Music Resources – Library Update – March, 2014

This music collection’s update is dedicated to the great Canadian music personality Charles Thomas “Stompin’ Tom” Connors who died one year ago this month. “Stompin’ Tom” is widely known for his songs Bud the Spud and The Hockey Song…the latter frequently performed at games throughout the NHL. Within the music business, Tom is greatly admired for his unswerving support for Canadian musicians – including promoting their work through the record labels he founded. Tom, this one’s for you!

UBC Library’s music collection receives new materials regularly. The following are highlights from recent acquisitions. A quick way to make your way through the lists below is to use the ‘Control F’ function on your keyboard and search by composer or instrument of interest. Otherwise, the materials are grouped by books, e-books and scores. Call numbers link to catalogue records for more information. “Click here” links to text or performance.

Books

Britten: Essays, Letters and Opera Guides

Keller, Hans, Christopher Wintle, A. M. Garnham, Ines Schlenker, Kate Hopkins, Milein Cosman, and Cosman Keller Art and Music Trust. 2013. Woodbridge, Suffolk: Cosman Keller Art and Music Trust in association with Plumbago Books.

Call Number: ML410 B853 K455 2013 Location: I.K. BARBER LIBRARY stacks

  Mapping Canada's Music: Selected Writings of Helmut Kallmann   Kallmann, Helmut, John Beckwith, and Robin Elliott. 2013. Waterloo, Ont: Wilfrid Laurier University Press.  Call Number: ML205 K35 2013 Location: I.K. BARBER LIBRARY stacks

   Fandom, Authenticity, and Opera: Mad Act n tt S n in in- -Si i   Fishzon, Anna. 2013. New York: Palgrave Macmillan. 

Call Number: ML1737.5 F57 2013 Location: I.K. BARBER LIBRARY stacks

    Music in Films on the Middle Ages: Authenticity vs. Fantasy   Haines, John. 2014. New York, NY: Routledge. 

Call Number: ML2075 H32 2014 Location: I.K. BARBER LIBRARY stacks

A Double Bassist's Guide to Refining Performance Practices

Grodner, Murray. 2013. Indianapolis: Indiana University Press.

Call Number: MT320 G76 2013 Location: I.K. BARBER LIBRARY stacks

   The Encyclopedia of French Art Song: Faure, Debussy, Ravel, Poulenc   Daykin, Frank. 2013. Hillsdale, NY: Pendragon Press.

Call Number: ML102 S6 D39 2013 Location: I.K. BARBER LIBRARY Reference

   Sch nberg: Pierrot Lunaire Companion   Meyer, Christian, Eike Fess, and Therese Muxeneder. 2012. Wien: Universal Edition.

Call Number: ML410 S283 S376 2012 Location: I.K. BARBER LIBRARY stacks

   The New York Composers' Forum Concerts, 1935-1940   Graaf, Melissa J. de. 2013. Rochester, NY: University of Rochester Press ; Woodbridge, Suffolk : Boydell & Brewer Limited. 

Call Number: ML200.8 N5 G73 2013 Location: I.K. BARBER LIBRARY stacks

   The Globalization of Musics in Transit: Music Migration and Tourism   r ger imone an u an ra Tran afoiu. . ew ork outle ge. 

Call Number: ML396 G56 2014 Location: I.K. BARBER LIBRARY stacks

   Byrd   McCarthy, Kerry Robin. 2013. New York: Oxford University Press.

Call Number: ML410 B996 M32 2013 Location: I.K. BARBER LIBRARY stacks

   From the Score to the Stage: An Illustrated History of Continental Opera Production and Staging   Baker, Evan (Opera historian). 2013. Chicago: The University of Chicago Press. 

Call Number: ML1720 B35 2013 Location: I.K. BARBER LIBRARY stacks

Messiaen Perspectives

Dingle, Christopher Philip, and Robert Fallon. 2013. Burlington, VT: Ashgate.

Call Number: ML410 M595 M494 2013 V.1 & 2 Location: I.K. BARBER LIBRARY stacks

   The Oxford Handbook of Film Music Studies   Neumeyer, David. 2014. New York, NY: Oxford University Press.

Call Number: ML2075 O93 2014 Location: I.K. BARBER LIBRARY stacks

   The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism   Mathew, Nicholas, and Benjamin Walton. 2013. Cambridge: Cambridge University Press.

Call Number: ML196 I58 2013 Location: I.K. BARBER LIBRARY stacks

   Verdi, Opera, Women   Rutherford, Susan. 2013. Cambridge: Cambridge University Press.

Call Number: ML410 V4 R78 2013 Location: I.K. BARBER LIBRARY stacks

   The Cambridge Companion to Vaughan Williams   Frogley, Alain, and Aidan J. Thomson. 2013. Cambridge: Cambridge University Press.

Call Number: ML410 V3 C36 2013 Location: I.K. BARBER LIBRARY stacks

   Monumenta Monodica Mediiaevi. V.7   rie rich- le an er- niversit t rlangen- rnberg. nstitut f r Musikwissenschaft. ew ork renreiter.

Call Number: M2 M4772 V.7 no. 1 and 2 2013 Location: I.K. BARBER LIBRARY stacks

   The Chronicle of Jazz   Cooke, Mervyn. 2013. New York: Oxford University Press.

Call Number: ML3506 C69 2013 Location: I.K. BARBER LIBRARY Great Reads

 No image available  Form, Monothematicism, Variation and Symmetry in Bela Bartok's String Quartets.   yrki inen ei o. . elsinki niversity of elsinki.

Call Number: MT145 B25 J975 2012 Location: I.K. BARBER LIBRARY stacks

   Jazz and Machine-Age Imperialism: Music, "Race," and Intellectuals in France, 1918-1945.   Lane, Jeremy F. 2013. Ann Arbor: The University of Michigan Press.

Call Number: ML3509 F7 L36 2013 Location: I.K. BARBER LIBRARY Great Reads

   In Her Own Words: Conversations with Composers in the United States.   Kelly, Jennifer (Musician). 2013. Urbana: University of Illinois Press.  Call Number: ML390 K33 2013 Location: I.K. BARBER LIBRARY Great Reads

E-books ** To view library e-books, click on the title to access the library catalogue record. Then, click on the orange “Online Access” button in the top right hand corner of the record. You will be prompted to log in with your Campus Wide Login (CWL) to view the e-book **

   Composing Japanese Musical Modernity   Wade, Bonnie C., and Ebooks Corporation. 2014. Chicago: University of Chicago Press.

   Popular Music Fandom: Identities, Roles & Practices   Duffett, Mark, and Ebooks Corporation. 2014. New York: Routledge.

Jascha Heifetz: Early Years in Russia

Kopytova, G. V., Albina Starkova-Heifetz, Dario Sarlo, Alexandra Sarlo, and Ebooks Corporation. 2014. Indianapolis: Indiana University Press.

Soviet Music and Society Under Lenin and Stalin: The Baton and Sickle

Edmunds, Neil. 2013. Hoboken: Routledge.

Music in Print and Beyond: Hildegard von Bingen to the Beatles

Monson, Craig, Roberta Montemorra Marvin, and Ebooks Corporation. 2013. Woodbridge, Suffolk: University of Rochester Press.

Music & the British Military in the Long Nineteenth Century

Herbert, Trevor, and Helen Barlow. 2013. New York: Oxford University Press.

A Kingdom Not Of This World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna

Karnes, Kevin, and University Press Scholarship Online - Frontfile. 2013. New York: Oxford University Press.

Composing Dissent: Avant-garde Music in 1960s Amsterdam

Adlington, Robert, and University Press Scholarship Online - Frontfile. 2013. New York: Oxford University Press.

Whose Spain? Negotiating "Spanish Music" in Paris, 1908- 1929

Llano, Samuel, and University Press Scholarship Online - Frontfile. 2013. New York: Oxford University Press.

Scoring Transcendence: Film Music as Contemporary Religious Experience

Callaway, Kutter, and Inc ebrary. 2013. Waco, Tex: Baylor University Press.

Japanoise: Music at the Edge of Circulation

Novak, David, and Inc ebrary. 2013. Durham: Duke University Press.

   Masculinity in Opera: Gender, History, and New Musicology   Purvis, Philip. 2013. New York: Routledge. 

Scores Composer Title Instrumentation Call # AV Link Changing voices: songs Voice M1992 C515 within an octave for 2013 teenage male singers

Adams, John I was looking at the Vocal Score M1503 A332 I2 Click here ceiling and then I saw 2012 the sky Albinoni, Tomaso che i amar non Soprano, Violin, M1621.3 A42 S5 voglio Basso Continuo 2012 Albinoni, Tomaso Sonata in B-flat major Violin, Basso M219 A439 S66 Continuo 2012 Barber, Samuel Music for Soprano and Voice, Piano M1612 B37 S34 Click here orchestra 1968 Beethoven, Cadenzas and lead-ins Piano M1010.5 B4 L64 Ludwig van for piano concertos 2013

Bennett, Richard Three Duets (2011) 2 Violas (teacher & M287 B46 D8 Rodney pupil) 2012 Bolcom, William Le Fantome du clavecin Harpsichord M24 B69 F36 2012 Brunetti, Gaetano Cuartetos de Cuerda String Quartet M452 B88 M3 L184-L199 2012 Casals, Pablo The Manager/El Soprano, Alto, M2000 C37 P4 click here Pessebre Tenor, Baritone, 1999 Bass Chorus, Orchestra Chopin, Frederic Piano Trio, G minor, Violin, Cello, Piano M312 C59 op.8 click here opus 8 H4 2012 Elgar, Edward La Capricieuse Violin, Piano M221 E44 C37 click here 2013 Glass, Philip Orphee Suite Piano M33.5 G53 O74 click here 2006 Handel, George Giu nei Tartari regni Soprano, Bass, M1529.3 H35 Click here Frideric (Duet) Basso Continuo G58 2012 Handel, George Nine Amen and Soprano, Basso M2112 H35 Frideric Halleluja movements Continuo HWV 269-277 2012 Henze, Hans Opfergang Singers, M1528 H45 O6 Click here Werner Immolazione/Full Score Instrumentalists, 2013 Piano Henze, Hans Opfergang Singers, M1533 H517 Werner Immolazione/Vocal Instrumentalists, O74 2013 Score Piano

Jommelli, Nicolo Seven Trio Sonatas 2 Flutes, Basso M317 J65 T7 Continuo 2011 v.1-7 Larson, Libby And Another Thing Saxophone M457.2 L37 A53 Quartet 2012 Larson, Libby Blue Piece Violin, Piano M221 L37 B6 2010 Larson, Libby Concert Piece Bassoon, Piano M254 L37 C6 click here 2011 Larson, Libby Engelberg Brass Trio, Organ M402 L37 E6 2006 Larson, Libby Lullaby of the Nativity High Voice, Piano M2114.5 L37 L8 2012 Monteverdi, Vespro della Beata Mixed Voices, M2014.6 M66 click here Claudio Vergine Orchestra V47 2013 Montsalvatge, Manfred : ballet Orchestra M1520 M66 M3 click here Xavier 2012 Mozart, Wolfgang Cosi fan tutte Vocal Score M1503 M6 C6 Amadeus 2006 Mozart, Wolfgang Wunderkind sonatas Piano M23 M939 S4 Amadeus 2013 V. 1, 2, 3 Pergolesi, Stabat mater Soprano, Alto, M2018 P47 S85 click here Giovanni Battista Strings, Basso 2012 Continuo Saint-Saens, Cavatine op.144 Trombone, Piano M263 S35 click here Camille op.144 2012 Saint-Saens, Romanzen Horn, Piano M1029 S25 click here Camille op.36 2013 Scarlatti, Miserere Psalm 50 Soprano or Mezzo, M2021 S23 Alessandro SATB, Strings, M57 2012 Basso Continuo Scarlatti, Tiranna, ingrata Baritone or Bass, 2 M1613.3 S293 Alessandro Violins & Basso T57 2012 Continuo Schubert, Franz Lieder edited by Medium Voice, M1620 S3 D842 Walther D rr. Piano 2005 v.1-6 B renreiter, 2005. Schubert, Franz Lieder edited by Low Voice, Piano M1620 S3 D852 Walther D rr. 2005 v.1-6 B renreiter, 2006. Torke, Michael Brick Symphony Orchestra M1001 T67 B75 2013 Villa-Lobos, Heitor Sertao no estio : Voice, Piano M1621 V54 S47 cantico brazileiro 2012 Wagner, Richard Tristan und Isolde Vocal Score M1503 W2 T7 2013 Weber, Carl Maria O salutaris hostia Soprano or Tenor, M2103.3 W39 von Strings, Organ O2 2012 Monteverdi, Vespro della Beata Vocal Score M2014.6 M66 Claudio Vergine V48 2013 Wagner, Richard Tannhauser Vocal Score (based M1503 W2 T2 on complete 2012 edition) Yi, Chen The Soulful and the E flat Alto M269 C44 S68 Click here Perpetual Saxophone, Piano 2013

Opera News Recently received opera DVDs:

Rossini’s Matilde Di Shabran

Call Number: M1500 R86 M38 2013 DVD Location: IK Barber Library stacks

Wolfgang Rihm’s Dionysos

Call Number: M1500 R53 D56 2013 DVD Location: IK Barber Library stacks

Meyerbeer’s Robert Le Diable

Call Number: M1500 M557 R62 2013 DVD Location: IK Barber Library stacks

’m still waiting for our DVD to arrive of en amin’s Written on Skin. ’ve got the score on or er too an will let you know when both arrive. ’ve seen the DVD; the work and performance are exciting.

And speaking of exciting, the premier of Brokeback Mountain: the Opera by Charles Wuorinen had its world premiere at the Teatro Real de Madrid recently. Medici.tv is making a performance freely available for a very brief period:

Click here for audio visual link

While the score and staging have not been well received, the performances have. Daniel Okulitch shines as nnis Del Mar. onestly coul n’t watch ast the first minutes. Luckily read Th G i n’ vi w. It notes the strength of the writing in the last quarter of the opera. Inspired, I went back and watched the last several scenes. They are particularly dramatic and effective.

ow if coul n’t make it through the whole o era ’ be curious if you can. To the first erson who emails me stating they’ve watche the whole of Wuorinen’s Brokeback Mountain: the Opera all the way through without skipping (Scouts’ or Girl Guides’ honor… ’ll trust you) ’ll provide a $5 gift certificate to Blue Chip. Offer open to all Music School faculty, staff and students until March 10. ’ll ost the winner ne t newsletter…shoul anyone take me u on the offer!

Heads up – there’ll be a s ecial sur rise for o era lovers in ril.

Special thanks to MAAL staff Leslie McAuley, Maureen Bennington, and Sheri Ostapovich for their assistance in the production of this e-newsletter.

Kev Madill, UBC Music Librarian [email protected] 604-827-2197