Line of Duty Series 4 – Ep 4
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1034 Policy Manual
Policy Grafton Police Department 1034 Policy Manual Line-of-Duty Deaths 1034.1 PURPOSE AND SCOPE The purpose of this policy is to provide guidance to members of the Grafton Police Department in the event of the death of a member occurring in the line of duty and to direct the Department in providing proper support for the member’s survivors. The Chief of Police may also apply some or all of this policy in situations where members are injured in the line of duty and the injuries are life-threatening. 1034.1.1 DEFINITIONS Definitions related to this policy include: Line-of-duty death - The death of a sworn member during the course of performing law enforcement-related functions while on- or off-duty, or a Civilian member during the course of performing their assigned duties. Survivors - Immediate family members of the deceased member, which can include spouse, children, parents, other next of kin or significant others. The determination of who should be considered a survivor for purposes of this policy should be made on a case-by-case basis given the individual’s relationship with the member and whether the individual was previously designated by the deceased member. 1034.2 POLICY It is the policy of the Grafton Police Department to make appropriate notifications and to provide assistance and support to survivors and coworkers of a member who becomes seriously injured or dies in the line of duty. It is also the policy of this department to respect the requests of the survivors when they conflict with these guidelines, as appropriate. -
Policy & Procedure
POLICY & PROCEDURE SHOREWOOD HILLS POLICE DEPARTMENT SUBJECT: LINE OF DUTY DEATH NUMBER: 1.12 ISSUED: 03/20/2014 SCOPE: All Department Personnel EFFECTIVE: 03/20/2014 DISTRIBUTION: Policy & Procedure Manual RESCINDS AMENDS REFERENCE: “Support Services to Surviving Families of WILEAG STANDARDS: N/A Line of Duty Deaths,” by Suzanne F. Sawyer INDEX AS: Line of Duty Death PURPOSE: This Policy & Procedure establishes procedures to ensure the proper support and emotional care for a member’s family following a line-of-duty death. This Policy & Procedure consists of the following numbered sections: I. POLICY II. DISCUSSION III. PROCEDURES AND RESPONSIBILITIES I. POLICY A. It is the policy of the Shorewood Hills Police Department to provide liaison assistance to the immediate survivors of a member who dies in the line of duty. This assistance is provided whether the death was unlawful or accidental (i.e., automobile accident, hit by a passing vehicle during a traffic stop, training accident) while the member was performing a police-related function, either on or off-duty and while he or she was an active member of the Department. The Chief of Police may institute certain parts of this Policy & Procedure for cases of a member’s natural death. The Department will also provide a clarification and comprehensive study of survivor benefits as well as emotional support during this traumatic period of readjustment for the surviving family. 1 1.12 Funeral arrangements of the deceased member are to be decided by the family, with their wishes taking precedence over the Department’s. II. DISCUSSION A. Coordination of events following the line-of-duty death of a police officer is an extremely important and complex responsibility. -
A Hashtag Worth a Thousand Words
SMSXXX10.1177/2056305116686992Social Media + SocietyGiglietto and Lee 686992research-article2016 Article Social Media + Society January-March 2017: 1 –15 A Hashtag Worth a Thousand © The Author(s) 2017 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav Words: Discursive Strategies DOI:https://doi.org/10.1177/2056305116686992 10.1177/2056305116686992 Around #JeNeSuisPasCharlie After journals.sagepub.com/home/sms the 2015 Charlie Hebdo Shooting Fabio Giglietto1 and Yenn Lee2 Abstract Following a shooting attack by two self-proclaimed Islamist gunmen at the offices of French satirical weekly Charlie Hebdo on 7 January 2015, there emerged the hashtag #JeSuisCharlie on Twitter as an expression of solidarity and support for the magazine’s right to free speech. Almost simultaneously, however, there was also #JeNeSuisPasCharlie explicitly countering the former, affirmative hashtag. Based on a multimethod analysis of 74,047 tweets containing #JeNeSuisPasCharlie posted between 7 and 11 January, this article reveals that users of the hashtag under study employed various discursive strategies and tactics to challenge the mainstream framing of the shooting as the universal value of freedom of expression being threatened by religious extremism, while protecting themselves from the risk of being viewed as disrespecting victims or endorsing the violence committed. The significance of this study is twofold. First, it extends the literature on strategic speech acts by examining how such acts take place in a social media context. Second, it highlights the need for a multidimensional and reflective methodology when dealing with data mined from social media. Keywords Twitter, hashtag, discursive strategy, sensitive topic, Charlie Hebdo On 7 January 2015, two gunmen forced their way into the #JeNeSuisPasCharlie carried an inherent risk of being headquarters of satirical weekly magazine Charlie Hebdo in viewed as disrespecting victims or endorsing the violence Paris and killed 12 staff cartoonists, claiming that what they committed. -
'Line of Duty,' Is Unique Cop Show
ARAB TIMES, WEDNESDAY, JUNE 2, 2021 NEWS/FEATURES 13 People & Places Books ‘A Writer Prepares’ Block’s memoir recalls colorful writing career NEW YORK, June 1, (AP): Lawrence Block has fol- lowed many paths during his long career. “With not a few dead end roads among them,” notes the mystery novelist. Best known for his Matthew Scudder and Bernie Rhodenbarr series, Block has released dozens of pop- ular works through Harper Collins and Dutton among other mainstream publishers. He has received multiple Edgar Awards and Anthony Awards for outstanding fi ction, and his lifetime achievement honors include the Diamond Dagger from the British Crime Writers’ Association and Grand Master status in the Mystery Writers of America. But he has also completed dozens of works under other names, by publishers and publications long since forgotten, and, in some cases, of questionable legality. More recently, he has been publish- ing the books himself, includ- ing “Dead Girl Blues” and the Rhodenbarr novel “The Bur- glar In Short Order,” which both came out in 2020, and his current work, the memoir “A Writer Prepares.” “One big plus of self-pub- lishing is how quickly it can be managed. I can reduce waiting Block time by a minimum of a year if I publish something myself,” he explains. “The downside is not to be shrugged off. Self-pub- lished books rarely get reviewed and hardly ever show up in bookstores. ‘Dead Girl Blues’ didn’t make me This image released by BritBox shows Vicky McClure, (left), and Kelly Macdonald in a scene from the BBC police drama series ‘Line of Duty.’ (AP) rich, and neither will ‘A Writer Prepares.’ But nothing I write is going to do that, no matter who publishes it, and whatever I self-publish stays forever available in electronic and print editions, and probably fi nds what- ever audience it deserves to have.” Television Block is a longtime Greenwich Village resident, fully vaccinated and back outside, enjoying a nice big plate of Brussels sprouts during a recent afternoon in- terview at a favorite cafe. -
Children of Fallen Heroes Scholarship
Email completed form to: [email protected] (352) 392-1275 / 392-1275 TDD Division of Enrollment Management Email: [email protected] Office for Student Financial Affairs www.sfa.ufl.edu Children of Fallen Heroes Scholarship Student’s Name UFID Eligibility Requirements Under this scholarship, beginning with the 2018-2019 award year, a Pell-eligible student whose parent or guardian died in the line of duty while performing as a public safety officer is eligible to receive a maximum Pell Grant for the award year for which the determination of eligibility is made. All Title IV aid awarded to such eligible students must be based on an EFC of zero without regard to the student’s calculated EFC. To qualify for this scholarship, a student must be Pell-eligible and have a Pell-eligible EFC (up to 5486 for the 2018-2019 award year), and be less than 24 years of age or enrolled at an institution of higher education at the time of his or her parent’s or guardian’s death. In subsequent award years, the student continues to be eligible for the scholarship, as long as the student has a Pell-eligible EFC and continues to be an eligible student. For purposes of the Children of Fallen Heroes Scholarship, a public safety officer is: • As defined in section 1204 of title I of the Omnibus Crime Control and Safe Streets Act of 1968 (42 U.S.C. 3796b); or • A fire police officer, defined as an individual who is serving in accordance with State or local law as an officially recognized or designated member of a legally organized public safety agency and provides scene security or directs traffic in response to any fire drill, fire call, or other fire, rescue, or police emergency, or at a planned special event. -
Supporting Children and Family Survivors of Police Line-Of-Duty Deaths
Supporting Children and Family Survivors of Police Line-of-Duty Deaths Police Survivors: Line-of-Duty Line-of-Duty Deaths: Deaths Three Essential Points About Children who experience the loss of a parent or other family Children and Family Survivors member through a line-of-duty death are likely to face a 1. Most grief experiences are similar. In most ways, children number of unique issues. School professionals working with and family survivors of line-of-duty deaths experience grief students in such circumstances will be able to provide more and coping with loss much as others do. They have similar effective support when they understand the distinct aspects thoughts, feelings, concerns and needs. of this experience. 2. Some grief experiences are distinct in important ways. The materials in this module are designed as a supplement to Survivors of line-of-duty deaths are coping with unique the broader information at the Coalition’s website. They are issues within a unique culture. Most people outside the law not intended to be a stand-alone resource. enforcement world are unfamiliar with these issues. They were developed collaboratively with the national non- 3. School professionals can make a difference. When school profit organization Concerns of Police Survivors (C.O.P.S.). professionals are aware of the distinct issues facing these C.O.P.S. provides support for families who have experienced families, they can plan and provide more effective support. a line-of-duty death. Over 30,000 families are members of the organization. Take Steps to Make a Difference Are Your Students Affected? To understand more about providing support to survivors of a line-of-duty death, read through the materials in this Each year, more than a hundred law enforcement officers module. -
Ofcom Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 220 17 December 2012 1 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Contents Introduction 4 Standards cases In Breach Line of Duty BBC 2, 17 July 2012, 21:00 and 24 July 2012, 21:00 5 Note to Broadcasters The involvement of people under eighteen in programmes 16 In Breach Paigham-e-Mustafa Noor TV, 3 May 2012, 11:00 18 Rock All Stars Scuzz TV, 19 August 2012, 20:40 32 Islam Channel News The Islam Channel, 8 June 2012, 21:10 43 Good Cop (Trailer) BBC1 HD, 6 August 2012, 18:40 51 Not in Breach The X Factor ITV1, 9 September 2012, 20:00 ITV2, 10 September 2012, 01:05, 10 September 2012, 20:00 and 11 September 2012, 00:15 55 Broadcast Licence Condition cases In Breach Breach of licence conditions Voice of Africa Radio 60 In Breach/Resolved Breach of licence conditions Erewash Sound, Felixstowe Radio, The Super Station Orkney, Seaside FM, Ambur Radio, Phoenix FM 62 2 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Fairness and Privacy cases Upheld Complaint by Complaint by the Central Electoral Commission of Latvia Russian language referendum item, REN TV Baltic & Mir Baltic, November 2011, various dates and times 66 Complaint by Dr Usama Hasan Islam Channel News, The Islam Channel, 8 June 2012 70 Not Upheld Complaint by Dr Usama Hasan Politics and Media, The Islam Channel, 11 June 2012 77 Other Programmes Not in Breach 89 Complaints Assessed, Not Investigated 90 Investigations List 100 3 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
Gender Dynamics in TV Series the Fall: Whose Fall Is It? Adriana Saboviková, Pavol Jozef Šafárik University in Košice, Slovakia1
Gender Dynamics in TV Series The Fall: Whose fall is it? Adriana Saboviková, Pavol Jozef Šafárik University in Košice, Slovakia1 Abstract This paper examines gender dynamics in the contemporary TV series The Fall (BBC 2013 - 2016). This TV series, through its genre of crime fiction, represents yet another way of introducing a strong female character in today’s postfeminist culture. Gillian Anderson’s Stella Gibson, a Brit and a woman, finds herself in the men’s world of the Police Service in Belfast, where the long shadow of the Troubles is still present. The paper proposes that the answer to the raised question - who the eponymous fall (implied in the name of the series) should be attributed to - might not be that obvious, while also discussing The Fall’s take on feminism embodied in its female lead. Keywords: female detectives, The Fall, TV crime drama, postfeminism Introduction Troubled history is often considered to be the reason for Northern Ireland being described as a nation of borderlines - not only obvious physical ones but also imagined. This stems from the conflict that has been described most commonly in terms of identities - based on culture, religion, and even geography. The conflict that has not yet been completely forgotten as the long shadow of the Troubles (local name, internationally known as the Northern Ireland conflict) is still present in the area. Nolan and Hughes (2017) describe Northern Ireland as “living apart together” separated by physical barriers. These locally called peace walls had to be erected to separate and, at the same time, protect the communities. -
Joplin Police Department 2015 Annual Report
Joplin Police Department 2015 Annual Report The Joplin Police Department is a community funded division of the City of Joplin whose vision is a peaceful and safe community where citizens and visitors experience hometown values and a superior quality of life. Table of Contents Message from Chief Jason Burns…………………………………………..4 City Government and Police Department Supervisors…………5 Vision, Mission, and Values…………………………………………………..6 Multi-Year Plan……………………………………………………………………...7-9 Operations Division……………………………………………………………….10 Patrol Bureau………………………………………………………………………….11-15 S.W.A.T. ………………………………………………………………………..13-14 K9 Unit………………………………………………………………………….15 Special Enforcement Bureau………………………………………………...16-23 Crime Free…………………………………………………………………...16 Traffiic………………………………………………………………………….17 DWI Unit……………………………………………………………………..17 Motorcycles………………………………………………………………...18 HMV………….………………………………………………………………...18 Honor Guard……………………………………………………………….19 Crossing Guards………………………………………………………….19 School Resource Officers…………………………………………...19 Rise Above Program…………………………………………………...19 Explorers……………………………………………………………………..20 Reserves……………………………………………………………………….21 Sentinels……………………………………………………………………...21 Special Events...…………………………………………………………..21 Citizens Police Academy…………………………………………….22 National Night Out……………………………………………………..22 Shop With a Cop………………………………………………………….22 Investigations Bureau…………………………………………………………...23-27 General Investigations………………………………………………..24 FBI Task Force……………………………………………………………..25 Ozarks Drug Enforcement Team………………………………..25 Southwest -
Report to the Commissioner of the Police Department Of
FINAL REPORT FOR PUBLIC RELEASE REPORT TO THE COMMISSIONER OF THE POLICE DEPARTMENT OF BALTIMORE CITY CONCERNING AN INDEPENDENT REVIEW OF THE NOVEMBER 15, 2017 INCIDENT AND ITS AFTERMATH Independent Review Board Members: Gary Childs Dr. James (“Chip”) Coldren (Co-Chair) Rick Fuentes Peter Modafferi Charlie Scheeler James (“Chips”) Stewart (Chair) Marvin Sydnor August 27, 2018 FINAL REPORT FOR PUBLIC RELEASE This report was written by the Independent Review Board under a contractual agreement between the Police Department of Baltimore City and CNA Corporation. The findings and recommendations contained in this report are exclusively those of the members of the Independent Review Board and do not represent the judgments, opinions, or policies of CNA, the Police Department of Baltimore City, the City of Baltimore, or any other Agency or organization. FINAL REPORT FOR PUBLIC RELEASE TABLE OF CONTENTS I. EXECUTIVE SUMMARY ............................................................................. 1 II. SCOPE AND METHODOLOGY OF THIS REVIEW .................................. 6 III. STATEMENT OF FACTS ............................................................................ 11 A. The Triple Homicide at Bennett Place, Where Detective Suiter Was Later Found Dead ............................................................. 12 B. The Gun Trace Task Force Investigation ............................................ 13 C. November 13 and 14, 2017 ................................................................. 16 D. November 15, 2017 ............................................................................ -
Michael Keillor Writer/Director
Michael Keillor Writer/Director Michael’s passion for bold and ambitious projects has drawn him to work with a talented mix of writers who share his appetite for pushing boundaries while entertaining audiences. Most recently Michael directed David Hare’s four-part political drama ROADKILL, which captured the world-weary mood of 2020, charting the rise of a corrupt and self-serving politician played with ruthless charisma and impeccable charm by Hugh Laurie. Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes ROADKILL The Forge/PBS/BBC 1 Director and Executive Producer 2020 4-part Drama. Writer: David Hare. Producer: Andy Litvin Exec Producers: George Faber, Mark Pybus, Lucy Richer, David Hare, Michael Keillor. Starring: Hugh Laurie, Helen McCrory, Pippa Bennett Warner, Sarah Greene, Sidse Babett Knudsen, Iain De Caestecker. Popular and charismatic politician Peter Laurence is shamelessly untroubled by guilt or remorse as his public and private life fall apart. *Winner, Original Music Bafta Craft Awards 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes CHIMERICA Playground Director 2018 - 2019 Entertainment/Channel 4 4-part Drama. Writer: Lucy Kirkwood. Producer: Adrian Sturges. Executive Producers: Lucy Kirkwood, Sophie Gardiner, Colin Callender. Starring: Alessandro Nivola and Cherry Jones A photojournalist travels to China with the hopes of finding out who the mysterious man was who was photographed standing defiantly in front of a tank in Tiananmen Square twenty years ago. Adaptation of the Olivier award-winning play. -
Time Over Matter: Measuring the Reasonableness of Officer Conduct in § 1983 Claims
TIME OVER MATTER: MEASURING THE REASONABLENESS OF OFFICER CONDUCT IN § 1983 CLAIMS Evelyn Michalos* In the United States, far more police encounters result in civilian and officer deaths than in other democratic countries. When a government actor uses excessive force against an individual during an arrest or investigatory stop in violation of the Fourth Amendment right against unreasonable seizure, 42 U.S.C. § 1983 provides a federal civil remedy for that individual. In Graham v. Connor and Tennessee v. Garner, the U.S. Supreme Court held that courts should assess the reasonableness of an officer’s use of force to seize an individual in light of the “totality of the circumstances,” which includes the severity of the crime, whether the suspect actively resisted arrest, and whether the suspect posed a threat to the officers and bystanders. However, the Court has never delineated how lower courts should assess the totality of the circumstances in excessive force claims under § 1983. Thus, circuit courts have applied varying methods to analyze law enforcement’s use of force. This Note examines whether the Second Circuit’s narrow approach, the Third Circuit’s broad approach, or the Seventh Circuit’s segmented approach properly identifies the circumstances to consider when measuring the reasonableness of officers’ uses of force during a seizure in § 1983 claims. This Note compares the three circuit court approaches to how Canadian courts evaluate the reasonableness of police conduct in excessive force claims. Ultimately, this Note concludes that the Third Circuit’s approach, which considers causally relevant conduct, such as preseizure conduct, is truest to the notion of “totality” and should be the uniform method.