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ABOUT BNMI The Boston New Music Initiative is a 501(c)(3) non-profit organization dedicated to maintaining an international network of composers, performers, conductors, directors, and champions of music in order to generate new music concerts, compositions, collaborations, and commissions. Incorporated in 2010, the organization aims to advance the careers of its members in the field of new music by serving as a resource for networking, commissioning, collaboration, and programming. Douglas McRay Daniels, Music Director Nathan Lofton, Associate Music Director The Boston New Music Initiative, Inc. 2011 – 2012 2011-2012 Board of Directors Mike Anmuth; Todd Minns; Erin Smith; Kirsten Volness Opening Night 2011-2012 Staff Featuring the works of: Administration Artistic/Production Staff Timothy A. Davis, Chief Executive Officer Erin Smith, Artistic Director Curtis Minns, Chief Financial Officer Douglas McRay Daniels, Music Director Ian DICKE Jeremy Spindler, Vice President Nathan Lofton, Associate Music Director Kirsten Volness, Director of Publicity/Marketing Rebecca Smith, Production Manager Kirsten VOLNESS Jean Foo, Director of Development Liora Holley, Orchestra Manager Kyong Mee CHOI Nate Wakefield, Marketing Associate Stephen Jean, Orchestra Librarian Clifton CALLENDER Aaron Kirschner,. Membership Coordinator Kyle Phipps, Stage Manager Jonathan Blumhofer, Publications Editor Nick Gleason, General Staff Garrett BYRNES Jared Field, Licensing Coordinator Minna Pyykhala, Graphic Designer/Pho Gabriele VANONI Sid Richardson, General Staff Jacob Richman, Media Specialist Chris ARRELL Michael GANDOLFI Saturday, October 1, 2011 7:30 pm Fenway Center Northeastern University 77 St. Stephen Street Boston, Massachusetts Concert 1 Season 3 The Boston New Music Initiative Concert Series 2 Become involved with BNMI! To join BNMI: To join our organization’s network of composers, performers, conductors, collaborators, and champions of new music, please visit our website (URL listed below). The Boston New Music Initiative Concert Series Performance Fund Membership is free to all! Our organization strives to deliver top-notch performances on each and every one of our Keep up-to-date with BNMI concerts, which would not be possible without the constant dedication and effort from all To stay up to date with BNMI and receive special insider discounts to our events, join of our performers. We are still very much a growing organization attempting to our mailing list or follow us on Facebook and Twitter #bostonnewmusic. Just visit our accomplish very big things in a short period of time and our performers have been crucial website and click on the “Subscribe” tab. in our ability to continue moving forward. Our goal is to provide all performers at least modest stipends in exchange for their time, effort, transportation and instrument To donate: maintenance costs while continuing to provide our audience with professional-caliber To donate, please send a check to the mailing address below, or visit our website! You performances. may also donate at any of our concerts – just fill out the “Donor Card” insert and return it to us before or after the concert. Note: To donate to the Concert Series In order for this to be possible, we need your help! We have created the Concert Series Performance Fund, please specify in the memo line of the check with the words Performance Fund to help support our performers in the future as much as they have— “Performance Fund.” and will continue to—help us. We realize these are hard economic times for us all, but if you have enjoyed our concerts, we ask that you consider making a contribution to the Concert Series Performance Fund, which will be used exclusively for performer stipends on future concerts and cannot be used for any other organization purposes. URL: www.BostonNewMusic.org Email: [email protected] If you would like to contribute to our organization outside of the Performance Fund, we Telephone: 617.744.9607 always welcome any support we can receive. As a 501(c)(3) non-profit public charity, we rely upon support from the general public to continue our operations, and are always in need of assistance with venue, instrument and equipment rental as well as general Mailing Address: operating expenses. Any and all donations made to the organization are tax-deductible The Boston New Music Initiative, Inc. under Section 170 of the IRS code. P.O. Box 380285 If you are unable to make a monetary contribution but wish to contribute in some other Cambridge, MA 02238 way, please contact our development team at [email protected] or call us at 617-744-9607. To volunteer on our staff, please email us at [email protected]. Please see the following page for full information on donating to BNMI! The Boston New Music Concert Series 3 The Boston New Music Initiative Concert Series 4 The Boston New Music Initiative Donors The Boston New Music Initiative would like to thank the following donors for their generous gifts in support of our organization and our mission. Our organization could not function and grow without all of their help! 2011 – 2012 Grants Elizabeth Biggs The National Christian Foundation Jessica Casto Avital Chatto 2011 – 2012 Donors Nicholas Danford Platinum Donors ($1000 and up) Danielle Delaney Jim and Chris Pursell Ian Dicke Richard and Connie Smith Janet Ferguson Howard Haimes Gold Donors ($500 and above) Nicole Halmi Michael Anmuth Hope Hussey Benjamin and Christine Davis Peter Juffernbruch Cynthia Swienton and Ian MacLachlan Kurt Levitan Christopher Lewis Silver Donors ($100 and above) Dee Malone Kikuyu Daniels Ari Massoudi Richard and Deborah Minns Adara Meyers Jadrian Miles Robert and Judith Vertalka Jane Mitchell Yulied Morales Bronze Donors ($50 and above) Cat Oettinger Catherine Belden David Olson Nicholas Croft Caroline Park Donald and Joyce Martin Anne Phillips Ben Nelson Lauretta Pope Sam and Gale Pasternack Seonghee Ryu David and Carol Richman Lois Schwartz Charlotte and Jane Swienton Bob Severino Helen Swienton Anne Shepard Ken and Jan Volness Steven Sloman Shawna Sullivan Crystal Donors (up to $50) Thomas Tachovsky and Lynn Baird Dawna Baccari John Thomas Jeremy Baguyos Carol Walker Rose Bellini The Boston New Music Initiative Concert Series 5 The Boston New Music Initiative Concert Series 6 THE BOSTON NEW MUSIC INITIATIVE Program Notes Concert Series Assembly Lines 2011-2012 Concert Season October 1, 2011 Ian Dicke Fenway Center at Northeastern University Boston, Massachusetts Assembly Lines was commissioned by the Detour New Music Ensemble. The work can be Assembly Lines (2011) Ian DICKE optionally accompanied by live video projections of factory footage from the Prelinger (b. 1982) Archives. After a brief, yet clangorous fanfare, a solo bassoon unveils the work’s BNMI Ensemble “conveyor belt” theme. Not unlike Ford’s automobile assembly line, the ensemble appends this tune with a series of interchangeable motifs, which hammer and thrash the musical Sleeping in the Forest (2006) Kirsten VOLNESS texture in an intricate web of syncopation and orchestral color. The Model T is born. (b. 1980) Lilit Hartunian, violin solo; Sleeping in the Forest Deirdre Viau, flute; Elise Kopesky, bass clarinet; Kirsten Volness Liora Holley, cello; Bill Solomon, vibraphone; Christopher Orzech, piano This piece is inspired by a poem bearing the same title by Mary Oliver, whose work I have long adored. The intimacy and uncertainty of being in the woods alone after dark is an Sublimation, for marimba and electronics (2004) Kyong Mee CHOI experience I remember vividly from childhood, especially the heightened sense of listening (b. 1971) it brings. It is a treasure to be removed from human constructs, to be but one of many Jeff Stern, marimba beings, to linger among them and find peace. Metamorphoses, for cello and electronics (2007) Clifton CALLENDER Sublimation (b. 1969) Kyong Mee Choi Cherry Kim, cello This piece represents composer’s idea based on these following meanings: From Merriam-Webster Dictionary SUBLIME means to improve or refine as if by Villanelle, for violin and harp (2006) Garrett BYRNES subliming; to cause to pass directly from the solid to the vapor state and condense back to (b. 1971) solid form; to elevate or exalt especially in dignity or honor; to render finer (as in purity or Olga Patramanskaya, violin; Maria Rindenello-Parker, harp excellence); to convert (something inferior) into something of higher worth intransitive senses; to pass directly from the solid to the vapor state; to divert the expression of (an -Brief Intermission- instinctual desire or impulse) from its primitive form to one that is considered more acceptable. Blurry Landscapes (2010) Gabriele VANONI (b. 1980) Metamorphoses BNMI Ensemble Clifton Callender Metamorphoses is a three-part canon for solo cello and computer-assisted delay that explores Argot (2000) Chris ARRELL the simultaneous presentation of multiple independent accelerandos and ritardandos. The (b. 1970) solo cello and two “virtual” cellos begin at the same time and in the same tempo. During Kimberly Soby, soprano; BNMI Ensemble the first half of the piece the virtual cellos gradually decelerate independently and then return to the original tempo, lagging behind the solo cello by four and eight beats. The As Above (2005) Michael GANDOLFI second half of the piece inverts this process so that the piece concludes with all three (b. 1956) voices ending at the same time and in the same tempo. The gradually evolving formal BNMI Ensemble design
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    SAISON 19/20 DANS LE SON DE TES YEUX SAISON 19/20 DANS LE SON DE TES YEUX Sommaire PAGE PAGE 4 6 MESSAGE DE JEAN-PHILIPPE RAPP 5 7 MESSAGE DE CÉLINE MEYER & DAVID GREILSAMMER 8 DAVID GREILSAMMER 10 GENEVA CAMERATA (GECA) 12 LES MUSICIENS 16 LES ARTISTES INVITÉS 18 AGENDA 19/20 24 LES CONCERTS PRESTIGE « Adieu, dit le renard. Voici mon secret. Il est très simple : on ne voit bien qu’avec le cœur. L’essentiel est invisible pour les yeux. » 30 LES CONCERTS SAUVAGES 32 LES CONCERTS EN FAMILLE 34 LES RENCONTRES MAGIQUES Antoine de Saint-Exupéry, Le Petit Prince 35 LA MUSIQUE DU CŒUR 36 GECA EN TOURNÉE 39 LA CLASSE À L’ORCHESTRE ! 40 DEVENEZ AMIS DU GENEVA CAMERATA POUR LA SAISON 19/20 ! 41 LES AMIS DU GENEVA CAMERATA 42 ABONNEMENT & BILLETTERIE 43 BULLETIN D’ABONNEMENT AUX CINQ CONCERTS PRESTIGE & BULLETIN D’ADHÉSION AUX AMIS DU GENEVA CAMERATA POUR LA SAISON 19/20 46 PLAN DU BFM 48 PARTENAIRES 50 COMITÉS & ÉQUIPE Message de Jean-Philippe Rapp Message de Céline Meyer & David Greilsammer PAGE PAGE 6 7 © Elias Amari © Elias Amari Cher Public, Chères Amies, Chers Amis, J’écris ces quelques lignes aujourd’hui, empli de joie et de fierté : la saison « Si la musique est l’aliment de l’amour, jouez encore, donnez-m’en jusqu’à 18/19 de GECA fut à mes yeux l’une des plus stupéfiantes que l’orchestre l’excès », déclare Shakespeare avec exaltation, dans l’un des moments les n'ait jamais présentée. Je me remémore les moments les plus renversants plus féeriques de La Nuit des Rois.