Baila La Cumbia/ Dance the Cumbia
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The Paperboys Workshops 092515
The Paperboys Workshops Celtic Fiddle Kalissa Landa teaches this hands-on workshop covering Irish, Scottish, Cape Breton and Ottawa Valley styles. The class covers bow technique, ornamentation, lilts, slurs, slides etc. and includes reels, jigs, polkas, airs and strathspeys. Kalissa has been playing fiddle since before she could walk, and dedicates much of her time to teaching both children and adults. She runs the fiddle program at the prestigious Vancouver Academy of Music. For beginners, intermediate, or advanced fiddlers. Celtic Flute/Whistle Paperboys flute/whistle player Geoffrey Kelly will have you playing a jig or a reel by the end of the class. While using the framework of the melody, you will learn many of the ornaments used in Celtic music, including slides, rolls, trills, hammers etc. We will also look at some minor melody variations, and where to use them in order to enhance the basic melody. Geoffrey is a founding member of Spirit of the West, a four-year member of the Irish Rovers, and the longest serving Paperboy. Geoffrey has composed many of the Paperboys’ instrumentals. Latin Music Overview In this workshop, the Paperboys demonstrate different styles of Latin Music, stopping to chat about them and break down their components. It's a Latin Music 101 for students to learn about the different kinds of genres throughout Latin America, including but not limited to Salsa, Merengue, Mexican Folk Music, Son Jarocho, Cumbia, Joropo, Norteña, Son Cubano, Samba, and Soca. This is more of a presentation/demonstration, and students don't need instruments. Latin Percussion Percussionist/Drummer Sam Esecson teaches this hands-on workshop, during which he breaks down the different kinds of percussion in Latin music. -
Celebrate Hispanic Heritage Month! for People Who Love Books And
Calendar of Events September 2016 For People Who Love Books and Enjoy Experiences That Bring Books to Life. “This journey has always been about reaching your own other shore, no matter what it is, and that dream continues.” Diana Nyad The Palm Beach County Library System is proud to present the third annual Book Life series, a month of activities and experiences designed for those who love to read. This year, Celebrate Hispanic we have selected two books exploring journeys; the literal and figurative, the personal and shared, and their power to define Heritage Month! or redefine all who proceed along the various emerging paths. The featured books for Book Life 2016 are: By: Maribel de Jesús • “Carrying Albert Home: The Somewhat True Story Multicultural Outreach Services Librarian of a Man, His Wife, and Her Alligator,” by Homer For the eleventh consecutive year the Palm Beach County Library System Hickham celebrates our community’s cultural diversity, the beautiful traditions of • “Find a Way,” by Diana Nyad Latin American countries, and the important contributions Hispanics have Discover the reading selections and enjoy a total of 11 made to American society. educational, engaging experiences inspired by the books. The national commemoration of Hispanic Heritage Month began with a Activities, events and book discussions will be held at various week-long observance, started in 1968 by President Lyndon B. Johnson. library branches and community locations throughout the Twenty years later, President Ronald Reagan expanded the observation month of September. to September 15 - October 15, a month-long period which includes several This series is made possible through the generous support of Latin American countries’ anniversaries of independence. -
Memories of the Freestyle Music Scene (1 980S-90S)
Memories of the Old School Freestyle Music Scene (1980s-90s) Musical Expressions Embraced by Chicana10 Youth in San Antonio BBL 3023 .901 April 28, 2009 Final - Oral History Project Music Interview Transcript Interviewer: Melissa Casarez Interviewee: Crirtina Casarez Date: April 16, 2009 Page 1 2 Melissa: My name is Melissa Casarez and this is Cristina Casarez and we are gonna talk about freestyle. Q. 1 What were your earliest memories of Freestyle music? Cristina: Um... that would be .... l would say around .... l know I said twelve earlier but it's more like fourteen ...p robably fourteen or fifteen years old. Um... and I believe the first time I heard about it was like in school with my friends. That's usually where you hear everything from when you're young...y ou kinda pick it up from your peers and what's going on during that time ...what's popular Melissa: Q.2 What drew your attention to freestyle? Like, why Freestyle? Cristina: Um..... l guess the beat. Because it's got a Latin, like a Latin kick to it and that ....come being Hispanic or Mexican descent um that's just something that really caught my attention and I just love music in general. Um but when you have something you can move to and it's got a good rhythm um.... that usually attracts my attention. Melissa: Among the teens in your High School, who listened to the music? Who was its prime audience? Cristina: Um .... l would say .... it was probably more the Hispanic um background. -
Selena Live the Last Concert Album Download Live: the Last Concert
selena live the last concert album download Live: The Last Concert. Selena's charismatic personality and talent are captured throughout Live: The Last Concert, recorded in Houston, TX, on February 26, 1995, about a month before her tragic death (the Tex-Mex queen was murdered on March 31, 1995, at the age of 23). This record opens with a disco medley, including the classics "I Will Survive," "Funky Town," "The Hustle," and "On the Radio." It features a catchy mid-tempo "Bidi Bidi Bom Bom," the bolero-inflected "No Me Queda Mas," the Latin pop number "Cobarde," and the electronica-meets-tropical style of "Techno Cumbia," along with the Cumbia and Tejano hits "Amor Prohibido," "La Carcacha," "Baila Esta Cumbia," and "El Chico del Apt. 512." The set ends with a romantic and seductive "Como la Flor." Live : The Last Concert is a good opportunity to enjoy Selena's legacy. Discografia Selena Quintanilla y Los Dinos MEGA Completa [58CDs] Descargar Discografia Selena Quintanilla Mega cantante estadounidense de raíces mexicanas , del género Cumbia Ranchera , Tex-Mex y Pop Latino , nació el 16 de abril de 1971 en la ciudad de Lake Jackson, Texas, Estados Unidos. Es considerada una de las principales exponentes de la música latina. Descargar Discografia Selena Quintanilla Mega Completa. En su trayectoria musical la reina del tex-mex logro vender mas de 60 millones de discos en el mundo y 5 de sus álbumes de estudio fueron nominados a la lista de los Billboard 200 . Selena murió asesinada el 31 de marzo de 1995 a la edad de 23 años a manos de Yolanda Saldívar que era presidente del club de fans y administradora de sus boutiques. -
Los Vallenatos De La Cumbia Discografia
Los Vallenatos De La Cumbia Discografia Los Vallenatos De La Cumbia Discografia 1 / 3 Descubre las últimas novedades de tus artistas favoritos en CDs y vinilos. Compra ya. Detalles del producto. ASIN : B00EZ6APC8. Opiniones de clientes .... los vallenatos de la cumbia discografia, los vallenatos de la cumbia discografia mega, descargar discografia de los vallenatos de la cumbia, descargar .... PDF | Este trabajo trata la manera en que se da la transnacionalización del vallenato y la cumbia entre Colombia y México, enfatizando cómo ... Escucha Sabor A Vallenato de Los Vallenatos De La Cumbia en Deezer. Fanny, Regalo El Corazon, Sal Y Agua.... No Pude Quitarte las Espinas / La Decision Vallenata - Video Oficial ... Andrés Landero y su Conjunto El Rey de la Cumbia ECO / Discos Fuentes 1978 | Global .... See more of Adictos a la Musica Colombiana y Vallenata on Facebook. Log In. Forgot account? or. Create New Account. Not Now. Related Pages. SonVallenato .... Descargar y Escuchar Música Mp3 Gratis, Album De Todos Los Géneros Musicales, Videos Oficiales y Noticias Sobre Sus Artistas Favoritos.. Encuentra Cd Los Conquistadores Vallenatos en Mercado Libre Venezuela. Descubre la mejor ... Discografia De Diomedes Diaz- 390 Canciones. Bs.3.700.000 ... Los Bonchones.al Son De Vallenato,cumbia Y El Porro Cd Qq2. Bs.3.715.024. los vallenatos de la cumbia discografia mega los vallenatos de la cumbia discografia mega, descargar discografia de los vallenatos de la cumbia, los vallenatos de la cumbia discografia, descargar discografia completa de los vallenatos de la cumbia, discografia de los vallenatos de la cumbia por mega, discografia vallenatos de la cumbia, vallenatos de la cumbia discografia Jump to Descargar La Tropa Vallenata MP3 Gratis - YUMP3 — Descargar La Tropa Vallenata Mp3. -
Digital Archiving on Chilean Music and Musicians, Part 2 by Eileen Karmy
H-LatAm Digital Archiving on Chilean Music and Musicians, Part 2 by Eileen Karmy Blog Post published by Gretchen Pierce on Sunday, April 26, 2020 We continue our digital mini-series with the second of two posts about online resources for Chilean music. If you missed the first one, click here. Eileen Karmy is a music scholar interested in music politics, labor history, and archival research. She completed her PhD in Music at the University of Glasgow in 2019 with a thesis on the development of musicians’ unions in Chile. She has researched on popular music in Chile, especially cumbia, tango, and Nueva Canción. She regularly disseminates her research through articles, blog posts, films, and digital repositories. She created the digital archive of musicians’ organizations in Valparaíso (memoriamusicalvalpo.cl) in 2015. She has published books and journal articles on Chilean New Song, tango orchestras, tropical music, musicians’ working conditions, and the social history of musicians’ organizations in Chile. These include the book ¡Hagan un trencito! Siguiendo los pasos de la memoria cumbianchera en Chile (1949-1989), co-authored with Ardito, Mardones, and Vargas (2016), and her article “Musical Mutualism in Valparaiso during the Rise of the Labor Movement (1893–1931),” Popular Music and Society, 40, no. 5, 2017. Digital Archiving on Chilean Music and Musicians, Part 2 In this post, I share a list of digital sources that hold relevant material and specific information about music and musicians in Chile that might be useful for scholars interested in researching Chilean music and culture in general. While I did not use these sites for my research on musicians’ unions I am familiar with them because they proved useful in my previous studies of Chilean popular music history. -
Samba, Rumba, Cha-Cha, Salsa, Merengue, Cumbia, Flamenco, Tango, Bolero
SAMBA, RUMBA, CHA-CHA, SALSA, MERENGUE, CUMBIA, FLAMENCO, TANGO, BOLERO PROMOTIONAL MATERIAL DAVID GIARDINA Guitarist / Manager 860.568.1172 [email protected] www.gozaband.com ABOUT GOZA We are pleased to present to you GOZA - an engaging Latin/Latin Jazz musical ensemble comprised of Connecticut’s most seasoned and versatile musicians. GOZA (Spanish for Joy) performs exciting music and dance rhythms from Latin America, Brazil and Spain with guitar, violin, horns, Latin percussion and beautiful, romantic vocals. Goza rhythms include: samba, rumba cha-cha, salsa, cumbia, flamenco, tango, and bolero and num- bers by Jobim, Tito Puente, Gipsy Kings, Buena Vista, Rollins and Dizzy. We also have many originals and arrangements of Beatles, Santana, Stevie Wonder, Van Morrison, Guns & Roses and Rodrigo y Gabriela. Click here for repertoire. Goza has performed multiple times at the Mohegan Sun Wolfden, Hartford Wadsworth Atheneum, Elizabeth Park in West Hartford, River Camelot Cruises, festivals, colleges, libraries and clubs throughout New England. They are listed with many top agencies including James Daniels, Soloman, East West, Landerman, Pyramid, Cutting Edge and have played hundreds of weddings and similar functions. Regular performances in the Hartford area include venues such as: Casona, Chango Rosa, La Tavola Ristorante, Arthur Murray Dance Studio and Elizabeth Park. For more information about GOZA and for our performance schedule, please visit our website at www.gozaband.com or call David Giardina at 860.568-1172. We look forward -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Transnational Trajectories of Colombian Cumbia
SPRING 2020 TRANSNATIONAL TRAJECTORIES OF COLOMBIAN CUMBIA Transnational Trajectories of Colombian Cumbia Dr. Lea Ramsdell* Abstract: During 19th and 20th century Latin America, mestizaje, or cultural mixing, prevailed as the source of national identity. Through language, dance, and music, indigenous populations and ethnic groups distinguished themselves from European colonizers. Columbian cumbia, a Latin American folk genre of music and dance, was one such form of cultural expression. Finding its roots in Afro-descendant communities in the 19th century, cumbia’s use of indigenous instruments and catchy rhythm set it apart from other genres. Each village added their own spin to the genre, leaving a wake of individualized ballads, untouched by the music industry. However, cumbia’s influence isn’t isolated to South America. It eventually sauntered into Mexico, crossed the Rio Grande, and soon became a staple in dance halls across the United States. Today, mobile cumbia DJ’s, known as sonideros, broadcast over the internet and radio. By playing cumbia from across the region and sending well-wishes into the microphone, sonideros act as bridges between immigrants and their native communities. Colombian cumbia thus connected and defined a diverse array of national identities as it traveled across the Western hemisphere. Keywords: Latin America, dance, folk, music, cultural exchange, Colombia What interests me as a Latin Americanist are the grassroots modes of expression in marginalized communities that have been simultaneously disdained and embraced by dominant sectors in their quest for a unique national identity. In Latin America, this tension has played out time and again throughout history, beginning with the newly independent republics in the 19th century that sought to carve a national identity for themselves that would set them apart – though not too far apart – from the European colonizers. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Rumba Rhythms, Salsa Sound
MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A THE SALSA SOUND MATT DOEDEN This Page Left Blank Intentionally MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A HE SALSA SOUND T MATT DOEDEN TWENTY-FIRST CENTURY BOOKS MINNEAPOLIS NOTE TO READERS: some songs and music videos by artists discussed in this book contain language and images that readers may consider offensive. Copyright © 2013 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. Twenty-First Century Books A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 U.S.A. Website address: www.lernerbooks.com Library of Congress Cataloging-in-Publication Data Doeden, Matt. American Latin music : rumba rhythms, bossa nova, and the salsa sound / by Matt Doeden. p. cm. — (American music milestones) Includes bibliographical references and index. ISBN 978–0–7613–4505–3 (lib. bdg. : alk. paper) 1. Popular music—United States—Latin American influences. 2. Dance music—Latin America—History and criticism. 3. Music— Latin America—History and criticism. 4. Musicians—Latin America. 5. Salsa (Music)—History and criticism. I. Title. ML3477.D64 2013 781.64089’68073—dc23 2012002074 Manufactured in the United States of America 1 – CG – 7/15/12 Building the Latin Sound www 5 Latin Fusions www 21 Sensations www 33 www The Latin Explosion 43 Glossary w 56 Source Notes w 61 Timeline w 57 Selected Bibliography w 61 Mini Bios w 58 Further Reading, w Websites, Latin Must-Haves 59 and Films w 62 w Major Awards 60 Index w 63 BUILDING THE Pitbull L E F T, Rodrigo y Gabriela R IG H T, and Shakira FAR RIGHT are some of the big gest names in modern Latin music. -
Kumbia Kings Baila Esta Cumbia
Baila Esta Cumbia Kumbia Kings 10 años Desde que ya no esta con nosotros mi hermanita Pero gracias a ustedes Su recuerdo hoy, brilla mas que nunca A nombre de mi familia les doy las gracias Por tanto apoyo y por celebrar la vida de Selena Y por eso les pido que se pongan de pie todo mundo Y sigan cantando y bailando su legacia Reina de la cumbia.. Selena Y los Reyes de la cumbia.. Kumbia Kings baby Baila esta cumbia conmigo (zaa!) Mueve la cintura Baila, baila, baila esta cumbia.. Baila, baila esta cumbia Un ritmo, ritmo sin igual Nadie se quede sentado Todos vamos a bailar. Baila, baila esta cumbia Un ritmo, ritmo sinigual Nadie se quede sentado Todos vamos a bailar. Siento algo que me mueve Un ritmo que me hace bailar Tomen todos su pareja, todos vamos a gozar Baila, baila esta cumbia Mueve, mueve la cintura Todos, las manos en alto Y griten, griten con locura (Kumbia Kings!). Hey, hey, hey, hey, hey, hey, hey, hey, heeeeey... Baila, baila esta cumbia Un ritmo, ritmo sinigual Nadie se quede sentado Todos vamos a bailar. Baila, baila esta cumbia Un ritmo, ritmo sinigual Nadie se quede sentado Todos vamos a bailar. Siento algo que me mueve Un ritmo que me hace bailar Tomen todos su pareja, todos vamos a gozar Baila, baila esta cumbia Mueve, mueve la cintura Todos, las manos en alto Y griten, griten con locura (Kumbia Kings!). Hey, hey, hey, hey, hey, hey, hey, hey, heeeeey... Baila, baila esta cumbia Un ritmo, ritmo sinigual Nadie se quede sentado Todos vamos a bailar.