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SLASH ...MARSHALL JCM 2555 Presence 7, Output Master 6, Lead SLASH ......... MARSHALL JCM 2555 presence 7, output master 6, lead master 10, mid 4.5, imput gain 6.5, treble 7, bass 7, on a Les Paul guitar - SYSTEM OF A DOWN ........ ON a line 6 spider amp ch insane, drive 7 - 8, bass 10, mid 2, treble 6 - 7, ch vol 9 - 10, reverb 0 - 1 METALLICA ....... On a line 6 spider amp ch metal, drive 10, bass 10, mid 0, treble 7, ch vol 8 CRAZY TRAIN ....... On a line 6 spider amp ch insane, drive 6.5, bass 10, mid 10, treble 6, reverb 2 - 3 SMELLS LIKE TEEN SPIRIT on a line 6 spider amp ch crunch, drive 3, bass 5, mid 3, treble 7, reverb 0 PUNK SETTING on a Marshall MG amp drive 8, treble 6, mid 7.5, bass 4.5, presence 10 EVH ....... on a Fender champ dsp 30 amp treble 6, mid 7, bass 5, gain 5, rat pedal set at distortion 3 - 4, filter 7 - 8, vol max SHARP DRESSED MAN ....... Marshall JCM 900 amp ch A master vol 2, gain high, reverb 2, presence 10, bass 10, mid 10, treble 3, ch B on, mode low, humbucker on a Les Paul guitar HEAVY METAL SETTING treble 9, mid 4, bass 10, Boss metal zone set at high just under 1, low max, mid just under 1, mid freg. distortion max, vol. set to arrest level BORN TO BE WILD MARSHALL jcm 900 amp ch B, master vol 2, lead gain 8, reverb 1.5, presence 4, bass 8, mid 9, treble 6, ch B on, mode low, use a Les Paul lead humbucker SEX PISTOLS ....... On a Vox ad30vt amp gain 2/3 o clock vol max treble 4/5 o clock mid 2/3 o clock bass 10 o clock AC/DC ....... BACK IN BLACK drive at 6, treble 5, mid 6, bass 8, reverb 3, overdrive on BLACK SABBATH - PARANOID DRIVE 7, treble 3, mid 6, bass 6, reverb 4, distortion on TONI IOMMI bass 6, treble 6, mid 6, gain 7/8 BLINK 182 - ALL THE SMALL THINGS drive 5, treble 7, mid 4, bass 8, reverb 1, distortion on DEEP PURPLE - SMOKE ON THE WATER drive 7, treble 3, mid 7, bass 9, reverb 3, with overdrive DEEP PURPLE ....... Highway Star bass 8, mid 5, treble 7, gain 4 GUNS AND ROSES - SWEET CHILD OF MINE drive 10, treble 3, mid 5, bass 7, reverb 3, with overdrive complied by THIRD STONE JIMi HENDRIX - PURPLE HAZE drive 8, treble 7, mid 9, bass 6, reverb 3, with overdrive JIMI HENDRIX gain 4, treble 5, mid 5, bass 8, reverb 5 JOE SATRIANI - SURFING WITH THE ALIEN drive 7, treble 6, mid 3, bass 6, reverb 0, with distortion LED ZEPPELIN - WHOLE LOTTA LOVE drive 7, treble 3, mid 6, bass 7, reverb 5, with overdrive LED ZEPPELIN - VOX AMP gain 7, treble 8, vol. max, mid 6, bass 4/5 LED ZEPPELIN - SPIDER AMP amp model, either crunch, bass 8, mid 3, treble 9, drive 10, reverb 3 JIMMY PAGE gain 4, treble 8, mid 3, bass 7, reverb 2 Jimi Hendrix of Jimi Hendrix Experience Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5 Tom Morello of Audioslave/Rage Against the Machine Gain - 7 Treble - 10 Mid - 4 Bass - 4 Reverb - 0 Eric Clapton of Eric Clapton Gain - 7 Teble - 5 Mid - 7 Bass - 7 Presence - 8 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Note tuning of B F B E Gsharp Csharp (low to high) Jimmy Page of Led Zeppelin Gain - 4 Treble - 8 Mid - 3 Bass - 7 Reverb - 2 Kurt Cobain of Nirvana Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2 Eddie Van Halen of Van Halen Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4 John Frusciante of Red Hot Chili Peppers Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7 Kirk Hammet of Metallica Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Keith Richards of Rolling Stones Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Note use of open G tuning, D G D G B D (low to high) The Edge of U2 Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5 Brian May of Queen Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Note Brian famously uses old sixpences to pick the strings of his guitar. Jack White of The White Stripes Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8 Slash of Guns N' Roses Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence ? 8 Justin Hawkins of The Darkness bass- 6 treble-8 mid-8 gain-7 reverb-5 Dimebag Darrel of Pantera Gain - 7 Treble - 10 Mid - 4 Bass - 9 Reverb ? 0 Billie Joe Armstrong (newer) of Green Day Drive - 6 Treble - 10 Mid - 8 Bass - 5 Reverb ? 3 Billie Joe Armstrong (older) of Green Day Gain:9 Treble:10 Mid:8 Bass:5 Reverb:3 Dave Murray of Iron Maiden Drive - 7 Treble - 9 Mid - 7 Bass - 4 Reverb - 0 Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially Gary Moore of Thin Lizzy Bass 7 Treble 7 Mids 8-10 Gain 5-7 depends on song Coutour at 3-4 not so high to suck the mids but not os low to sound crappy maybe a splash of reverb Neck pickup Dave Grohl of Foo Fighters Distortion:8 Treble:7 Middle:5 Bass:3 Reverb:3 (room) Joe Walsh of Eagles Treble: 7 Bass:3 Mid: 4 Master:3 Reverb:2 Presence:3 Billy Corgan of Smashing Pumpkins For songs like 1979: Bass: 8 Mid: 7 High/Treble: 6 Pickup Position: 2 or 4 (Strat) For heavier songs like Zero or Jellybelly: Bass: 10 Mid: 4 High/Treble: 8 Use a thick heavy distortion with medium tone and a lot of sustain. Angus Young of AC/DC Gain - 5 Treble - 10 Mid - 10 Bass - 5 Gary Rossington of Lynyrd Skynyrd Treble - 5 Mid - 10 Bass - 5 Gain - 2-3 Mark Tremonti of Creed/Alter Bridge Gain:10 Treb.:6 Mid.:3 or 4 Bass:7 Presence:6 Mike McCready of Pearl Jam Treble: 7 Mid: 7 Low: 5 Daron Malakian of System of a Down Amp Used: Crate VFX5212 Gain: 8 Treble: 6-7 Mids: 3-5 Bass: 10 Presence: 8 Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb) Tony Iommi of Black Sabbath Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive Mick Mars of Motley Crue Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive Kurt Cobain - Chorus Effect bits of Nirvana Effects/Other - Ibanez CF-7 Pedal Speed- 10 Depth- 5 Delay Time- 0 or 1.5 Regen- 3 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Effects/Other - Tuning of B F B E G# C# (low to high) Channel - Distortion Noel Gallagher of Oasis Gain- 5.5 Volume- 10 Treble- 7 Middle- 5.5 Bass- 4.5 Ray Davies of The Kinks Gain- 7.5 Volume- 10 Treble- 10 Middle- 6 Bass- 4 Steve Jones of Sex Pistols Gain- 7 Volume- 10 Treble- 8.5 Middle- 6 Bass- 4 Alex Laiho of Children of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge David Gilmour of Pink Floyd Bass: 10 Middle: 6.5 Treble: 10 Gain: 1.5 or Gain-2-3 Treble- 7-8 Mids- 9-10 Bass- 5-6 Reverb- 60-70% Mark Tremonti of Creed/Alter Bridge Gain: 7 Bass: 6 Mids: 4 treble: 7.5 Reverb: 1-2 Carlos Santana of Carlos Santana gain 7 treble 10 mid 6 bass 5 reverb 2 Jerry Cantrell of Alice in Chains Gain 6-7 Treble 6-7 Mids 5-6 Bass 5-6 Reverb 3 Joe Perry of Aerosmith Gain: 5.5 Treble: 2 Mid: 7 Bass: 2 Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture) Pete Willis of Def Leppard Gain- 4 Bass-4 Mid- 5 Treble-7 Reverb-4 Billy Gibbons of ZZ Top Treble: 3 Middle: 10 Bass: 10 Prescense: 10 Gain: about 5 (crunchy type of sound) Use a Les Paul guitar with not to much output in the pups and select both! Buckethead of Buckethead Bass: 5-6 Mids: 5-7 Treble: 7-8 Presence: 6 Boost clean channel with an OD Tone: 5-6 Volume: 5-8 (have it boost the volume of the amp a little) Distortion: 0 Randy Rhoads of Ozzy Osbourne Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0 Stevie Ray Vaughan of Stevie Ray Vaughan Low 10 (full) Mid 7.5 High 5 Steve Vai Clean: Treble: 8 Mid: 5 Bass: 4 Lead: Presence: 6 Treble: 6 Mid: 7 Bass: 7 Gain: 8 Sublime General Treble 9-10 mid:0 bass: 7 with a hint of chorus...on clean Slayer Gain: 7 Treble: 7 Mid: 2 Bass: 9 Kerry King Gain - 9-10 Treble - 10 Mid - 4 Bass - 6-7 Reverb – 3 Graham Coxon of Blur Gain 7 Treble 7 Mid 6 Bass 5 Reverb 0 Atreyu Gain - 8 Bass -8 Mid - 2 - 3 Tremble – 9 Nickelback Gain 9 Bass 8.5 Mid 1 Treble 5.5 Rage Against The Machine Drive: 6 Treble: 8 Middle: 0 Bass: 6 Reverb: 2 (Distortion) Rush Gain - 6 Bass - 8 Mid - 6 Treble – 4 Neil Young Bass: 5 Middle: 10 Treble: 10 Presence: 10 Gain: 5 Steve VaiClean Channel Settings #1 Reverb 0 Treble 9 Mid 5 Bass 3 Clean Channel Settings #2 Reverb 0 Treble 8 Mid 4 ½ Bass 4 Lead Channel Settings #1 Presence 6 Treble 6 Mid 8 Bass 7 ½ Drive 9 Lead Channel Settings #2 Presence 6 ½ Treble 6 ½ Mid 6 Bass 7 ½ Drive 8 Lead Channel Settings #3 Presence 6 Treble 6 Mid 6 Bass 7 Drive 8 Lead Channel Settings #4 Presence 6 Treble 6 Mid 7 Bass 7 ½ Drive 8 Adam Gontier/Barry Stock of Three Days Grace Gain: 7 Treble: 10 Middle: 2 Bass: 2 Reverb: 6 Channel: Overdrive Joe Satriani 1.) Gain 7 Treble 6 Mid 10 Bass 6 Reverb 1 2.) gain: 7 Treble: 6 Middle: 3 Bass: 6 Reverb: 0 (Distortion) 3.) Gain: 6 Treble: 7 Bass: 9 Mids:0 Bullet for my valentine High-Gain amp Model.
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