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NEWS RELEASE for Immediate Release Ministry of Tourism, Sport and the Arts 2006TSA0018-000597 May 16, 2006
NEWS RELEASE For Immediate Release Ministry of Tourism, Sport and the Arts 2006TSA0018-000597 May 16, 2006 TV PRODUCTIONS DOUBLE OVER LAST MAY VANCOUVER – The number of television productions currently underway in B.C. is double that of last year, Tourism, Sport and the Arts Minister Olga Ilich announced today. Currently, there are 13 series and five movies-of-the-week in production. In May 2005, six series, one mini-series, one pilot and one movie-of-the-week were in production. “Globally, we are seeing an increased interest in dramatic television series – and today’s numbers give us reason to be optimistic that 2006 will be a strong year for us as well,” said Ilich. “This is testament to our skilled crews, world-class facilities and innovative measures taken by government and industry to ensure B.C. remains competitive.” “Our creative economy is only as strong as the talent pool within it,” said Ilich. “The film and television industry is a very fluid sector and B.C.’s creative pool is experienced and nimble enough to adjust to new conditions and seize new opportunities.” B.C.’s film and television industry experienced a major turnaround in 2005, reaching $1.233 billion, up from $801 million in 2004. Television production in 2005 included 31 television series, 37 movies-of-the-week, 15 television pilots and five mini-series. Television series currently shooting in B.C. include: Stargate SG-1, Battlestar Galactica, The 440, Masters of Horror and Robson Arms. New series this year include: Blade, Eureka, Kyle XY, Psych, Saved and Three Moons Over Milford. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Governor Rescinds Illinois Mask Mandate
THEThe G Talk AndAZETTE- Cobden Review • ServingD UnionEMOCRAT County Since 1849 Thursday, May 20, 2021 Anna, Illinois ©2021 Reppert Publications $1.00 Volume 172, Number 23 For those fully vaccinated... News Governor rescinds Illinois mask mandate By Sarah Mansur mits fully vaccinated peo- requires residents follow to private businesses to de- checking a vaccine pass- Notes Capitol News Illinois ple to not wear masks or this recommendation re- cide if they want to require port as part of some state Items of interest smansur@capitol- physically distance in any garding planes and public patrons to provide proof of mandate.” from throughout newsillinois.com non-health care setting, transportation. It also per- vaccinations. The mask mandate in Il- the Union County area SPRINGFIELD – Gov. “except where required by mits any entity to continue “We are relying on peo- linois took effect last May JB Pritzker issued a new federal, state, local, tribal, stricter masking require- ple to do the right thing,” when Pritzker issued an Congratulations to all executive order Monday or territorial laws, rules, and ments than are required by he said. “We are relying executive order requiring of Union County’s 2021 that allows fully vaccinated regulations, including local the state. upon people to recognize anyone older than 2 years of graduates. residents to not wear masks business and workplace “(B)usinesses are en- that they don’t want to go age “to cover their nose and *** inside and outdoors. guidance.” couraged to prioritize the infect other unvaccinated mouth with a face-covering A Memorial Day service The updated rules for The CDC still recom- health and safety of their people and they don’t them- when in a public place and is set for 9:30 a.m. -
Dan Harmon and the #Metoo Apology
Journal of Contemporary Rhetoric, Vol. 9, No.3/4, 2019, pp. 112-125. “Redemption Follows Allocution”: Dan Harmon and the #MeToo Apology Ben Wetherbee This article analyzes comedian and TV writer Dan Harmon’s famously well-received #MeToo-era apology for sexual misconduct on the set of his sitcom Community, noting how Harmon revises the traditionally individualistic genre of the apology into a statement of advocacy for the collective moral imperative of the #MeToo movement. After discussing #MeToo as a rhetorical situation that justifiably trivializes pleas for individual forgiveness, the article analyzes Har- mon’s monologue in relation to scholarship on genre of apologia, contrasting Harmon’s with the comparatively indi- vidualistic and unsuccessful apology of Louis C.K and arguing that traditional apologies prove ill-suited to the #Me- Too era. I contend, finally, that male speakers seeking redemption for sexual misconduct should heed Harmon’s ex- ample of sustained critical self-reflection, pronounced advocacy for victims, and sustained cultivation of an ethos that merits redemption. Keywords: #MeToo, apology, apologia, allocution, Dan Harmon, rhetorical situation, differentiation, transcendence, characterological coherence The #MeToo movement hit peak momentum in late 2017, a year that saw sexual assault allegations mount against figures like Harvey Weinstein, Louis C.K., Matt Lauer, Garrison Keillor, Charlie Rose, Kevin Spacey, and a long list of other male celebrities—all of which, let us recall, succeeded the inauguration of a president who had nonchalantly boasted about grabbing women’s genitals before garnering 306 electoral votes.1 The comedian and writer Dan Harmon fittingly dubbed 2017 “the Year of the Asshole.” Taking to Twitter on New Year’s Eve of that year, the creator and former showrunner of NBC’s sitcom Community and co-creator of the Adult Swim animated series Rick and Morty offered this bit of self-deprecating, understated humor: “This was truly the Year of the Asshole. -
Attendance Audit Summary
ATTENDANCE AUDIT SUMMARY CES® 2020 January 7-10, 2020 Las Vegas, Nevada CES.tech Letter from Consumer Technology Association (CTA)® For more than 50 years, CES® has served as a global platform for companies to share innovative technology with the world. In these challenging times, CES showcases the spirit of innovation and brings together energy and creativity that will enable technology to make the world healthier, safer, more resilient and connected. CES 2020 featured transformative technologies such as artificial intelligence, the 5G ecosystem and mobile connectivity. CES 2020 inspired and connected major industries across the globe and highlighted trends that are now more important than ever, including non-traditional tech and tech for good. We are certain that technology, including the innovations at CES, will help energize the global economy and pull the world through the current crisis to emerge safer and stronger than before. CES 2020 hosted 4419 exhibiting companies across more than 2.9 million net square feet and attracted a total attendance of 171,268, including 6517 members of media. This result aligns with our strategy of managing attendee numbers and attracting the most highly qualified attendees. CES is one of a select group of trade shows that follow the strict auditing requirements set by UFI, the Global Association of the Exhibition Industry. CES adheres to these requirements to ensure that you have the most detailed and accurate information on CES’s trade event attendance. To help you succeed and grow your business, we are proud to provide you with this independently audited attendance data in our CES 2020 Attendance Audit Summary. -
A Gay/Straight Comparison of Gay Voices
A GAY/STRAIGHT COMPARISON OF GAY VOICES A RESEARCH PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY SHANE LANNING DR. CAROLYN MACKAY - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2015 Lanning-1 Introduction: This study compares 4 gay male comedians and 4 straight male comedians’ performances of “gay speech”. The researcher observed comedians who were performing gay characters for the following three variables: the lisp ([s̪ ] instead of [s]), a raised pitch, and formal [–iŋ] vs. informal [–In] endings. It was hypothesized that both straight comedians and gay comedians would manipulate their [s] production to the dental [s̪ ] when performing a gay character; moreover, the comedians would also raise their pitch during their performance. The [–iŋ] vs. [–In] sounds, because their production below the level of consciousness, would not vary in the homosexual or heterosexual comedians. The purpose of this comparison was to determine how salient the features were in each group in order to identify stereotypical features associated with gay speech. In other words, if all of the comedians were using a particular feature, one could postulate that this feature has a stronger association with perceived gay speakers. Conversely, if the comedians were not using a particular feature, one could postulate that this feature has a weaker association or is not associated at all with perceived gay speakers. In recent studies, participants were asked to rate speakers on a scale of homosexual to heterosexual and a scale of feminine to masculine. In these studies, the data showed that features like the lisp ([s̪ ] instead of [s]), received higher gay ratings; participants rated speakers’ sexuality as gay more often when they exhibited this feature (Mack & Munson, 2012). -
Aesthetics, Taste, and the Mind-Body Problem in American Independent Comics
PAPER TOWER: AESTHETICS, TASTE, AND THE MIND-BODY PROBLEM IN AMERICAN INDEPENDENT COMICS William Timothy Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Jeremy Wallach, Advisor Esther Clinton © 2014 William Timothy Jones All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Comics studies, as a relatively new field, is still building a canon. However, its criteria for canon-building has been modeled largely after modernist ideas about formal complexity and criteria for disinterested, detached, “objective” aesthetic judgment derived from one of the major philosophical debates in Western thought: the mind-body problem. This thesis analyzes two American independent comics in order to dissect the aspects of a comic work that allow it to be categorized as “art” in the canonical sense. Chris Ware’s Building Stories is a sprawling, Byzantine comic that exhibits characteristically modernist ideas about the subordination of the body to the mind and art’s relationship to mass culture. Rob Schrab’s Scud: The Disposable Assassin provides a counterpoint to Building Stories in its action-heavy stylistic approach, developing ideas about the merging of the mind and the body and the artistic and the commercial. Ultimately, this thesis advocates for a re -evaluation of comics criticism that values the subjective, emotional, and the popular as much as the “objective” areas of formal complexity and logic. iv ACKNOWLEDGMENTS To Anna O’Brien, for the original germ of this idea and hours of enlightening conversation and companionship. To Jeremy Wallach and Esther Clinton, whose emphatic response to the paper that eventually became this thesis was instrumental to my belief in the quality of my work. -
Epic Reboot of 'Extreme Makeover: Home
EPIC REBOOT OF ‘EXTREME MAKEOVER: HOME EDITION’ WITH JESSE TYLER FERGUSON ANCHORS HGTV 2020 LINEUP New York [January 16, 2020] Extreme Makeover: Home Edition—the world’s biggest, most transformative, inspirational and aspirational home show ever—will premiere with 10 new episodes on HGTV Sunday, February 16, at 9 p.m. ET/PT and audiences will be hooked. The special event will kick off a year of HGTV programming that will include new series from the network’s biggest stars, new experts with innovative approaches to buying, selling and renovating homes, surprising celebrity faces, as well as compelling, emotional, relatable and inspiring stories about families at home. “We’ve planned more than 700 hours of incredible new content this year,” said Jane Latman, president, HGTV. “Our upcoming series will attract more viewers and be more evocative and emotional, with an emphasis on the ups and downs of real life. Things might go wrong, or they might go right when you’re trying to create the perfect home, but either way, HGTV will be there.” The high-profile reboot of Extreme Makeover: Home Edition, which comes with the network’s signature spin, will be hosted by award-winning actor Jesse Tyler Ferguson from ABC’s Modern Family who brings his optimism, humor, energy and giving spirit to the series. The monumental production that, in addition to a new host, will feature three new designers—Breegan Jane, Carrie Locklyn and Darren Keefe—follows the team and thousands of volunteers as they complete stunning home overhauls for 10 deserving families. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
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TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.