdose, probably combined with alcohol effects. -
The 1970'S Counter-Culture Through the Lyrics of Janis Joplin Chelsey Hess Ouachita Baptist University
Ouachita Baptist University Scholarly Commons @ Ouachita History Class Publications Department of History 4-2-2015 The 1970's Counter-Culture through the Lyrics of Janis Joplin Chelsey Hess Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/history Part of the History Commons Recommended Citation Hess, Chelsey, "The 1970's Counter-Culture through the Lyrics of Janis Joplin" (2015). History Class Publications. 28. https://scholarlycommons.obu.edu/history/28 This Class Paper is brought to you for free and open access by the Department of History at Scholarly Commons @ Ouachita. It has been accepted for inclusion in History Class Publications by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Chelsey Hess Research Seminar 2 April 2015 The 1970s Counter-Culture through the Lyrics of Janis Joplin Today’s music tends to have the main goal of entertaining instead of spreading a message; the music created, performed, and shared during the 1970s carried with it ideas and new ways of thinking. People could not only “jam” to the beats created by singers such as Jimmi Hendrix, The Beatles, and Janis Joplin, but they could also connect and identify with the words that they sang; Songs such as “Let It Be” by the Beatles is a prime example of this type of music. The 1970s brought a decade of national malaise in the United States, as well as a young adult backlash to the teachings of their parents. Young Americans were not only consumed with their own life in high school but also with protesting against the Vietnam War, the Civil Rights Movement, and rejecting the lifestyles that their parents had imbedded in them since birth. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Aint Gonna Study War No More / Down by the Riverside
The Danish Peace Academy 1 Holger Terp: Aint gonna study war no more Ain't gonna study war no more By Holger Terp American gospel, workers- and peace song. Author: Text: Unknown, after 1917. Music: John J. Nolan 1902. Alternative titles: “Ain' go'n' to study war no mo'”, “Ain't gonna grieve my Lord no more”, “Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Down by the River”, “Down by the Riverside”, “Going to Pull My War-Clothes” and “Study war no more” A very old spiritual that was originally known as Study War No More. It started out as a song associated with the slaves’ struggle for freedom, but after the American Civil War (1861-65) it became a very high-spirited peace song for people who were fed up with fighting.1 And the folk singer Pete Seeger notes on the record “Waist Deep in the Big Muddy and Other Love Songs”, that: "'Down by the Riverside' is, of course, one of the oldest of the Negro spirituals, coming out of the South in the years following the Civil War."2 But is the song as we know it today really as old as it is claimed without any sources? The earliest printed version of “Ain't gonna study war no more” is from 1918; while the notes to the song were published in 1902 as music to a love song by John J. Nolan.3 1 http://myweb.tiscali.co.uk/grovemusic/spirituals,_hymns,_gospel_songs.htm 2 Thanks to Ulf Sandberg, Sweden, for the Pete Seeger quote. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Etta James 2012
February 2012 www.torontobluessociety.com Published by the TORON T O BLUES SOCIE T Y since 1985 [email protected] Vol 28, No 2 1938 Etta James 2012 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA winners Event Listings John’s Blues Picks & more Loose Blues News TORON T O BLUES SOCIE T Y Upcoming TBS Events 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2012 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold (Executive), Gord Brown, Lucie Dufault (Secretary), Sharon Evans, Sarah French, Julian Fauth and Paul Reddick will appear Thursday, February 2 at the Gladstone Sharon Kate Grace, Michael Malone (Treasurer), Hotel's Melody Bar as part of the Toronto Blues Society First Thursday series. The Ed Parsons (Executive), Norman Robinson, Toronto Blues Society presents the best in blues talent the first Thursday of each month Paul Sanderson, Mike Smith (Executive), John at the recently renovated Melody Bar in The Gladstone Hotel. Performances are Valenteyn (Executive) free to the public and begin at 9pm. The next show in the series is on March 1, and Musicians Advisory Council: Lance Anderson, features a performance by Rick Taylor and Carlos del Junco. Check back soon Brian Blain, Gary Kendall, Al Lerman, Lily Sazz, to find out about upcoming performances including Layla Zoe (April 5), and Mark Stafford, Suzie Vinnick Morgan Davis (May 3). Membership Committee: Mike Malone, Lucie Default, Gord Brown, Sarah French, Mike Smith, Debbie Brown, Ed February 11, 1pm-4pm at Lula Lounge (1585 Dundas St Parsons, Norm Robinson, Rick Battision, W) - Digital Dollars: The second Digital Dollars seminar. -
Greater Little Zion Baptist Church 10185 Zion Drive Fairfax, VA 22032
Worship on the Lord’s Day Sermon Outline 9:45 a.m. Service What Makes You So Strong Judges 16:4-6 Worship Leader ……. Bro. Calvin Parson, Jr. 1. My Religion Music Leaders Musician ..……………..……........................................... Min. Keith Exum Minister of Music .…...………..……………….…… Bro. Robert Fairchild Praise and Worship …………………………..…..……………………… Male Chorus Call to Worship ……………………………………..…………..………………..……… Congregational Hymn #540 ………….………................. Lift Every Voice And Sing Worshippers may enter Lead by Sis, Latasha Murphy 2. My Relationships Invocation ..…………………..................………..………... Bro. Calvin Parson, Jr. Welcoming of Visitors …………………..……..……..…….… Bro. Calvin Parson, Jr. Poem …………………………………….…………………………. Sis. Angel Windley Black History Month Presentation ……………..……………………………………….. Announcements …………………………….………………… Bro. Calvin Parson, Jr. 3. My Reality Worship of Giving/ Prayer …...…………….….……….. Board of Directors/Deacons Please submit your prayer request at this time Youth Moment …………………………………………………………….. Who Am I? Brothers Tristan Anderson & Aayan Simelton ~ Sisters Jordan & Sydney Rhodes Scripture Reading ………………………………………………….. Sis. Faith Bradley Poem …………………………………….………….……………. Bro. Jaaziah Bethea Black History Month Presentation ……………..……………………………………….. 4. My Resurrections Musical Selection ……………......…………....……….………….......… Male Chorus The Spoken Word/Sermon …….............................. Rev. Dr. James T. Murphy, Jr. Sermon Title & Scripture: “What Makes You So Strong” Judges 16:4-6 Connection Moment Congregational Prayer Time ………...…………… Rev. Dr. James T. Murphy, Jr. Benediction …………………………………….....….. Rev. Dr. James T. Murphy, Jr. This is my Bible. I am what It says I am. I have what It says I have. I can do what It says I can do. Today I will be taught the Word of God. I boldly confess that my mind is alert, my heart is Please do not enter or leave the Sanctuary during this time. receptive and I will never be the same. In Jesus’ name. Amen In many ways, Simone's music defied standard definitions. -
Tedeschi Rucks Band in Perfect Harmony
Download The 2016 International Blues Challenge Finalist CD Sampler - Page 64 Featuring: • Dion • Royal Southern Brotherhood • Nick Moss Band • The Nighthawks • Moreland & Arbuckle • Chris James & Patrick Rynn EDESCHI TRUCKS BAND IN PERFECT HARMONY JULY 2016 - #10 US $7.99 Canada $9.99 UK £ 6.99 Australia A $15.95 RUF RECORDS HONEY ISLAND SWAMP BAND ALBERT CASTIGLIA DEMOLITION DAY RUF 1230 BIG DOG RUF 1233 JANE LEE HOOKER ROYAL SOUTHERN BROTHERHOOD NO B! RUF 1229 THE ROYAL GOSPEL RUF 1232 BLUES 2016 CARAVAN RUF 1223 July 16 ROCKLAND, ME North Atlantic Blues Festival Aug 13 WAUKESHAU, WI Blues Festival RUF 1225 Aug 14 DULUTH, MN Bayfront Blues Festival Aug 17 KANSAS CITY, MO Knuckleheads BLUE SISTERS Aug 18 DENVER, CO Soiled Dove Aug 20 COLORADO SPRINGS, CO INA TASHA LAYLA Stargazers MORE DATES TO BE ANNOUNCED SOON! FORSMAN TAYLOR ZOE WWW.BLUESCARAVAN.COM RUF 1228 ARTWORK: QUEENS-DESIGN.DE ARTWORK: BLUESCARAVAN.COM SALES & MARKETING USA: IRA LESLIE | [email protected] PUBLICITIY USA: JILL KETTLES | [email protected] RUFRECORDS.DE FEATURES DEPARTMENTS CONTENTS 6 TEDESCHI TRUCKS BAND 5 RIFF & GROOVES JULY 2016 Perfect Harmony From The Editor-In-Chief by Brian M. Owens by Art Tipaldi 12 ROYAL SOUTHERN 26 DELTA JOURNEYS BROTHERHOOD 14 Years Of Cat Head Passing Of The Torch by Roger Stolle by Art Tipaldi 28 AROUND THE WORLD 16 THE NIGHTHAWKS The Last Waltzes 44 Years On The Road by Bob Margolin by Don Wilcock 30 BLUES MUSIC STORE 18 NICK MOSS BAND CD, DVD, and Box Sets Brothers In Blues by Blues Music Magazine by Matt MacDonald 38 REVIEWS 20 MORELAND & ARBUCKLE CDs and DVD Reviews Fire & Energy by M.