Dirk Gently's Holistic Detective Agency
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A Seventeenth-Century Doublet from Scotland
Edinburgh Research Explorer A Seventeenth-Century Doublet from Scotland Citation for published version: Wilcox, D, Payne, S, Pardoe, T & Mikhaila, N 2011, 'A Seventeenth-Century Doublet from Scotland', Costume, vol. 2011, no. 45, pp. 39-62. https://doi.org/10.1179/174963011X12978768537537 Digital Object Identifier (DOI): 10.1179/174963011X12978768537537 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Costume Publisher Rights Statement: © Wilcox, D., Payne, S., Pardoe, T., & Mikhaila, N. (2011). A Seventeenth-Century Doublet from Scotland. Costume , 2011(45), 39-62 doi: 10.1179/174963011X12978768537537 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 © Wilcox, D., Payne, S., Pardoe, T., & Mikhaila, N. (2011). A Seventeenth-Century Doublet from Scotland. Costume , 2011(45), 39-62 doi: 10.1179/174963011X12978768537537 A SEVENTEENTH-CENTURY DOUBLET FROM SCOTLAND By SUSAN PAYNE, DAVID WILCOX, TUULA PARDOE AND NINYA MIKHAILA. In December 2004 a local family donated a cream silk slashed doublet to Perth Museum and Art Gallery.i Stylistically the doublet is given a date between 1620 and 1630 but the family story is that it was a gift to one of their ancestors about the time of the Battle of Killiecrankie in 1689. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
16 to 18 CENTURY COSTUMES from the COLLECTIONS OF
IRENE SECO SERRA* УДК 391:069.5(460) ИД 203968780 16th to 18th CENTURY COSTUMES FROM THE COLLECTIONS OF THE COSTUME MUSEUM OF MADRID Abstract: This paper introduces 16th to 18th century garments Our collections were initially developed in the from the collections of the Costume Museum of Madrid second and third decades of the 20th century. The starting through some of the most relevant examples. Although some point was a great exhibition of historical and traditional of the pieces presented here are likely to be of French origin, costume that took place in Madrid in 1925. The exhibition was the most of them are purely Spanish garments. This is inaugurated by King Alfonso XIII on April 18, and from the particularly true of the earliest pieces, which date from a time very beginning it received an immense amount of visitors. when Spain dictated fashions, but also of the interesting The success was such that it was decided to turn it into a 18th century majo outfits. The overview of the collections is permanent Costume Museum. A few years afterwards, while preceded by a summarized history of the Museum and the works were still in progress, the Costume Museum complemented by a brief description of the conditions in became an ethnographic museum and changed its name to which our costumes are stored and displayed. Museum of the Spanish People (Museo del Pueblo Español). Therefore, the scope of the collections widened too, and Key words: 16th century costume, 17th century costume, 18th ethnographic objects started to flow to the Museum from all century costume, Spanish dress, Majo outfits around Spain, adding themselves to the already growing collection of costumes.1 037 1. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Tudor Sumptuary Laws and Academical Dress: an Act Against Wearing of Costly Apparel 1509 and an Act for Reformation of Excess in Apparel 1533
Transactions of the Burgon Society Volume 6 Article 2 1-1-2006 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 Noel Cox Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Cox, Noel (2006) "Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533," Transactions of the Burgon Society: Vol. 6. https://doi.org/10.4148/2475-7799.1047 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 6 (2006), pages 15–43 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 by Noel Cox In the United Kingdom, as in other modern liberal democracies, there are few, if any, restrictions upon one’s choice of habiliment.1 There have in the past, however, been repeated attempts in most countries and civilizations—from the Romans (and indeed earlier civilizations) onwards—to strictly control aspects of apparel, by legislation.2 They were motivated by political, moral or economic considerations. However, these sumptuary laws, as they were known,3 were generally a failure, for many reasons. Those who wished to ignore them often could do so with impunity.4 The frequency of such legislation is a sign both of the perceived importance of The author would like to acknowledge the assistance of Professor Bruce Christianson and Ms Susan North in the preparation of this paper. -
Tudors History W2
The Tudors: History Worksheet 2A Name: _____________________________ Date: ____________________ Tudor Fashion Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2B Name: _____________________________ Date: ____________________ There are lots of differences in the way you dress today and the way we used to dress in Tudor times. Have a look at some of the outfits we used to wear and find as many differences between Tudor fashion and today’s fashion as you can. Tudor Fashion Modern Fashion Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2C Name: _____________________________ Date: ____________________ Tudor Fashion Glossary Can you find out what each of these words relating to Tudor fashion mean? Te r m Meaning Bodice Bombast Breeches Chemise Coif Corset Doublet Farthingale Headdress Hose Kirtle Mantle Patten Petticoat Robe Ruff Stomacher Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2D Name: _____________________________ Date: ____________________ Can you design an outfit for a Tudor woman? Remember, the Tudors loved to show-off with their clothes so make it as elaborate and detailed as you can. Copyright © PlanBee Resources Ltd 2016 www.planbee.com The Tudors: History Worksheet 2E Name: _____________________________ Date: ____________________ Can you design an outfit for a Tudor man? Remember, the Tudors loved to show-off with their clothes so make it as elaborate and detailed as you can. Copyright © PlanBee Resources Ltd 2016 -
Dress Like a Pilgrim a Procurement Guide by Mayflower Guard
DRESS LIKE A PILGRIM A Procurement Guide SEPTEMBER 29, 2018 THE MAYFLOWER GUARD General Society of Mayflower Descendants Dress Like a Pilgrim A Procurement Guide By Mayflower Guard As James Baker, noted Pilgrim historian, points out in his recent article in the Mayflower Journal 1 there is a major image problem associated with what clothing and apparel Pilgrims wore. The image of black clothing, buckles and blunderbusses persist in the public mind. To overcome this misperception and to assist in this effort to change public perceptions, the donning of appropriate garments representing what the Pilgrims actually wore should be a major objective for the commemoration of the 1 Baker, James W., Pilgrim Images III, Mayflower Journal Vol. 2, No. 1 [2017], pp 7-19 1 400th anniversary of the arrival of the Mayflower. We the Mayflower descendants need to Dress Like a Pilgrim and wear Pilgrim Appropriate Apparel (PAA). So, what did Pilgrim men and women wear? Fabrics In 17th Century England and in the Netherlands, there were two basic fabrics that were used for clothing, wool and linen. There was combination of wool and linen know has fustian corduroy that was also used, however finding this fabric today is almost impossible. Cotton while available was very rare and very expensive in the early 17th century. Colors We know that the Pilgrims wore a variety of colors in their clothing from probate records where the color of various clothing items were mentioned including the colors violet, blue, green.1,2 The color red was also listed. However, the reds that were used in the early 17th century were more of a brick red and a matter red which is a little more orange in nature than modern reds. -
Tudor Men's Handout
What the Tudor Men Really Wore Copyright 2006, 2010 Kimiko Small, known in the Society as Joan Silvertoppe. All Rights Reserved. www.kimiko1.com Research and hand drawn sketches created by Kimiko Small, March-April 2006, except where noted. This was originally developed for Margo Anderson's Historical Costume Patterns, and has been modified and updated for use in the Collegium Caidis class on April 10, 2010. Shirts The Low-Necked Shirt The low-necked shirt sketch is based on early Tudor men’s shirts seen in various images. Its style is fading by the early 1530s, although it can be seen here and there. The body is finely pleated into the neckline that would be held by embroidery. For more info on creating this type of shirt, please go to the following yahoogroup: Pleatwork Embroidery ( Smocking) http://groups.yahoo.com/group/pleatwork/ The High-Necked Shirt This shirt is based on an image of Henry VIII in 1536. As can be seen in the detail image of Henry, the shoulder line at the left shows a short shoulder area (about half the shoulder length) with a V where the sleeves are attached. The collar area is most likely finely pleated with decorative stitching to hold the pleats in place ( Posavad, 18), but a collar would be easier for most people to create. The small frill or ruffle, from which the later ruff is derived, tops the shirt collar. This ruffle is optional, as some images do not show a ruffle. The collar is open at center front and is usually closed with 2 shirt strings. -
JOHN PARDUE BSC - Director of Photography (UK and USA PASSPORT HOLDER)
McKinney Macartney Management Ltd JOHN PARDUE BSC - Director of Photography (UK and USA PASSPORT HOLDER) FOUR KIDS & IT Director: Andy De Emmony. Producer: Julie Baines, Anne Brogan, Jonathan Taylor. Starring: Michael Caine, Bill Nighy. Dan Films / Kindle Entertainment. LUTHER 5 Director: Jamie Payne. Producer: Derek Ritchie. Starring: Idris Elba, Dermot Crowley and Wunmi Mosaku. BBC. THE HUSTLE (Feature Film, 2nd Unit – Mallorca) Director: Chris Addison. Producers: Roger Birnbaum and Rebel Wilson Starring: Anne Hathaway and Rebel Wilson and David Hayman. Metro-Goldwyn- Mayer FINDING YOUR FEET Director: Richard Loncraine. Producers: Nick Moorcroft, Andrew Berg, Meg Leonard and Richard Wheelan. Starring: Imelda Staunton, Celia Imrie, Timothy Spall, Joanna Lumley and David Hayman. Eclipse Films / Powder Keg Pictures / Catalyst. DIRK GENTLY’S HOLISTIC DETECTIVE AGENCY Director (Pilot episodes 1 & 2): Dean Parisot. Director (Episodes 5 & 6): Tamra Davis. Producers: Max Landis, Robert Cooper, Arvind Ethan David and Kim Todd. Starring: Elijah Wood, Samuel Barnett, Hannah Marks and Richard Schiff. Circle of Confusion / BBC America / Netflix. QUACKS (TV pilot - series commissioned) Director: Andy De Emmony. Producers: James Wood and Justin Davies. Starring: Rupert Everett, Rory Kinnear, Tom Basden, Matthew Baynton Lucky Giant. AND THEN THERE WERE NONE Director: Craig Viveiros. Producers: Abi Bach and Damien Timmer. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JOHN PARDUE Contd … 2 Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen / BBC. STAN LEE’S LUCKY MAN (Season 1, Opening Episodes 1 & 2 tone establisher) Director: Andy De Emmony. -
Dirk Gently's Holistic Detective Agency Douglas Adams
Pan Macmillan June 2021 Highlights LEAD NON-FICTION When the Village Sleeps Sindiwe Magona ‘All the way to school, and all day long, the same thought kept turning and turning in Busi’s mind. He will not forget my birthday. It is also his. No way could he forget his own birthday. Surely he remembers he shares it with me, his beloved daughter. We spoke about it during our weekly ‘visits’, as he calls our scheduled Sunday afternoon telephone talks. And today is not any old ordinary birthday, either. THIRTEEN! I am a teenager at last. Certified, verified, glorified. Should I call him? No, it is a special day for me: he must call first! Thina sobabini? We two? We jive! Except, that whole long day, no call came from her father.’ When the Village Sleeps is a visionary novel about what the loss of identity and dignity do to a people afflicted by decades of brokenness. Told through the lives and spirits of four generations of the amaTolo women, including The Old, who speak wisdom with ever-increasing urgency, it moves between the bustling township setting of Kwanele and the different rhythms of rural village life. It recalls the sweeping sagas of the great A.C. Jordan and the Dhlomo brothers and invokes the poetry of S.E.K. Mqhayi, while boldly exploring urgent and contemporary issues. An ode to the complex strengths of South African women, it is also a powerful call to respect the earth that nurtures human life, and to live in self-sufficiency and harmony with the environment and each other. -
Episode 19: Audiobooks Are for Listeners
Not Your Mother’s Library Transcript Episode 19: Audiobooks are for Listeners (Brief intro music) Leah: Hello, and welcome to Not Your Mother's Library, a readers’ advisory podcast from the Oak Creek Public Library. I'm Leah. Rachel: And I’m Rachel. Leah: Last month we discussed OCPL’s new board game collection. Be sure to tune into episode 18 for more information on how to check out any number of games, or feel free to ask a member of staff. This episode, though, we have yet another collection to introduce, and there’s a small clue in the title. The library has offered audiobooks in physical and digital format for a long time now, but today Rachel and I are excited to tell you about our new playaways. Rachel: Yes, this is very exciting, because playaways are a great way for young children to enjoy listening to books if they haven’t yet learned the ins and outs of a CD or MP3 player. For those of you who have never heard of these things before, let me give you a brief rundown. Playaways are battery operated audio players that come with prerecorded stories, almost all of which are available in high definition. So, like an audiobook, but you don’t need a device of your own—or an Internet connection—to make them work. They are pretty small and weigh next to nothing. This makes them portable and easy to hold with little hands. Which…that’s a pretty cute visual, don’t you think? Leah: I do. -
ADAMS, Douglas (Noel) Geboren: Cambridge, Engeland, 11 Maart 1952
ADAMS, Douglas (Noel) Geboren: Cambridge, Engeland, 11 maart 1952. Overleden: Santa Barbara, Californië, 11 mei 2001 Familie: getrouwd met Jane Belson; een dochter. Woonde in Islington. (foto: Fantastic Fiction) website: www.douglasadams.com Detective: Dirk Gently , holistisch detective Gently is de eigenaar van het “Holistic Detective Agency”. Zijn voornaamste gereedschappen zijn logica, onlogica,toeval, vertrouwen en zijn onwankelbare geloof dat alle verschijnselen met elkaar verbonden zijn. Zo spoort hij vermiste katten op, verklaart hij de valse sporen van een geheimzinnig geëxplodeerd vliegtuig en redt hij de mensheid van uitroeing. serie: Hitch-Hikers to the Galaxy Dirk Gently: Dirk Gently’s Holistic Detective Agency #1 1987 Dirk Gently’s holistisch detectivebureau 1988 Fontein SF The Long Dark Tea-Time of the Soul #1 1988 De lange donkere theetijd van de ziel 1989 Fontein SF The Salmon of Doubt and Other Writings #1 1995 #1 ook opgenomen in de omnibus: The Dirk Gently Omnibus 2001 SF-titels: serie: Hitch-Hikers Guide to the Galaxy : #2 in Nederland: Transgalactisch liftershandboek 1. The Hitch-Hikers Guide to the Galaxy 1979 1. Het transgalactisch liftershandboek 1980 Fontein 2. The Restaurant at the End of the Universe 1980 2. Het restaurant aan het einde van het heelal 1981 Fontein 3. Life, the Universe and Everything 1982 3. Het leven, het heelal en de rest 1983 Fontein 4. So Long, and Thanks for All the Fish 1984 4. Tot ziens en bedankt voor de vis 1986 Fontein 5. Mostly Harmless 1992 5. Grotendeels ongevaarlijk 1993 Fontein