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Nominal Roll Project
The University of Western Australia and the Second World War Nominal Roll Project Remembering the service of staff, students and graduates of UWA UWA Historical Society With support from UWA Convocation Authors Dr Margaret Warburton Dr Joan Pope OAM Acknowledgements Elizabeth Borrello Wendy Birman Terry Larder Dr John Meyer Dr Fran Pesich Elizabeth Rowlands James Stevens Winthrop Professor Marc Tennant St George’s College UWA Convocation UWA Archives Further Information Australian Dictionary of Biography http://adb.anu.edu.au/ Australians at War Film Archive http://australiansatwarfilmarchive.unsw.edu.au/ Commonwealth War Graves Commission https://www.cwgc.org/ Australian War Memorial (AWM) https://www.awm.gov.au/ Department of Veterans’ Affairs https://www.dva.gov.au/ Edward de Courcy Clarke Earth Science Museum UWA https://www.earthmuseum.see.uwa.edu.au/ Highgate RSL Hall of Honour https://highgate-rsl.org.au/hall-of-honour/ National Archives of Australia https://www.naa.gov.au/ National Centre of Biography https://history.cass.anu.edu.au/centres/ncb Obituaries Australia http://oa.anu.edu.au/ Presbyterian Ladies College Archive https://www.plc.wa.edu.au/news-categories/resources/ Scotch College Archives https://archives.scotch.wa.edu.au/pages/home.php St George’s College Archives https://www.stgeorges-windsor.org/archives/ Trove https://trove.nla.gov.au/ UWA Archives https://www.uwa.edu.au/library/find-resources/records-and-archives UWA Historical Society https://www.web.uwa.edu.au/uwahs UWA Historical Society (UWAHS) The University -
Australian Elegy: Landscape and Identity
Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead. -
South Australia's First Expedition
South Australia’s First Expedition: three generations of settler-colonial social mobility. by Heidi Ing Thesis submitted to Flinders University for the degree of Doctor of Philosophy College of Humanities, Arts and Social Sciences 9 October 2020 i Table of Contents List of Figures ........................................................................................................................ ii List of Tables ........................................................................................................................ iii Thesis Summary ................................................................................................................... vi Declaration .......................................................................................................................... vii Acknowledgements ........................................................................................................... viii Chapter One: Following Immigrants on the Move .................................................................. 1 Chapter Two: Selling South Australia .................................................................................... 35 Chapter Three: South Australia’s First Expedition ................................................................. 58 Chapter Four: Locating South Australia’s First Expedition .................................................... 87 Chapter Five: Career Mobility of the First Expedition. ........................................................ 103 Chapter Six: Locating -
Sample Chapter
AUSTRALIA’s FIRST FEMALE LABOR PARLIAMENTARIAN LEKKIE HOPKINS CONTENTS Foreword by Professor Carmen Lawrence 7 Preface by Dr Judyth Watson 10 Prologue 13 Chapter 1 Here she is! 16 Chapter 2 ‘I can only say that her life was magnificent …’ 42 Chapter 3 Honour thy father … 63 Chapter 4 … And thy mother 86 Chapter 5 The Entertainers 102 Chapter 6 The Honourable the Member for Forrest 119 Chapter 7 There’s a woman in the House! 140 Chapter 8 League of Nations 158 Chapter 9 Let her story, then, be woven … 179 Epilogue 209 Endnotes 214 Bibliography 230 Acknowledgements 234 FOREWORD In her concluding paragraph of this engaging biography, Lekkie Hopkins asks us to contemplate what we can learn from May Holman’s trailblazing life as she ‘charted new territory for women’, demonstrating that a woman can be ‘an excellent parliamentarian, a fine friend, a compassionate soul’. She asks us to remember that Holman achieved this while navigating the shoals of the ‘almost impenetrable’ masculine privilege which was part of her world and was (and remains) ‘invisible to those who continue to enjoy it.’ Holman appeared to understand that men can’t or won’t see that their definitions of merit and their expectations about performance are nothing more than rules they have made up to protect their own positions, albeit often unconsciously. Rather than confronting this privilege head on (although she used wit to good effect to draw attention to it), Holman showed by her actions that what is required of a member of parliament has nothing to do with a person’s gender. -
A Study of the Relationship Between Mining and the Performing Arts in Australia 1850-1914: Case Studies of the Ballarat and Kalgoorlie-Boulder Goldfields
School of Media, Creative Arts and Social Inquiry A Study of the Relationship between Mining and the Performing Arts in Australia 1850 – 1914: case studies of the Ballarat and Kalgoorlie-Boulder goldfields. by Norma Latchford This thesis is presented for the degree of Doctor of Philosophy – Social Sciences of Curtin University March 2020 i To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Date : 13th March 2020 ii ACKNOWLEDGEMENTS Many thanks and appreciation for the tolerance and support that has been given by my supervisors to this non- academic student. To Emeritus Professor Roy Jones for his gentle guidance and scrupulous editing of my work: to Doctor Patrick Bertola who gave me the confidence to embark on the project and has been an invaluable support and source of information on mining. To Teresa Bennett and her staff at the Curtin School of Mines library in Kalgoorlie, for ensuring that living in a regional community was not a disadvantage to research. For inspiration, my fellow thespians at the Goldfields Repertory Club, and finally the unstinting encouragement and support of Stan and Jane Latchford. iii A Study of the Relationship between Mining and the Performing Arts in Australia 1850-1914: case studies of the Ballarat and Kalgoorlie-Boulder goldfields. ABSTRACT This study into the relationship between mining and the performing arts during the second half of the nineteenth century and the early twentieth century, a transformative period in the economic, social, and cultural history of Australia, investigates the interconnectedness and interdependence of the two components, mining and the performing arts, and demonstrates how each contributed to the support and development of the other. -
A Social History of Music in Coolgardie, Kalgoorlie and Boulder
A Social History of Music in Coolgardie, Kalgoorlie and Boulder 1892 to 1908 by Jean E Farrant BA MusB (Hons) Thesis submitted in fulfilment of the requirements for the degree of Master of Arts, Music Department, University of Western Australia February 1992 Resume The Eastern Goldfields of Western Australia developed very rapidly from the time that gold was first discovered at Coolgardie in 1892. Many of the townships which sprang up so quickly all over the region had a very short life, while others continued to thrive for some years. Kalgoorlie, which was soon to become the centre for the goldfields, is still a city today with a sizeable population, although its fortunes have waxed and waned over the years. This study traces the growth of musical activities in three of the towns of the area from their earliest beginnings to the peak of their prosperity. (In the case of Coolgardie, its rapid decline at the beginning of the century will also be noted.) The survey finishes in 1908, the year that imressive town hall buildings were opened in Boulder and Kalgoorlie respectively. Music was part of nearly every social acitivity of the day and there were attempts to establish the same types of musical organisations in each town. However, it will be demonstrated that certain musical groups flourished more successfully than others in the three townships selected for study, reflecting differences in background and interests of the local inhabitants. There was a strong community spirit in these townships clearly shown in the large sums of money raised for charity through music and the notion of a special goldfields ethos kept alive, in part, in organisations such as the Coolgardie Liedertafel, which held reunions long after its members had left the town.