Washington Apple Pi Journal, August 1987

Total Page:16

File Type:pdf, Size:1020Kb

Washington Apple Pi Journal, August 1987 $ 250 Wa/hington Apple Pi The Journal of 8 Washington Apple Pi, Ltd. Volume. 9 Au~ust 1987 number 8 Hi~hliQhtl- - " MS-DOS on the Apple 11 (Apple II News and Notes) " I Love Apple Music: Parf '3 ,,~T*R*A*S*H ~ Sci. & Tech. Writing on the Mac (pages 58-62) ~ Quark XPress: A Review ~ Softviews: APL*Plus '- In TI1is Issue.. Officers & Staff, Editorial .................... ......................... 3 Counting the Ballots: As Easy as A-B-I/c ...... Rowell et al 43 "" President's Comer ..................................... Tom Warrick 4 Help Needed with Software .. .............................. ........... 43 General Information ..................................................... 5 T * R * A * S * H ........ ............................. Fred Seelig 44 Job Mart, Classifieds, Minutes ............... .... .................... 6 Letter to the Editor .................... ..... Applied Engineering 46 WAP Calendar, SigNews ..................... ........ ... ... ........... 7 "Say Thanks, America" .. .... ............. ......... ....................47 WAP Hotline.............. .. ............................................. 9 Mac Q & A ....... .............. ............... Jonathan E. Hardis 48 On the Trail of the Apple III .... .... ...... .. ... .. David Ottalini 10 MacNovice: Vive la Difference ............. Ralph J. Begleiter 52 The GS Mod: A Case History ......................Ralph Wege 16 Macintosh Bits and Bytes ...... ................. Lynn R. Trusal 54 IIGS Stuff .............................. ................ ... Ted Meyer 18 Technical Writing on the Macintosh ..........Rick Chapman 58 PI-SIG News ......................................... Robert Golden 19 Guide to Formulas in Word 3.0 ... .. ....Harris J. Silverstone 61 Frederick Apple Core ............................ .... .................. 20 Bits and Pieces ............ ............................. Peter Trinder 63 Apple II News and Notes ........................ Walt Mossberg 21 Quark XPress: A Review .............. ...... ........... Jay Rohr 64 Q & A ........................ Robert C. Platt & Bruce F. Field 24 Excelling on Your Mac: Part 14 .. .. ......David Morganstein 68 Word Perfect 1.1: A Review .............. Howard M. Berman 25 Musements ................. ... .......................... ..Fred Seelig 69 I Love Apple Music: Part 3 ............... .... .... Gary Hayman 26 Developer's View .. ......................................Jim Lanford 74 Computers in Education ................ ..... Joseph A. Hasson 30 Softviews .............. .... .................... David Morganstein 76 In Search of the Most Amazing Thing ... .....Linda Van Zee 33 Preventing Bombs with New Sys/Fndr...David Morganstein 78 Pascal News .. .......... ............................ Robert C. Platt 34 AEC-SIG ..................... ................................ .. ... .. ...... 78 Stock SIG News ......................... Andrew D. Thompson 35 Word 3.0 Command Summary ...... .. ....... .... Tom Warrick 78 GameSIG News ........ .............................. Steven Payne 36 Using Ramstart 2.0+ with LaserWriter ......... .. ..Jim Reese 80 Space Quest: A Review ..... ................... .....Marc S. Hoff 36 Elegant Desk Accessories .... ...... ............ David E. Condit 81 Mac Pro Football: A Review ................. .Peter Lindstrom 37 CalendarMaker: A Review ........... ................................. 82 Rebel Charge at Chickamauga: A Review ......Ian Soboroff 38 Mac Disketeria Notes ..................... .......... Marty Milrod 82 WAP World Builder Contest.. ................. Robert C. Platt 38 IIGS Disketeria Notes ................................ ..David Todd 85 WAP Acrostic .. ....................... .......... Dana J. Schwartz 39 Tutorial Registration ............................................ ...... 86 WAP 1987 Operating Statement & 1988 Budget .............. 40 Index to Advertisers, Index to Authors ................. ...... ..... 86 Tips & Techniques ................... ........ .... .. .................... 42 Disketeria Order Form ... ..................... ................... ...... 87 Family Com~uter ------CENTER Fair Oaks Shopping Center, 11917L Fair Oaks Mall, Fairfax , Virginia (703) 385-2758 Backlick Shopping Center, 6691 Backlick Road, Springfield, Virginia (703) 866-9122 Get Expert Authorized Apple Input. .. Express Service When your Apple equipment breaks down, you need it fIXed, not excuses. That's why we're introducing ServiCenter Express Service fo r Apple 1t members at a special rate. But what does Express Service mean to you? Express Service means fast repairs at reasonable prices for you. As an Apple 1t member in good standing you pay only regular labor rates for Express Service. It means that if we have parts in stock for your Apple-brand peripheral, you can have it repaired while you wait in most cases. To take advantage of this special offer you must do two things. First, caU for an appointment before bringing you machine in for repai r. Second, you must present your current Apple 1t membership card when you present your equipment for repair to receive the special Apple 1t discount on Express Service labor rates. For appointment call our service department: 644-8 442 " --'" '. -' '':-. ...And This One Me Business! The Macintosh II is the new high performance, open architecture mAlmh'~r" ·. of the Macintosh family. And is designed for advanced applications in business, desktop publishing, science, and engineering. Using hardware and software options from Apple and third parties, Macintosh II can support other operating environments, including MS­ DOSandAT&TUNIX. Come in and See the Macintosh II! Opcode MIDI interfaces connect the Macintosh computer to any music synthesizer with MIDI (Musical Instrument Digital Interface). From the time music and computers began to mix, musicians have dreamed of a music production system with the power, graphics and user-friendly interface that the Macintosh delivers. Opcode makes it a reality with hardware and r----___~~~~.J...:L._Lig;;: software. As authorized resellers of Opcode peripherals we carry: ·Studio Plus Two Interface Washington Apple IT Members •The Professional Plus Interface ·Opcode Sequencer 2.5 receive10% off all MIDI · Librarians with Patch FactoryTM interfaces and software in stock! Apple and the Apple logo are registered trademarks of Apple Computer, Inc . Apple and Macintosh are trademarks ofApple CompuJer, Inc. linton EomputC!r Clinton Computer Your #1 Apple Dealer! 8032 LccsburgPtke, Vienna, VA (703)442-3800 '* '-. '* 6443 Old Alex. Feny Hd, Clinton, MD (301)856-2500 277S. Washington St, Alexandria, VA (703)838-9700 '* ~"I.~,,~tI 1.,"1" '* 9636 Ft. Meade Rd, Laurel, MD (301)953-1110 or(30 1)792-0600 '* 12204RockvtllePike,Rockvtlle,MD (301)881-2810 '* Clinton Computer -­ A Full-Service Dealership! Five Stores Cover Metro Area Clinton Opens Fifth Store - in Rockville Clinton Computer, the Metro area's largest indepen­ dent retail computer dealer, now has five stores -- in Clinton, Rockville and Laurel. MD, and in Vienna and Alexandria, VA We are authorized dealers for Apple™ microcomputers atall five locations. In addition, our Clinton and Alexandria stores are authori7.ed IBMTM Personal Computer dealerships. We also sell printers, monitors, software. supplies, and service. Look into the New Macintosh II The new Macintosh™ II. There's a lot to look into. And it's easy. Just lift off the cover. and you're inside a whole new world. A world that makes It simple for you to adapt. expand. upgrade. and configure the Macintosh II to meet your needs. And with color. too! What·s more. the Macintosh II is the fastest and most powerful member of the Macintosh family -- processing information at four times the speed. And with six internal expansion slots. you have tremendous expansion capa­ bilities. Which means there's practically no limit to what it can do for your business. Best of all. it's a Macintosh. so training time is Clinton Computer'sNew Store at 12204RockvillePike minimal. In fact. you can learn to put all these new The company also operates a huge 3600-square-foot capabilities to work -- injust a few hours. service and repair facility in Clinton. with satellite repair Come in and f3ke a close look at the new Macintosh II. shops at the Laurel. Vienna. Rockville and Alexandria There's a lot lHore to it than meets the eye -- inside and out! stores. Clinton Computer was founded in 1978 by co-owners Art Lundquist and Chuck Perilli. It began as a two-man Training Available consulting firm on the fourth floor of an office building Clinton Computer offers a comprehensive training and has grown into a multi-million-dollar retail business. program on both Apple™ and IBMTM microcomputers. o Classes. currently scheduled through October. include New DISCOUNT POLICY FORWASlnNGTON APPLE PI MEMBERS Owners' Workshops. Mac praphics. AppleSoft BASIC. Ap­ CUNTON COMPtrrER q[{ers Washington Apfle Pi members a 2596 pleWorks. Lotus 1-2-3. Microsoft Works and more! DISCOUNT OFF THE UST PRICE on al non-allocated Apple For registration information. contact Paula Majero­ brand peripherals (no CPl.!s). software and AppleCare. For wicz at our Laurel location -- 953-1110. upgrades. the 25% discount applies to both the parts and normal labor rate. Discount is avaUable to persons who have been Pi rnembers (or at least 3 months. Discount cannot be applied This ad was produced on a Macintosh and 1..a.~erWriter. using . /etroactlvc1y. Pi members need to present their cards upJront. No MacWrite and Aldus PageMaker. Apple. the Apple logo.
Recommended publications
  • Macintoshed Libraries 2.0. INSTITUTION Apple Library Users Group, Cupertino, CA
    DOCUMENT RESUME ED 355 947 IR 054 450 AUTHOR Vaccaro, Bill, Ed.; Valauskas, Edward J., Ed. TITLE Macintoshed Libraries 2.0. INSTITUTION Apple Library Users Group, Cupertino, CA. PUB DATE 89 NOTE 96p.; For the 1991 volume, see IR 054 451. PUB TYPE Collected Works General (020) Reports - Descriptive (141) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Academic Libraries; *Computer Software; Elementary Secondary Education; Higher Education; *Hypermedia; *Library Automation; Library Instruction; Library Services; *Microcomputers; Public Libraries; Reference Services; School Libraries IDENTIFIERS *Apple Macintosh; HyperCard; Screen Format; Vendors ABSTRACT This annual collection contains 18 papers about the use of Macintosh computers in libraries. Papers include: "The Macintosh as a Wayfinding Tool for Professional Conferences: The LITA '88 HyperCard Stack" (Ann F. Bevilacqua); "Enhancing Library Services with the Macintosh" (Naomi C. Broering); "Scanning Technologies in Libraries" (Steve Cisler); "The Macintosh at the University of Illinois at Chicago Library: Flexibility in a Dynamic Environment" (Kerry L. Cochrane); "How a School Librarian Looked at a Gnawing Problem (and Saw How the Mac and Hypercard Might Solve It)" (Stephen J. D'Elia); "The Macintoshed Media Catalog: Helping People Find What They Need in Spite of LC" (Virginia Gilmore and Layne Nordgren); "The Mac and Power Days at Milne" (Richard D. Johnson); "The USC College Library--A Macintoshed System" (Anne Lynch and Hazel Lord); "Macintosh in the Apple Library: An Update" (Rosanne Macek); "The Macs-imized High School Library Instructional Program" (Carole Martinez and Ruth Windmiller); "The Power To Be Our Best: The Macintosh at the Niles Public Library" (Duncan J. McKenzie); "Taking the Plunge...or, How to Launch a 'Mac-Attack' on a Public Library" (Vickie L.
    [Show full text]
  • ARTICLE American Movie Audiences of the 1930S1
    ARTICLE American Movie Audiences of the 1930s1 Richard Butsch Rider University Abstract The Depression and movies with sound changed movie audiences of the 1930s from those of the 1920s and earlier. Sound silenced audiences, discouraging the sociabili- ty that had marked working-class audiences before. The Depression led movie com- panies to change marketing strategies and construction plans. They stopped selling luxury and building movie palaces. Instead, they expanded their operation of neigh- borhood theaters, displacing independents that had been more worker friendly, and instituted centrally controlled show bills and policies. Audiences also appear to have become more heterogeneous. All this, too, discouraged the voluble behavior of working-class people. Ironically, in this era of labor activism, workers and their fam- ilies seem to have become quieter in movie theaters, satisfied with the convenience of chain-operated movie houses. The 1930s were an exciting decade for labor activism in the United States and a high point for the growth of unions. Workers in steel, automobile, and other heavy industries organized industrial unions. The Committee on Industrial Or- ganization (later Congress of Industrial Organizations or CIO) was formed with a membership of more than a million workers. Factory workers initiated new tactics in struggles with employers, such as sit-down strikes. In politics, they ad- vanced legislation and programs in the New Deal to help employed and unem- ployed workers. Ironically, at the same time that workers’ collective action and class con- sciousness were at a high point, movie audiences became quiet. They did not act collectively to control their experience in the theater.
    [Show full text]
  • Vision, Desire and Economies of Transgression in the Films of Jess Franco
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation.
    [Show full text]
  • Of Waveform, Magnified at This Time Zooms in 4X and Only Provides 1024X768 Resolution at Zoom; 4010, Not 4014 Resolution)
    ulation with programs such as MacWrite as well as tables for transfer to Macintosh spreadsheet, database, or graphics pro- grams. We have sent text to other computers using MacTerminal but not to the IBM mainframe. MacTerminal provides for file transfer to and using the Xmodem protocol, and from other computers in ASCII (American Standard Code for Information Interchange) text (files can be pasted in text to other computers, but only a clipboard -full at a time. Its latest version allows the BACKSPACE key to be programmed to be a DELETE key (a menu selection), a convenience for DEC users. Tekalike (Mesa Graphics) isthe earliest graphics terminal emulator we used on the Macintosh. It emulates the Tektronix 4010, 4012, 4014 and 4016 graphics terminals (a later version we have not yet tested adds VT -100 and VT -640). It also provides the ability to pan and zoom on areas selected by the mouse and to save plots for MacPaint on MacDraw for full 300 dots -per -inch LaserWriter resolution. It was this program that first enabled us to consider the Macintosh as a replacement for graphics terminals. The Macintosh could not only view plots at its 512X342 resolution, but thanks to the pan and zoom, could view parts of plots at full 4014 (4096X3072) resolution, a feature then available only on much more expensive graphics terminals (some other personal computers now have programs for Tektronix 4010/4014 emulation, but the best known to me Start of waveform, magnified at this time zooms in 4X and only provides 1024X768 resolution at zoom; 4010, not 4014 resolution).
    [Show full text]
  • Retro Gamer Speed Pretty Quickly, Shifting to a Contents Will Remain the Same
    Untitled-1 1 1/9/06 12:55:47 RETRO12 Intro/Hello:RETRO12 Intro/Hello 14/9/06 15:56 Page 3 hel <EDITORIAL> >10 PRINT "hello" Editor = >20 GOTO 10 Martyn Carroll >RUN ([email protected]) Staff Writer = Shaun Bebbington ([email protected]) Art Editor = Mat Mabe Additonal Design = Mr Beast + Wendy Morgan Sub Editors = Rachel White + Katie Hallam Contributors = Alicia Ashby + Aaron Birch Richard Burton + Keith Campbell David Crookes + Jonti Davies Paul Drury + Andrew Fisher Andy Krouwel + Peter Latimer Craig Vaughan + Gareth Warde Thomas Wilde <PUBLISHING & ADVERTISING> Operations Manager = Debbie Whitham Group Sales & Marketing Manager = Tony Allen hello Advertising Sales = elcome Retro Gamer speed pretty quickly, shifting to a contents will remain the same. Linda Henry readers old and new to monthly frequency, and we’ve We’ve taken onboard an enormous Accounts Manager = issue 12. By all even been able to publish a ‘best amount of reader feedback, so the Karen Battrick W Circulation Manager = accounts, we should be of’ in the shape of our Retro changes are a direct response to Steve Hobbs celebrating the magazine’s first Gamer Anthology. My feet have what you’ve told us. And of Marketing Manager = birthday, but seeing as the yet to touch the ground. course, we want to hear your Iain "Chopper" Anderson Editorial Director = frequency of the first two or three Remember when magazines thoughts on the changes, so we Wayne Williams issues was a little erratic, it’s a used to be published in 12-issue can continually make the Publisher = little over a year old now.
    [Show full text]
  • Film Calendar
    FILM CALENDAR JULY 26 - OCTOBER 3, 2019 ONCE UPON A TIME… IN HOLLYWOOD *ON 70MM* OPENS JULY 26 JENNIFER KENT’S THE NIGHTINGALE OPENS AUGUST 16 NOIR CITY CHICAGO SEPTEMBER 6-12 GIVE ME LIBERTY A MUSIC BOX FILMS RELEASE OPENS SEPTEMBER 13 DORIS DAY WEEKEND MATINEES SEPTEMBER 15-29 Music Box Theatre 90th Anniversary Celebration August 22 - 29 Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 5 ONCE UPON A TIME… IN HOLLYWOOD OPENS JULY 26 7 LUZ OPENS AUGUST 2 7 HONEYLAND OPENS AUGUST 9 8 THE NIGHTINGALE OPENS AUGUST 16 CHICAGO 9 AQUARELA OPENS AUGUST 30 ONSCREEN 9 GIVE ME LIBERTY OPENS SEPTEMBER 13 12 MONOS OPENS SEPTEMBER 20 A traveling exhibition of MUSIC BOX 90TH ANNIVERSARY Chicago-made film 16 INNOCENTS OF PARIS AUGUST 22 17 THE FUGITIVE AUGUST 23 18 WORLD CITY IN ITS TEENS AUGUST 24 18 DOLLY PARTON 9 TO 5ER AUGUST 24 19 MARY POPPINS SING-A-LONG AUGUST 25 19 INDIE HORROR: SOCIETY AUGUST 25 20 MUSIC BOX FILMS DOUBLE FEATURE AUGUST 27 21 AUDIENCE CHOICE DOUBLE FEATURE AUGUST 28 22 70MM: BACK TO THE FUTURE II AUGUST 29 24 THE HISTORY OF THE MUSIC BOX SERIES 28 BETTE DAVIS MATINEES 30 DORIS DAY MATINEES 30 SILENT CINEMA 08.26-08.28 32 CHICAGO FILM SOCIETY NEIGHBORHOOD 34 MIDNIGHTS SHOWCASE SCREENINGS Dunbar Park | Grant Park | Horner Park SPECIAL EVENTS Jackson Park | Margate Park | Mckinley Park 6 GALLAGHER WAY MOVIE SERIES MAY - SEPTEMBER Steelworkers Park | Wicker Park 6 DISCOVER THE HORROR JULY 27 8 RUSH: CINEMA STRANGIATO AUGUST 21 08.29-08.31 10 NOIR CITY SEPTEMBER 6-12 CHICAGO ONSCREEN FESTIVAL 11 SAY AMEN, SOMEBODY SEPTEMBER 14 & 15 Humboldt Park | Three days of local films from filmmakers 11 REELING FILM FESTIVAL OPENING SEPTEMBER 19 and film organizations from all over the city in a multi-screen 12 48 HOUR FILM PROJECT SEPTEMBER 22-25 festival celebration of movies by and about Chicago.
    [Show full text]
  • From the Editor: the Holidays Are Coming up So There Are a Few Less Meetings This Month
    December 2011 Website: http://www.miniapples.org Forums: http://miniapples.7.forumer.com Email: [email protected] From the Editor: The Holidays are coming up so there are a few less meetings this month. That should give you extra time to go and do some window shopping (excuse the previous reference). Apple looks like it’s set to excel this season with many new toys and software. I personally wish all of you a Merry Christmas, Happy New Year, Happy Hanukkah and Happy Kwanzaa. I will personally celebrate all of them. Tom Ostertag, Publications Director Meeting Calendar Meeting Calendar – December 2011 This information was compiled Thursday December 1 7:00 pm Mac Applications SIG as this newsletter was being Tuesday December 6 7:00 pm Mac OS X SIG assembled and is subject to change. As always, confirm the Monday December 12 7:00 pm Board of Directors Meeting Special Interest Group (SIG) Tuesday December 13 7:00 pm iOS SIG date, time, and location with the Wednesday December 14 7:00 pm VectorWorks SIG* SIG Leader or the mini’app’les Wednesday December 14 7:00 pm TC Photoshop User Group* website: www.miniapples.org. Thursday December 15 7:00 am Mac Consultants SIG Meeting Locations and Leaders Meeting Location Leader Mac OS X SIG Location Pending Bob Demeules 763-559-1124 Mac Applications Southdale Library, 7001 York Ave. S., Edina Tim Drenk, 952-479-0891 SIG iOS SIG Southdale Library, 7001 York Ave. S., Edina Joel Gerdeen, 763-572-0148 VectorWorks SIG* CJR Office, 4441 Claremore Dr., Edina Charles Radloff, 952-941-1667 TC Photoshop User Minneapolis College of Art + Design, Auditorium Jeff Tranberry Group* 150; 2501 Stevens Avenue So; Minneapolis, MN Mac Consultants SIG Good Day Cafe, 5410 Wayzata Blvd., Golden Bob Demeules 763-559-1124 Valley Board of Directors Southdale Library, 7001 York Ave.
    [Show full text]
  • DLCC Software Catalog
    Daniel's Legacy Computer Collections Software Catalog Category Platform Software Category Title Author Year Media Commercial Apple II Integrated Suite Claris AppleWorks 2.0 Claris Corporation and Apple Computer, Inc. 1987 800K Commercial Apple II Operating System Apple IIGS System 1.0.2 --> 1.1.1 Update Apple Computer, Inc. 1984 400K Commercial Apple II Operating System Apple IIGS System 1.1 Apple Computer, Inc. 1986 800K Commercial Apple II Operating System Apple IIGS System 2.0 Apple Computer, Inc. 1987 800K Commercial Apple II Operating System Apple IIGS System 3.1 Apple Computer, Inc. 1987 800K Commercial Apple II Operating System Apple IIGS System 3.2 Apple Computer, Inc. 1988 800K Commercial Apple II Operating System Apple IIGS System 4.0 Apple Computer, Inc. 1988 800K Commercial Apple II Operating System Apple IIGS System 5.0 Apple Computer, Inc. 1989 800K Commercial Apple II Operating System Apple IIGS System 5.0.2 Apple Computer, Inc. 1989 800K Commercial Apple II Reference: Programming ProDOS Basic Programming Examples Apple Computer, Inc. 1983 800K Commercial Apple II Utility: Printer ImageWriter Toolkit 1.5 Apple Computer, Inc. 1984 400K Commercial Apple II Utility: User ProDOS User's Disk Apple Computer, Inc. 1983 800K Total Apple II Titles: 12 Commercial Apple Lisa Emulator MacWorks 1.00 Apple Computer, Inc. 1984 400K Commercial Apple Lisa Office Suite Lisa 7/7 3.0 Apple Computer, Inc. 1984 400K Total Apple Lisa Titles: 2 Commercial Apple Mac OS 0-9 Audio Audioshop 1.03 Opcode Systems, Inc. 1992 800K Commercial Apple Mac OS 0-9 Audio Audioshop 2.0 Opcode Systems, Inc.
    [Show full text]
  • Mike Markkula Collection of Early Apple Computer Material
    http://oac.cdlib.org/findaid/ark:/13030/c8cv4qcp No online items Guide to the Mike Markkula collection of early Apple Computer material Finding aid prepared by Jack Doran and Sara Chabino Lott Processing of this collection was made possible through generous funding from the National Archives’ National Historical Publications & Records Commission: Access to Historical Records grant. Computer History Museum 1401 N. Shoreline Blvd. Mountain View, CA, 94043 (650) 810-1010 [email protected] January 2018 Guide to the Mike Markkula X4554.2008 1 collection of early Apple Computer material ... Title: Mike Markkula collection of early Apple Computer material Identifier/Call Number: X4554.2008 Contributing Institution: Computer History Museum Language of Material: English Physical Description: 11.0 Linear feet,6 record cartons, 2 periodical boxes, 2 oversize boxes Date (bulk): Bulk, 1979-1985 Date (inclusive): 1977-1998 Abstract: The Mike Markkula collection of early Apple Computer material consists of material produced or collected by Markkula during his time at Apple Computer, Inc. in various capacities from CEO to chairman of the board. Ranging in date from 1977 to 1998, the collection includes Apple marketing, public relations, dealer and consultant materials, manuals, and software. There is also a small amount of software and manuals produced by companies other than Apple. creator: Markkula, Armas Clifford (Mike), Jr. Processing Information Collection surveyed by Sydney Gulbronson Olson, 2017. Collection processed by Jack Doran, December 2018. Access Restrictions The collection is open for research. Publication Rights The Computer History Museum (CHM) can only claim physical ownership of the collection. Users are responsible for satisfying any claims of the copyright holder.
    [Show full text]
  • Day Two,San Diego Comic-Con 2013 – Day One
    Scene and Heard Mary Loss of Soul There is no accurate description of the whirling dervish I met recently on the set of her soon-to-be- released film, Mary Loss of Soul. It was the last day of shooting, and the energy level and passion of this female director was boundless – and infectious! The woman I speak of is Jennifer B. White. She is a writer, director and producer – but she’ll tell you she is first and foremost a storyteller. “I was ten years old. I’d never heard the term “folktale” – a narrated story to entertain a group of listeners. But, that’s exactly how I began my creative dream – as a storyteller in the woods. Back in the day of knock-on-door neighborhoods in the suburbs of Massachusetts, I’d gather with a group of wide-eyed kids along with my side-kick little sister. I told stories – often about ghosts, witches and anything spooky – making them up as I went along. I started writing novels at the age of 12 on my mom’s old IBM Selectric. As the family keeper of all things old and nostalgic, I held on to those precious works of fiction like they were a buccaneer’s booty.” After college, Jennifer signed with her first literary agent, and went on to become a public relations professional heading up PR in Boston hotels and top agencies where she was published in hundreds of publications throughout the U.S. She continued writing novels throughout her career, and, through a series of fortunate encounters, began writing for Hollywood.
    [Show full text]
  • Downloading, Or Streaming Them on Mobile Devices
    UCLA UCLA Previously Published Works Title “Parasite Cinema,” Image and Narrative, special issue on Artaud and Cruelty, 17.5 (2016), 66-79 Permalink https://escholarship.org/uc/item/32j321fb Authors Ravetto-Biagioli, K Beugnet, M Publication Date 2019-10-18 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Martine Beugnet and Kriss Ravetto-Biagioli Parasite Cinema Abstract In Theatre and its Double Artaud explored how the plague communicates beyond simple contact, bringing death to those it touches, but also bringing fear, images, and the imagination, which transforms social rela- tions, disorganising society and producing absurd anti-social actions. In this essay we would like to relate the emergence of a parasite-cinema, one that expresses itself through predatory forms of capture and communica- tion, where images pullulate out of control (but do not destroy the body of the host), to Artaud’s understanding of plague as a proliferation of communication. Résumé Dans Le Théâtre et son double Artaud analyse la manière dont la peste communique au-delà du seul contact physique, apportant la mort à ceux qu’elle touche, mais apportant aussi la peur, des images et l’imagination qui transforme les rapports sociaux, désorganisant la société et produisant des comportements absurdes anti-so- ciaux. Dans cet essai nous nous proposons de mettre en rapport la conception artaudienne de la peste comme forme proliférante de communication avec l’émergence d’une nouvelle forme de cinéma, le cinéma parasite, qui s’exprime à travers des formes prédatrices de capture et de communication, des images qui pullulent en dehors de tout contrôle (mais sans détruire le corps de celui qui les accueille).
    [Show full text]
  • Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: a Historical Case Study of Children of Loneliness (1935)
    Cultural Materialism in the Production and Distribution of Exploitative Lesbian Film: A Historical Case Study of Children of Loneliness (1935) Anna Fåhraeus, Halmstad University Abstract Raymond Williams developed a vocabulary and framework for analyzing the ideological forces at work in literature and art, as objects, but also in terms of their production and distribution. This article looks back at his elaboration of cultural materialism and its relationship to film in Preface to Film (1954), written with Michael Orrin, as a way of understanding the media traces of the lost film Children of Loneliness (dir. Richard C. Kahn). The film was an early sex education about homosexuality and this article explores its connections to early exploitation films as a cinematic form, and the dominant and emergent discourses that were used to promote it, as a well as at structures of feeling that these discourses reflect. Keywords: structure of feeling; history of film; Children of Loneliness; homosexuality ‘To be truly radical is to make hope possible rather than despair convincing.’ Raymond Williams1 Introduction Raymond Williams laid much of the groundwork for cultural studies and media studies with his work Culture and Society (1958), Communications (1962) and Television (1974). It is less well-known that from his university days in the 1930s he also worked with film and produced several important texts for Film Studies, including ‘Film as a Tutorial Subject’ (1953) and the volume, Preface to Film (1954), co- authored with his friend, the documentary filmmaker Michael Orrin. The book was a manifesto for the political potential of the form. Williams’s contribution was an essay entitled, ‘Film and the Dramatic Tradition.’ The main thrust is that in order to study the moving image as a cultural form, it needs to be understood in relation to the history of drama (Dolan 1 Resources of Hope, published posthumously (1989: 118).
    [Show full text]