Brochure Colour Chart Old Holland Classic Watercolours
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Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M. -
Ochre Art Supplies 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Gree
Ochre Art Supplies www.fluffymilk.com 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Green 225 Dark Red 103 Ivory 136 Purple Violet 171 Light Green 226 Alizarin Crimson 104 Light Yellow Glaze 137 Blue Violet 172 Earth Green 230 Cold Grey 105 Light Cad Yellow 138 Violet 173 Olive Green Yellowish 231 Cold Grey 106 Light Chrome Yellow 140 Light Ultramarine 174 Chrome Green Opaque 232 Cold Grey 107 Cad Yellow 141 Delft Blue 175 Dark Sepia 233 Cold Grey 1V 108 Dark Cad Yellow 142 Madder 176 VanDyck Brown 234 Cold Grey V 109 Dark Chrome Yellow 143 Cobalt Blue 177 Walnut Brown 235 Cold Grey V 110 Phthalo Blue 144 Cobalt Blue Greenish 178 Nougat 246 Prussian Blue 111 Cadmium Orange 145 Light Phthalo Blue 179 Bistre 247 Indanthrene Blue 112 Leaf Green 146 Sky Blue 180 Raw Umber 249 Mauve 113 Orange Glaze 149 Bluish Turquoise 181 Paynes Grey 250 Gold 115 Dark Cad Orange 151 Helio Blue-Reddish 182 Brown Ochre 251 Silver 117 Light Cad Red 152 Mid Phthalo Blue 183 Light Yellow Ochre 252 Copper 118 Scarlet Red 153 Cobalt Turquoise 184 Dark Naples Ochre 263 Caput Mortuum Violet 119 Light Magenta 154 Light Cobalt Turquoise 185 Naples Yellow 264 Dark Phthalo Green 120 Ultramarine 155 Helio Turquoise 186 Terracotta 266 Perm Green 121 Pale Geranium Lake 156 Cobalt Green 187 Burnt Ochre 267 Pine Green 123 Fuchsia 157 Dark Indigo 188 Sanguine 268 Green Gold 124 Rose Carmine 158 Deep Cobalt Green 189 Cinnamon 270 Warm Grey 125 Mid Purple Pink 159 Hookers Green 190 Venetian Red 271 Warm Grey 126 Perm Carmine 160 Manganese -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
Brochure Colour Chart New Masters Classic Acrylics
New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE -
HIGHLIGHTS of THIS ISSUE This Listing Does Not Affect the Legal Status of Any Document Published in This Issue
WEDNESDAY, OCTOBER 27, 1971 WASHINGTON, D.C. Volume 36 ■ Number 207 Pages 20569-20640 HIGHLIGHTS OF THIS ISSUE This listing does not affect the legal status of any document published in this issue. Detailed table of contents appears inside. PEANUTS— USDA regulation proclaiming 1972 marketing quotas and acreage allotments; effec tive 10-26-71 __________ ____ _____ - 20575 COTTON LOAN PROGRAM— USDA regulations on redemptions; effective 10-26-71-------------- 20577 BURLEY TOBACCO— USDA regulation on grade rates for advances to producers on 1971 crop; effective 10-26-71................ .........— .............. 20577 AIR CARRIERS— CAB regulation on use of rec ords on microfilm and microfiche; effective 10-27-71 ................. ......... ...................... 20579 CONTRACT APPEALS— NASA regulations; effec tive 11-15-71_________ _______________________ ___ 20580 UNFAIR TRADE PRACTICES— FTC cease and desist orders on false advertising (17 docu ments) ........................... ..............................20584-20596 ANTIBIOTIC DRUGS— FDA regulation revoking certification of 8 drugs; effective within 40 days unless stayed by objections____________ _____ ____ 20597 INCOME TAX— 1RS regulations relating to examinations of incomes of churches........... ......... 20599 AVAILABILITY OF RECORDS— EEOC rule setting schedule of fees; effective 10-27-71...... ............ 20600 COAL MINE HEALTH AND SAFETY— Interior Dept, regulations for transfer of miners with evidence of pneumoconiosis.................... 20600 Interior Dept, proposal of standards -
Eloise Butler Wildflower Garden and Bird Sanctuary
ELOISE BUTLER WILDFLOWER GARDEN AND BIRD SANCTUARY WEEKLY GARDEN HIGHLIGHTS Phenology notes for the week of October 5th – 11th It’s been a relatively warm week here in Minneapolis, with daytime highs ranging from the mid-60s the low 80s. It’s been dry too; scant a drop of rain fell over the past week. The comfortable weather was pristine for viewing the Garden’s fantastic fall foliage. Having achieved peak color, the Garden showed shades of amber, auburn, beige, blond, brick, bronze, brown, buff, burgundy, canary, carob, castor, celadon, cherry, cinnabar, claret, clay, copper, coral, cream, crimson, ecru, filemont, fuchsia, gamboge, garnet, gold, greige, khaki, lavender, lilac, lime, magenta, maroon, mauve, meline, ochre, orange, peach, periwinkle, pewter, pink, plum, primrose, puce, purple, red, rose, roseate, rouge, rubious, ruby, ruddy, rufous, russet, rust, saffron, salmon, scarlet, sepia, tangerine, taup, tawny, terra-cotta, titian, umber, violet, yellow, and xanthic, to name a few. According to the Minnesota Department of Natural Resources, the northern two thirds of the state reached peak color earlier in 2020 than it did in both 2019 and 2018, likely due to a relatively cool and dry September. Many garter snakes have been seen slithering through the Garden’s boundless leaf litter. Particularly active this time of year, snakes must carefully prepare for winter. Not only do the serpents need to locate an adequate hibernaculum to pass the winter, but they must also make sure they’ve eaten just the right amount of food. Should they eat too little, they won’t have enough energy to make it through the winter. -
PIGMENTS Pigments Can Be Used for Colouring and Tinting Paints, Glazes, Clays and Plasters
PIGMENTS Pigments can be used for colouring and tinting paints, glazes, clays and plasters. About Pigments About Earthborn Pigments Get creative with Earthborn Pigments. These natural earth and mineral powders provide a source of concentrated colour for paint blending and special effects. With 48 pigments to choose from, they can be blended into any Earthborn interior or exterior paint to create your own unique shade of eco friendly paint. Mixed with Earthborn Wall Glaze, the pigments are perfect for decorative effects such as colour washes, dragging, sponging and stencilling. Some even contain naturally occurring metallic flakes to add extra dazzle to your design. Earthborn Pigments are fade resistant and can be mixed with Earthborn Claypaint and Casein Paint. Many can also be mixed with lime washes, mortars and our Ecopro Silicate Masonry Paint. We have created this booklet to show pigments in their true form. Colour may vary dependant on the medium it is mixed with. Standard sizes 75g, 500g Special sizes 50g and 400g (Mica Gold, Mangan Purple, Salmon Red and Rhine Gold only) Ingredients Earth pigments, mineral pigments, metal pigments, trisodium citrate. How to use Earthborn Pigments The pigments must be made into a paste before use as follows: For Silicate paint soak pigment in a small amount of Silicate primer and use straightaway. For Earthborn Wall Glaze, Casein or Claypaint soak pigment in enough water to cover the powder, preferably overnight, and stir to create a free-flowing liquid paste. When mixing pigments into any medium, always make a note of the amounts used. Avoid contact with clothing as pigments may permanently stain fabrics. -
Watercolours: What´S Different in the New Assortment?
Product information Watercolours HORADAM® watercolours: What´s different in the new assortment? The following colours have got a new name: Art.-No. Old Name New Name 14 208 Aureolin modern Aureolin hue 14 209 Translucent yellow Transparent Yellow 14 211 Chrome yellow lemon Chromium yellow hue lemon 14 212 Chrome yellow light Chromium yellow hue light 14 213 Chrome yellow deep Chromium yellow hue deep 14 214 Chrome orange Chromium orange hue 14 218 Translucent orange Transparent orange 14 366 Deep red Perylene maroon 14 476 Mauve Schmincke violet 14 498 Dark blue indigo Dark blue 14 648 Sepia brown tone Sepia brown reddish 14 786 Charcoal grey Anthracite The following colours are completely omitted due to raw materials which aren’t available anymore: Art.-No. Old Name 14 652 Walnut brown This tone cannot be mixed out of other colours. 14 666 Pozzuoli earth This tone can be mixed using 14 649 English Venetian red and the slightly reddish 14 670 Madder brown. These colours are now produced using other pigments. Therefore they have got a new name and a new number: Old Art.-No. Old Name New Art.-No. New Name 14 345 Dark red 14 344 Perylene dark red 14 210 Gamboge gum modern 14 217 Quinacridone gold hue 14 478 Helio blue reddish 14 477 Phthalo sapphire blue 14 536 Green yellow 14 537 Transparent green gold - Discontinued colours The described product attributes and application examples have been tes- a warranty for product attributes and/or assume liability for damages that ted in the Schmincke laboratory. -
How to Add Color to Your Ceramic Art
ceramic artsdaily.org how to add color to your ceramic art a guide to using ceramic colorants, ceramic stains, and ceramic oxides www.ceramicartsdaily.org | Copyright © 2010, Ceramic Publications Company | How to Add Color to Your Ceramic Art | i How to Add Color to Your Ceramic Art A Guide to Using Ceramic Colorants, Ceramic Stains, and Ceramic Oxides Adding color to your ceramic art can be a tricky proposition. Unlike working with paints, what you put on your prize pot or sculpture can be very different from how it looks before and after firing. As a general rule, ceramic stains and ceramic pigments look pretty much the same before and after firing while ceramic oxides like iron oxide, cobalt oxide, and copper oxide as well as cobalt carbonate and copper carbonate all look very different. In this guide you’ll discover a little help to better understand what, how, and why ceramic colorants work in a glaze. Enjoy! The World of Ceramic Colorants by Robin Hopper The potter’s palette can be just as broad as the painter’s because there are so many ceramic colorants and combinations to choose from. By combining ceramic oxides, ceramic stains, and ceramic pigments in various proportions, you can get every color in the spectrum. The Many Faces of Iron Oxide by Dr. Carol Marians Glaze ingredients, the clay body, firing atmosphere, and even kiln-stacking techniques can all affect your firing results. Red iron oxide is one of the ceramic colorants that’s quite temperamental and affected by a lot of variables. From dark brown to unusual speckles, red iron oxide can offer a lot for a single ceramic colorant. -
Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
E'tac EFX Series Color Wheel TINT
E’TAC EFX series EFX 507 Dark naphtol red EFX 506 Naphtol red color wheel TINT EFX 509 Quina magenta EFX 508 Pyrrole red EFX 507 Dark naphtol red © Eddy & Marissa Wouters http://www.etac-airbrush.com http://www.etac-europe.com EFX 506 Naphtol red EFX 512 Red violet EFX 516 Red ocher EFX 508 Pyrrole red EFX 510 Carbazole violet EFX 505 Azo orange EFX 516 Red ocher EFX 511 Blue violet EFX 517 Brown ocher EFX 505 Azo orange EFX 517 Brown ocher EFX 525 Flesh EFX 525 Flesh EFX 518 Burnt umber EFX 526 Ultramarine blue EFX 518 Burnt umber EFX 519 Culebra gold EFX 504 Golden ocher EFX 523 Sepia smoke HOT colors EFX 503 Arylide yelow EFX 522 Rainforest green EFX 519 EFX 524 Gray Culebra gold EFX 514 Phthalo green EFX 520 Vieques blue EFX 513 Phthalo blue COOL colors EFX 515 Phthalo turquoise EFX 521 Aqua rica EFX 504 EFX 521 Aqua rica Golden ocher EFX 513 Phthalo blue EFX 515 Phthalo turquoise EFX 526 Ultramarine blue EFX 520 Vieques blue EFX 503 Arylide yelow EFX 511 Blue violet EFX 510 Carbazole violet EFX 512 Red violet EFX 514 Phthalo green EFX501 HS Carbon black EFX 522 Rainforest green EFX 509 Quina magenta EFX 524 Gray COOL HOT colors colors EFX502 OT Plasma white EFX 523 Sepia smoke E’TAC EFX series EFX 507 Dark naphtol red EFX 506 Naphtol red Color wheel TONE EFX 509 Quina magenta EFX 508 Pyrrole red EFX 507 Dark naphtol red © Eddy & Marissa Wouters http://www.etac-airbrush.com http://www.etac-europe.com EFX 506 Naphtol red EFX 512 Red violet EFX 516 Red ocher EFX 508 Pyrrole red EFX 510 Carbazole violet EFX 505 Azo orange EFX 516 Red