Cadet Dress Instructions Chapter 6
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A Seventeenth-Century Doublet from Scotland
Edinburgh Research Explorer A Seventeenth-Century Doublet from Scotland Citation for published version: Wilcox, D, Payne, S, Pardoe, T & Mikhaila, N 2011, 'A Seventeenth-Century Doublet from Scotland', Costume, vol. 2011, no. 45, pp. 39-62. https://doi.org/10.1179/174963011X12978768537537 Digital Object Identifier (DOI): 10.1179/174963011X12978768537537 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Costume Publisher Rights Statement: © Wilcox, D., Payne, S., Pardoe, T., & Mikhaila, N. (2011). A Seventeenth-Century Doublet from Scotland. Costume , 2011(45), 39-62 doi: 10.1179/174963011X12978768537537 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 © Wilcox, D., Payne, S., Pardoe, T., & Mikhaila, N. (2011). A Seventeenth-Century Doublet from Scotland. Costume , 2011(45), 39-62 doi: 10.1179/174963011X12978768537537 A SEVENTEENTH-CENTURY DOUBLET FROM SCOTLAND By SUSAN PAYNE, DAVID WILCOX, TUULA PARDOE AND NINYA MIKHAILA. In December 2004 a local family donated a cream silk slashed doublet to Perth Museum and Art Gallery.i Stylistically the doublet is given a date between 1620 and 1630 but the family story is that it was a gift to one of their ancestors about the time of the Battle of Killiecrankie in 1689. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
16 to 18 CENTURY COSTUMES from the COLLECTIONS OF
IRENE SECO SERRA* УДК 391:069.5(460) ИД 203968780 16th to 18th CENTURY COSTUMES FROM THE COLLECTIONS OF THE COSTUME MUSEUM OF MADRID Abstract: This paper introduces 16th to 18th century garments Our collections were initially developed in the from the collections of the Costume Museum of Madrid second and third decades of the 20th century. The starting through some of the most relevant examples. Although some point was a great exhibition of historical and traditional of the pieces presented here are likely to be of French origin, costume that took place in Madrid in 1925. The exhibition was the most of them are purely Spanish garments. This is inaugurated by King Alfonso XIII on April 18, and from the particularly true of the earliest pieces, which date from a time very beginning it received an immense amount of visitors. when Spain dictated fashions, but also of the interesting The success was such that it was decided to turn it into a 18th century majo outfits. The overview of the collections is permanent Costume Museum. A few years afterwards, while preceded by a summarized history of the Museum and the works were still in progress, the Costume Museum complemented by a brief description of the conditions in became an ethnographic museum and changed its name to which our costumes are stored and displayed. Museum of the Spanish People (Museo del Pueblo Español). Therefore, the scope of the collections widened too, and Key words: 16th century costume, 17th century costume, 18th ethnographic objects started to flow to the Museum from all century costume, Spanish dress, Majo outfits around Spain, adding themselves to the already growing collection of costumes.1 037 1. -
Tudor Sumptuary Laws and Academical Dress: an Act Against Wearing of Costly Apparel 1509 and an Act for Reformation of Excess in Apparel 1533
Transactions of the Burgon Society Volume 6 Article 2 1-1-2006 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 Noel Cox Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Cox, Noel (2006) "Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533," Transactions of the Burgon Society: Vol. 6. https://doi.org/10.4148/2475-7799.1047 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 6 (2006), pages 15–43 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 by Noel Cox In the United Kingdom, as in other modern liberal democracies, there are few, if any, restrictions upon one’s choice of habiliment.1 There have in the past, however, been repeated attempts in most countries and civilizations—from the Romans (and indeed earlier civilizations) onwards—to strictly control aspects of apparel, by legislation.2 They were motivated by political, moral or economic considerations. However, these sumptuary laws, as they were known,3 were generally a failure, for many reasons. Those who wished to ignore them often could do so with impunity.4 The frequency of such legislation is a sign both of the perceived importance of The author would like to acknowledge the assistance of Professor Bruce Christianson and Ms Susan North in the preparation of this paper. -
Tudors History W2
The Tudors: History Worksheet 2A Name: _____________________________ Date: ____________________ Tudor Fashion Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2B Name: _____________________________ Date: ____________________ There are lots of differences in the way you dress today and the way we used to dress in Tudor times. Have a look at some of the outfits we used to wear and find as many differences between Tudor fashion and today’s fashion as you can. Tudor Fashion Modern Fashion Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2C Name: _____________________________ Date: ____________________ Tudor Fashion Glossary Can you find out what each of these words relating to Tudor fashion mean? Te r m Meaning Bodice Bombast Breeches Chemise Coif Corset Doublet Farthingale Headdress Hose Kirtle Mantle Patten Petticoat Robe Ruff Stomacher Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2D Name: _____________________________ Date: ____________________ Can you design an outfit for a Tudor woman? Remember, the Tudors loved to show-off with their clothes so make it as elaborate and detailed as you can. Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2E Name: _____________________________ Date: ____________________ Can you design an outfit for a Tudor man? Remember, the Tudors loved to show-off with their clothes so make it as elaborate and detailed as you can. Copyright © PlanBee Resources Ltd 2016 -
Dress Like a Pilgrim a Procurement Guide by Mayflower Guard
DRESS LIKE A PILGRIM A Procurement Guide SEPTEMBER 29, 2018 THE MAYFLOWER GUARD General Society of Mayflower Descendants Dress Like a Pilgrim A Procurement Guide By Mayflower Guard As James Baker, noted Pilgrim historian, points out in his recent article in the Mayflower Journal 1 there is a major image problem associated with what clothing and apparel Pilgrims wore. The image of black clothing, buckles and blunderbusses persist in the public mind. To overcome this misperception and to assist in this effort to change public perceptions, the donning of appropriate garments representing what the Pilgrims actually wore should be a major objective for the commemoration of the 1 Baker, James W., Pilgrim Images III, Mayflower Journal Vol. 2, No. 1 [2017], pp 7-19 1 400th anniversary of the arrival of the Mayflower. We the Mayflower descendants need to Dress Like a Pilgrim and wear Pilgrim Appropriate Apparel (PAA). So, what did Pilgrim men and women wear? Fabrics In 17th Century England and in the Netherlands, there were two basic fabrics that were used for clothing, wool and linen. There was combination of wool and linen know has fustian corduroy that was also used, however finding this fabric today is almost impossible. Cotton while available was very rare and very expensive in the early 17th century. Colors We know that the Pilgrims wore a variety of colors in their clothing from probate records where the color of various clothing items were mentioned including the colors violet, blue, green.1,2 The color red was also listed. However, the reds that were used in the early 17th century were more of a brick red and a matter red which is a little more orange in nature than modern reds. -
Tudor Men's Handout
What the Tudor Men Really Wore Copyright 2006, 2010 Kimiko Small, known in the Society as Joan Silvertoppe. All Rights Reserved. www.kimiko1.com Research and hand drawn sketches created by Kimiko Small, March-April 2006, except where noted. This was originally developed for Margo Anderson's Historical Costume Patterns, and has been modified and updated for use in the Collegium Caidis class on April 10, 2010. Shirts The Low-Necked Shirt The low-necked shirt sketch is based on early Tudor men’s shirts seen in various images. Its style is fading by the early 1530s, although it can be seen here and there. The body is finely pleated into the neckline that would be held by embroidery. For more info on creating this type of shirt, please go to the following yahoogroup: Pleatwork Embroidery ( Smocking) http://groups.yahoo.com/group/pleatwork/ The High-Necked Shirt This shirt is based on an image of Henry VIII in 1536. As can be seen in the detail image of Henry, the shoulder line at the left shows a short shoulder area (about half the shoulder length) with a V where the sleeves are attached. The collar area is most likely finely pleated with decorative stitching to hold the pleats in place ( Posavad, 18), but a collar would be easier for most people to create. The small frill or ruffle, from which the later ruff is derived, tops the shirt collar. This ruffle is optional, as some images do not show a ruffle. The collar is open at center front and is usually closed with 2 shirt strings. -
On Men. Masculine Dress Code from the Ancient Greeks to Cowboys
On Men. Masculine Dress Code from the Ancient Greeks to Cowboys. Proceedings of the ICOM Costume Committee in Berlin, Germany 2005 Edited by Regine Falkenberg, Adelheid Rasche and Christine Waidenschlager. ICOM Costume Committee and ICOM Germany. Berlin, Germany. 2006. Price : 8 Euros + 9 Euros postage anywhere. 10 books: less 10%, 50 books: less 20%. Contact: Fr. Yvonne Feldt, [email protected] Contents: Prefaces Ioanna Papantoniou: From Nothing to Trousers: Greek Men’s Lower Body Coverings. Vassilis Zidianakis: La Fustanelle dans le Film “Infusion” de Marcus Tomlinson: Tradition et Innovation. Peter McNeil: Courtier or Macaroni? An Eighteenth-Century Man’s Waistcoat at the Royal Ontario Museum, Toronto. Bernard Berthod: Le Renouveau de Costume de la Cour Papale Laïque aux Dix- Neuvième et Vingtième Siècles. Hanne Frøsig Dalgaard: Gown and Ruff: The Dress of the Clergymen if the Lutheran Danish Church. Aagot Noss: The Bridegroom’s Cross. Jean L. Druesedow: The Sartorial Art Journal: American Fashions for Men. Lucie Doležalová: Men’s Fashion in Czechoslovakia of the 1920s and 1930s in Archive Sources and Museum Collections in the Czech Republic. June Swann: Brekelenkam’s Shoemaker Paintings and Men’s Mid-Seventeenth- Century Shoes. Beata Biendrońska-Słota: Elegant Men and Polish National Costume. Elisabeth Hackspiel- Mikosch: Beauty in Uniform. The Creation of Ideal Masculinity during the Nineteenth Century. Irma Wallenborg: From Peacock to Camouflage: A Tour through the Army Museum’s Military Uniforms. Tom C. Bergroth: Dress Regulations and Reality: A Portrait and a Uniform of 1810. Isabel Alvarado: Ponchos and Mantas in the Textile Collection of the Museo Histórico Nacional. Janet Loverin: Western Dress at Nevada’s “Tin Cup Tea”. -
Introduction to Late Sixteenth Century Men's Clothing
INTRODUCTION TO Late Sixteenth Century Men’s Clothing 1570-1600 HUGO, JONKHEER VAN HARLO [email protected] First Printing c Clothiers’ Seminar 2018 INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 2 Today’s Goal • Introduce the many options in styles, cuts, and decorations of the clothes gentlemen wore in western Europe, c.1570-1600 • Share resources to learn more • Not: teach anybody to pattern or sew a damn thing. INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 3 In Other Words: You want garb options? We got your garb options right here. (Suck it, Anglo-Saxons.) INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 4 Your Lecturer History nerd. Research monkey. Not a tailor. Don’t give him fabric. Hugo has brought his late sixteenth century interests into the SCA and, for good or bad, decided to double down on his focus by fully embracing the quite- silly clothing of the era. INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 5 Agenda • Foundational Assumptions Disclaimer: This is a lot of content to • The Gentleman’s Wardrobe work through in fifty-five • Doublets & the Upper Body minutes. • Ruffs & Cuffs It’s likely we’ll either speed through some sections or not • Breeches get all the way to the end. • Legs & Feet • Headwear • Outerwear • Decoration & Construction • Resources FOUNDATIONAL ASSUMPTIONS FOUNDATIONAL ASSUMPTIONS 7 You will look ridiculous. Embrace that shit. It’s awesome. FOUNDATIONAL ASSUMPTIONS 8 You’ll learn to like the bizarre fashion. Really. I’ve gotten used to the era’s sartorial excesses and idiosyncrasies. Where before I would have gone, “WTF?,” now I appreciate. -
Cadet Dress Instructions and CATO 13-16, National Cadet Honours and Awards
A-CR-CCO-100/AG-001 CADET AND JUNIOR CANADIAN RANGERS DRESS INSTRUCTIONS (ENGLISH) Cette publication est disponible en français sous le numéro A-CR-CCO-100/AG-002 Issued on Authority of the Chief of the Defence Staff OPI: National Cadet and Junior Canadian Rangers 2019-07-19 Support Group Clothing and Dress Committee A-CR-CCO-100/AG-001 FORWARD 1. A-CR-CCO-100/AG-001, Cadet and Junior Canadian Rangers Dress Instructions, are issued on authority of the Chief of the Defence Staff. 2. A-CR-CCO-100/AG-001 is effective upon receipt and supersedes all dress policy and rules previously issued as a CATO, manual, supplement, order or instruction. 3. Chapters 1 to 6 of the CJCR Dress Instructions apply to Sea, Army and Air Cadets whereas Chapters 1 and 7 apply to Junior Canadian Rangers. 4. Suggestions for revision shall be forwarded through the chain of command to the Natl CJCR Sp Gp Clothing and Dress Committee (CJCR CDC). 5. Any changes will be promulgated by a CANCDTGEN from the Comd Natl CJCR Sp Gp. i A-CR-CCO-100/AG-001 ii A-CR-CCO-100/AG-001 iii A-CR-CCO-100/AG-001 TABLE OF CONTENTS PAGE CHAPTER 1 – COMMAND AND CONTROL .............................................................................................. 1-1 COMMAND ................................................................................................................................................... 1-1 CJCR CLOTHING AND DRESS COMMITTEE ............................................................................................ 1-1 DEFINITIONS .............................................................................................................................................. -
You Are Cordially Invited to Attend a Murder Mystery
YOU ARE CORDIALLY INVITED TO ATTEND A MYSTERY MURDER PARTY… It is the year 2099, and the demented Genesee Glasco, a quintillionaire heiress and first world ruler, is hosting the ultimate retro gala. The steampunk-themed affair will be held at the Hematite Palace in the world’s new capital – Glasco Megalopolis. Using her newest invention created by a collective effort from the world’s top scientists, she has hand-selected her guests from past icons, historical legends, and even infamous villains. The denizens of the world have been on the edge of their seats watching the planning stages of the first world- wide extravaganza unfold on their nuclearvision devices! For the past sixteen days, the befuddled faces of the honorary guests have been publicized as they endured the excruciating journey from the past to the main platform of the Time Travel Epicenter of Glasco Megalopolis. The attendees have not been briefed on why they were brought into the future, and are being isolated in unknown locations within Diamond City while they await the night of celebration. Nobody knows what Genesee specifically has planned for the gala, but this party is undeniably a world’s first. Regrettably, you are one of the icons that have suffered through the painful transport from the past. You feel disoriented and are quite mystified why you have been brought to this strange place and why they are not allowing you to leave. This is where your story begins. HOSTED BY: __________________________ YOU ARE ASSIGNED TO PLAY THE ROLE OF: ________________________________________ DATE:_______________________TIME: _____________________ SCENE OF THE CRIME: ________________________________ __________________________________________________________ RSVP: ___________________________________________________ Copyright © Dr. -
Canadian Armed Forces Dress Instructions
National A-DH-265-000/AG-001 Defence CANADIAN ARMED FORCES DRESS INSTRUCTIONS (English) (Supersedes A-AD-265-000/AG-001 dated 2017-02-01) Issued on Authority of the Chief of the Defence Staff OPI: DHH 2017-12-15 A-DH 265-000/AG-001 FOREWORD 1. A-DH-265-000/AG-001, Canadian Armed Forces Dress Instructions, is issued on authority of the Chief of Defence Staff. 2. The short title for this publication shall be CAF Dress Instructions. 3. A-DH-265-000/AG-001 is effective upon receipt and supersedes all dress policy and rules previously issued as a manual, supplement, order, or instruction, except: a. QR&O Chapter 17 – Dress and Appearance; b. QR&O Chapter 18 – Honours; c. CFAO 17-1, Safety and protective equipment- Motorcycles, Motor scooters, Mopeds, Bicycles and Snowmobiles; and 4. Suggestions for revision shall be forwarded through the chain of command to the Chief of the Defence Staff, Attention: Director History and Heritage. See Chapter 1. i A-DH 265-000/AG-001 TABLE OF CONTENTS FOREWORD ........................................................................................................................................... i CHAPTER 1 COMMAND, CONTROL AND STAFF DUTIES ............................................................. 1-1 COMMAND ...................................................................................................................................................... 1-1 CONTROL .....................................................................................................................................................