Visual Culture in an Indian Metropolis’, in Towards a New Art History: Studies in Indian Art (Essays Presented in Honour of Prof
This manuscript is the penultimate form of the essay as it appeared in the publication cited below. The text is one stage short of the final version agreed upon by the author and editor of the particular publication. If the essay was published in more than one publication, versions of the form it finally assumed are available in the books/anthologies/catalogs listed below. Publication(s): • ‘Visual Culture in an Indian Metropolis’, in Towards a New Art History: Studies in Indian Art (Essays Presented in Honour of Prof. Ratan Parimoo), edited by Shivaji K. Panikkar, Parul Dave Mukherji and Deeptha Achar, D.K. Printworld, Delhi, 2003 Visual Culture in an Indian Metropolis Geeta Kapur and Ashish Rajadhyaksha Prefatory Notes 1. The authors wish to acknowledge the original publication context of this essay. See Geeta Kapur and Ashish Rajadhyaksha, ‘Bombay/ Mumbai 1992-2001’ in Iwona Blazwick (ed.), Century City: Art and Culture in the Modern Metropolis, Tate Publishing, London, 2001 This publication accompanied a major exhibition at the Tate Modern, London (February- April 2001) titled Century City: Art and Culture in the Modern Metropolis. The project set out to examine key moments of cultural creativity in nine cities across the world on the following premise: that at different times in different places through the twentieth century, the energy of the modern metropolis peaked to produce a cultural explosion, where the arts flourished in a dynamic and radical interchange. The reasons for these creative flashpoints are diverse, but each city, at its particular time, can be seen to have become a crucible drawing artists from the city and other regions into an artistic and intellectual ferment.
[Show full text]