Fandom Discussion: Knowledge, Intersections, and Tensions of Self, Community, and Social Justice
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Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
Harry Potter Fanfiction on the Internet
POTTEROTICS: HARRY POTTER FANFICTION ON THE INTERNET By CATHERINE TOSENBERGER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2007 1 © 2007 Catherine Tosenberger 2 To my grandparents Edward and June Hard, and Michael and Katherine Tosenberger 3 ACKNOWLEDGMENTS First and foremost, I must thank the Harry Potter fandom, and all the fans who gave so generously of their talent and expertise. I have met an enormous number of brilliant, funny, creative and wise people through my interactions with this community. The following, in no particular order, have been especially kind and helpful, and I am honored to call them friends: Amy Tenbrink, Hallie Tibbetts, Kathryn Loup, Heidi Tandy, Sarah Benoot, Anna Milton, Cassandra Claire, Pogrebin, Marvolo, Ravenchel, Katiebec, Rhoddlet, Fleur, Mireille, Kayla Gagnet Castille, Sabrina Chin, Jane Glaubman, Aja Romano, Carlie Webber, Anatsuno, Rennie Guedel, Ebony Thomas, V, Folk, Kay Taylor, Katie B, Vicki Dolenga, Ellen Fremedon, Anne Kustritz, Rene, Amatia, Sharon Goetz, Executrix, Resmiranda, Kristi Brownfield, Glockgal, Flourish, Darkrose, Calico, Metempsychosis, Cathexys, Cyg, Vali, Lolaraincoat, Chris Dickson, and Meg Milford. There are others whose names have escaped me, and I hope they won’t hold it against me. I thank the mods and denizens of Fandom Wank, for continually reminding me that fandom is, indeed, fucking funny. This project would never have begun, and would certainly not have finished, without the intellectual and emotional support of my director, Kenneth Kidd, the kindest and best of men. He has been a mentor and a dear friend. -
Black Girl Magic: the (Re)Imagining of Hermione Granger: an Analysis and Autoethnography
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2021 Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography Kandice Rose DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Rose, Kandice, "Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography" (2021). College of Liberal Arts & Social Sciences Theses and Dissertations. 306. https://via.library.depaul.edu/etd/306 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DePaul University Black Girl Magic: The (re)Imagining of Hermione Granger An Analysis and Autoethnography Kandice Rose Critical Ethnic Studies Graduate Candidate June 2021 1 INTRODUCTION I'd very much like to say that I've always loved to read, but that would be patently false. At the age of 6, when I was in the first grade, the grade where Americans generally learn to read, I absolutely hated it. My teacher, Mrs. Johnson, would call on students to stand up and read passages to the class. I would stare in awe as other kids would read their sentences flawlessly, even as butterflies rattled in my stomach, as I waited in dread for her to call on either myself or my twin sister. -
Embracing Feminist Finance by Amateur Cities in Collaboration with the Institute of Network Cultures
ZINE TRAVEL RECORD RADICAL CARE: EMBRACING FEMINIST FINANCE BY AMATEUR CITIES IN COLLABORATION WITH THE INSTITUTE OF NETWORK CULTURES Please let us know the zine has passed through your hands by checking in below and sending us an email to [email protected]. We would like to map where the zine has travelled, and we hope to stay in touch! DATE RECEIVER’S DATE RECEIVED NAME TRANSMITTED The Future is Plural Welcome to the Feminist Finance Zine. As a new decade opens with bushfires and the threat of war it is clear an enormous challenge lies ahead. As the connection between ecological collapse and capitalist extractive growth logic slowly starts to seep into public consciousness, we will need new critical energy and collective strength to steer away from societal and planetary catastrophe. This is why Amateur Cities and the Institute of Network Cultures are proud to introduce this cooperative future-thinking effort from the MoneyLab network, a collective of artists, designers, researchers, geeks and activists dedicated to the task of experimenting with more equitable, diverse, and sustainable futures for finance and economy. Platform capitalism has an unprecedented way of trans- lating everything it touches into expressions of economic value. Not only spare bedrooms and ride-shares are now easily price-tagged, but increasingly our interactions too. Social media are encroaching upon financial services, or is it the other way around? Despite diminished trust in the financial sector, current alternatives remain rooted in market-based rationalities. How can we break this mould? What shared values lie beyond it? How can we rediscover collectivity while the gig economy makes us all into precarious entrepreneurs (what Silvio Lorusso calls the ‘entreprecariat’), self-interested by necessity? These questions form our starting point for this zine. -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production 2017
Repositorium für die Medienwissenschaft Sophie G. Einwächter Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production 2017 https://doi.org/10.25969/mediarep/16230 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Einwächter, Sophie G.: Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production. In: Media in Action. Interdisciplinary Journal on Cooperative Media. Copyright Law (2017), Nr. 2, S. 93– 112. DOI: https://doi.org/10.25969/mediarep/16230. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.25819/ubsi/8194 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ This work is licensed under an Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Copyright remains with the authors. https://doi.org/10.25819/ubsi/8194 Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production Sophie G. Einwächter 1. Introduction Media fandom incorporates a large number of practices that are either explicitly quoting or implicitly referencing cultural objects. Observers outside fandom ofen label these practices derivative, appropriative, or transformative, each of these labels conveying a legal or ethical judg- ment respectively; many question their legitimacy. Among fans, a high level of uncertainty surrounds the legal status of these practices, which are generally assumed to border on copy right infringement. -
B&W: You Have Been a Very Active Part of the Online Harry Potter
B&W: You have been a very active part of the online Harry Potter fandom and now, you have written a book about your activity. When did you decide to write about your experiences? Tom: I had the idea back in autumn of 2009. That was actually when I wrote down the majority of the first version of the manuscript. The thing was that I wanted to conserve the memories of that special time and further make them educible as well. However, it so happened that I wrote two novels before I published this book. I did not manage to finish “Chronicles of a Harry Potter Fan” before June 2012. B&W: Your book was initially released in German back in 2012. How did the fan community react to it? Tom: I remember that a lot of fan based websites from all over the world reported about my book after its initial release - back in November 2012. They did it without having read the book – just because they still knew very well who I am, which role I played within the online fandom and what impact I had on it. With other words, my reputation was enough for them to know that the book would have interesting content. It was really nice to see that people still remember my activity, although the time when I was really active was years ago. B&W: The German original was released as printed book. Why is the English version available as e-book only? Tom: Well, for two reasons basically: First of all, an e-book can be offered much cheaper: I want the book to be accessible to everyone who is interested, so it has to be easily affordable. -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers. -
Images to the Finished Costume on Stage
1 PREVIOUSLY AT KAMI-CON KAMI-CON CHARACTERS PREVIOUSLY AT KAMI-CON... Shio and Kosho, with the help of YOU the congoers, defeated the alien forces and grounded Shoyu on planet Vidya—a world where the physics, landmarks, and inhabitants have developed into something remarkably similar to the video games we are familiar with here on Earth. However, it seems that Shoyu would not be defeated so easily. After crash landing on Vidya, he began to court the local inhabitants of the planet to join him and fight for his cause! With the planet he was supposed to be trapped on becoming a new source of power, it was up to you Kami-Congoers once again to rise to the occasion and help Shio and Kosho stop Shoyu! (This seems to happen a lot. Who would have known that having the Spirit of the Yandere Black Turtle for a magical animal mascot would have brought so much drama to Kami-Con? Oh, well!) With the help of the congoers, Shoyu only managed to recruit three powerful allies— Ken from Street Fighter, Princess Peach from Super Mario Bros., and Link from The Legend of Zelda. Shio and Kosho recruited Ryu from Street Fighter, and Vault Boy from Fallout. These heroes met on the battlefield known asSuper Smash Bros. Ultimate! It was truly an epic match—and in the end, it was Shio and Kosho who proved victorious! His coup having been thwarted, Shoyu agreed to team back up with the congirls to continue their journey through space toward World Conquest! Everything should be fine now as long as they don’t all, say, crash their starship into a mysterious beach planet… right? PREVIOUSLY AT KAMI-CON KAMI-CON CHARACTERS CON STORY GAME 2 KAMI-CON CHARACTERS LEVEL SHIO 12 CLASS MAGICAL GIRL Shio is Kami-Con's original mascot and Kosho's older sister. -
Text Práce (1.447Mb)
Univerzita Karlova v Praze Filozofická fakulta BAKALÁŘSKÁ PRÁCE 2017 Markéta Doksanská Filozofická fakulta Univerzity Karlovy Ú stav Dálného východu BAKALÁŘSKÁ PRÁ CE Markéta Doksanská Homoerotické tendence ve fanfikci a RPG v prostředí českého a slovenského K-pop fandomu Homoerotic Tendencies in Fanfiction and RPG in the Environment of Czech and Slovak K-pop Fandom 2017 Vedoucí práce: Mgr. Marek Zemánek, M.A. Poděkování: Poděkování náleží panu Mgr. Markovi Zemánkovi za vedení bakalářské práce, cenné rady a konzultace. V druhé řadě bych ráda poděkovala všem respondentům, kteří ochotně participovali na výzkumu, jež je nedílnou součástí této akademické práce. Prohlášení: Prohlašuji, že jsem bakalářskou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze dne ………………. Podpis …………………………………. Klíčová slova: K-pop, fandom, homoerotika, fanfikce, RPG, jaoi, Top/Bottom Keywords: K-pop, fandom, homoeroticism, fanfiction, RPG, yaoi, Top/Bottom Abstrakt Ve své bakalářské práci se budu zabývat homoerotickými sklony fanoušků korejské populární hudby, pracovat budu ovšem s užší skupinou, a to konkrétně s fanouškovskou komunitou K-popu v České republice a na Slovensku. Popíši vztahy těchto tendencí s komiksovým žánrem jaoi a fenoménem slash, jež započal se zrodem science fiction v 70. letech minulého století. Podrobněji se podíváme také na dichotomii Top/Bottom (dominant/submisiv). Blíže nastíním i pojem heteronormativní projekce a podíváme se společně také na příčiny vedoucí ženy ke sklonům párování mužských postav. Práce je strukturována do dvou částí. První část reflektuje odborné práce zabývající se fandomem všeobecně a specificky poté fandomy. -
Transformative Works As a Means to Develop Critical Perspectives in the Tolkien Fan Community
Transformative Works as a Means to Develop Critical Perspectives in the Tolkien Fan Community 1916-1917: Tolkien began work on the legendarium 1947: The Hobbit published 1954: The Lord of the Rings published 1959: first fan poem published in zine All Mimsey 1960: first fan fiction published in zine I Palantir 1961: Marion Zimmer Bradley publishes Tolkien fanfic first filksong published in zine I Palantir 2 1962: The Adventures of Tom Bombadil published 1965: first [bootlegged] U.S. paperback of LR published late '60s: boom in Tolkien fan activity 1969: Tolkien Society founded against hippies' use of LR 1973: Tolkien dies 1970s: fan activity slows but remains significant 1977: The Silmarillion published 1980: Unfinished Tales published 1980s: fan activity slows, especially documented fanfic 1981: The Letters of J.R.R. Tolkien published 1983: publication of The History of Middle-earth begins 1992: alt.fan.tolkien Usenet newsgroup founded 1995: personal Tolkien-based homepages become popular 1998: earliest Tolkien-based Yahoo! Groups 1999: filming begins on Jackson's Lord of the Rings films 2000: TheOneRing.net founded earliest Tolkien fanfic at FanFiction.net 2001: The Fellowship of the Ring film released 2001: LOTR Fanfiction Sites webring established first slash archive (Least Expected) founded 2002: The Two Towers film released 2002: Library of Moria slash archive founded Henneth-Annûn Story Archive founded Of Elves and Men slash archive founded 2003: Return of the King film released 2003: several awards begin for Tolkien fan fiction Stories of Arda archive founded Open Scrolls Archive founded 2004: Return of the King film wins Best Picture Oscar 2004: Middle-earth Fanfiction Awards founded Tolkien Fan Fiction archive founded 2005: Silmarillion Writers' Guild founded 2009: Many Paths to Tread archive founded 2011: Faerie archive founded 2012: release of The Hobbit film trilogy begins Source: "Timeline of Tolkien Fandom." Fanlore. -
Today Your Barista Is: Genre Characteristics in the Coffee Shop Alternate Universe
Today Your Barista Is: Genre Characteristics in The Coffee Shop Alternate Universe Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katharine Elizabeth McCain Graduate Program in English The Ohio State University 2020 Dissertation Committee Sean O’Sullivan, Advisor Matthew H. Birkhold Jared Gardner Elizabeth Hewitt 1 Copyright by Katharine Elizabeth McCain 2020 2 Abstract This dissertation, Today Your Barista Is: Genre Characteristics in The Coffee Shop Alternate Universe, works to categorize and introduce a heretofore unrecognized genre within the medium of fanfiction: The Coffee Shop Alternate Universe (AU). Building on previous sociological and ethnographic work within Fan Studies, scholarship that identifies fans as transformative creators who use fanfiction as a means of promoting progressive viewpoints, this dissertation argues that the Coffee Shop AU continues these efforts within a defined set of characteristics, merging the goals of fanfiction as a medium with the specific goals of a genre. These characteristics include the Coffee Shop AU’s structure, setting, archetypes, allegories, and the remediation of related mainstream genres, particularly the romantic comedy. The purpose of defining the Coffee Shop AU as its own genre is to help situate fanfiction within mainstream literature conventions—in as much as that’s possible—and laying the foundation for future close reading. This work also helps to demonstrate which characteristics are a part of a communally developed genre as opposed to individual works, which may assist in legal proceedings moving forward. However, more crucially this dissertation serves to encourage the continued, formal study of fanfiction as a literary and cultural phenomenon, one that is beginning to closely analyze the stories fans produce alongside the fans themselves.