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Zur Rezeption Von Günter Grass, Seiner Blechtrommel Und i The Echo of Die Blechtrommel in Europe © Jos Joosten and Christoph Parry, 2016 | doi 10.1163/9789004291898_001 This is an open access chapter distributed under the terms of the CC-BY-NC License. ii Radboud Studies in Humanities Series Editor Sophie Levie (Radboud University) Editorial Board Paul Bakker (Radboud University) André Lardinois (Radboud University) Daniela Müller (Radboud University) Glenn Most (Scuola Normale Superiore, Pisa) Peter Raedts (Radboud University) Johan Tollebeek (KU Leuven) Marc Slors (Radboud University) Claudia Swan (Northwestern University Evanston) VOLUME 6 The titles published in this series are listed at brill.com/rsh iii The Echo of Die Blechtrommel in Europe Studies on the Reception of Günter Grass’s The Tin Drum Edited by Jos Joosten Christoph Parry LEIDEN | BOSTON iv This is an open access title distributed under the terms of the CC-BY-NC License, which permits any non-commercial use, distribution, and reproduction in any medium, pro- vided the original author(s) and source are credited. Cover illustration: Lithography “Fünfmal Oskar II” as cover graphic for 50th anniversary edition of “Die Blechtrommel” by Steidl Verlag; © Steidl Verlag + Günter und Ute Grass Stiftung, Göttingen 2009. Library of Congress Cataloging-in-Publication Data Names: Joosten, Jos, editor. | Parry, Christoph, 1951- editor. Title: The echo of Die Blechtrommel in Europe : studies on the reception of Günter Grass's The Tin Drum / edited by Jos Joosten, Christoph Parry. Description: Leiden ; Boston : Brill, 2016. | Series: Radboud studies in humanities ; volume 6 | Includes bibliographical references and index. Identifiers: LCCN 2016016590 (print) | LCCN 2016022258 (ebook) | ISBN 9789004291881 (hardback : alk. paper) | ISBN 9789004291898 (E-book) Subjects: LCSH: Grass, Günter, 1927-2015. Blechtrommel. Classification: LCC PT2613.R338 B55335 2016 (print) | LCC PT2613.R338 (ebook) | DDC 833/.914--dc23 LC record available at https://lccn.loc.gov/2016016590 Want or need Open Access? Brill Open offers you the choice to make your research freely accessible online in exchange for a publication charge. Review your various options on brill.com/brill-open. Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 2213-9729 isbn 978-90-04-29188-1 (hardback) isbn 978-90-04-29189-8 (e-book) Copyright 2016 by the Editors and Authors. This work is published by Koninklijke Brill NV. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. Koninklijke Brill NV reserves the right to protect the publication against unauthorized use and to authorize dissemination by means of offprints, legitimate photocopies, microform editions, reprints, translations, and secondary information sources, such as abstracting and indexing services including databases. Requests for commercial re-use, use of parts of the publication, and/or translations must be addressed to Koninklijke Brill NV. This book is printed on acid-free paper and produced in a sustainable manner. ContentsContents v Contents Notes on Contributors vii Reading Die Blechtrommel throughout Europe: Introduction 1 Jos Joosten & Christoph Parry 1 Vom Skandalroman zum modernen Klassiker: Die Rezeption von Günter Grass’ Roman Die Blechtrommel im deutschsprachigen Raum 22 Stefan Neuhaus 2 Von der ,epileptischen Kapriole‘ zum Nobelpreis: Die Blechtrommel als Paradigma der deutschsprachigen Literaturkritik 41 Veronika Schuchter 3 Die Blechtrommel in Polen: Der mühsame Weg zum Erfolg 63 Mirosław Ossowski 4 Die Blechtrommel und die italienische Kulturszene Anfang der Sechziger Jahre 77 Eva Banchelli 5 Being Günter Grass: Appropriations of the Tin Drum Author in the British Media 97 Rebecca Braun 6 A Big Bang? The Paradox of the Reception of Günter Grass’s Die Blechtrommel in The Netherlands 120 Jos Joosten 7 Framing Grass: The Reception of Die Blechtrommel in Flanders 136 Elke Brems 8 ,Schon schnellten sich von Oskars Zunge einige französische Wörtchen‘: Die Blechtrommel in Frankreich 152 Stéphanie Vanasten vi Contents 9 Reception of the First Translation of Günter Grass’s Die Blechtrommel in the Major Finnish Press 172 Christoph Parry Contents Contents v 10 Die Blechtrommel in der finnischen Neuübersetzung von Oili Notes on Contributors vii Suominen. Zur Vernetzung von Verlag, Übersetzung und Reading Die Blechtrommel throughout Europe: 1 Introduction 1 Rezeption 188 Jos Joosten & Christoph Parry Liisa Laukkanen Chapter 1 Vom Skandalroman zum modernen Klassiker: Die Rezeption von Günter Grass’ Roman Die Blechtrommel im deutschsprachigen Raum 22 Stefan Neuhaus 11 “Inte bara Grass … ” („Nicht nur Grass … “). Abgrenzung, Chapter 2 Von der ‘epileptischen Kapriole’ zum Nobelpreis: Die Blechtrommel als Paradigma der deutschsprachigen Literaturkritik 41 Identifikation, Banalisierung, oder: Zur Rezeption von Günter Grass, Veronika Schuchter Chapter 3 seiner Blechtrommel und der Nachkriegsliteratur in Schweden 205 Die Blechtrommel in Polen: Der mühsame Weg zum Erfolg 63 Mirosław Ossowski Edgar Platen Chapter 4 Die Blechtrommel und die italienische Kulturszene Anfang der Sechziger Jahre 77 Eva Banchelli Chapter 5 Index of Names 223 Being Günter Grass: Appropriations of the Tin Drum Author in the British Media 97 Rebecca Braun Chapter 6 A Big Bang? The Paradox of the Reception of Günter Grass’s Die Blechtrommel in The Netherlands 120 Jos Joosten Chapter 7 Framing Grass: The Reception of Die Blechtrommel in Flanders 136 Elke Brems Chapter 8 ‘Schon schnellten sich von Oskars Zunge einige französische Wörtchen’: Die Blechtrommel in Frankreich 152 Stéphanie Vanasten Chapter 9 Reception of the First Translation of Günter Grass’s Die Blechtrommel in the Major Finnish Press 172 Christoph Parry Chapter 10 Die Blechtrommel in der finnischen Neuübersetzung von Oili Suominen: zur Vernetzung von Verlag, Übersetzung und Rezeption 188 Liisa Laukkanen Chapter 11 “Inte bara Grass …” (“Nicht nur Grass …”). Abgrenzung, Identifikation, Banalisierung, oder: Zur Rezeption von Günter Grass, seiner Blechtrommel und der Nachkriegsliteratur in Schweden 205 Edgar Platen Index of Names 223 Notes Onnotes Contributors on Contributors vii Notes on Contributors Eva Banchelli has taught German Literature at the Universities of Milan and Bergamo. Her major interests include the literary movements and authors of the turn of cen- tury (Hesse, Döblin, Hessel, Keyserling among others) and the post-war era (Grass, Böll, Weiss). Since 1989 she has mainly concentrated on aspects and problems of post-reunification literature. Recent publications include Nonkon- formismus und Experiment, in Handbuch Nachkriegskultur (ed. Elena Agazzi and Erhard Schütz, Berlin and Boston, 2013); Formen der Erinnerungskultur im vereinten Deutschland, in Erzählen zwischen geschichtlicher Spurensuche und Zeitgenossenschaft (ed. Monika Wolting and Edward Bialek, Dresden, 2015). Rebecca Braun is Senior Lecturer in German Studies at Lancaster University, UK, where she also directs the interdisciplinary research centre, Authors and the World (www. authorsandtheworld.com). She has published widely on post-war German litera ture and culture, including the monograph Constructing Authorship in the Work of Günter Grass (Oxford, 2008), the edited volumes (with Frank Brunssen) Changing the Nation: Günter Grass in International Perspective (Würzburg, 2008) and (with Lyn Marven) Cultural Impact in the German Context: Studies in Transmission, Reception, and Influence (Rochester, NY, 2010), and the special issue (with Andrew Piper) “World Authorship and German Literature” (Semi- nar, 51/2, 2015). Numerous shorter pieces investigating concepts of authorship, autobiography, celebrity, and popular public engagement with literary lives in 20th and 21st century Germany have appeared in UK, North American and Ger- man peer-reviewed journals and books. Elke Brems is assistant professor at the University of Leuven (Belgium). She is the coordi- nator of the Centre for Reception Studies (www.receptionstudies.be) and a member of the steering committee of the Centre for Translation Studies ( CETRA). Her research focuses on aspects of cultural transfer to and from the Low Countries in the 20th century. She also works as a literary critic. Jos Joosten is Professor of Dutch Literature at Radboud University (Nijmegen, The Nether- lands). He is a member of the research group SCARAB (Studying Cultural Infra- viii Notes On Contributors structure and Reception Across Borders) and has published several articles and books on the theory and practice of literary criticism and book reviewing. Liisa Laukkanen received der doctorate in 1986 from the Ruhr University in Bochum with her thesis: Rezeption des finnischen Epos Kalevala im deutschen Sprachraum im 19. Jahrhundert. From 1988–1994 she taught at the University of Essen. Since 1994 she has worked as university lecturer in Finland and is currently senior lecture in German Language and Literature at the University of Vaasa where she leads the research centre for Finnish-German literary relations. Her research inter- ests include Reception Studies, literature in intercultural contexts and literary institutions. Publications see: <http://www.uva.fi/fi/profile/?view=1041500>. Stefan Neuhaus (born 1965) studied in Bamberg and Leeds. He received his doctorate in 1996, his ‘habilitation’ in 2001 and an honorary doctorate from the University of Gothenburg in 2005. After holding professorships in Oldenburg and Inns- bruck he has been professor
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