Genshiken: Second Season, Vol. 7 Pdf, Epub, Ebook
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
Harry Potter Fanfiction on the Internet
POTTEROTICS: HARRY POTTER FANFICTION ON THE INTERNET By CATHERINE TOSENBERGER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2007 1 © 2007 Catherine Tosenberger 2 To my grandparents Edward and June Hard, and Michael and Katherine Tosenberger 3 ACKNOWLEDGMENTS First and foremost, I must thank the Harry Potter fandom, and all the fans who gave so generously of their talent and expertise. I have met an enormous number of brilliant, funny, creative and wise people through my interactions with this community. The following, in no particular order, have been especially kind and helpful, and I am honored to call them friends: Amy Tenbrink, Hallie Tibbetts, Kathryn Loup, Heidi Tandy, Sarah Benoot, Anna Milton, Cassandra Claire, Pogrebin, Marvolo, Ravenchel, Katiebec, Rhoddlet, Fleur, Mireille, Kayla Gagnet Castille, Sabrina Chin, Jane Glaubman, Aja Romano, Carlie Webber, Anatsuno, Rennie Guedel, Ebony Thomas, V, Folk, Kay Taylor, Katie B, Vicki Dolenga, Ellen Fremedon, Anne Kustritz, Rene, Amatia, Sharon Goetz, Executrix, Resmiranda, Kristi Brownfield, Glockgal, Flourish, Darkrose, Calico, Metempsychosis, Cathexys, Cyg, Vali, Lolaraincoat, Chris Dickson, and Meg Milford. There are others whose names have escaped me, and I hope they won’t hold it against me. I thank the mods and denizens of Fandom Wank, for continually reminding me that fandom is, indeed, fucking funny. This project would never have begun, and would certainly not have finished, without the intellectual and emotional support of my director, Kenneth Kidd, the kindest and best of men. He has been a mentor and a dear friend. -
Genshiken Season Two 2 Free Ebook
FREEGENSHIKEN SEASON TWO 2 EBOOK Shimoku Kio | 200 pages | 21 Mar 2013 | Kodansha America, Inc | 9781612622422 | English | New York, United States Genshiken - Wikipedia The Society for the Study of Modern Visual Culture, otherwise known as Genshiken, is now under the charge of a more confident Sasahara. Things have changed in between semesters, and the otaku club now has a new otaku-hating member named Ogiue. Sasahara's initial goal of starting a doujin circle and selling those fan-made magazines at the next Comic Festival becomes a reality, but reality is a cruel master Afterward, the club is abuzz with talk about Tanaka and Ohno's relationship, which takes a hesitant step forward. Source: Media Blasters. Hide Ads Login Sign Up. Genshiken 2. Edit What would you like to edit? Add to My List. Add to Favorites. Buy on Manga Store. Synonyms: Gendai Shikaku Bunka Kenkyuukai 2. Type: TV. Premiered: Fall Licensors: Media Blasters. Studios: Arms. Score: 7. Ranked: 2 2 based on the top anime page. Ranked Popularity Members 71, Fall TV Arms. Preview Manga. More characters. Genshiken Season Two 2 staff. Edit Opening Theme. Edit Ending Genshiken Season Two 2. More reviews Reviews. Jan 1, Overall Rating : Jul 23, Overall Rating : 8. Jun 11, Overall Rating : 7. Mar 27, Overall Rating : 9. More discussions. More featured articles. Your harem or reverse harem anime isn't worth the time of day if it doesn't have a tsundere in it. But what is a tsundere, where did the term originate, and why are they everywhere? Read on to find out! More recommendations. -
BIVIL Uppsatsmall
Mangabiblioteket i Hiroshima - En plats för läsning Annelie Humble Examensarbete (30 högskolepoäng) i biblioteks- och informationsvetenskap för masterexamen inom ABM-masterprogrammet vid Lunds universitet. Handledare: Olof Sundin År: 2012 © Annelie Humble Title Hiroshima City Manga Library - A Place for Reading Abstract In this master’s thesis I examine the Hiroshima City Manga Library to learn more about public libraries in other cultures and manga in a library environment. The purpose of the study is to investigate the Manga Library as place and the organization of information and the users in that place. The Manga Library was chosen because it is unique - the only public comic's library in Japan. I also have a personal interest in manga, anime, Japanese culture and public libraries. The following questions are used to study these areas: How does the library function as place? What do the library users do in this place? How is the information organized in the library room? To answer the questions I used ethnography as method - observations, interviews and photography, and theories about the library as place. The result and analysis of the study shows that the Manga Library is built as a place for reading in peace and quiet because of the environment both in and outside the library, from the windows and the carpets inside to the park outside. Even if the Manga Library has "everyone" as their target group, men are the main group of users. Men often stay and read manga at the library whereas women tend to borrow and read at home, which can be connected to Ray Oldenburg and his theories about the third place and men. -
Embracing Feminist Finance by Amateur Cities in Collaboration with the Institute of Network Cultures
ZINE TRAVEL RECORD RADICAL CARE: EMBRACING FEMINIST FINANCE BY AMATEUR CITIES IN COLLABORATION WITH THE INSTITUTE OF NETWORK CULTURES Please let us know the zine has passed through your hands by checking in below and sending us an email to [email protected]. We would like to map where the zine has travelled, and we hope to stay in touch! DATE RECEIVER’S DATE RECEIVED NAME TRANSMITTED The Future is Plural Welcome to the Feminist Finance Zine. As a new decade opens with bushfires and the threat of war it is clear an enormous challenge lies ahead. As the connection between ecological collapse and capitalist extractive growth logic slowly starts to seep into public consciousness, we will need new critical energy and collective strength to steer away from societal and planetary catastrophe. This is why Amateur Cities and the Institute of Network Cultures are proud to introduce this cooperative future-thinking effort from the MoneyLab network, a collective of artists, designers, researchers, geeks and activists dedicated to the task of experimenting with more equitable, diverse, and sustainable futures for finance and economy. Platform capitalism has an unprecedented way of trans- lating everything it touches into expressions of economic value. Not only spare bedrooms and ride-shares are now easily price-tagged, but increasingly our interactions too. Social media are encroaching upon financial services, or is it the other way around? Despite diminished trust in the financial sector, current alternatives remain rooted in market-based rationalities. How can we break this mould? What shared values lie beyond it? How can we rediscover collectivity while the gig economy makes us all into precarious entrepreneurs (what Silvio Lorusso calls the ‘entreprecariat’), self-interested by necessity? These questions form our starting point for this zine. -
Newsletter 2009
NEWSLETTER 2009 NEWSLETTER CONTENTS 2 Letter from the Chair and President, Board of Trustees Skowhegan, an intensive 3 Letter from the Chair, Board of Governors nine-week summer 4 Trustee Spotlight: Ann Gund residency program for 7 Governor Spotlight: David Reed 11 Alumni Remember Skowhegan emerging visual artists, 14 Letters from the Executive Directors seeks each year to bring 16 Campus Connection 18 2009 Awards Dinner together a gifted and 20 2010 Faculty diverse group of individuals 26 Skowhegan Council & Alliance 28 Alumni News to create the most stimulating and rigorous environment possible for a concentrated period of artistic creation, interaction, and growth. FROM THE CHAIR & PRESIDENT OF THE BOARD OF TRUSTEES FROM THE CHAIR OF THE BOARD OF GOVERNORS ANN L. GUND Chair / GREGORY K. PALM President BYRON KIM (’86) We write to you following another wonderful Trustees’/ featuring a talk by the artist and in June for a visit leadership. We will miss her, but know she will bring Many years ago, the founders of the Skowhegan great food for thought as we think about the shape a Governors’ Weekend on Skowhegan’s Maine campus, to Skowhegan Trustee George Ahl’s eclectic and her wisdom and experience to bear in the New York School of Painting & Sculpture formed two distinct new media lab should take. where we always welcome the opportunity to see beautiful collection which includes several Skowhegan Arts Program of Ohio Wesleyan University, where governing bodies that have worked strongly together to As with our participants, we are committed to diversity the School’s program in action and to meet the artists. -
The Otaku Encyclopedia: an Insider's Guide to the Subculture of Cool Japan, Patrick W
The Otaku Encyclopedia: An Insider's Guide to the Subculture of Cool Japan, Patrick W. Galbraith, Kodansha International, 2009, 4770031017, 9784770031013, 248 pages. Otaku: Nerd; geek or fanboy. Originates from a polite second-person pronoun meaning "your home" in Japanese. Since the 1980s it's been used to refer to people who are really into Japanese pop-culture, such as anime, manga, and videogames. A whole generation, previously marginalized with labels such as geek and nerd, are now calling themselves otaku with pride. The Otaku Encyclopedia offers fascinating insight into the subculture of Cool Japan. With over 600 entries, including common expressions, people, places, and moments of otaku history, this is the essential A to Z of facts every Japanese pop-culture fan needs to know. Author Patrick W. Galbraith has spent several years researching deep into the otaku heartland and his intimate knowledge of the subject gives the reader an insider's guide to words such as moГ©, doujinshi, cosplay and maid cafГ©s. In-depth interviews with such key players as Takashi Murakami, otaku expert Okada Toshio, and J-pop idol Shoko Nakagawa are interspersed with the entries, offering an even more penetrating look into the often misunderstood world of otaku. Dozens of lively, colorful images--from portraits of the interview subjects to manga illustrations, film stills and photos of places mentioned in the text--pop up throughout the book, making The Otaku Encyclopedia as entertaining to read as it is informative.. DOWNLOAD HERE Genshiken Return of the Otaku, Kio Shimoku, Iida Kazutoshi, Apr 13, 2010, Fiction, 223 pages. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Genshiken Season Two 1 Free
FREE GENSHIKEN SEASON TWO 1 PDF Kio Shimoku | 200 pages | 04 Sep 2012 | Kodansha America, Inc | 9781612622378 | English | New York, United States Genshiken - The series has Genshiken Season Two 1 been adapted into an anime directed by Tsutomu Mizushima. The manga originally ran in Kodansha 's monthly manga anthology Afternoon from April to Mayand has been reprinted in nine bound volumes. The ninth and final volume was released in Japan in December The series, being focused on the otaku lifestyle, contains numerous references to other mangaanimevideo games, and other aspects of otaku culture. Because the anime is co-produced by Sega Sammy Holdingsthe Guilty Gear video game series is heavily referenced, with actual gameplay sequences being shown multiple times, Ohno cosplaying as Kuradoberi Jamand other minor references. The Sega puzzle game Puyo Puyo [a] also serves as an important plot point as Kasukabe tries to gain Kousaka's attention. Discussion of erogeGenshiken Season Two 1 video games usually of the visual novel genre, also occurs often. Genshiken usually avoids referring to these series so in-depth that it would require the use of names and lines from their real-world counterparts, with several notable exceptions: in the model-building chapter of the manga but not the animeactual Gundam mecha and characters are referred to throughout, while the dialogue quoted by Sue except for one "Neko Yasha! These cultural references have remained intact for the English adaption of the manga, which include a section for translation notes. However, due to the number of allusions made and the inability for a translator to always know what is being referred to, many explanations of otaku references are still absent. -
Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep. -
B&W: You Have Been a Very Active Part of the Online Harry Potter
B&W: You have been a very active part of the online Harry Potter fandom and now, you have written a book about your activity. When did you decide to write about your experiences? Tom: I had the idea back in autumn of 2009. That was actually when I wrote down the majority of the first version of the manuscript. The thing was that I wanted to conserve the memories of that special time and further make them educible as well. However, it so happened that I wrote two novels before I published this book. I did not manage to finish “Chronicles of a Harry Potter Fan” before June 2012. B&W: Your book was initially released in German back in 2012. How did the fan community react to it? Tom: I remember that a lot of fan based websites from all over the world reported about my book after its initial release - back in November 2012. They did it without having read the book – just because they still knew very well who I am, which role I played within the online fandom and what impact I had on it. With other words, my reputation was enough for them to know that the book would have interesting content. It was really nice to see that people still remember my activity, although the time when I was really active was years ago. B&W: The German original was released as printed book. Why is the English version available as e-book only? Tom: Well, for two reasons basically: First of all, an e-book can be offered much cheaper: I want the book to be accessible to everyone who is interested, so it has to be easily affordable. -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers.