Jamie Parker Final Dissertation May 22 2020

Total Page:16

File Type:pdf, Size:1020Kb

Jamie Parker Final Dissertation May 22 2020 The Use of Battle Rap As a Way to Engage Students in STEM Jamie Parker Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Jamie Parker All Rights Reserved ABSTRACT The Use of Battle Rap As a Way to Engage Students in STEM Jamie Parker This qualitative, multi-case study examined the process of lyric creation and nontraditional modes of communication (using themes from hip-hop and battle rap) as a mechanism for developing a teaching and learning strategy in STEM education. This manuscript style dissertation, examines the experiences of 24 postsecondary students and five battle rappers who created science-themed lyrics, used them as a learning strategy, and delivered content in a college and community setting. Insights into teaching and learning were revealed through the study of these lyrics from a constructivist and intellectual warrior theoretical framework. This research showed that as a result of utilizing battle rap, learning spaces were improved. Students’ interviews, lyrics, and reflections uncovered that they appreciated the opportunity to be more creative in class were more engaged, communicated and networked more than they did in their traditional science classroom. The battle rappers discussed and displayed the characteristics that allow them to engage audiences in hopes that teachers can learn how to incorporate engaging techniques within their own classrooms. Through interviews and a performance, battle rappers’ attempt to keep students engaged revealed their transparency; ability to freestyle; get hyped; and demonstrate charisma, presence, character, and energy. This information helped to explain, describe, and understand the experiences of both students and battle rappers and their potential relationships to science and the community. This work supports arguments for the use of culture (art/music/experiences) through music in the science classroom. TABLE OF CONTENTS LIST OF TABLES ..........................................................................................................................vi LIST OF FIGURES .......................................................................................................................vii ACKNOWLEDGEMENTS .........................................................................................................viii DEDICATION .................................................................................................................................x GLOSSARY ……………………………………………………………………………………xi Chapter I – INTRODUCTION............................................................................................1 My Story..………………..………………………………………………………..1 Background of The Problem Retention…..……………………………………….7 Teacher Development ..............................................................................................7 Engaging Students .................................................................................................12 Cultural Engagement .............................................................................................15 Research Questions ................................................................................................18 The Focus and Organization of this Dissertation ..................................................18 Chapter II – LITERATURE REVIEW ..............................................................................21 The Current State of STEM Education in the United States .................................21 History of Music in Education ...............................................................................26 History of Hip-hop .................................................................................................29 Battle Rap ..............................................................................................................30 Science Content-based Music ................................................................................35 Benefits of Music ...................................................................................................36 Rhythm ..................................................................................................................37 !i Brain Anatomy and Functionality ..........................................................................37 Memory and Mnemonics .......................................................................................39 STEM and STEAM ...............................................................................................41 Science Genius ......................................................................................................46 Barriers to Learning ...............................................................................................49 Underutilized Time Before Class ..........................................................................50 Competitive Speech (Argumentation, Forensic Discourse, and Debate) ..............51 Battle Pedagogy .....................................................................................................53 College Students ....................................................................................................55 Diversity ................................................................................................................56 Engagement vs. Content ........................................................................................57 The Mental Health of Future STEM Professors ....................................................60 Being Black in America .........................................................................................61 Conceptual Framework ..........................................................................................64 Cultural melding: A new age of Reason ................................................................64 Constructivism .......................................................................................................66 Intellectual Warrior ................................................................................................67 Chapter III – METHODOLOGY .......................................................................................72 Rationale for Qualitative Research Design ...........................................................72 Rationale for Case Study Methodology .................................................................73 Methodology ..........................................................................................................75 Data Collection ......................................................................................................75 !ii Data Analysis .........................................................................................................76 Validity...................................................................................................................79 A Study in Two Parts .............................................................................................80 Chapter IV – THE USE OF BATTLE RAP TO EXPLORE NEW WAYS OF ENGAGING STUDENTS IN STEM AND SCHOOL .........................................81 Abstract ..................................................................................................................81 Introduction ...........................................................................................................81 Conceptual Framework ..........................................................................................85 Research Questions ................................................................................................88 Methods .................................................................................................................88 Battle Rap Professionals Setting ............................................................................88 Professional Battle Rap Procedure ........................................................................89 Professional Battle Rap Data Analysis ..................................................................90 Battle Rappers Findings .........................................................................................91 Part 1. The Battle Rappers and Their School Experiences ...................................91 The Four Battle Rappers ........................................................................................91 Criticality About Schooling ...................................................................................93 Financial And Mental Stability ..............................................................................97 Promotes Academic Engagement ........................................................................100 Develops Effective Communication ....................................................................104 Part 2. The Battle Rappers Performance .............................................................107 Unexpected Event ................................................................................................107 !iii The Battle ............................................................................................................107 After The Battle Performance ..............................................................................108 Battle Rappers Discussion ...................................................................................109
Recommended publications
  • Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Book Review: Dirty Little Secrets
    10 THURSD A Y , OCT O B E R 21, 2010 ARTS A ND ENT E RT A INM E NT VA L E NCI A HIGH SCH oo L THE BAND WI ll IN-HERI T AGE T HE EAR T H The band is going to go out and repre- DJ, entertainers, and several specialty such delectable treats, there’s more By: Allen Lin sent our school.” Starting at 9:30 from areas. There will be mimes, clowns, than enough to satisfy. Perhaps you’ll Reporter Morse Avenue, the parade will go north jugglers, slot car racing, and giant follow Mr. Perez’s example and “take on Kraemer until it reaches Tri-city inflatable activities. One could truly a sample of pretty much everything.” Prosperity is a hard thing to de- Park. The parade isn’t the only reason say there are games galore. Clowns Or perhaps one might find a car show fine, but this year we’re on the more appealing, and there’s plenty to road to it, for Placentia’s 46th look at in the festival’s. With over 200 Heritage Festival and Parade! cars, it will automo-blow your mind. March with the band to Tri-City Park There will also be a Business Expo for this October; they’re heading to the emergent entrepreneurs. The Craft Fair Heritage Festival Parade! With over showcases items made with care, with 200 entries participating in the parade, over 40 shops stocked with handmade it’s sure to be one of the most stun- products. Non-profit area will have a ning sights of the year! El Tigre had a variety of organizations explaining chance to meet and discuss the parade how they are improving Placentia.
    [Show full text]
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]
  • He's Been Fighting for His Career for Near Fifteen Years. Never Afraid of Change, He's Sticking and Moving and Going For
    ! Ü HE’S BEEN FIGHTING FOR HIS CAREER FOR NEAR FIFTEEN YEARS. NEVER AFRAID OF CHANGE, HE’S STICKING AND MOVING " AND GOING FOR HIS. BUT TIME WEARS HARD ON THE BOOGIE DOWN STREETS. HAS HAD HIS HITS, BUT HE’S TAKEN SOME, TOO. SALTER S JEFFERY // IMAGE GOLIANOPOULOS THOMAS WORDS Ü " ! XXL MAGAZINE 000 ! Ü " " t’s seven o’clock in the evening, album past 500,000 in sales, earning him his and recent audience-expanding cameos with and Fat Joe needs a designated first gold plaque. Three years later, in 2001, Jennifer Lopez, Paris Hilton and Ricky Martin, driver. The 36-year-old rapper isn’t when Murder Inc. was dominating hip-hop he J.O.S.E. remains his only platinum record. inebriated, but he drives like Ricky released “What’s Luv?” a frothy Irv Gotti pro- Joe is well aware of his SoundScan struggles. Bobby after one too many Miller duction that propelled Jealous Ones Still Envy “The strangest thing in the whole universe,” Lites. He breaks too suddenly, ac- to platinum status. Today, the South runs hip- he says, “is Fat Joe being a household name, celerates too carelessly and nearly hop, and, of course, Fat Joe has noticed. making the biggest hit records in the history of crashes too often. He’s also eas- “Joe’s good at reading the future,” says mankind, and not selling that many records. It ily distracted by the radio (Nelly Miami-based DJ Khaled, who’s known him for will be reevaluated years from now.” Furtado’s “Promiscuous” brings more than 10 years.
    [Show full text]
  • Writing to Transgress: Sharing Stories, Claiming Space, and Finding Community
    Writing to Transgress: Sharing Stories, Claiming Space, and Finding Community by Emily Pohl-Weary A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Leadership, Higher and Adult Education Ontario Institute for Studies in Education University of Toronto © Copyright by Emily Pohl-Weary 2018 ii Writing to Transgress: Sharing Stories, Claiming Space, and Finding Community Emily Pohl-Weary Doctor of Philosophy Leadership, Higher and Adult Education Ontario Institute for Studies in Education University of Toronto 2018 Abstract My research has shown that community-based creative writing groups can be safer spaces for people who are under-represented in the English literary canon to craft and share their stories, poems, and other genres of writing. They can also put the act of cultural production into the hands of participants, redefine the notion of great literature, and provide a counterpoint to institutional learning. These groups are potential spaces for learning how to relate to one another with respect while acknowledging our own privileges, which can ultimately transform hegemonic social relations that exclude and oppress rather than connect and build support. Using iii critical arts-based inquiry and program evaluation methods, I employ a reflexive technique to investigate the benefits of a single group for youth, Toronto Street Writers (TSW), which I facilitated for six years in the neighbourhood where I grew up. TSW is positioned within a range of literacy and community writing groups across North America, transgressive and anti- oppressive theories around creative writing pedagogy are summarized, and interviews with former participants and staff of TSW are analyzed for insights into how to facilitate sustainable community-based creative writing groups that genuinely benefit members.
    [Show full text]
  • 2016-Program-Book-Corrected.Pdf
    A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Université De Montréal Les Duels De Rap En Tant Que Forme De
    Université de Montréal Les duels de rap en tant que forme de compétition pour le statut : une perspective évolutionnaire Par Vivekan Brunschwig Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de Maître ès sciences en anthropologie Novembre 2016 © Vivekan Brunschwig, 2016 ii RÉSUMÉ Les duels de rap sont souvent définis dans la littérature sociologique comme étant des échanges d’insultes ou des joutes verbales improvisées. Ces définitions risquent de biaiser la compréhension du phénomène, puisque les chercheurs auront tendance à ne relever que les aspects qui vont dans le sens des définitions choisies au début de l’analyse qui, en plus, sont très réductrices et contextuelles. En adoptant une perspective évolutionnaire, il est possible d’ancrer l’analyse dans un cadre plus large, car basé sur des tendances motivationnelles universelles, pouvant servir comme un point de départ objectif à l’analyse. En ce sens les duels de rap peuvent être considérés comme des concours de compétences pour un statut conféré par le public (hypothèse de départ) où les participants tentent de surpasser leurs adversaires (hypothèse 1), tentent de conquérir le public (hypothèse 2), et reçoivent certains bénéfices en liens avec le statut grâce à leurs performances (hypothèse 3). Ces trois hypothèses évolutionnaires ont été confirmées par un examen systématique de cinq duels selon une grille d’analyse standardisée comportant 14 critères d’observations. Ces critères, regroupés en neuf prédictions, représentent les aspects variables et contextuels des duels de rap, tels que les niveaux et fréquences de dominance physique démontrés par chaque participant, d’interactions avec le public, de vers où ils se vantent et/ou rabaissent leur adversaire, de démonstrations des capacités artistiques, d’humour, et, pour le public, les niveaux d’acclamations des participants et les votes pour élire un vainqueur ou encore pour établir une hiérarchie entre les participants.
    [Show full text]
  • Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
    It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J.
    [Show full text]
  • RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @Erickablount January 8, 2015
    • FEATURES • INTERVIEWS • PRINCE • AUDIO • VIDEO • EVENTS • ABOUT • SHOP • FEATURES o • INTERVIEWS • PRINCE o • AUDIO o • VIDEO o • EVENTS o o • ABOUT o o o • SHOP 0 Everybody is Talking About the Good Ole Days: RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @ErickaBlount January 8, 2015 . Everybody is Talking About the Good Ole Days: RZA on the Soul of Music by Ericka Blount Danois If hip-hop tours, white appropriation, anniversary celebrations, books and hip-hop documentaries aren’t an indication that hip-hop has reached the status of Beatles-style nostalgia and reverence, then releasing a Wu-Tang Clan 20th anniversary reunion album, A BetterTomorrow, is solid proof that the genre has officially arrived. RZA, always the heart of the operation, worked tirelessly to round up the troops and dissolve beefs for the reunion album that dropped Dec. 2, 2014. “I wanted to make a record that pays homage to soul music and hip-hop,” he said about the making of this album. “I went to the past to make something for the future.” RZA came out of his own pockets to fund the album to the tune of half a million dollars. Some of the best in the industry are featured on the album—Rick Rubin, Adrian Younge, David Porter, Kenny Gamble and Rob Cavallo, all had their hands in the pot. Wu-Tang has always done things big and with vision. RZA led the 9-member group to an unprecedented label deal where each member was able to launch solo records. The deal allowed them to become the most revolutionary rap group of the mid-’90s releasing five group and 19 compilation albums totaling over 6 platinum records and over 40 million sold.
    [Show full text]
  • Evolution of the Usage of the N-Word in Popular American Rap Music (1990-2019)
    FACULTY OF ARTS Evolution of the Usage of the N-word in Popular American Rap Music (1990-2019) Bachelor's thesis FILIP LEITGEB Supervisor: Jeffrey Alan Vanderziel, B.A. Department of English and American Studies English Language and Literature Brno 2021 EVOLUTION OF THE USAGE OF THE N-WORD IN POPULAR AMERICAN RAP MUSIC (1990- 2019) Bibliografický záznam Autor: Filip Leitgeb Filozofická fakulta Masarykova univerzita Department of English and American Studies Název práce: Evolution of the Usage of the N-word in Popular American Rap Music (1990-2019) Studijní program: FF B-FI Filologie Studijní obor: Chyba! Nenalezen zdroj odkazů. Vedoucí práce: Jeffrey Alan Vanderziel, B.A. Rok: 2021 Počet stran: 126 Klíčová slova: hip-hop, n-word, evolution, usage, rap, American, USA, 1990s, 2000s, 2010s 2 EVOLUTION OF THE USAGE OF THE N-WORD IN POPULAR AMERICAN RAP MUSIC (1990- 2019) Bibliographic record Author: Filip Leitgeb Faculty of Arts Masaryk University Department of English and American Studies Title of Thesis: Evolution of the Usage of the N-word in Popular American Rap Music (1990-2019) Degree Programme: FF B-FI Philology Field of Study: Chyba! Nenalezen zdroj odkazů. Supervisor: Jeffrey Alan Vanderziel, B.A. Year: 2021 Number of Pages: 126 Keywords: hip-hop, n-slovo, vývoj, použití, rap, Spojené státy americké, 1990, 2000, 2019 3 EVOLUTION OF THE USAGE OF THE N-WORD IN POPULAR AMERICAN RAP MUSIC (1990- 2019) Anotace Tato bakalářská práce se zabývá rozborem textů populárních amerických rapových skladeb v letech 1990-2019 za účelem zjištění, jakým způsobem se v nich měnilo pou- žití tzv. n-slov (nigger, nigga, negro) a jejich derivátů.
    [Show full text]