Hallo MBM, Hallo BEATLES-Fan, Bei Uns Gibt Es

Total Page：16

File Type：pdf, Size：1020Kb

Hallo MBM, Hallo BEATLES-Fan, Bei Uns Gibt Es

Freitag, 20. April 2012 Heute vor 51/46/43/42/36/33/35 Jahren: Donnerstag, 20. April 1961: ALLAN WILLIAMS schreibt an BEATLES nach Hamburg, dass er auf Provision besteht, die ihm die BEATLES verweigern. Mittwoch, 20. April 1966: Presse in England: BBC keine Rechte für US-CBS-Zeichentrickserie THE BEATLES CARTOON." So, 20. April 1969: PAUL McCARTNEY verweigert, NORTHERN SONGS-Aktien als Sicherheit für riskantes Geschäft einzusetzen. Montag, 20. April 1970: PAUL McCARTNEY-LP McCARTNEY in USA Dienstag, 20. April 1976: GEORGE HARRISON spielt unangekündigt mit MONTY PYTHON-Komikern den Lumberjack Song in New York. Freitag, 20. April 1979: GEORGE HARRISON-Single LOVE COMES TO EVERYONE in England. ca. Mittwoch, 20. April 1977: BEATLES-LP THE BEATLES LIVE AT THE HOLLYWOOD BOWL in West-Deutschland. Hallo M.B.M., hallo BEATLES-Fan, bei uns gibt es noch die drei PAUL McCARTNEY-Singles aus Großbritannnien: 2005: Single mit Poster FINE LINE. 7,50 € Original-Cover (kartoniert) / Parlophone 3 34259 7, Großbritannien. Fine Line. / Growing Up Falling Down. 2005: Single JENNY WREN. 7,50 € Original-Cover (kartoniert) / Parlophone 3 43952 7, Großbritannien. Jenny Wren. / Summer Of '59. Abbildungen; Cover-Forderseite und aufgeklapptes Innencover von EVER PRESENT PAST: 5. November 2007: Single EVER PRESENT PAST. 7,50 € Original-Cover (kartoniert) / Parlophone 8 880 723062 1 9, Großbritannien. Ever Present Past. / House Of Wax (live). Viele Grüße senden Martin und Patrick vom Beatles Museum Alter Markt 12, 06108 Halle (Saale) Wir sind erreichbar / You can reach us: per Telefon: 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr per Email: [email protected] per Internet: www.BeatlesMuseum.net persönlich/per visit: im Beatles Museum, Alter Markt 12, 06108 Halle (Saale) Angebote freibleibend und so lange der Vorrat reicht. Fehler vorbehalten. .

Copy Link

Recommended publications

Volume 40, Number 2
SPRING ISSUE 1961 Vol.XL No. 2 THE ALEMBIC P u b lish e d Q u a r te r ly by THE STUDENTS OF PROVIDENCE COLLEGE P ro v id en c e, R. I. The ALEMBIC is published bi-monthly by the students of Providence College, Providence, Rhode Island. Entered as second-class matter at the Post Office, Providence, Rhode Island, December 18, 1920, under Act of March 3, 1879. Subscription $2.00 the year. “ Acceptance for mailing at special rate of postage provided for in Section 1103. Act of October 3, 1917; authorized April 9, 1932.” Printed at the Oxford Press, Providence, Rhode Island. THE STAFF EDITOR-IN-CHIEF G. Brian S ulliv a n ....................................................Letters ’61 EDITORIAL STAFF Essay Editor C harles Caley ............... ..................................................Letters ’61 Fiction Editor Brian M ullaney ......... ..................................................Letters ’61 Poetry Editor R ichard L eidig ........... ................................................. Letters ’62 A R T E D IT O R D avid C a ley .................. ................................................. Letters ’61 BUSINESS MANAGER St e p h e n O eh m se n .......... ................................................. Letters ’62 Assistant M ic h a e l S u lliv a n ........ ........................................................Letters ’64 FACULTY MODERATOR R ev eren d R o bert L in u s W a l k e r , O. P. ALEMBIC CONTENTS Vol. XL March, 1961 No. 2 Page Letter from the Holy Father................. ................................... ..... 5 Cover Design.........................................................David Caley, ’61 The End of the Day.............................................. David Grace, ’64 6 Euripides as a Skeptic of Greek Polytheism Maurice H. Bosse, ’64 9 Sunday Thoughts....................................................... D. Barrett, ’61 10 Meaning of Spring.............................................Mike Sullivan, ’64 12 A Brief History of the Fate of Newtonian Certitude Brian A.
[Show full text]
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
[Show full text]
Didier Daeninckx and the Manouchian Resistance Group
1 An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group ‘Writing is always “against”! […] Personally, I am against authority and the disappearance of memory’ — Didier Daeninckx (1997: 68)1 November 1943. Following a series of highly visible attacks in Paris, committed by the Communist, ‘immigrant’ Resistance group of Missak Manouchian,2 the Brigades spéciales (special Brigades) of the French police finally pounce on the perpetrators, and arrest follows arrest. At the end of a very brief trial a few months later, twenty-three members of the combat unit, including Manouchian himself, are condemned to death. The twenty-two men are immediately shot at Mont Valérien, on 21 February 1944 (the one woman, Olga Bancic, is executed separately, beheaded in Stuttgart on 10 May). More or less simultaneously, the photos of ten of these freedom fighters are displayed on the infamous Affiches rouges (red posters), which are plastered over the walls of French towns and cities, and which denounce ‘l’Armée du crime’ (the Army of crime), most obviously composed of people with names of foreign, if not Jewish, origin. Shortly afterwards, the Liberation of France, for which these combatants willingly gave their lives, commenced. That is by no means the end of their story, however. Throughout the post-war period, the group regularly comes back into the headlines, forming, as Margaret Atack has noted, ‘an important focal point for remembrance and controversy’ (2013: 175).3 For example, in 1955, in honour of the group, and to mark the inauguration of a rue du Groupe Manouchian in Paris, Louis Aragon writes the poem which will first appear in L’Humanité on 5 March 1955, entitled ‘Groupe Manouchain’, and then in his collection, Le Roman inachevé, as ‘Strophes pour se souvenir’ (1956: 225-26).
[Show full text]
Stardigio Program
STARdigio チャンネル:４５０洋楽アーティスト特集放送日：２０１８/１０/０１～２０１８/１０/０７｢番組案内（８時間サイクル）｣開始時間：4：00～/12：00～/20：00～楽曲タイトル演奏者名 ■PAUL McCARTNEY 特集 (1) EVERY NIGHT PAUL McCARTNEY JUNK PAUL McCARTNEY MAYBE I'M AMAZED [恋することのもどかしさ] PAUL McCARTNEY ANOTHER DAY PAUL & LINDA McCARTNEY TOO MANY PEOPLE PAUL & LINDA McCARTNEY UNCLE ALBERT / ADMIRAL HALSEY PAUL & LINDA McCARTNEY EAT AT HOME [出ておいでよお嬢さん] PAUL & LINDA McCARTNEY THE BACK SEAT OF MY CAR PAUL & LINDA McCARTNEY GIVE IRELAND BACK TO THE IRISH（アイルランドに平和を） PAUL McCARTNEY & WINGS MARY HAD A LITTLE LAMB（メアリーの子羊） PAUL McCARTNEY & WINGS LOVE IS STRANGE PAUL McCARTNEY & WINGS TOMORROW PAUL McCARTNEY & WINGS HI, HI, HI PAUL McCARTNEY & WINGS C MOON PAUL McCARTNEY & WINGS ONE MORE KISS PAUL McCARTNEY & WINGS MY LOVE PAUL McCARTNEY & WINGS ■PAUL McCARTNEY 特集 (2) LIVE AND LET DIE (007/死ぬのは奴らだ) PAUL McCARTNEY & WINGS Helen Wheels [愛しのヘレン] PAUL McCARTNEY & WINGS BAND ON THE RUN PAUL McCARTNEY & WINGS JET PAUL McCARTNEY & WINGS Bluebird PAUL McCARTNEY & WINGS Mrs. Vandebilt PAUL McCARTNEY & WINGS Let Me Roll It PAUL McCARTNEY & WINGS Mamunia PAUL McCARTNEY & WINGS Nineteen Hundred And Eighty Five [西暦1985年] PAUL McCARTNEY & WINGS Venus And Mars WINGS(PAUL McCARTNEY) Rock Show WINGS(PAUL McCARTNEY) Letting Go （ワインカラーの少女） WINGS(PAUL McCARTNEY) Listen To What The Man Said （あの娘におせっかい） WINGS(PAUL McCARTNEY) Treat Her Gently - Lonely Old People WINGS(PAUL McCARTNEY) ■PAUL McCARTNEY 特集 (3) JUNIOR'S FARM PAUL McCARTNEY & WINGS SALLY G PAUL McCARTNEY & WINGS LET 'EM IN（幸せのノック） WINGS(PAUL McCARTNEY) SILLY LOVE SONGS（心のラヴ・ソング） WINGS(PAUL
[Show full text]
Infomail 1456: Dvds Von PAUL Mccartney
Alter Markt 12 • 06 108 Halle (Saale) • Telefon 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr InfoMail 1456: DVDs von PAUL McCARTNEY Hallo M.B.M., hallo BEATLES-Fan, wir haben folgende DVDs mit PAUL McCARTNEY: 3er DVD THE McCARTNEY YEARS. DVD 1: 1. Tug Of War; 2. Say Say Say; 3. Silly Love Songs; 4. Band On The Run; 5. Maybe I'm Amazed; 6. Heart Of The Country; 7. Mamunia; 8. With A Little Luck; 9. Goodnight Tonight; 10. Waterfalls; 11. My Love; 12. C Moon; 13. Baby's Request; 14. Hi Hi Hi; 15. Ebony And Ivory; 16. Take It Away; 17. Mull Of Kintyre; 18. Helen Wheels; 19. I've Had Enough; 20. Coming Up; 21. Wonderful Christmastime. Extra 1: Juniors Farm. Extra 2: Band On The Run. Extra 3: London Town. Extra 4: Oktober 1977: aus Fernsehsendung THE SOUTH BANK SHOW, Großbritannien: Mull Of Kintyre #2. DVD 2: 1. Pipes Of Peace; 2. My Brave Face; 3. Beautiful Night; 4. Fine Line; 5. No More Lonely Nights; 6. This One; 7. Little Willow; 8. Pretty Little Head; 9. Birthday; 10. Hope Of Deliverance; 11. Once Upon A Long Ago; 12. All My Trials; 13. Brown-Eyed Handsome Man; 14. Press; 15. No Other Baby; 16. Off The Ground; 17. Biker Like An Icon; 18. Spies Like Us; 19. Put It There; 20. Figure Of Eight; 21. C'Mon People. Extras: 1. PARKINSON; 2. So Bad. Extra 3: Donnerstag, 28. Juni 2005: CHAOS AND CREATION AT ABBEY ROAD.
[Show full text]
Paul Mccartney / Wings
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 1 Germany / United Kindom / U S A Paul McCartney / Wings No. of Titles Positions Sir James Paul McCartney CH MBE (born 18 Peak Tot. T10 #1 Tot. T10 #1 June 1942) is an English singer-songwriter, 1 39 6 2 420 55 15 multi-instrumentalist, and composer. He gained 1 60 24 3 499 107 14 worldwide fame as the bass guitarist and 1 48 23 9 559 154 30 singer for the rock band the Beatles, widely considered the most popular and influential 1 73 31 11 1.478 316 59 group in the history of popular music. His songwriting partnership with John Lennon remains the most successful in history. After the group disbanded in 1970, he pursued a solo career and formed the band ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Another Day 03/1971 6 13 1602/1971 2 12 03/1971 5 12 5 2 Uncle Albert / Admiral Halsey 11/1971 30 4 08/1971 1 1 13 7 ► Paul & Linda McCartney 3 Eat At Home 08/1971 28 8 ► Paul & Linda McCartney 4 Back Seat Of My Car 08/1971 39 5 ► Paul & Linda McCartney 5 Give Ireland Back To The Irish 02/1972 16 8 03/1972 21 8 ► Wings 6 Mary Had A Little Lamb 05/1972 9 11 3 06/1972 28 7 ► Wings 7 Hi, Hi, Hi 01/1973 16 17 12/1972 5 13 4112/1972 10 11 ► Wings 8 My Love 06/1973 43 1 04/1973 9 11 2904/1973 1 4 18 ► Paul McCartney & Wings 9 Live And Let Die 07/1973 31 6 06/1973 9 14 1707/1973 2 14 ► Paul McCartney & Wings 10 Helen Wheels 12/1973 33 3 11/1973 12 12 11/1973 10 13 1 ► Paul McCartney & Wings 11
[Show full text]
BWTB Mother's Day 2015
1 BWTB Annual Mothers Day Show OPEN The Beatles - Your Mother Should Know - Magical Mystery Tour Recorded 22nd August 1967 at Chappell Recording Studios London (1st of two) Abbey Road was booked on this day so they went to another George Martin used studio owned by the Chappell Publishing Co. also in London. Lead vocal Paul The Beatles - Mother Nature’s Son - The Beatles 2 (Lennon-McCartney) Lead vocal: Paul Another Paul McCartney solo performance for the “White Album.” Paul remembers writing the song at his father’s home in Liverpool and that it was inspired by Nat “King” Cole’s recording of “Nature Boy.” After the other Beatles went home on the evening of August 9, 1968, Paul went through 25 live performances of the song, each featuring his vocal and his Martin D-28 acoustic guitar. Take 24 was deemed the best. Overdubbing took place on August 20 with Paul playing drums and timpani, double-tracking his lead vocal at the end of the song, and adding a second acoustic guitar part. George Martin’s brass arrangement was also added to the mix. John Lennon – Mother – Plastic Ono Band ‘70 Originally started in England, the song’s composition was completed in California (during the famous “Primal Scream” therapy with Dr. Janov). This particular track explored John’s therapy head-on, and it set the musical and lyrical tone for the rest of the album. George Harrison had a great affection for this tune, as he sang the brief a cappella version during an interview on Good Morning Australia in 1982.
[Show full text]
The Ends of Aloneness: Scenes of Solitude in Nineteenth-Century Fiction
The Ends of Aloneness: Scenes of Solitude in Nineteenth-Century Fiction By Patricia Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN-MADISON 2015 Date of final oral examination: 9/5/2014 This dissertation is approved by the following members of the Final Oral Committee: Susan D. Bernstein, Professor, English Caroline Levine, Professor, English Mario Ortiz-Robles, Associate Professor, English Theresa Kelley, Professor, English Mary Louise Roberts, Professor, History i Table of Contents Acknowledgments ….................................................................................................................... ii Abstract ….................................................................................................................................... iv Introduction: Negotiating Solitude in the Nineteenth-Century Novel ………………………….. 1 Chapter One: Romantic Aloneness Revisited: Domestic Solitude in Persuasion ...................... 36 Chapter Two: Across the Room, Across the Channel: Villette and Spatial Solitude .................. 68 Chapter Three: Alone Together or Just Alone?: Solitude, The Odd Women, and an Economics of Choice .……………………………………………………………………………...…........ 101 Chapter Four: Money and Mechanization: Institutional Solitude and Counterplots in Our Mutual Friend ………………………………………………………………………………... 131 Coda: What Nineteenth-Century Solitude Tells Us of Perceptions Today ….……………...… 163 Bibliography ………………………………………………………………………………….
[Show full text]
An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group
Journal of War & Culture Studies ISSN: 1752-6272 (Print) 1752-6280 (Online) Journal homepage: https://www.tandfonline.com/loi/ywac20 An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group Alan Morris To cite this article: Alan Morris (2015) An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group, Journal of War & Culture Studies, 8:3, 254-268, DOI: 10.1179/1752628015Y.0000000017 To link to this article: https://doi.org/10.1179/1752628015Y.0000000017 Published online: 18 Jun 2015. Submit your article to this journal Article views: 150 View related articles View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ywac20 journal of war & culture studies, Vol. 8 No. 3, August, 2015, 254–268 An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group Alan Morris University of Strathclyde, School of Humanities (French), Glasgow, Scotland In February 1944, Missak Manouchian and twenty-one of his fellow Resistance fighters were executed by the Nazis. Over sixty years later, a prize-winning French author, Didier Daeninckx, is regularly depicting key members of this band of warriors in his novels, short stories, children’s books, and other writ- ings, thereby finding himself at the forefront of a veritable wave of imaginative representations and commemorations of these martyrs for the cause of freedom. After exploring this individual obsession of Daeninckx’s and its relationship to the broader retrospective trend, this article ultimately contends that not only the author’s subject matter, but also many of his narrative strat- egies, suggest that France has still not really managed to come to terms with the legacy of the Occupation.
[Show full text]
Translation Rights List
TRANSLATION RIGHTS LIST FICTION AUGUST 2021 O U R I M P R I N T S 2 T H E R I G H T S T E A M Kate Hibbert RightsDirector US, worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, and the Indian Subcontinent [email protected] Andy Hine RightsDirector Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] Sarah Birdsey Rights Manager France, Greece, Turkey, Hebrew and Arabic rights, and all of Eastern Europe except Poland. [email protected] Ruth Case-Green Rights Executive [email protected] Jessica Callaghan Rights Assistant [email protected] 3 C O N T E N T S Contemporary Fiction 5 Highlights THE RIVIERA HOUSE (page 8) HERE AGAIN NOW (page 10) THE PATRON SAINT OF SECOND CHANCES (page 12) Historical Fiction 14 Highlights THE HEMLOCK CURE (page 14) Literary Fiction 16 Crime, Mystery and Thriller 18 Highlights RABBIT HOLE (page 18) HOSTAGE (page 22) PAYDAY (page 24) Sci-Fi and Fantasy 26 Highlights THE JUSTICE OF KINGS (page 28) FAR FROM THE LIGHT OF HEAVEN (page 29) Titles in CAPITALS are published by Little, Brown, titles in Italics are not. 4 C o n t e m p o r a r y F i c t i o n The new novel from Daisy Buchanan, the queen of the unconventional love story. What's the most toxic love story in your CAREERING life... what about the one with your job? Harri has poured her life into her job at Panache magazine, losing friendships, the love of her life, and increasingly, her sanity.
[Show full text]
Thomas Carlyle's Laystall and Charles Dickens's Paper-Mill
Thomas Carlyle’s Laystall and Charles Dickens’s Paper-Mill KATHERINE INGLIS “Paper is made from the rags of things that did once exist; there are endless excellencies in Paper.” Thomas Carlyle, The French Revolution he question of influence is always contentious, especially if the influenced author has admitted the Tdebt. As Charles Dickens wrote to Thomas Carlyle in 1863, “I am always reading you faithfully, and trying to go your way” (Letters 10: 233). In analyzing this claim, Dickens’s critics have assigned particular importance to Carlyle’s influence on the development of his politics, late style, and vision of social change, particularly in the novels most often described as “Carlylean.”1 Michael Goldberg has concluded that Dickens’s late fiction exhibits an analytic, ambitious form of social criticism informed by Carlyle’s portrait of a diseased, corrupt society (8–12). Always eager to identify and to mock examples of injustice, Dickens learned from Carlyle how to extend his indictment to include unjust systems. And when critics explore Carlyle’s presence in Our Mutual Friend (1864–65), Dickens’s last completed novel, their tendency is to find Carlyle’s later writings, particularly Latter-Day Pamphlets (1850). An assessment by Michael Cotsell is representative: “Latter-Day Pamphlets may 1 The novels most often explored critically for the presence of Carlyle are Hard Times, Bleak House, and A Tale of Two Cities; see Michael Goldberg and William Oddie. CSA 27 2011 160 CARLYLE STUDIES ANNUAL have weakened Carlyle’s standing with many literary figures, but the notes in these pages confirm what other commentators have suggested, that Carlyle’s influence over Dickens remained strong.
[Show full text]
Paul Mccartney Greatest Hits Vol. 2 Mp3, Flac, Wma
Paul McCartney Greatest Hits Vol. 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Greatest Hits Vol. 2 Country: Russia Released: 2008 Style: Soft Rock, Pop Rock MP3 version RAR size: 1238 mb FLAC version RAR size: 1785 mb WMA version RAR size: 1500 mb Rating: 4.2 Votes: 605 Other Formats: VOC AHX VOX ASF MP1 RA VOC Tracklist 1-1 No More Lonely Nights 1-2 Ebony And Ivory 1-3 Once Upon A Long Ago 1-4 Distractions 1-5 Twice In A Lifetime 1-6 Long And Winding Road 1-7 Pipes Of Peace 1-8 Tug Of War 1-9 Say Say Say 1-10 The Pound Is Sinking 1-11 Biker Like An Icon 1-12 Put It There 1-13 Hope Of Deliverance 1-14 Only Love Remains 1-15 This One 1-16 Here Today 1-17 Footprints 1-18 Somebody Who Cares 1-19 So Bad 1-20 Same Love 1-21 C'mon People 2-1 Dance Tonight 2-2 The Song We Were Singing 2-3 Fine Line 2-4 Ever Present Past 2-5 Young Boy 2-6 Promise To Your Girl 2-7 Only Mama Knows 2-8 Flaming Pie 2-9 Off The Ground 2-10 Driving Rain 2-11 Too Much Rain 2-12 If You Wanna 2-13 Lonely Road 2-14 The World Tonight 2-15 Jenny Wren 2-16 Heaven On A Sunday 2-17 I Do 2-18 Little Willow 2-19 This Never Happened Before 2-20 Your Loving Flame 2-21 Anyway 2-22 Beautiful Night Companies, etc.
[Show full text]