BAM 2003 Sorio2 Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board

Karen Brooks Hopkins Joseph V. Melillo President Executive Producer

presents Cinderella Under the presidency of H.R .H. the Princess of Hanover Les Ballets de Monte-Carlo Directed and cho reographed by Jean-C hri stophe Mai llot

Approximate BAM Howard Gilman Opera House running time: Apr 29, 2003 at 7pm* 2 hours with one May 1- 3 at 7 :30pm intermission * BAM Spring Gala

Music by Sergei Prokofiev Scenery designed by Ernest Pignon-Ernest Costumes design by Jerome Kaplan Lighting design by Dominique Drillot

Opening night: April 3, 1999, Salle Garnier, Monte-Carlo Opera

By arrangement with G. Schirmer, Inc ., agents in the United States for The Estate of Sergei Prokofiev, publisher and copyright owner.

BAM 2003 Spring Gala is sponsored by the Consulate General of Monaco and the Monaco Government Tourist Office in New York.

Additional Gala support is provided by Bowne Enterprise Solutions, Delta Air Lines, GGMC Parking, LLC, The Alex Hillman Family Foundation, and Neuberger Berman Foundation.

BAM Spring Season is sponsored by Altria Group, Inc.

BAM Dance support is provided by The Harkness Foundation for Dance.

BAM thanks Theatre Development Fund for its support of this season. Cinderella

PROLOGUE Cinderella, from the depths of her solitude, is consumed by the memories of her mother and her father, by the image of lost family happiness and love. A shared anguish-conjured up from this dream, or from its actual presence---remains between the child and her father.

ACT I

Scene 1: CINDERELLA'S HOUSE (1) Cinderella, hold ing the dress her mother was wearing for the last ball, remains pensive . Her father, in light of his new family, is not quite the same. Chris Roeland!, Bernice Coppieters. Photo: Yann Coatsaliou Distressed, he hesitates between the desire to protect Cinderella and acquiescing to his new wife. Cinderella, through her step­ mother and her stepsisters, discovers the violence of power struggles, rejection , ill will, and tyrannical gestures. A strange messenger arrives to put an end to the two sisters' quarrels: she brings an invitation from the Prince for the court bal l. The Pleasure Superintendents, beauty experts, are ready to officiate.

Scene 2: CINDERELLA'S HOUSE (2) Whimsical characters, the Pleasure Superintendents are the foremen of the festivities. They bring the ball dresses, exhibited on four mannequins- half-human, half-mechanical figures, half­ masked-giving the impression of a fashion show. The sisters and the stepmother take great care with their faces. In their impatience and greed, they rush to grab the dresses, take only half of them, and look at themselves with rapture in front of large distorting mirrors. Cinderella learns of the invitation, but her new fami ly makes fun of her and sends her back to her lentil dish. The sisters and stepmother go to the ball, satisfied.

Scene 3: ENTRANCE OF THE CHARMING PRINCE The young charming Prince appears in the company of his friends as an adolescent blessed with luck, but not yet with maturity, disappointed not to find what he is desperately missing. A sympathetic character, he tries to give a meaning to his life with small pleasures, which disappoint him as soon as they are satisfied. Both Pleasure Superintendents are busy with preparations.

Scene 4: THE STORY WITHIN THE STORY The fairy tears the young girl from her dirty linen and lentil chores and tells her the story of Cinderella: the four mannequins and the two Pleasure Superintendents perform for the amused young girl a caricatured and grotesque Cinderella . She puts on the modest youthful dress her mother was wearing at her last ball. Then she ca rries out the transformation: the young girl's foot, covered with sequins, emerges from her lentil dish. A magical image, but with a warning from Cinderella the fairy: you must remain simple. Sequins are fragile, ephemeral, and will lose their magical properties if Cinderella forgets these essential qualities.

Scene 5: VISION OF THE BALL The fairy prepares Cinderella for her entrance into the world. She lets Cinderella glimpse the vision of the horizon toward which she must walk: in the background, a young girl attends the scene of a ball which cou ld either be real or a dream.

INTERMISSION

ACT II

Scene 6: THE BALL Both Pleasure Superintendents arrive at the ball, followed by the fairy, then the two sisters and the stepmother. The Prince makes his entrance with his friends. He sits on his throne, and looks at the courtesans' parade with indifference. He does not find what he is looking for. In turn, the step­ mother and her daughters begin to try and seduce him, but in vain. Someone announces to the Prince the arrival of a stranger. Fascinated, afraid, the Prince seems to understand that he is about to be delivered a message. The father is also afraid-in disbelief, he recognizes his first wife in the fairy. He looks at one and then the other, going from memory to reality. The fairy puts a blindfold on the Prince's eyes. Cinderella enters; her feet-naked but painted-walk into the ballroom by themselves. Having recovered his eyesight, the Prince, fascinated, kneels before them and discovers love with humility. The pas de deux of the young couple parallels that of the mother and father, united in a same loving surge. It is a dance of redemption and reconciliation for the father, who seems to find peace at last. Cinderella and the Prin ce continue dancing alone.

Scene 7: MIDNIGHT Cinderella begins to take pleasure in the other courtesans' mirrors. She gets intoxicated by this atmosphere of madness and its codes of seduction, which she imitates. It is time for the fairy to put Cinderella back on the right path. At the top of the stairs through which she escapes, her bare foot appears in the light-the only trace of her presence and an invitation to find her again.

ACT III

Scene 8: PRINCE CHARMING'S TRAVEL The Pleasure Superintendents draw the image of the foot being sought. Equipped with this sketch, the Prince and his friends travel aimlessly to find the beautiful unknown girl. The Prince discovers the foreign country of the red and yellow Exotics. Although tempted, he still does not recognize the foot he seeks. Then, the fairy guides him to Cinderella: it is within himself that he will find her.

Scene 9: CINDERELLA'S HOUSE (3) The sisters prepare to seduce the Prince. But the feet he discovers underneath the bandages are black and bruised. Cinderella's foot, unveiled, shows the purity of its whiteness: the Prince recog­ nizes Cinderella at once.

Scene 10: EPILOGUE Rejecting his second wife, the father waltzes with the fairy/mother. Dancing, they express their love again . He accompanies her until her last breath, when death erases remorse. Who's Who

Jean-Christophe Maillot (choreographer), he was appointed to the rank of Chevalier de la director and choreographer of Les Ballets de Legion d'Honneur by French President Jacques Monte-Carlo, was born in 1960 in Tours Chirac. Maillot is founder and president of the and there studied dance and piano at the Monaco Dance Forum , inaugurated in Conservatoire National before joining Rosella December 2000. Hightower's International School of Dance in Cannes. In 1977 he won the Prix de Lausanne. Paola Cantalupo (dancer), Italian, studied In 1978, he was invited to join the Hamburg ballet at the School of La Scala and won a gold Ballet, where director John Neumeier created medal at the Prix de Lausanne and a bronze principal roles for him in many works. In 1983, medal at the Jackson International Dance Maillot was appointed as choreographer and Competition (U.S.). She was a member of director of the Ballet du Grand Theatre in Bejart's Ballet of the 20th Century, Neumeier's Tours, which would become one of France's Hamburg Ballet, then principal at the National National Choreographic Centres. He choreo­ Ballet of Portugal. She joined Les Ballets de graphed some 20 ballets for this company, Monte-Carlo in 1989 and was awarded the and in 1985 he founded the festival "Le title of Etoile (the highest rank) in 1989 by Choregraphique." In 1992 he was awarded the Company President, H.R.H. The Princess of title of Chevalier de l'Ordre des Arts et des Hanover. She won the Leonide Massine prize Lettres by the French Minister of Culture, Jack (1991), the Danza e Danza prize (1993), and Lang. In 1993 H.R.H. the Princess of Hanover the 2001 Career Prize. She dances roles in invited Maillot to become director of Les Ballets repertory, in Balanchine ballets, as well as in de Monte-Carlo. There, as principal choreogra­ contemporary works by Maillot (most recently pher for a company of 50 dancers, he has cre­ the Fairy in La Belle-Beauty) and by guest ated many new works. Among his creations for choreographers such as Forsythe and Kylian. In Les Ballets de Monte-Carlo are Betes Noires , 2002, she was awarded the title of Officier de Home, Sweet Home , Dov'e la Luna , Vers un l'Ordre du Merite Culturel of Principality of Pays Sage, Romeo et JUliette (performed more Monaco. than 120 times), Recto Verso , L'lle, Cendrillon (performed more than 80 times), Casse­ Bernice Coppieters (dancer), from Belgium, Noisette Circus, Opus 40, Entrelacs, Oeil pour won a Professional Medal at Prix de Lausanne Oeil, La Belle, and most recently Men's Dance. in 1988. She studied at the Antwerp Institute In addition to his own work, he has broadened of Ballet and the School of American Ballet. and enriched the company's repertoire by invit­ After performing as a soloist at the Royal Ballet ing the most important contemporary choreog­ des Flandres, she joined Les Ballets de Monte­ raphers to work in Monte-Carlo, as well as Carlo in 1991 and was awarded the title of maintaining works by and Etoile by Company President, H. R. H. The from the Ballets Russes, closely linked to the Princess of Hanover in 1995. She dances prin­ history of Les Ballets de Monte-Carlo. Maillot is cipal roles in Maillot's productions, including also regularly invited to stage his works for Juliet in Romeo et Juliette, the Mother/Fairy in companies all over the world, and is one of Cinderella, and most recently La Belle in France's most frequently presented choreogra­ Beauty. She has also danced roles in the reper­ phers. His ballets have been performed in tory, Balanchine ballets, and contemporary London , Rome , Madrid, Paris, Brussels, Lisbon , works by Armitage, Childs, Duato, Forsythe, Cairo, New York, Mexico, Rio de Janeiro, Sao and Kylian, among others. She regularly guests Paul o, Hong Kong, Seoul, Manila, Tokyo, at several international galas with Chris Brisbane, Beijing, Shanghai, and more. On Roelandt, including Vail, CO and Japan. In November 19, 1999, Maillot was awarded the 2002, she was awarded of title of Officier du title of Officer de l'O rdre du Merite Culturel of Merite Culturel of the Principality of Monaco. the Principality of Monaco, and , in July 2002, Who's Who

Chris Roelandt (dancer), Belgian, received his Nicholas Khan (dancer) , Canadian, studied at ballet education at the Antwerp Institute of the National Ballet School in Toronto. In 1989, Ballet and joined the Royal Ballet des Flandres he joined the National Ballet of Canada and in 1988 where he was promoted to soloist in was promoted to soloist in 1995. During this 1990. After guesting at the Daytona Ballet and period, he also guested with other companies Introdans, Roelandt was invited by Maillot to such as , where he danced join Les Ballets de Monte-Carlo in 1995. works by Balanchine and Robbins. In 1998, There, he danced principal soloist roles in he joined Les Ballets de Monte-Carlo as a works by Balanchine, Armitage, Alleyne, soloist. Forsythe, Kylian, and others. He created numerous major roles in Maillot's main Alina Lagoas (dancer) is Portugese. She choreographic works such as Romeo in studied at the National Conservatory in Lisbon Romeo et Juliette, the Father in Cinderella, and joined the Ballet National Ballet of Portugal or most recently the Prince in Beauty. He in 1996. In 1998 she joined Les Ballets de regularly guests at severals international galas Monte-Carlo where she has created principal with Bernice Coppieters, including Vail, CO roles for Armitage, Ga lili, and Maillot. and Japan. Nathalie Leger (dancer), French, graduated in Gaetan Morlotti (dancer), French, studied 1987 in Monaco from the Academie de Danse ba lIet from the age of th i rteen in Corsica, Princesse Grace. She then danced at the Basler then in Paris with Serge Golovine and Felix Ballett in Switzerland and at the Deutsche Oper Malinowski. After graduating from the am Rhein in Germany. Joining Les Ballets de Conservatoire National Superieur in Paris, Monte-Carlo in 1996, she has danced main Morlotti joined Les Ballets de Monte-Carlo. In roles in ballets by Balanchine, Maillot, and by 1988, he joined Maillot's company in Tours renowned guest choregraphers. and began a close collaboration with him. When Maillot was appointed director-choreog­ Gioia Masala (dancer), from Italy, studied at La rapher of Les Ballets de Monte-Carlo in 1993, Scala Theater School and at the School of Morlotti joined him and was appointed soloist. American Ballet in New York. She danced with Since then, he has been a noteworthy presence the Ballet Royal des Flandres and the Ballet of in new works by Maillot and has also danced the Staatstheater Wiesbaden in Germany before several principal roles in the Ballets Russes joining Les Ballets de Monte-Carlo in 2000. repertoire as well as contemporary works by Armitage, Childs, Forsythe, Galili, Neumeier, Carole Pastorel (dancer), French, was educated and recently Godani. at the School. She joined the Nice Opera Ballet in 1993 and Les Ba llets de Samantha Allen (dancer) is French. She was Monte-Carlo in 1995, where she was promoted educated at the Geneva Dance Center. In to soloist in 1998. She has danced principal 1989, she joined the School of American Ballet roles in Balanchine ballets and contemporary in New York. Subsequently, she was engaged works by Childs, Forsythe, Godani , O'Day, at New York City Ballet where she was promoted and Maillot. to soloist in 1997. She joined Les Ballets de Monte-Carlo in 2000. Aurelia Schaefer (dancer), of France, graduated with first prize at Conservatoire National Lara Maria Fernandez (dancer) , of Spain , Superieur de Danse Paris. She was a soloist at studied at the Maria de Avila company, then at the Ballet de Nancy and the Ballet Royal des the National Ballet of Nancy. From 1994, she Flandres where she danced in works by joined Les Ballets de Monte-Carlo where she Balanchine, Kylian , Cullberg, Gades, and distinguished herself in ballets by Balanchine others. In 1998, she was offered by Maillot a as well as Armitage, Forsythe, and Maillot. soloist position at Les Ballets de Monte-Carlo. Who's Who

Asier Uriagereka (dancer) is Spanish. He and costumes of numerous ballets. Among studied in Bilbao and at the Royal Ballet them are many ballets by Maillot, such as School after winning the Prix de Lausanne in L'Enfant et les Sortileges, Romeo and Juliet, 1993. From 1994-1999, he was soloist at Cinderella, Casse-Noisette Circus , and Oeil the Birmingham Royal Ballet. He then joined pour Oeil. In the year 2000, he created for the the Grand Theatre de Geneve in 1999 and Les Societe des Bains de Mer in Monaco the Ballets de Monte-Carlo in 2001. There he Christmas Sapin Carillon, an eleven-meter-high interpreted several major roles in Maillot's mobile sculpture which was set on the Place pieces, including Romeo in Romeo et Juliette. du Casino for the end of the year festivities; the same year, he designed the costumes of Dominique Drillot (lighting design) born in a ballet choreographed by Xin-Peng Wang Tours , France in 1959, is a purist of plastic after the famous film Epouses et Concubines arts and currently pursues both sculpture and (director Zhang Yimou), of which premiere by painting. Parallel to his studies at the school of the National Ballet of China took place in Beaux-Arts, he worked as stage manager, Beijing in 200l. Since then , he has collaborated painter-decorator, and props master. In 1987, with different artists and theaters such as he designed his first sets for Jean-Christophe Bertrand d'At, Karine Saporta, Benjamin Maillot (Theme and 4 Variations) with whom Britten , Finnish National Ballet, National he collaborates regularly (Le Jardin Jeux Korean Ballet, and Comedie Fran~aise. d'Amour, Ubuhuha, Lueur d'Amour, Vers un Pays Sage, Recto Verso). He has worked with Ernest Pignon-Ernest (scenery design), born in other artists, namely Lucinda Childs, Ramon 1942, made his name by pasting silkscreen Oller, Conny Jansen, and Josette Baiz, and a prints of a famous photograph of Rimbaud on number of companies, notably Ballet du Nord, town walls--exhibited at the Jardin des Plantes Ballet of the Opera of Rome, Lyon Opera Ballet, in Paris in 1984-and by presenting 28 Ballet du Grand Theatre of Bordeaux, Stuttgart "arbrorigenes" vegetable sculptures, made with Ballet, British Columbia Ballet, Introdans, the scientist Claude Gudin and the Research Grenade Group, and Jean-Christophe Maillot Centre of Cadarache. He is also known for the and Les Ballets de Monte-Carlo as director of ornate drawings with which he decorated the sets and lighting. He has also created lighting walls and streets of Naples between 1988 effects for the works of Jean-Christophe Maillot and 1995, and which followed a very precise Bertand d'At, Renato Zanella, Serge Bennathan, trajectory determined after a long preparatory John Alleyn e, Itzik Galili, and Lucinda Childs. period. Pignon-Ernest conceives of his work from a double point of view-that of reference Jerome Kaplan (costume design), born in Paris (Caravaggio, Ribera , etc.) and of the place itself in 1964, developed a passion early on in life in which the image will be situated. One could for the plastic arts. He studied in Paris at the even say that the location plays the determining Ecole de la Rue Blanche in the department of role. The image derives its meaning from its stage decoration. Since leaving in 1987, he site, rather than the contrary. Pignon-Ernest's has designed costumes and decor for a number "materia l" is to a greater extent the actual con­ of theatrical productions, including Rossini's text itself, rather than the object that he places Barber of Seville , Massenet's Don Quichotte, therein. A virtuoso draftsman, he is not really a and Vivaldi 's Montezuma (all three operas "painter," nor quite a "sculptor," but an artist directed by Ariel Garcia Valdes). Kaplan also who masters his means of expression in order designed the costumes for L'Arche de Noe by that "this is no longer a problem ." It is at Benjamin Britten and Journal d'un usager de this point that his profoundly original artistic /'espace written by Georges Perec, with music process can emerge in all its richness: a by Didier Lockwood, both pieces directed by process that brings him closer to the workings Charlotte Nessi and produced at the Bastille of a Christo, or a like inventor of images. A Opera. Since 1991 , he has created the sets process during which he seizes the maximum Who's Who from the real, and not just its outward Jiri Kylian have entrusted the company with appearances. In this, he resembles Lascaux's their unique works; an invaluable heritage for huntsman, who, knowing how to draw the the company and the history of contemporary buffalo on the cave wall, has a better chance dance. Maillot selects gifted dancers with great of catching it than the other huntsmen of the faculties of adaptation, and encourages them to tribe. (Excerpt by Jean-Luc Chalumeau, from apply their unique qualities and skills to show the catalogue Corps et Ame, Monaco, July the repertoire at its best aspiring to render to 1995, reprinted with the kind authorization of the dancers the imporance and recognition they Martine Fresia and Bernard Bonnaz.) deserve. It is one of the reasons that in December 2000 he founded the Monaco Les Ballets de Monte-Carlo 's rebirth took place Dance Forum , with the Nijinsky Awards, to in 1985, thanks to the devotion of H.R.H. the honor artists in dance from around the world. Princess of Hanover in order to fulfill the desire Maillot's personal research is evident in such of H.S.H. Princess Grace, her mother, to recreate a ballet company in the Principality. First, under the leadership of Ghislaine Thesmar and and later on Jean-Yves Esquerre, the company rapid ly developed along the line of companies of the past. The arrival of Jean-Christophe Maillot as director of Les Ballets de Monte-Carlo in 1993 carried the company to new heights. Its maturity and excellence is world-renowned today. Over the past ten years Maillot has built a repertoire around his own works, while represent­ Chris Roelandt, Bernice Coppieters. Photo, Hans Gerritsen ing in Monte-Carlo numerous guest choreographers. In Ballet International (2001), creations as Dov'e la luna, Recto-Verso, Vers Hartmut Regitz wrote, "Jean-Christophe Maillot: un Pays Sage, Entrelacs , Opus 40, Men's the man to whom the Ballets de Monte-Carlo Dance, and more . Such are the origins of this owes its position as an exceptional international new language that it also translates the great company." Thomas Hahn added in Die Welt in classics with timeless themes such as Romeo June 2001 that "Jean-Christophe Maillot is a et Juliette, The Nutcracker, Cinderella, and choreographer bulging with fantasy, but equally recently, The Beauty. Approximately 20 new gifted with a sense of moderation. Since 1993, creations comprise the major part of the current he has directed the Ballets de Monte-Carlo and repertoire, in which many artists, painters, and has endowed the company with its own artistic composers have participated. Touring a part profile. Moreover, Maillot has the gift of forming of the year since 1993, the company has a new audience, coaxing it from the past to performed in Paris , London, New York, the future. Today, he proves that a dancer can Madrid, Mexico, Rio de Janeiro, Sao Paolo, equally be a remarkable actor." With an on­ Beijing, Shanghai, as well as in Japan, Korea , going passion for the evolution of the classical Australia , and numerous other locations dance language itself, Maillot invites many throughout Europe and the Americas. In the choreographers-practically all of who embrace span of a few yea rs , Maillot has successfully a similar philosophy-thus permitting the incorporated measures that give substance to company to interpret more than 50 new the company. He approaches the future with ballets. Karole Armitage, Jacopo Godani, Kevin the conviction that, like the world, dance is O'Day, Nacho Duato, John Neumeier, Itzik perpetually evolving, and that it is an essential Galili, Lucinda Childs, William Forsythe, and passion which he can share. Les Ballets de Monte-Carlo

2002-2003 Season

Dancers Paola Cantalupo Bernice Cop pieters Chris Roelandt Gaetan Morlotti

Samantha Allen Lara Maria Fernandez Alina Lagoas Nathalie Leger Gioia Masala Carole Pastorel Aurelia Schaefer Maurizio Drudi Nicholas Khan Mirko Hecktor Rodolphe Lucas Jerome Marchand Jean-Claude Nelson Asier Uriagereka

Fanny Agnese Yumiko Asakura Marie-Laure Briane Ying Yong Deng Francesca Dolci Klara Houdet Lisa Jones Mimoza Ko'ike Raphaele Lecharpentier Ljiljana Peric Lea Petruzzi Charlotte Piot Cecile Robin Prevallee Catherine Schwitter Genevieve Van Quaquebeke Franck Balbi Julien Bancillon Gregory Deltenre Emil Faskhutdinov Olivier Hazard Kenta Kojiri Rodolphe Lucas Olivier Lucea Eric Oberdorff Emmanuel Puons Bloch Ramon Reis Evgueni Slepov

DI RECTOR/C HOREOG RAPHER JEAN-CHRISTOPHE MAILLOT

Director's Assistant and Ball et Mistress Giovanna Lorenzoni Ballet Masters Gerard Le Bours , Christiane Marchant, Josu Zabala Lighti ng and Set Designer Dominique Drillot Pianists Elzbieta Ziomek , Eric Nicolussi Mu sica l Adviso r and Director Nicolas Brochot

ADM INISTR ATI VE MANAG ER Administrative Assistant Jean-Marie Sosso JEAN-MARC GENESTIE Director's Secretary Muriel Provenzani Administrator's Secretary Muriel Rousseau Director of Booking Jean-Baptiste Bello-Portu Accounti ng Maurice Gozzellino, Alain Nocera Adm inistration of Booking Muriel Loncle Auditions Kathy Plaistowe Tour Manager Didier Lambelet Freelance staff Technica l Director Nick van der Heyden Sound Engineer Michel Soulier Technica l Dept Asst Maryam Ghorbanifar Lighting Technician Christophe Mathis Technica l Manager Bertrand Grandguillot Physiotherapist Jean-Jacques Diard Stage and Ba llet Manager Gilles Papain Lighting Technician Bruno Schembri Guest Choreographers Lucinda Childs, William Head Carpenter Gilles Gianton Forsythe , Jacopo Godani , Jiri Kylian Props Jacques Roques Guest Ballet Masters Ana Catalina Roman , Costumes Jean-Michel Laine Hans Knill , Thomas McManus, Costume Assistant Paula Lopes Megumi Nakamura Wardrobe Mistress Christiane Lemoine Guest Teachers Christine Anthony , William Media Department Director Isabelle Ricard Burman , Marcia Haydee, Yoko Ichino, Media Department Assistant Karine Sategna Michal Messerer, Patricia Neary, Jan Press Relations Sophie Verdure Nuyts, Roberge , Glenn Tuggle Public Relations Fran~ois Thiolat Credit Fancier de Monaco, Private Banking, Partenaire Officiel des Ballets de Monte-Carlo BAM Spring Gala & Auction

Cinderella (Cendrillon) Under the Presidency of H.R.H. The Princess of Hanover Les Ballets de Monte-Carlo Directed & choreographed by Jean-Christophe Maillot

Tuesday, April 29, 2003

In the Presence of Their Royal Highnesses The Prin ce and The Princess of Hanover and His Serene Highness Crown Prince Albert of Monaco

Spring Gala Chairs The Honorable Maguy Macca rio-Doyle , Consul General of Monaco Nora Ann Wallace & Jack Nusbaum

Spring Gala Vice Chairs Robert J. Baker GGMC, The Grossman Family Rita Hillman Diane & Adam E. Max

Gala Hosts Alan H. Fishman BAM Chairman of the Board

Karen Brooks Hopkins BAM President

Joseph V. Melillo BAM Executive Producer

Spring Gala sponsored by: The Consulate General of Monaco The Monaco Government Tourist Office =.1 MONACO www.visitmonaco.com

Additional Gala support has been provided by: Bowne Enterprise Solutions Delta Air Lines Elite Traveler GGMC Parking, LLC Alex Hillman Family Foundation Diane & Adam E. Max Neuberger Berman Foundation Nora Ann Wallace & Jack Nusbaum BAM Spring Gala & Auction

Honorary Chairs: The Honorable George E. Pataki , Governor of New York The Honorable Charles E. Schumer, U.S. Senator The Honorable Hillary Rodham Clinton, U.S. Senator The Honorable New York City Council Speaker Gifford Miller The Honorable Comptroller William C. Thompson, Jr. The Brooklyn Borough President Marty Markowitz The Honorable Congressman Major R. Owens The Honorable New York City Councilman James E. Davis The Honorable State Senator Velmanette Montgomery The Honorable Assemblyman Roger L. Green The Honorable Joan L. Millman, Assemblywoman The Honorable Yvonne J. Graham , Deputy Borough President

Benefit Committee Kevin Kline Richard Avedon Jacqueline Krueger John Baldessari Bernard Lambert, Societe des Bains de Mer Theodore S. Bartwink Robin & Edgar Lampert Sasson Basha W. Loeber Landau & Barbara Landau David Bowie & Iman Leonore Lecuyer Etta Brandman Yamira Ledesma Karen Brosius Ang Lee Norman J. & Terri Buchan Cynthia & Dan Lufkin Betty Buckley Emily Lyons Steve Buscemi & Jo Andres Cristina Manu Michael J. Burke Leigh & Charles Merinoff William I. Campbell & Mertz Gilmore Foundation Christine Wachter Campbell Jeffrey & Sheila Metzner Robert B. Catell Karla Modolo CFM Monaco Nata lie Moody CitiGroup, Inc. Sandra Morisset Consulate General of Monaco Donna Murphy Edmund C. Duffy, Esq Noah Myerson Jean-Pierre Duteron David Nachman & Amy W. Schulman Bill Evans Jack Nash Richard B. Fisher & Jeanne Donovan Fisher Steven J. Nulty Judith R. & Alan H. Fishman William A. Perlmuth Peter Fitzpatrick Lucie Pombar Milos & Martina Forman Jerry Orbach Stephanie French Tony Randall Giorgio Armani Corporation Directors of Foundation: Douglas Gollan Allen Greenberg Greenteam Advertising Floria Lasky, Esq Charles J. & Irene F. Hamm Daniel Stern, M.D. Helen Hunt Janet Rodriguez Celine Hunter Jonathan F. P. & Diana V.C . Rose Lauren Hutton Daniel D. Rubino Jeremy Irons Carl Ruderman Harvey Keitel Suzanne Sato BAM Spring Gala & Auction Mr. & Mrs. Richard J. Schwartz Flute Champagne Lounge Fred & Robin Seegal Forbes, Inc. John C. Simons Four Seasons Hotel George V Arlene Shuler Gourmet Magazine Anna Deavere Smith Gucci Susan Sontag Hermes of Paris, Inc. Britt Sorensen The Hole in the Wall Gang Camp Target Stores Hotel de Paris Marisa Tomei Hotel Le Bristol John Turturro & Katherine Borowitz Kanebo Cosmetics USA, Inc. Maria Tuttocuore L' lmpero Restaurant Lisa Vitale L'Occita ne en Provence John R. Young La Caravelle Elaine Weinstein La Goulue Restaurant Sam Waterston La Mer Willkie Farr & Gallagher Tax Department La Perla Fashions, Inc. Antonia Yuille-Williams Le Cirque 2000 Lauren Zagorski Le Club Diamant Rouge de Monaco Joan Liebowitz Auction Committee Les Ballets de Monte-Carlo Tristane de la Presle, Chair Loro Piana Pia Kazan, Co-Chair Metropolitan Opera Guild Jean-Pierre Duteron, Co-Chair Michal Negrin Bill Evans, Auctioneer Isaac Mizrahi Aaron Basha Monaco Government Tourist Office Alain Ducasse New World Aviation American Airlines The New York Palace Hotel BAM The New Yorker Magazine Bernardaud N.A. , Inc. Oliviers & Co. Bordeaux Fine Wines Orsay Restaurant Brenner's Park Hotel & Spa Osteria Del Circo Cafe Boulud Park Hotel Vitznau Calamanco Park Hyatt Paris Vendome Carnival Cruise Lines Payard New York and Manhasset Celine The Peninsula Spa & Health Club Champagne Lanson PRADA Champagne Paul Goerg Pratesi Linens Chateau de la Chevre d'Or Radisson Seven Seas Cruises CHANEL, Inc. Raffaella D' Chopard The Regent Wall Street Hotel Christian Dior Couture Restaurant Le Louis XV - Alain Ducasse Christofle Ritz-Carlton New York, Central Park Club Monaco Salvatore Ferragamo Cristal Saint-Louis Sea Dream Yacht Club D'Artagnan, Inc. Silversea Cruises David Yurman Societe des Bains de Mer Delta Air Lines Sofitel Christopher SI. Barts Dolce & Gabbana Sony Style Elite Traveler The SI. Regis, New York Fa~onnable Swiss International Air Lines BAM Spring Gala & Auction

Thomas Beisl Next Society Valentino U.S.A. Anne H. Bass Jean-Georges Vongerichten Mr. & Mrs. Sid R. Bass W.R. Berkley Foundation Gala Leaders Roger & Brook Berlind Rita Hillman Neil & Kathleen Chrisman Diane & Adam E. Max Mr. & Mrs. Peter Cohen Nora Ann Wallace & Jack Nusbaum Gerard Conn & Carol Yorke Kenneth & Maria Cuomo Cole Ga la Promoters Mary Sharp Cronson Altria Group, Inc. Tony & Lawrie Dean AT&T Elizabeth de Cuevas Susan Baker & Michael Lynch Anne Delaney Sasson Basha Diana de Vegh William I. Campbell & Beth Rudin DeWoody Christine Wachter Campbell Hester Diamond & Ralph Kaminsky CitiGroup, Inc. Elizabeth & Mallory Factor CFM Monaco G. Martin & Linda Fell Elite Traveler Ronald Fi nkelstein Judith R. & Alan H. Fishman Richard B. Fisher & Jeanne Donovan Fisher Douglas Gollan Forbes Inc. Charles J. & Irene F. Hamm Susan & Michael Furman Jacqueline Krueger John M. Goldsmith Irwin Lainoff Regina M. Griffin Bernard Lambert, Societe des Bains de Mer Agnes Gund & Daniel Shapiro John Lipsky & Zsuzsanna S. Karasz Charles J. & Irene F. Hamm Leigh & Charles Merinoff Monika & Charles A. Heimbold, Jr. Jonathan F. P. & Diana V.C. Rose Buck Henry Carl Ruderman John & Karen N. Horn Fred & Robin Seegal IATSE - Theatrical Stage Employees Local 4 John C. Simons, EVP, Fleet National Bank International Creative Management Verizon Communications Mr. Wil liam Josephson & Ms. Barbara Haws John & Barbara Vogelstein Miriam Katowitz & Arthur Radin Kenneth Cole Productions Gala Guarantors Edward & Norma Kleinbard Norman Buchan Jean-Pierre & Rachel Lehmann Con Edison Sarah & Louis Lenzi Credit Suisse First Boston Phyllis & Harvey Lichtenstein Giorgio Armani Corporation John Lichtenstein HSBC Bank USA Diane & Adam E. Max IATSE - Theatrical Stage Employees Local 4 Mr. & Mrs. Hamish Maxwell Robin & Edgar Lampert Me & Ro, Inc. David Nachman & Amy W. Schulman Martin & Selma Mertz Timothy U. Nye Eliot Nolen & Tim Bradley Daniel D. Rubino Timothy U. Nye Elaine Weinstein Jim & Mary Ottaway Willkie Farr & Gallagher Tax Department Mr. & Mrs. Steven C. Parrish Edward & Annie Pressman Prime Hospitality Corp. ~ j p BAM Spring Gala & Auction

Rajika & Anupam Puri Charlotte & I. Stanley Kriegel The Reed Foundation Nancy Lassalle Mr. & Mrs. Theodore C. Rogers Catherine Lebow & Seth L. Rosenberg Jonathan F. P. & Diana V.C . Rose Amala & Eric Levine Martha A. & Robert S. Rubin Frances A. Lewis Jennifer Schwartz William & Phyllis Mack Mr. & Mrs. Richard J. Schwartz Susan & Morris Mark Jeanette M. & Ruben Selles Scott C. McDonald Elizabeth Sidamon-Eristoff Mr. & Mrs. Richard L. Menschel Kent Cobb Simons Bella Meyer & Martin Kace Jean Stein Jeffrey L. Neuman Jane M. Timken Evelyn & Everett Ortner Beth M. Uffner Jonathan Otto Margo & Anthony Viscusi Richard G. Peterson & Ellen Flamm Wendy vanden Heuvel Antonia Pew Nora Ann Wallace & Jack Nusbaum Diana Elzey Pinover & Eugene A. Pinover Charlene Magen Weinstein Joe Regan Jr. Dietrich & Philippa Weismann Mr. & Mrs. David Rockefeller Vaughn C. Williams Tad Sennott The Robert W. Wilson Foundation, Inc. Shelly's N.Y. Steak and Oyster Bar Nina Winthrop Patricia J. S. Simpson Linda G. Singer Chairman's Circle Harry J. & Clare Smith George E. Berger, P.E. Brian & Lavinia Snyder Judy & Howard Berkowitz Melissa & Robert Soros Raphael Bernstein Regina Taylor & Peter Norton Susan V. Berresford James Truman, Conde Nast Publications Ranny Cooper & David Smith Juliet Taylor Walsh Catherine G. Curran Tracy A. White Deloitte & Touche James D. Wolfensohn Family Foundation Judge Marilyn G. Diamond & Judge Patricia Wright & Sean Moore Franklin R. Weissberg Matthew & Myra Zuckerbraun Cristina Enriquez-Bocobo & Cody J Smith Bea Friedland Producers Council Egan R. Gerard Michele L. Abeles David G. Gilbert Chris Ahearn & Marla Mayer Barbara L. Goldsmith Mark Allison & Stephanie Holmquist Sara & Paul Gottlieb Sarah Jean Avery Gordon & Mary Gould Thomas Ball & Bobbie Tse David Gruber Barbara & Ted Bartwink J. Dozier Hasty Hyatt Bass Diana & Jon Herzog Tony Bechara William T. Hillman Jayne E. Bentzen & Benedict Silverman Steven L. Holley Elizabeth H. Berger Richard & Dorothy Hulbert Frederick Bland & Morley Bland Paula Jarowski & Earl Black Martin & Sallie Blumenthal Randolph & G. Miller Jonakait Julie Jensen & Robert Bryan Mary Yung Kantor Mr. & Mrs. Juan Carlos Carrera James E. & Marcia Kelly Paul & Shelley Chapman Bruce R. Kraus Joan Hardy Clark BAM Spring Gala & Auction

Robert J. Cleary Raymond J. Learsy Douglas S. Cramer Anna & Jonathan Lehman Mr. & Mrs. John F. Davis III Robert F. Lide Dr. & Mrs . William DeHoff Stephen T. & Sigrid E. Lindo Rohit & Katharine Desai Ri chard Lynn & Joseph Evall Jennie & Richard DeScherer Stephen Maharam Madeline M. Hooper & Ian Hooper Isaac Mizrahi Frederick N. & Michele Oka Doner Donald Moffat & Gwen Arner Cory & Bob Donnalley Vik Muniz & Janaina Tschape Gordon Douglas Roger D. Netzer & Frances Campbell Lonti Ebers Talya Nevo-Hacohen Mr. & Mrs. Martin L. Edelman lIana Pachter Wynn Asher B. Edelman & Michelle Vrebalovich Loretta & William A. Perlmuth William S. Ehrlich & Ruth Lloyds Stephen Perris Dawn & Jim Ellwood Barbara G. Pine Gail Erickson & Christa Rice Mr. & Mrs . Leon B. Polsky Sherli Evans & Eric J. Vanderbush M.D. Ron Reel Seth S. & Sara Faison Mr. & Mrs . Steven H. Reisberg Anna & Jim Fantaci David Resnicow Neil R. Feldman Connie & Ted Roosevelt Linsay Firman Maria & Louis F. Rosenthal Marilyn Gelber & Robert Jacobson Dr. Thomas Roush & Mrs. Claudia Roush Whitney & Irene Goit Tony & Ruth Schlesinger Francis Greenburger & Isabelle Autones Lynn Schneider & Nathan Joseph Stephen R. Greenwald & Rebecca A. Sullivan Eleanor N. Schwartz Andrew Grossman Martin E. Segal Semone Grossman Rena & Michael D. Shagan Calla & Ralph Guild Rosamond S. Shannon Henry B. & Karoly S. Gutman Harold & Myra Shapiro Gunilla N. Haac Manya & Howard Shapiro Hugh & Tiziana Hardy Carol & Ted Shen The Harkness Foundation for Dance, Inc. Arthur T. Shorin Molly K. Heines & Thomas J. Moloney Anne Sidamon-Eristoff Margaret Conner Hewitt Danny Simmons, Rush Philanthropic Arts Michael J. Hirschhorn Foundation Joel S. & Lily M. Hoffman Edward Skloot Barbara Hoffman Ellynne Skove Jane Holzka & Mark Winther Stephen R. Smith & Ford Rogers Dr. Phyllis S. Hyde, M.D. & James Sollins Jan Thomas Hyde Liliane & Jose Soriano Charles Ingham Mr. & Mrs. Laurence Sorkin Dr. & Mrs. Edison O. Jackson Annaliese Soros Jaffe Holden Acoustics Mr. & Mrs. Howard B. Sosin Peter & Karen Jakes Dr. Rogelio Sosnik & Dr. Irene Cairo Myron M. Kaplan Anki Spets Jessie & Peter Kelly Samuel & Ellen Sporn Christine Kim & Jay Chang Barbara H. Stanton Leonard M. Klehr Axel & Lili Stawski Joan & Albert Kronick Dr. Susan C. Stewart Mr. & Mrs. Hugh & Betsy Lamie Charles S. Sullivan BAM Spring Gala & Auction

Coralie S. & Alden L. Toevs Mr. Paul A. Gangsei Town & Country Magazine Richard Goldstein Charles Antoine van Campenhout David Gould Sue Erpf Van de Bovenkamp Stephen W. Greiner Bernardette Vaskas William H. & Laura S. Gump Raymond W. Wagner William & Carol Hiller Mr. & Mrs. William E. Wallace, Jr. Tonny K. Ho & June L. Yuson Joan Waricha Rita Gail Johnson Walter J. Wilkie Robert J. Kheel Susan R. Witter Sidney & Ruth Lapidus Mary Anne & Richard Yancey Faith & Maurice Lefkort Christopher E. Manno Gala Partners JoAnn & Neil Novikoff Robyn & Marc Abrams Gary & Marci Nusbaum Thomas M. Cerabino John R. Oller Credit Lyonnais Orentreich Family Foundation Mr. & Mrs. John F. Davis Thomas N. Pieper Millard & Peggy Drexler Philippe Salomon & Paula J. Mueller Mr. Howard L. Ganek Dan & Phyllis Schloendorn Steve & Donna Gartner Michael & Ellen Schwartz Mr. & Mrs. Edwin Hershey Steve & Luba Seidman Brian & Billie Kelly Dr. Thelma K. Stevens & Steven & Joanna Klein Dr. Diane B. Ch ichura Martin Klotz & Nancy Kilson Emi ly M. Zeigler Mr. & Mrs. Michel Longchampt Daniel Loeb Gala Contributors Jeanne Luboja & John Timm Serge Benchetrit & Melissa Brescia Mr. & Mrs. Randolph Marshall Kathleen A. George Francis J. Menton & Denise Wilson Michael & Pamela Kelly Raymond W. Merritt Leslie M. Mazza Rod & Alice Moorhead Howard Pitsch Michael & Ellen Peskin Jeff & Judy Pass Paul & Margaret Poster Richard & Mary Thaler Patricia Ratut-Willemetz Jonathan Wilcove Rick & Bonnie Reiss Harriet & Myron Trepper Gala gift bags provided by: Donald Trump Citibank Grace Lyu Volckhausen Delta Ai r Li nes Elite Traveler Gala Associates Kenneth Cole Productions ALSAC / SI. Jude's Children's Research Les Truffes d'isabelle, LLC Hospital Monaco Government Tourist Office Elizabeth Bassin & Douglas Uline Not For Tourists Lois & John D'Alimonte Pointe Frank Daniele Sony Cierge Rose DiMartino & Karen Smith Bill & Tana Dye Spring Gala printing courtesy of Matt & Theanne Feldman Bowne Enterprise Solutions Dave & Kathie Foster John & Hope FurthEileen Gallagher Listing as of 4/10/03