Gunsmoke 1954-09-27 128 Helping Hand.Pdf
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Gunsmokenet.Com
GUNSMOKE ! By GORDON BUDGE f you had lived in Dodge City in I the 1870’s, Matt Dillon-the fic- tional Marshal of CBS Radio and TV’s Gunsmoke-would have been just the sort of man you would like to have for a friend. The same holds for his sidekick, Chester, and his special pals, Kitty and Doc. They are down-to-earth, ‘good and honest people. That one word “honest” is, to a great extent, responsible for the success of Gunsmoke on both radio and TV. It best describes the sto- ries, characters and detailed his- torical background which go to make up the show. Norman Macdonnell and John Meston, Gunsmoke’s producer and writer, are the two men who created the format and guided the show to its success (the TV version has topped the Nielsen ratings since June, 1957)) and the show is a fair reflection of their own characters: Producer Macdonnell is a straight- forward, clear-thinking young man of forty-two, born in Pasadena and raised in the West, with a passion for pure-bred quarter horses. He joined the CBS Radio network as a page, rose to assistant producer in two years, ultimately commanded such network properties as Sus- pense, Escape, and Philip Marlowe. Writer John Meston’s checkered career began in Colorado some forty-three years ago and grass- hopped through Dartmouth (‘35) to the Left Bank in Paris, school- teaching in Cuba, range-riding in Colorado, and ultimately, the job as Network Editor for CBS Radio in Hollywood. It was here that Meston and Macdonnell met. -
Gunsmoke" As Broadcast
REPLAY FORMAT 3/12/55 p L&MFILTERS, ATTACHED Present "GUNSMOKE" AS BROADCAST "KITE; I S REWARD " x`36 SATURDAY - FJUARY 19, 1955 PRE-CUT 3 : 30 PM - 4 :00 PM PST SATURDAY - MARCH 5, 1955 AIR 5 :00 PM - 5 :28:50 PM PST SATURDAY - MARCH 12, 1955 REPLAY 9 :30 AM - 9 :59 :30 AM PST DIRECTOR : NORMAN MACDONNELL SATURDAY - FEBflUARY 19, 195 5 ASSOCIATE : KENNY MCMANUS CAST. : 11 :00 AM - 1 :30 PM ASSOCIATE : ENGINEER : BOB CHADWICK ENGINEER : and SOUND : 2 :30 PM - 3 :30 PM SOUND : RAY KEMPER TOM HANLEY MUSIC : 1 :30 PM - 3 :30 P M MUSIC : R KOURY STUDIO #1 ANNOUNCER : , GEORGE WALSH AUTHOR : JOHN ASTON AMPLx 3 :15 PM - 4 :00 P M WILLIAM CONRA D as MATT DILLO N CHESTER . Parley Baer KITTY . Georgia Elli s DOC . Howard McNear KITE . John Dehner ANDY . Sam Edwards BAR . & Is Joe Duva l JAII Vic Perri n DH LIG 0382530 L&MFTLTERS Present GUNSMOKE SATURDAY. MARCH 5 , 1955 5:00-5 :28 :50 PM PST 1 SOUND : HORSE FADES ON TO FULL MIKE . .O N CUE : RECORDED SHOT 2 MUSIC ; HOLD UNDER . .TRACK 1 3 WALSH ; GUNSMOKE . .brought to you by L & M Alters, This is it ; 4 L & M is best - stands out from all the rest l 5 MU SIC : FIGURE AND UNDER . TRACK 2 6 WALSH : Around Dodge City and in the territory on West - there's 7 just one way to handle the killers and the spoilers - and 8 that's with a U .S . Marshal and the smell of - GUNSMOI2 1 9 MUSIC : THEME HITS : FULL ROAD SWTEP AND UNDER . -
Gunsmoke Collection Mssgunsmoke
http://oac.cdlib.org/findaid/ark:/13030/c8xs62pw No online items Gunsmoke Collection mssGunsmoke Gayle Richardson The Huntington Library November 2020 1151 Oxford Road San Marino, California 91108 [email protected] URL: http://www.huntington.org Gunsmoke Collection mssGunsmoke 1 mssGunsmoke Contributing Institution: The Huntington Library Title: Gunsmoke collection Identifier/Call Number: mssGunsmoke Physical Description: 11.34 Linear Feet(27 boxes) Date (inclusive): 1953-1975 Abstract: A collection of radio and television scripts for the long-running western American program Gunsmoke. Language of Material: Materials are in English. Conditions Governing Access Open for use by qualified researchers and by appointment. Please contact Reader Services at the Huntington Library for more information. Conditions Governing Use No photocopying is allowed. No quotations are allowed apart from very brief phrases under "fair use." No publication or performances of these scripts are allowed. All inquiries regarding publication or quotation should be referred to the owner of copyright for the specific script(s). Copyright resides with either the production company or author for the scripts in this collection. Preferred Citation [Identification of item]. Gunsmoke collection, The Huntington Library, San Marino, California. Immediate Source of Acquisition Gift of Norman H. Macdonnell and John A. Dunkel, June 1974. Gift of Walter Newman, December 1975. Gift of Paul Savage, July 1978. Biographical / Historical Gunsmoke was an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. The radio series ran from 1952 to 1961; the television series ran for 20 seasons from 1955 to 1975, and lasted for 635 episodes. Scope and Contents The collection consists of 317 radio scripts and 60 television scripts from 1953 to 1975, for the long-running series Gunsmoke. -
TORRANCE HERALD MAY 9, 1963 | LIFE's LIKE THAT by FRED NEHEP Enjoy the Finest at , I CHIP I Lowest Cost! J STAMPS | 7 MAGIC SALE DAYS THURS
THE TORRANCE HERALD MAY 9, 1963 | LIFE'S LIKE THAT By FRED NEHEP Enjoy the finest at , i CHIP I lowest j STAMPS | cost! 7 MAGIC SALE DAYS THURS. TO WED., MAY 9 TO 15 "Don't worry about my age ... I ran spade a garden If you can stand running off to a luncheon every day'.!!" YELLOW CLING - HALVES OR SLICES FRESH : I CONC£NTF A Closer Look DEL MONTE LARGE i SHOV By Ernest Kreiling PEACHES "AA" EGGS \ ORA N< HOLLYWOOD—After eight Gunsmoke changed much In years Gunsmoke has probably eight years?" 1 asked Mac no. 2Vz , 6 oz. replaced the bath as America's Donnell. dozen favorite Saturday night tradi "They've changed a lot and :; i can tion. not in a way I particularly like. fir/,-- « A few years ago Gunsmoke Matt was more human then. 25 31 was the most and not nearly 2 popular western the shining sym out of a total of 35 on the air. bol of law and order he's be In the fall it enters its ninth come. Doc was more of a year with competition from quack, and spent more time in only _four others. Rawhide, the Long Branch. Kitty, well. Wagon Train, and the Vir Kitty's morals were consider FIRST ginian. ably more in doubt then than QUALITY GRADE "AA" CONCENTRATED DETERGENT GOLDEN CREME !i FO!|SAL/ Gunsmokc's perennial popu they are now. larity is a tribute to producer "I personally would like to GOLDEN Norman MacDonnell and writer see us put a little more bite CRIME SALVO PREMIUM LAUR John Mcston. -
€€ROGERS of the GAZETTE€€ Broadcast
ROGERS OF THE GAZETTE 1953 – 1954 (CBS) A Radio Series Broadcast Log By: Stewart Wright Initial Compilation: 12/01/2011 Last Update: 10/31/2015 Copyright 2011, 2013 & 23015 This broadcast log may not be reproduced or distributed, in whole or part, in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system without permission from the author, Stewart M. Wright. Audition Show: "Will Rogers, Country Editor." First Show: 07/08/1953. Last Show: 01/20/1954. Shows Broadcast: 27. Length: 30 minutes. SERIES BACKGROUND & DESCRIPTION: In the 1952 motion picture "The Story of Will Rogers," Will Rogers Jr. played his Father: American vaudevillian, humorist, syndicated columnist, social commentator, and motion picture actor Will Rogers. As a result of the popularity of the movie, CBS aired a 1953-54 radio series: Rogers of the Gazette. The series was a light drama focused on the daily activities of a fictional small town newspaper owner who published The Illyria Weekly Gazette. (Spelling of Illyria is taken from scripts for the series.) This series was an example of Art imitating Life. From 1935 to 1953 Will Rogers Jr., Bill as he preferred to be called, owned and operated a weekly newspaper and was the editor/publisher. The newspaper was not located in a small town in America's Heartland, but rather in Beverly Hills, CA: The Beverly Hills Citizen. Bill also worked as a foreign correspondent, covering the Spanish Civil War during 1936 and 1937. SPONSORSHIP: Rogers of the Gazette was aired on a sustaining basis by CBS. -
The Voyage of the Scarlet Queen , He and Aurandt Worked Together on the Green Stories of Men Who Made Them Monuments
voyage.qxd:8 pg. Booklet 6/1/10 10:05 PM Page 1 CD 6 The Courtship of Anna May Lamour - 9/18/1947 THE VOYAGE OF Shore Leave and the Unhappy Wife - 9/25/1947 THE SCARLET QUEEN CD 7 The Fat Trader and the Sword of Apokaezhan - Program Guide by Jack French 10/2/1947 The Tattooed Beaver and Baby Food for Pare Pare - The rare combination of talent that went into producing The Voyage 10/9/1947 of the Scarlet Queen can best be described as “the perfect storm.” It brought together two excellent lead actors, a superb duo of radio’s best writers, a highly CD 8 skilled trio of sound effects artists, and a respected musician to compose a lavish Ah Sin and the Balinese Beaux Arts Ball - Scarlet Queen regular Barton Yarborough and distinctive score to blend it together. The result was certainly the best radio 10/16/1947 series that ever aired on the Mutual Network. Grafter’s Fort and the Black Pearl of Galahla Bay - 10/23/1947 Elliott Lewis (1917-1990) deserves all the credit for putting this remarkable series together in 1947, just two years after World War II ended. CD 9 This series, telling the fascinating and exotic story of a sailing vessel in its quest King Ascot And The Maid In Waiting - 10/30/1947 for a Chinese treasure, would take listeners on dozens of remarkable adventures Lonely Sultan of Isabella De Basilan - 11/6/1947 in ports of call throughout the Pacific Ocean and the China Sea. -
Suspense Radio Series, Gothic Literature, and the American Family
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 5-4-2018 Suspense Radio Series, Gothic Literature, and the American Family Kelly Kirkham Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Kirkham, Kelly, "Suspense Radio Series, Gothic Literature, and the American Family" (2018). All Graduate Plan B and other Reports. 1213. https://digitalcommons.usu.edu/gradreports/1213 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 SUSPENSE RADIO SERIES, GOTHIC LITERATURE, AND THE AMERICAN FAMILY by Kelly D. Kirkham A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in American Studies Approved: ______________________ ____________________ Dr. Steve Shively Dr. Brian McCuskey Thesis Chair Committee Member ______________________ Peg Arnold Committee Member UTAH STATE UNIVERSITY Logan, Utah 2018 ii Copyright © Kelly Kirkham 2018 All Rights Reserved iii ABSTRACT Suspense Radio Series, Gothic Literature, and the American Family by Kelly D. Kirkham, Master of Science Utah State University, 2018 Major Professor: Dr. Steve Shively Department: English My plan B thesis argues that the Suspense radio series, which aired from 1942- 1963, served as a cathartic release for Americans during the Golden Age of Radio; the program accomplished catharsis by borrowing characteristics originating in 19th century gothic literature: sound effects, domestic space as setting, and the uncanny. -
GUNSMOKE Flashback
CD 8A: “The Queue” - 07/19/1954 Racists assault a Chinese cook and cut off his ponytail. Will he get his revenge? Written by John Meston. GUNSMOKE CD 8B: “Born to Hang” - 04/23/1955 Flashback A man survives an attempted lynching…and then goes after those responsible. Written by John Meston. Program Guide by Elizabeth McLeod Parley Baer is heard CD 9A: “Jealousy” - 06/04/1955 as Chester. A crooked card player gets caught in a phony deal. He is promptly stabbed, and What is a western, anyway? then demands that Dillon do something about it. Written by John Meston. Sure, you know one when you see one (or hear one), but what qualities really CD 9B: “Tap Day for Kitty” - 07/30/1955 define the genre? Cowboys? Horses? Wood-plank sidewalks? Sagebrush? Black Kitty tries to escape from an unwanted suitor. Written by John Meston. hats vs. white hats? Ropin’ and ridin’ the range? Sullen-faced drifters challeng- ing the rule of law? Guitar-strumming crooners in fancy shirts? Is it all of these CD 10A: “Innocent Broad” - 08/06/1955 things? Some of these things? None of these things? Is a western -- a real western Dillon tries to protect a seventeen-year-old girl from trouble with her fiancé. -- really just a state of mind? Written by John Meston. The fact of the matter is that the definition of a western depends on who’s asking CD 10B: “The Barton Boy” - 10/01/1955 the question…and when they’re asking it. An eight-year-old child in 1935 would A young boy wounded in a train robbery is the only one who can identify the define a western in far different terms than a thirty-nine year old adult in 1952. -
Writers Title Episode# Date Duration Stars/Comments Genre: Adult Western Drama Between 6:30Pm 30 Min
Series: Gunsmoke Network: CBS Sponsor: Sustaining, Post Toasties, then L&M Tobacco, and Chesterfield. Writers Title Episode# Date Duration Stars/Comments Genre: Adult Western Drama Between 6:30pm 30 Min. William Conrad as Matt Dillon, Parley Baer and 8:00pm, as 'Chester' Wesley Proudfoot, Georgia Ellis Saturdays, as Kitty Russell, Howard McNear as Dr. Sundays, Charles Adams. Announcers: Roy Rowan, Mondays, then George Walsh, and George Fenneman (for back to Sundays Chesterfield). Producer-Director: Norm with Saturday Macdonnell. Music: Rex Koury. Sound repeats. Effects: Tom Hanley, Ray Kemper, and Bill James. Norman Macdonnell Audition-1 49-06-11 30:00 Rye Billsbury as 'Mark' Dillon Norman Macdonnell Audition-2 49-07-15 30:00 Howard Culver as 'Mark' Dillon Walter B. Newman Billy The Kid 1 52-04-26 30:00 Herb Purdum Ben Thompson 2 52-05-03 30:00 Les Crutchfield Jalisce 3 52-05-10 30:00 Herb Purdum Dodge City Killer 4 52-05-17 30:00 Norman Macdonnell Ben Slade's Saloon 5 52-05-24 30:00 John Meston Carmen 6 52-05-31 30:00 Joel Murcott Buffalo Killers 7 52-06-07 30:00 Les Crutchfield Jailbait Janet 8 52-06-14 30:00 Lou Houston Heat Spell 9 52-06-21 30:00 Anthony Ellis Ride Back, The 10 52-06-26 30:00 John Meston Never Pester Chester 11 52-07-05 30:00 John Meston Boughten Bride, The 12 52-07-12 30:00 Herb Purdum Doc Holiday 13 52-07-19 30:00 Les Crutchfield Gentlemen's Disagreement 14 52-07-26 30:00 John Meston Renegade White 15 52-08-02 30:00 Herb Purdum Kentucky Tolmans, The 16 52-08-09 30:00 John Meston Lynching, The 17 52-08-16 30:00 Anthony -
Historical Dictionary of the Gambia
HDGambiaOFFLITH.qxd 8/7/08 11:32 AM Page 1 AFRICA HISTORY HISTORICAL DICTIONARIES OF AFRICA, NO. 109 HUGHES & FOURTH EDITION PERFECT The Gambia achieved independence from Great Britain on 18 February 1965. Despite its small size and population, it was able to establish itself as a func- tioning parliamentary democracy, a status it retained for nearly 30 years. The Gambia thus avoided the common fate of other African countries, which soon fell under authoritarian single-party rule or experienced military coups. In addi- tion, its enviable political stability, together with modest economic success, enabled it to avoid remaining under British domination or being absorbed by its larger French-speaking neighbor, Senegal. It was also able to defeat an attempted coup d’état in July 1981, but, ironically, when other African states were returning to democratic government, Gambian democracy finally suc- Historical Dictionary of Dictionary Historical cumbed to a military coup on 22 July 1994. Since then, the democracy has not been restored, nor has the military successor government been able to meet the country’s economic and social needs. THE This fourth edition of Historical Dictionary of The Gambia—through its chronology, introductory essay, appendixes, map, bibliography, and hundreds FOURTH EDITION FOURTH of cross-referenced dictionary entries on important people, places, events, institutions, and significant political, economic, social, and cultural aspects— GAMBIA provides an important reference on this burgeoning African country. ARNOLD HUGHES is professor emeritus of African politics and former direc- tor of the Centre of West African Studies at the University of Birmingham, England. He is a leading authority on the political history of The Gambia, vis- iting the country more than 20 times since 1972 and authoring several books and numerous articles on Gambian politics. -
Gunsmoke”: “The Cabin” (December 27, 1952) Added to the National Registry: 2018 Essay by Charles Tranberg (Guest Post)*
“Gunsmoke”: “The Cabin” (December 27, 1952) Added to the National Registry: 2018 Essay by Charles Tranberg (guest post)* The cast of radio’s “Gunsmoke” On April 26, 1952, over CBS Radio, the following introduction was made to a brand new western series: Around Dodge City and in the territory out West, there’s just one way to handle the killers and the spoilers, and that’s with a U.S. Marshal and the smell of Gunsmoke... The transcribed story of the violence that moved West with young America, and the story of a man who moved with it. It’s clear from that introduction that this will not be your ordinary radio western featuring the likes of Hopalong Cassidy, The Lone Ranger, Roy Rogers or Gene Autry. Those shows, by and large, were marketed for and listened to by children. It is said that “Gunsmoke” was radio’s first successful adult western. The hero of the show was a hardened and totally incorruptible United States Marshal named Matt Dillon who would describe his job as, “chancy…it makes a man watchful, and a little lonely.” “Gunsmoke” was the brain child of Norman Macdonnell and John Meston, who worked well together on the radio suspense series “Escape,” begun 1947, with Meston writing many of the scripts and Macdonnell directing. This would be the same functions they would perform on “Gunsmoke.” Meston would write at least a third of the radio show’s scripts and also serve as script supervisor. The scripts of “Gunsmoke” had an integrity and realism which caught the imagination of radio listeners and made them think they actually were transported seventy-five years back to the frontier state of Kansas and Dodge City. -
Kathleen Hite: Radio Writer Pioneer
Visit our Club's web site at www.mwotrc.com VOLUME 31 AUGUST 2014 NUMBER 4 Kathleen Hite: Radio Writer Pioneer By Stewart Wright © 2014 Kathleen Hite traced her roots to nationally aired series, The Adventures of Philip pioneering family members who helped settle the Marlowe. West. She was a pioneer in her own right, Sometime in late 1950 or early 1951 , becoming the first West Coast-based woman CBS Kathleen Hite made a major career decision: she radio script writer. After penning approximately decided to leave her position as a CBS staff 200 radio scripts, she would become a highly writer/editor and then become a freelance radio successful writer for television. writer. Freelancing was a more risky proposition, Hite was born June 17, 1917 and raised in but paid far better. She could write for any of the Kansas. She credits her ambition to become a networks and could earn as much as $450.00 per writer to her grandmother who told wonderful script as opposed to less than $100.00 as a staff stories about Kansas and the West in the 19th script writer. century. Other family members, including her Hite's first major free-lance assignment father and grandfather related additional was to pen the scripts for the 1951 summer run of narratives about their adventures in the West Norman Macdonnell's Philip Marlowe series. It involving prospecting, mining, and ranching. was the beginning of a collaboration that would These stories provided background for her radio span more than 20 years and continue into the and later, television scripts.