Jan-Feb 2014 President’S Note
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THE COW in the ELEVATOR an Anthropology of Wonder the COW in the ELEVATOR Tulasi Srinivas
TULASI SRINIVAS THE COW IN THE ELEVATOR AN ANTHROPOLOGY OF WONDER THE COW IN THE ELEVATOR tulasi srinivas THE COW IN THE ELEVATOR An Anthropology of Won der Duke University Press · Durham and London · 2018 © 2018 Duke University Press All rights reserved Printed in the United States of Amer ic a on acid-f ree paper ∞ Text designed by Courtney Leigh Baker Cover designed by Julienne Alexander Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Srinivas, Tulasi, author. Title: The cow in the elevator : an anthropology of won der / Tulasi Srinivas. Description: Durham : Duke University Press, 2018. | Includes bibliographical references and index. Identifiers: lccn 2017049281 (print) | lccn 2017055278 (ebook) isbn 9780822371922 (ebook) isbn 9780822370642 (hardcover : alk. paper) isbn 9780822370796 (pbk. : alk. paper) Subjects: lcsh: Ritual. | Religious life—H induism. | Hinduism and culture— India— Bangalore. | Bangalore (India)— Religious life and customs. | Globalization—R eligious aspects. Classification: lcc bl1226.2 (ebook) | lcc bl1226.2 .s698 2018 (print) | ddc 294.5/4— dc23 lc rec ord available at https:// lccn . loc . gov / 2017049281 Cover art: The Hindu goddess Durga during rush hour traffic. Bangalore, India, 2013. FotoFlirt / Alamy. For my wonderful mother, Rukmini Srinivas contents A Note on Translation · xi Acknowl edgments · xiii O Wonderful! · xix introduction. WONDER, CREATIVITY, AND ETHICAL LIFE IN BANGALORE · 1 Cranes in the Sky · 1 Wondering about Won der · 6 Modern Fractures · 9 Of Bangalore’s Boomtown Bourgeoisie · 13 My Guides into Won der · 16 Going Forward · 31 one. ADVENTURES IN MODERN DWELLING · 34 The Cow in the Elevator · 34 Grounded Won der · 37 And Ungrounded Won der · 39 Back to Earth · 41 Memorialized Cartography · 43 “Dead- Endu” Ganesha · 45 Earthen Prayers and Black Money · 48 Moving Marble · 51 Building Won der · 56 interlude. -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Diversity Calendar 2019 - 2020 Office of the President and Provost Office of the President & Inclusion) Diversity (Equality, September 2019 September 2019
DIVERSITY CALENDAR 2019 - 2020 OFFICE OF THE PRESIDENT AND PROVOST OFFICE OF THE PRESIDENT & INCLUSION) DIVERSITY (EQUALITY, SEPTEMBER 2019 SEPTEMBER 2019 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1 2 Ganesh Chaturthi* (Hindu) 10 Muharram - New Year* (Islam) 29-7 Navratri** (Hindu) 2 3 4 5 6 7 8 29-1 Rosh Hashanah (begins sunset of Sun- day, ends nightfall of Tuesday; work not permitted) (Judaism) 9 10 11 12 13 14 15 Navratri Navratri, literally interpreted as ‘nine nights’ is the most celebrated Hindu festival devoted to Goddess Durga symbolizing purity and power or ‘shakti’. Navratri festival combines ritualistic puja 16 17 18 19 20 21 22 and fasting and is accompanied by resplendent celebrations for nine consecutive days and nights. UN International Day of Peace Find out more: https://en.wikipedia.org/wiki/Navaratri 23 24 25 26 27 28 29 Bi Visibility Day 30 Image above: A wicker basket full of multicoloured Dandiya sticks OCTOBER 2019 OCTOBER 2019 2 Fast of Gedaliah (Judaism) Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1 2 3 4 5 6 8 Dusherra** (Hindu) 8-9 Yom Kippur (work not permitted) (Judaism) 13-15 Sukkot (begins sunset of Sunday, ends 7 8 9 10 11 12 13 nightfall of Tuesday; work not permitted) Dyslexia Ada Lovelace World Mental National (Judaism) Awareness Day Health Day Coming out Week Day 20 Installation of Scriptures as Guru Granth (Sikh) 14 15 16 17 18 19 20 20-22 Shmini Atzeret* & Simchat Torah (work not permitted) (Judaism) 27 Diwali (Hindu, Jain, Sikh) 31 All Hallow’s Eve (Christian) 21 22 23 24 25 26 27 Dyslexia Awareness Week Dyslexia Awareness Week (DAW) is an annual 28 29 30 31 October marks Black History Month event to raise awareness of dyslexia. -
Ayurveda, the Traditional System of Medicine Gives Equal to Daily Regimen As Well As Seasonal Regimen
Ayurveda, the traditional system of medicine gives equal to daily regimen as well as seasonal regimen. Both are dependent. Because we change our daily regimen according to seasons. Humans are blessed with a beautiful environment to live in. The nature of the environment changes with the seasons. There are six seasons. Summer, rainy, spring, autumn, early winter and late winter. One season accompanies the other in the form of a cycle. In our life’s journey, we pass through childhood, middle age, old age which is not under our control. Similarly we have to face all season irrespective of what your age is or where you live in. Seasons are a part of our life. Ayurveda has described each season with its features and appropriate regimen in ritucharya chapter. Ritu means season and charya means regimen. From this we come to know that regimen in each season is different from the other. Another thing is that seasons is not unique in all parts of the world. The basic concepts in Ayurveda is related to tridoshas. Vata, pitta and kapha are the tridoshas. Human body can’t exist without these basic principles. These doshas are subjected to variation according to ages, day and night, food, lifestyle, seasons etc. Doshas predominate in a particular season depends upon the characteristic feature of that season. Each season has its own features. Seasons are formed as a result of earth’s position with respect to sun. Depending on this, there are two major divisions: uttarayana and dakshinayana. In case of uttarayana, sun is predominant. Strength of the person decreases during this season. -
2019 Drik Panchang Hindu Calendar
2019 Drik Panchang Hindu Calendar Hindu Calendar for San Francisco, California, United States Amanta Calendar - new month begins from Amavasya Page 1 of 25 January 2019 Margashirsha - Pausha 1940 Navami K Pratipada S Saptami S Purnima S Ashtami K SUN 30 24 6 1 13 7 20 15 27 23 रिव 07:29 16:55 07:30 17:01 07:29 17:08 07:26 Pausha Purnima 17:15 07:22 17:23 Shakambhari Purnima Bhanu Saptami Chandra Grahan *Purna Tula Dhanu 10:56 Meena 23:23 Mithuna 10:36 Tula Chitra 18:49 U Ashadha 31:07+ Revati 23:23 Punarvasu 15:53 Swati 24:59+ Dashami K Dwitiya S Ashtami S Pratipada K Navami K MON 31 25 7 2 14 8 21 16 28 24 सोम 07:30 16:56 07:30 17:02 07:29 17:09 07:26 17:16 07:21 17:24 Pongal Chandra Darshana Makara Sankranti Tula Makara Mesha Karka Tula 19:30 Swati 19:15 Shravana Ashwini 24:27+ Pushya 12:58 Vishakha 25:45+ Ekadashi K Tritiya S Navami S Dwitiya K Dashami K TUE 1 26 8 3 15 9 22 17 29 25 मंगल 07:30 16:57 07:30 17:03 07:29 17:10 07:25 17:17 07:21 17:25 Saphala Ekadashi Tula 13:54 Makara 23:46 Mesha 30:39+ Karka 10:02 Vrishchika Vishakha 20:10 Shravana 10:11 Bharani 24:43+ Ashlesha 10:02 Anuradha 27:11+ Dwadashi K Chaturthi S Dashami S Tritiya K Ekadashi K WED 2 27 9 4 16 10 23 18,19 30 26 बुध 07:30 16:57 07:30 17:04 07:28 17:11 07:25 17:18 07:20 17:26 Sakat Chauth Pradosh Vrat Pausha Putrada Ekadashi Lambodara Sankashti Chaturth Shattila Ekadashi Vrishchika Kumbha Vrishabha Simha Vrishchika 29:11+ Anuradha 21:34 Dhanishtha 13:20 Krittika 24:11+ P Phalguni 28:52+ Jyeshtha 29:11+ Trayodashi K Panchami S Ekadashi S Panchami K Dwadashi K THU -
Incredible Results in IAS 2013 5 Ranks 62 Ranks in Top 50 Ranks in the Final List
RESULTS Incredible results in IAS 2013 5 Ranks 62 Ranks in Top 50 Ranks in the final list Rank 9 Rank 12 Rank 23 Rank 40 Rank 46 Divyanshu Jha Neha Jain Prabhav joshi Gaurang Rathi Udita Singh We broke our past record in IAS 2014 6 Ranks 12 Ranks 83 Ranks in Top 50 in Top 100 Overall Selections Rank 4 Rank 5 Rank 16 Rank 23 Rank 28 Rank 39 Vandana Rao Suharsha Bhagat Ananya Das Anil Dhameliya Kushaal Yadav Vivekanand T.S We did it again in IAS 2015 5 Ranks 14 Ranks 162 Ranks in Top 50 in Top 100 In The Final List Rank 20 Rank 24 Rank 25 Rank 27 Rank 47 Vipin Garg Khumanthem Chandra Pulkit Garg Anshul Diana Devi Mohan Garg Agarwal And we’ve done it yet again in IAS 2016 8 Ranks 18 Ranks 215 Ranks in Top 50 in Top 100 In The Final List Rank 2 Rank 5 Rank 12 Rank 30 Rank 32 Anmol Sher Abhilash Tejaswi Prabhash Avdhesh Singh Bedi Mishra Rana Kumar Meena And we’ve done it yet again in IAS 2017 5 Ranks 34 Ranks 236 Ranks in Top 10 in Top 100 In The Final List Rank 3 Rank 6 Rank 8 Rank 9 Rank 10 Sachin Koya sree Anubhav Saumya Abhishek Gupta Harsha Singh Sharma Surana Ashima Abhijeet Varjeet Keerthi Utsav Gaurav Abhilash Vikramaditya Vishal Mittal Sinha Walia Vasan V Gautam Kumar Baranwal Singh Malik Mishra Rank-12 Rank-19 Rank-21 Rank-29 Rank-33 Rank-34 Rank-44 Rank-48 Rank-49 Sambit Bodke Akshat Jagdish Hirani Swapneel Jyoti Pushp Amol Mishra Digvijay Govind Kaushal Chelani Adityavikram Paul Sharma Lata Srivastava Rank-51 Rank-54 Rank-55 Rank-57 Rank-60 Rank-64 Rank-75 Rank-80 Rank-83 Prateek Amilineni Sangh Rahul Kathawate Vaibhava Videh Plash -
Daan and Other Giving Traditions in India-Final.Qxd
Daan and Other Giving Traditions in India THE FORGOTTEN POT OF GOLD SANJAY AGARWAL Daan and Other Giving Traditions in India THE FORGOTTEN POT OF GOLD SANJAY AGARWAL Dedicated to Sh. Shekhar Agarwal, my brother, Guru, guardian, and friend, who first showed me the path of daan Published by AccountAidTM India 55-B, Pocket C, Siddharth Extension, New Delhi - 110014, India Phone No.: +91-11-2634 3852, +91-11-2634 3128 [email protected] www.accountaid.net First Edition: Delhi, 2010 Copyright © Sanjay Agarwal Price: `500 All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the copyright owner of this book. While the greatest care has been taken in writing this book, no responsibility can be accepted by the publisher for the accuracy of the information presented. Daan and Other Giving Traditions in India ISBN 978-81-910854-0-2 Design and Layout: Moushumi De Illustrations: Mridula Sharma Printed at: PRINTWORKS, F-25, Okhla Industrial Area, Phase 1, New Delhi Contents at a Glance Foreword 09 Preface 14 I. Introduction 18 II. Daan and Utsarg (Hindu) 21 III. Sadaqa and Zakaat (Islam) 63 IV. Charity and Tithe (Christian) 71 V. Sewa and Daswandh (Sikh) 78 VI. Daan (Bauddh) 80 VII. Daan (Jain) 97 VIII. Other Traditions 102 IX. Leveraging Traditional Giving 106 Appendices 111 Works Cited 168 Notes 177 Index 229 Detailed Contents Foreword by Priya Viswanath 09 Foreword by Mark Sidel 12 Preface 14 Acknowledgements 16 I. -
Triad Hindu Temple)
Hindu Society of North Carolina (Triad Hindu Temple) Physical Address: Hindu Society of North Carolina (Triad Hindu Temple) Our Priest at the Temple, Mahadacharya, Sri Muralikrishna 2424 Huffine Mill Rd, McLeansville, NC 27301 Sarma Bhuvanagiri, comes from a traditional Vedic family and is a native of Hyderabad, AP India. He is fluent in his native Mailing Address: language, Telugu, Sanskrit, Hindi and English and can PO Box 4643 Greensboro, NC 27404 understand a few other Indian languages. Phone: (336) 621-5848 His Temple related work experiences to include: Devalaya Website www.triadhindutemple.org Email: [email protected] Samprokshanam; Nitya Shodasopachara Puja; Abhishekams, Alankarams, Archanas; Aalya utsava; Temple Festivals like Brahmotsavam, Kalyanotsavam, Devalaya Prathistapanas, About HSNC (Triad Hindu Temple) Devalaya Kumbhabishekams, all homams and Yagnams For many years, prayer meetings were held at people’s homes, community halls and normally done at the Temples. even motel rooms! It took the drive, dedication and commitment of many people to He can be reached at 336-517-6268. buy this land and build this Center. Thanks to their generosity, we now have a place to call our own. This is our society and our community. It is now up to each and every one of us to build upon this to preserve and perpetuate our heritage. “When Monthly scheduled special Puja at the temple: we channel individual strength together, we will have a strong society, a society our Saturdays: Suprabhata Seva & Vishnu Sahasranamam next generation will be proud of and ready to take over” Sundays: Sakala Devata Aradhana and Abhishekam Pournami: Sri Satyanarayana Puja & Katha The HSNC has been the stage for several Music programs and spiritual discourses Sankatahara Chaturthi: Sri Vinayaka Puja over the past years. -
Guruji Golwalkar
Syllabus Year I, Quarter I Age Group : 9 to 12 Gokulam is the place where Lord Krishna‛s magical days of childhood were spent. It was here that his divine powers came to light. Every child has that spark of divinity within. Bala- Gokulam is a forum for children to discover and manifest that divinity. It‛s objective is to enable Hindu children in US to appreciate their cultural roots and learn Hindu values in an enjoyable manner. This is done through weekly gatherings and planned activities which include games, yoga, stories, shlokas, bhajan, arts and crafts and much more...... Balagokulam is a program of Hindu Swayamsevak Sangh (HSS). www.balagokulam.org Hindu Swayamsevak Sangh (HSS) Table of Contents January Shloka / Subhashitam / Amrutvachan ....................................4 Geet ........................................................................................6 What is Bala-Gokulam? .........................................................7 What is Hindu Dharma? .........................................................9 Makar Samakranti ................................................................11 Project ................................................................................14 Exercise ................................................................................15 February Shloka / Subhashitam / Amrutvachan ..................................18 Geet ......................................................................................20 Shri Guruji Golwalkar ..........................................................21 -
The Role of Indian Dances on Indian Culture
www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts. -
1. Introduction
1. INTRODUCTION 1.1. History Kasaragod, the northernmost district of Kerala, is endowed with rich natural resources and is noted for its majestic forts, ravishing rivers, hills, green valleys and beautiful beaches. The rich and varied cultural heritage of the district is portrayed through spectacular presentations of Theyyam, Yakshagana, Poorakkali, Kolkali and Mappilappattu. Seven languages are prevalent in Kasaragod. Malayalam is the administrative language. Other languages are Kannada, Tulu, Konkani, Marati, Urdu and Beary.Prior to State reorganization, Kasaragod was part of the South Kanara district.Kasaragod became a part of Malabar district following the reorganization of States and formation of unified Kerala State. Later, Kasaragod Taluk of Malabar district was bifurcated in to Kasaragod and Hosdurg Taluks and integrated with the then newly formed Cannanore district. Kasaragod became part of Kerala following the re-organization of states and formation of Kerala in 1st November 1956.The district was Kasaragod Taluk in Kannur District.The formation of Kasaragod district was a long felt ambition of the people.It is with the intention of bestowing maximum attention on the development of backward area, Kasaragod district was formed on 24th May,1984 as per GO (MS)No.520/84/RD, Dated 19.05.1984 by taking Kasaragod and Hosdurg taluks from the then Kannur district.The name Kasaragod is said to be derived from the word Kasaragod which means Nuxvemied Forest(Kanjirakuttam). 1.2. Physiography Kasaragod is bounded on the north and the east by Dakshina Kannada and Coorg districts of Karnataka State, on the south by Kannur district and on the west by the Lakshadweep Sea. -
Mythological Characters in Amish Tripathi's Ram Chandra Series
© 2018 IJSRST | Volume 5 | Issue 3 | Print ISSN: 2395-6011 | Online ISSN: 2395-602X Themed Section : Education Mythological Characters in Amish Tripathi’s Ram Chandra Series Hardas Galchar1*, Dr. Ankit Gandhi2* 1Research Scholar, Madhav University, Rajasthan, India 2Professor, Madhav University, Rajasthan, India ABSTRACT Every great civilization has its own treasure of mythology. Egypt, Rome, Greece, India, China and other cultures are the classic examples. Each of them, during the course of history, created folklore, community rituals and social beliefs which led to the creation of vast bodies of mythology. India has probably the richest store house of mythology and legends in the world. It is fed from countless sources and preserved in the four Vedas, the Upanishads, the two epics, the eighteen main Purans and many chants, plays, poetry, sculptures, dance, music and folklore. The roots of India’s legendary past go before the Aryans to the Dravidians and even the Pre-Dravidian tribals. Therefore its values, its social and legal systems and its aesthetic awareness, have survived intact and remained relevant to all Indians. Human actions to became the subjects of myths, which to some extent, related to historical events, the best examples are the Ramayana and Mahabharta. These sagas beautifully describe the interactions of human characters and personalities. In thislineage, the new Indian writers, like Amish Tripathi, Ashok Banker and Ashwin Sanghi have started a new tradition by blending the mythology of the past with present reality. By doing so these writers are modernizing the Indian myth. Amish Tripathi relied on the stories and fables that he heard from his family.