LAW ABIDING CITIZEN Late in the Movie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sunday Morning Grid 6/4/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/4/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Mom/Memorial PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) 2017 French Open Tennis Men’s and Women’s Fourth Round. (N) Å College Rugby 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News Rock-Park Outback Chew: Best Paid IndyCar 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program North Country ››› (R) 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Church Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Smart Fats Easy Yoga: The Secret The Path to Wealth-May Always Hungry? With Dr. Ludwig Maybe It’s You With Lauren 28 KCET 1001 Nights Bali (TVG) Bali (TVG) Edisons Biz Kid$ Biz Kid$ Motown 25 (My Music Presents) (TVG) Å Carpenters: Close to You 30 ION Jeremiah Youseff In Touch Criminal Minds (TV14) Criminal Minds (TV14) The World Is Not Enough ›› (1999) (PG-13) 34 KMEX Conexión Paid Program Netas Divinas (N) (TV14) Sor Tequila (1977, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program The Storm Warriors ›› (2009) Aaron Kwok. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Asian Horror: the Factors Driving Thai and Japanese Horror Film Industry: an Analysis Towards Ringu (1998) and Shutter (2004)
Conference Proceeding: 1st INTERNATIONAL CONFERENCE ON CREATIVE MEDIA, DESIGN & TECHNOLOGY (REKA2014) ASIAN HORROR: THE FACTORS DRIVING THAI AND JAPANESE HORROR FILM INDUSTRY: AN ANALYSIS TOWARDS RINGU (1998) AND SHUTTER (2004) Wong Siew Peng, Penny & Azizul Rahman Mahfudz Kolej IACT, MALAYSIA [email protected] [email protected] ABSTRACT This paper discusses theoretically on the factors driving the Thai & Japanese horror film industry. The appeal of horror films from these countries is due to the uniqueness of their culture, religious beliefs, as well as socio-political circumstances that helped shaping the film industry. Horror films resonate with cinemagoers in the sense that they connect with an individual‟s subconscious yet fundamental need to deal with the things or issues that frighten him or her. Derry (2009) stated, in the way they work upon the audience, films act as dreams while horror films are the nightmares. Kellner (1995) also stated that horror films unearth the “hopes and fears that contest dominant hegemonic and hierarchical relations of power” through the portrayal of both significant dreams and nightmares of a culture and that the culture is attempting to channel them to sustain its current copulations of power and domination. However, Asian countries possess their own unique set of traditions and superstition, urban legends, as well as religious beliefs that are fundamental elements of their national identities such as Buddhism in Thailand & Shintoism in Japan. Teo (2013) credits the global interest in Thai films to the filmmakers‟ ability to present horror as a combination of natural and supernatural force. Besides that, the popularity of the genre in the country is also partly rooted in the Buddhist belief of reincarnation. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
Imports Get to the Core of Local Tastes US, Taiwanese and Even Indian Titles Overshadowed Hong Kong Fare at Its Home Box Office in 2011
FEATURE You Are The Apple Of My Eye: biggest ever Chinese-language release in Hong Kong Imports get to the core of local tastes US, Taiwanese and even Indian titles overshadowed Hong Kong fare at its home box office in 2011. Liz Shackleton reports on a territory looking abroad for its next blockbuster he big surprise at the Hong Kong box offi ce end of April, A Simple Life had grossed $3.57m in in the number of releases from 286 in 2010 to 276 over the past year has been the success of Tai- Hong Kong, while Love In The Buff, which follows last year. Twanese romantic comedy You Are The Apple a Hong Kong couple in Beijing, had grossed Hong Kong movies had only a 20.2% market Of My Eye, which grossed nearly $8m at the end of $3.6m. share in 2011 compared to 22.6% in 2010. Local 2011 to become the biggest ever Chinese-language But on the whole, Hollywood fi lms, particularly producers are making fewer fi lms specifi cally for release in Hong Kong. effects-laden 3D spectaculars, continued to rule the the local market and Hong Kong audiences tend to A huge hit in Taiwan, where it was also released roost in Hong Kong — Apple ranked third in the reject the bigger budget Hong Kong-China co- by Fox, the fi lm fl ourished on word-of-mouth and 2011 top 10 behind the latest instalments in the productions, which make most of their returns on repeat viewings. Based on the director’s own expe- Transformers and Harry Potter series. -
Representation of Abortion in Selected Film and Television
REPRESENTATION OF ABORTION IN SELECTED FILM AND TELEVISION Claire Ann Barrington Supervisor: Michael Titlestad A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 i ABSTRACT This dissertation argues that the representation of abortion provides a platform which reveals women’s societal and gendered positions, and provides a critique of the hypocritical attitudes to which societies subject women. I will be considering various representations of abortion in six films and two television shows. The films are Alexander Kluge’s Part-Time Work of a Domestic Slave (1973), Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007), Mike Leigh’s Vera Drake (2004), Fruit Chan’s Dumplings (2004), The Pang Brother’s Re-Cycle (2006) and Ridley Scott’s Prometheus (2012). The two television shows are FX’s American Horror Story (2011—) and ABC’s Grey’s Anatomy (2005—). Each text provides a unique representation of abortion, often situating the issue within particular physical, social, political and cultural locations. In presenting a close reading of each text, I will show how the representation of abortion in each chapter relates to differing social, political and cultural ideologies. I will argue that there is a developing sense of the lived realities of women, which include, but are not limited to, issues of alienation, autonomy, agency and identity. Such lived realties, I will contend, are constructed within societies that, aware or not of the fact, are dominated by patriarchal influences. ii DECLARATION I declare that this dissertation is my own unaided work. -
SUN YAT-SENS: CONTESTED IMAGES of a POLITICAL ICON By
SUN YAT-SENS: CONTESTED IMAGES OF A POLITICAL ICON by THOMAS EVAN FISCHER A THESIS Presented to the Asian Studies Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2020 THESIS APPROVAL PAGE Student: Thomas Evan Fischer Title: Sun Yat-sens: Contested Images of a Political Icon This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Asian Studies Program by: Bryna Goodman Chairperson Ina Asim Member Daniel Buck Member and Kate Mondloch Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2020 ii © 2020 Thomas Evan Fischer iii THESIS ABSTRACT Thomas Evan Fischer Master of Arts Asian Studies Program September 2020 Title: Sun Yat-sens: Contested Images of a Political Icon This thesis explores the afterlives of the Chinese revolutionary icon Sun Yat- sen and their relevant contexts, arguing that these contexts have given rise to different images of the same figure. It serves as a gallery in which these different images are put into conversation with one another, revealing new insights into each. Key to the discussion, Sun is first introduced in a short biography. Then, the thesis moves to his different afterlives: Sun and the fight for his posthumous approval in the Republic of China before 1949; Sun and his usage in Chinese Communist political rhetoric from 1956 through 2016; Sun and his changing image in the ROC-Taiwan, a change that reflects the contentious political environment of an increasingly bentu Taiwan; Sun and two of his images among the overseas Chinese of Hawaii and Penang. -
Made in Thailand. Thainess, Performance and Narration in Contemporary Thai Cinema
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2010 Made in Thailand - Thainess, Performance and Narration in Contemporary Thai Cinema Böhler, Natalie Abstract: Her dissertation focuses on Thai cinema, nationalism and cultural globalization and contributes to an understanding of local cinema experience, as seen in the context of local exhibition practices, storytelling traditions and orality, and transnational media culture. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-132492 Dissertation Published Version Originally published at: Böhler, Natalie. Made in Thailand - Thainess, Performance and Narration in Contemporary Thai Cinema. 2010, University of Zurich, Faculty of Arts. Made in Thailand. Thainess, Performance and Narration in Contemporary Thai Cinema Thesis presented to the Faculty of Arts of the University of Zurich for the degree of Doctor of Philosophy by Natalie Boehler of Mellikon AG Accepted in the spring semester of 2010 on the recommendation of Prof. Dr. Christine N. Brinckmann and Prof. Dr. A. Riemenschnitter 2012 Natalie Boehler: Made in Thailand. Thainess, Performance and Narration in Contemporary Thai Cinema Table of Contents 1. Introduction 5 2. Contemporary Thai Film and Its Role as National Cinema 10 2.1 Post-1997 Developments in Thai Cinema 10 Transnationality 14 Outlook 18 The Economic Meltdown and the Resurgence of Thainess 19 Thainess, State Representation and Censorship 21 Independent Film 29 2.2 The Idea of the Nation in Contemporary Thai Film 33 Nang yon yuk and Folklore: Stories of the Nation 33 The Country, the City and the Golden Age: «Authenticity» and Nostalgia 37 Images of the Self and the Foreign Gaze 42 Mirroring the Foreign Gaze: Deconstructive Thainess 44 2.3 National Culture and the Global Market 51 Transnational Influences and Coproductions 51 Thainess «Goes Inter»: Self-Exoticization and Dual Readings 55 «Made in Thailand» – Ambivalence and Source of Inspiration 60 3. -
2015-02-Campoli
UHI Research Database pdf download summary A Ghostly Feminine Melancholy Campoli, Alessandra Published in: Plaridel Publication date: 2015 Publisher rights: ©2015 The Authors The re-use license for this item is: Unspecified The Document Version you have downloaded here is: Publisher's PDF, also known as Version of record Link to author version on UHI Research Database Citation for published version (APA): Campoli, A. (2015). A Ghostly Feminine Melancholy: Representing Decay And Experiencing Loss In Thai Horror Films. Plaridel, 12(2). http://www.plarideljournal.org/article/a-ghostly-feminine-melancholy-representing-decay- and-experiencing-loss-in-thai-horror-films/ General rights Copyright and moral rights for the publications made accessible in the UHI Research Database are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights: 1) Users may download and print one copy of any publication from the UHI Research Database for the purpose of private study or research. 2) You may not further distribute the material or use it for any profit-making activity or commercial gain 3) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 A Ghostly Feminine Melancholy: Representing Decay and Experiencing Loss in Thai Horror Films Alessandra Campoli By analysing significant Thai horror films from 1999—the year Nonzee Nimitbut’s emblematicNang Nak was released—to 2010, this essay focuses on the presence and representation of female ghosts and undead spirits from traditional Thai myths in contemporary Thai cinema. -
Fung Wan 2 Download
Fung wan 2 download click here to download As Cloud absorbs what he's learned from Nameless and Wind is tutored in combat by Wicked, can they fend off Godless, Heart and their allies? Fung Wan II (aka The Storm Warriors) is a sequel to the blockbuster Fung Wan: Hung Ba Tin Ha (aka The Storm Riders); both films were adapted from stories. Storm Warriors (Fung Wan II). dir: The Pang Brothers [img_assist|nid=|title=Big hair, but not much else|desc=|link=none|align=right|width=|height=] This either is or isn't a sequel to a Hong Kong flick called The Storm Riders that I remember from the late 90s. I remember it well, and fondly. It was probably one of. Download Fung wan II. Wind and Cloud find themselves up against a ruthless Japanese warlord intent on invading China. + Watch Online Version 1 + + Watch Fung wan II (The Storm Riders 2) (Storm Warriors) - Flixster An epic battle is played out by warriors harnessing the power of the elements in this effects-laden. Fung wan II (Storm Warriors AKA Storm Riders 2) (). 8 subtitles downloaded times. Add subtitles. Subtitles for this movie: English subtitles: en Fung wan II (Storm Warriors AKA Storm Riders 2) english subtitles (www.doorway.ru). 19/17 · Rip, DVDRip, uploaded, , size, kb. release. Action · Wind and Cloud find themselves up against a ruthless Japanese warlord intent on invading China. Download The Storm Warriors Malay YIFY YTS Subtitles. You may watch Fung wan II (The Storm Riders 2) (Storm Warriors), movie streaming in High Definition now! Watch as Most of movies you want, secure and no restrictions. -
Chinese Face/Off
Chinese Face/Off THE TRANSNATIONAL POPULAR CULTURE OF HONG KONG KWAI-CHEUNG LO UNIVERSITY OF ILLINOIS PRESS Urbana and Chicago © 2005 by the Board of Trustees of the University of Illinois All rights reserved Manufactured in the United States of America 1 2 3 4 5 c p 5 4 3 2 1 6l This book is printed on acid-free paper. First published in 2005, this title is available from the University of Illinois Press except in Asia, Australia, and New Zealand, where it is available from Hong Kong University Press. The University of Illinois Press Hong Kong University Press 1325 South Oak Street 14/F Hing Wai Centre Champaign, IL 61820-6903 7 Tin Wan Praya Road www.press.uillinois.edu Aberdeen, Hong Kong ISBN 0-252-02978-x (cloth) www.hkupress.org 0-252-07228-6 (paper) ISBN 962-209-753-7 Library of Congress Cataloging-in-Publication Data Lo, Kwai-Cheung Chinese face/off: the transnational popular culture of Hong Kong I Kwai-Cheung Lo. p. cm. - (Popular culture and politics in Asia Pacific) Includes bibliographical references. ISBN 0-252-02978-x (cloth: alk. paper) - ISBN 0-252-07228-6 (pbk.: alk. paper) i. Popular culture-China-Hong Kong. 2. Hong Kong (China) Civilization-21st century. 3. Hong Kong (China)-Civilization Foreign influences. I. Title. II. Series. DS796.H75L557 2005 306'.095125-dc22 2004018122 Contents Acknowledgments vn Note on Transliteration IX Introduction: The Chineseness of Hong Kong's Transnational Culture in Today's World 1 Part 1: From Voice to Words and Back in Chinese Identification 1.