DOCSLIB.ORG

SLASH ...MARSHALL JCM 2555 Presence 7, Output Master 6, Lead

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SLASH ......... MARSHALL JCM 2555 presence 7, output master 6, lead master 10, mid 4.5, imput gain 6.5, treble 7, bass 7, on a Les Paul guitar - SYSTEM OF A DOWN ........ ON a line 6 spider amp ch insane, drive 7 - 8, bass 10, mid 2, treble 6 - 7, ch vol 9 - 10, reverb 0 - 1 METALLICA ....... On a line 6 spider amp ch metal, drive 10, bass 10, mid 0, treble 7, ch vol 8 CRAZY TRAIN ....... On a line 6 spider amp ch insane, drive 6.5, bass 10, mid 10, treble 6, reverb 2 - 3 SMELLS LIKE TEEN SPIRIT on a line 6 spider amp ch crunch, drive 3, bass 5, mid 3, treble 7, reverb 0 PUNK SETTING on a Marshall MG amp drive 8, treble 6, mid 7.5, bass 4.5, presence 10 EVH ....... on a Fender champ dsp 30 amp treble 6, mid 7, bass 5, gain 5, rat pedal set at distortion 3 - 4, filter 7 - 8, vol max SHARP DRESSED MAN ....... Marshall JCM 900 amp ch A master vol 2, gain high, reverb 2, presence 10, bass 10, mid 10, treble 3, ch B on, mode low, humbucker on a Les Paul guitar HEAVY METAL SETTING treble 9, mid 4, bass 10, Boss metal zone set at high just under 1, low max, mid just under 1, mid freg. distortion max, vol. set to arrest level BORN TO BE WILD MARSHALL jcm 900 amp ch B, master vol 2, lead gain 8, reverb 1.5, presence 4, bass 8, mid 9, treble 6, ch B on, mode low, use a Les Paul lead humbucker SEX PISTOLS ....... On a Vox ad30vt amp gain 2/3 o clock vol max treble 4/5 o clock mid 2/3 o clock bass 10 o clock AC/DC ....... BACK IN BLACK drive at 6, treble 5, mid 6, bass 8, reverb 3, overdrive on BLACK SABBATH - PARANOID DRIVE 7, treble 3, mid 6, bass 6, reverb 4, distortion on TONI IOMMI bass 6, treble 6, mid 6, gain 7/8 BLINK 182 - ALL THE SMALL THINGS drive 5, treble 7, mid 4, bass 8, reverb 1, distortion on DEEP PURPLE - SMOKE ON THE WATER drive 7, treble 3, mid 7, bass 9, reverb 3, with overdrive DEEP PURPLE ....... Highway Star bass 8, mid 5, treble 7, gain 4 GUNS AND ROSES - SWEET CHILD OF MINE drive 10, treble 3, mid 5, bass 7, reverb 3, with overdrive complied by THIRD STONE JIMi HENDRIX - PURPLE HAZE drive 8, treble 7, mid 9, bass 6, reverb 3, with overdrive JIMI HENDRIX gain 4, treble 5, mid 5, bass 8, reverb 5 JOE SATRIANI - SURFING WITH THE ALIEN drive 7, treble 6, mid 3, bass 6, reverb 0, with distortion LED ZEPPELIN - WHOLE LOTTA LOVE drive 7, treble 3, mid 6, bass 7, reverb 5, with overdrive LED ZEPPELIN - VOX AMP gain 7, treble 8, vol. max, mid 6, bass 4/5 LED ZEPPELIN - SPIDER AMP amp model, either crunch, bass 8, mid 3, treble 9, drive 10, reverb 3 JIMMY PAGE gain 4, treble 8, mid 3, bass 7, reverb 2 Jimi Hendrix of Jimi Hendrix Experience Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5 Tom Morello of Audioslave/Rage Against the Machine Gain - 7 Treble - 10 Mid - 4 Bass - 4 Reverb - 0 Eric Clapton of Eric Clapton Gain - 7 Teble - 5 Mid - 7 Bass - 7 Presence - 8 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Note tuning of B F B E Gsharp Csharp (low to high) Jimmy Page of Led Zeppelin Gain - 4 Treble - 8 Mid - 3 Bass - 7 Reverb - 2 Kurt Cobain of Nirvana Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2 Eddie Van Halen of Van Halen Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4 John Frusciante of Red Hot Chili Peppers Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7 Kirk Hammet of Metallica Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2 Keith Richards of Rolling Stones Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Note use of open G tuning, D G D G B D (low to high) The Edge of U2 Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5 Brian May of Queen Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Note Brian famously uses old sixpences to pick the strings of his guitar. Jack White of The White Stripes Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8 Slash of Guns N' Roses Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence ? 8 Justin Hawkins of The Darkness bass- 6 treble-8 mid-8 gain-7 reverb-5 Dimebag Darrel of Pantera Gain - 7 Treble - 10 Mid - 4 Bass - 9 Reverb ? 0 Billie Joe Armstrong (newer) of Green Day Drive - 6 Treble - 10 Mid - 8 Bass - 5 Reverb ? 3 Billie Joe Armstrong (older) of Green Day Gain:9 Treble:10 Mid:8 Bass:5 Reverb:3 Dave Murray of Iron Maiden Drive - 7 Treble - 9 Mid - 7 Bass - 4 Reverb - 0 Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially Gary Moore of Thin Lizzy Bass 7 Treble 7 Mids 8-10 Gain 5-7 depends on song Coutour at 3-4 not so high to suck the mids but not os low to sound crappy maybe a splash of reverb Neck pickup Dave Grohl of Foo Fighters Distortion:8 Treble:7 Middle:5 Bass:3 Reverb:3 (room) Joe Walsh of Eagles Treble: 7 Bass:3 Mid: 4 Master:3 Reverb:2 Presence:3 Billy Corgan of Smashing Pumpkins For songs like 1979: Bass: 8 Mid: 7 High/Treble: 6 Pickup Position: 2 or 4 (Strat) For heavier songs like Zero or Jellybelly: Bass: 10 Mid: 4 High/Treble: 8 Use a thick heavy distortion with medium tone and a lot of sustain. Angus Young of AC/DC Gain - 5 Treble - 10 Mid - 10 Bass - 5 Gary Rossington of Lynyrd Skynyrd Treble - 5 Mid - 10 Bass - 5 Gain - 2-3 Mark Tremonti of Creed/Alter Bridge Gain:10 Treb.:6 Mid.:3 or 4 Bass:7 Presence:6 Mike McCready of Pearl Jam Treble: 7 Mid: 7 Low: 5 Daron Malakian of System of a Down Amp Used: Crate VFX5212 Gain: 8 Treble: 6-7 Mids: 3-5 Bass: 10 Presence: 8 Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb) Tony Iommi of Black Sabbath Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive Mick Mars of Motley Crue Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive Kurt Cobain - Chorus Effect bits of Nirvana Effects/Other - Ibanez CF-7 Pedal Speed- 10 Depth- 5 Delay Time- 0 or 1.5 Regen- 3 Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Effects/Other - Tuning of B F B E G# C# (low to high) Channel - Distortion Noel Gallagher of Oasis Gain- 5.5 Volume- 10 Treble- 7 Middle- 5.5 Bass- 4.5 Ray Davies of The Kinks Gain- 7.5 Volume- 10 Treble- 10 Middle- 6 Bass- 4 Steve Jones of Sex Pistols Gain- 7 Volume- 10 Treble- 8.5 Middle- 6 Bass- 4 Alex Laiho of Children of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge David Gilmour of Pink Floyd Bass: 10 Middle: 6.5 Treble: 10 Gain: 1.5 or Gain-2-3 Treble- 7-8 Mids- 9-10 Bass- 5-6 Reverb- 60-70% Mark Tremonti of Creed/Alter Bridge Gain: 7 Bass: 6 Mids: 4 treble: 7.5 Reverb: 1-2 Carlos Santana of Carlos Santana gain 7 treble 10 mid 6 bass 5 reverb 2 Jerry Cantrell of Alice in Chains Gain 6-7 Treble 6-7 Mids 5-6 Bass 5-6 Reverb 3 Joe Perry of Aerosmith Gain: 5.5 Treble: 2 Mid: 7 Bass: 2 Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture) Pete Willis of Def Leppard Gain- 4 Bass-4 Mid- 5 Treble-7 Reverb-4 Billy Gibbons of ZZ Top Treble: 3 Middle: 10 Bass: 10 Prescense: 10 Gain: about 5 (crunchy type of sound) Use a Les Paul guitar with not to much output in the pups and select both! Buckethead of Buckethead Bass: 5-6 Mids: 5-7 Treble: 7-8 Presence: 6 Boost clean channel with an OD Tone: 5-6 Volume: 5-8 (have it boost the volume of the amp a little) Distortion: 0 Randy Rhoads of Ozzy Osbourne Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0 Stevie Ray Vaughan of Stevie Ray Vaughan Low 10 (full) Mid 7.5 High 5 Steve Vai Clean: Treble: 8 Mid: 5 Bass: 4 Lead: Presence: 6 Treble: 6 Mid: 7 Bass: 7 Gain: 8 Sublime General Treble 9-10 mid:0 bass: 7 with a hint of chorus...on clean Slayer Gain: 7 Treble: 7 Mid: 2 Bass: 9 Kerry King Gain - 9-10 Treble - 10 Mid - 4 Bass - 6-7 Reverb – 3 Graham Coxon of Blur Gain 7 Treble 7 Mid 6 Bass 5 Reverb 0 Atreyu Gain - 8 Bass -8 Mid - 2 - 3 Tremble – 9 Nickelback Gain 9 Bass 8.5 Mid 1 Treble 5.5 Rage Against The Machine Drive: 6 Treble: 8 Middle: 0 Bass: 6 Reverb: 2 (Distortion) Rush Gain - 6 Bass - 8 Mid - 6 Treble – 4 Neil Young Bass: 5 Middle: 10 Treble: 10 Presence: 10 Gain: 5 Steve VaiClean Channel Settings #1 Reverb 0 Treble 9 Mid 5 Bass 3 Clean Channel Settings #2 Reverb 0 Treble 8 Mid 4 ½ Bass 4 Lead Channel Settings #1 Presence 6 Treble 6 Mid 8 Bass 7 ½ Drive 9 Lead Channel Settings #2 Presence 6 ½ Treble 6 ½ Mid 6 Bass 7 ½ Drive 8 Lead Channel Settings #3 Presence 6 Treble 6 Mid 6 Bass 7 Drive 8 Lead Channel Settings #4 Presence 6 Treble 6 Mid 7 Bass 7 ½ Drive 8 Adam Gontier/Barry Stock of Three Days Grace Gain: 7 Treble: 10 Middle: 2 Bass: 2 Reverb: 6 Channel: Overdrive Joe Satriani 1.) Gain 7 Treble 6 Mid 10 Bass 6 Reverb 1 2.) gain: 7 Treble: 6 Middle: 3 Bass: 6 Reverb: 0 (Distortion) 3.) Gain: 6 Treble: 7 Bass: 9 Mids:0 Bullet for my valentine High-Gain amp Model.
Recommended publications
  • The Darkness Till Putte I Parken

    The Darkness Till Putte I Parken

    2013-03-20 09:58 CET The Darkness till Putte i Parken Debutalbumet sålde över fyra miljoner exemplar. De har varit support act till Lady Gaga under en världsturné. Nu kommer The Darkness till Putte i Parken i sommar. Ed Graham, trummor. Dan Hawkins, gitarr och kör. Justin Hawkins, sång, gitarr och klaviatur. Frankie Poullain, bas och kör. The Darkness.Glamrockarna från Norfolk som startade 2000 och gav ut debutalbumet ”Permission to Land” sommaren 2003. Det har sålt i över fyra miljoner exemplar i Storbritannien och blev naturligtvis albumetta. Sedan dess har The Darkness haft fem låtor på topp- 10 på brittiska singellistan – bland annat ”I believe in a thing called love”, ”Love is only a feeling” och ”Christmas time (Don´t let the bells end”). Splittrade 2006 och återförenade 2011 till glädje för bland andra publiken på Isle of Wight och Getaway Rock och för skivpubliken när tredje studioalbumet ”Hot Cakes” landade i augusti 2012. Det var efter det skivsläppet man var support act till Lady Gaga på hennes världturné. - En kanonbokning som gör PIP 2013 till en ännu häftigare festival, konstaterar arrangören Niclas Lagerstam. Inspirationen hos The Darkness kommer från band som AC/DC, Van Halen och Aerosmith men man har byggt på sitt musikaliska uttryck med udda instrument som säckpipa och panflöjt och med olika syntar. - The Darkness har liknats vid Thin Lizzy för sitt gitarrspel och vid Queen för sin sång, berättar Niclas Lagerstam. I helgen kunde Putte i Parken presentera kanadensiska Propagandhi, finska French Films och danska Bottled in England efter att tidigare haft klart med brittiska Iamx och Uncle Acid & The Deadbeats.
  • Trivium: Entre Thrash Y Metalcore

    Trivium: Entre Thrash Y Metalcore

    Image not found or type unknown www.juventudrebelde.cu Trivium: Entre thrash y metalcore Publicado: Lunes 12 febrero 2018 | 06:26:00 pm. Publicado por: Joaquín Borges-Triana Los que gustan de hacer headbanging y un buen mosh estarán de plácemes ante el nuevo disco de Trivium, el álbum titulado The sin and the sentence, y que es el octavo grabado en estudio durante la carrera de esta banda estadounidense. Por mi parte, debo decir que me encantó la propuesta del grupo del vocalista y guitarrista Matt Heafy, porque ella me retrotrae a la época dorada del thrash metal, estilo surgido en el decenio del 80 en la corrosiva y maravillosa ciudad de San Francisco, sitio de suma importancia para la historia del rock y del metal. Publicado por el sello Roadrunner Records, el CD contiene 11 piezas a través de las cuales apreciamos una muy llamativa mezcla entre elementos de Thrash Metal y componentes del metalcore, lo cual le confiere al fonograma una sonoridad bien moderna y en la que se consigue la unión entre llamativas líneas melódicas y el sentido oscuro característico de las tendencias extremas del metal. Según mi parecer, he ahí la clave de un material como The sin and the sentence, resultado también de los buenos oficios del productor Josh Wilbur. Para ese nuevo disco, la alineación de Trivium la conforman el ya aludido Matt Heafy como figura frontal de la agrupación, Corey Beaulieu en los trabajos vocales y como integrante de la mancuerna de guitarras el bajista Paolo Gregoletto y una nueva adquisición, Alex Bent en la batería.
  • Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi

    Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi

    CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80.
  • Bakalářská Práce 2012

    Bakalářská Práce 2012

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury
  • 2015 Free Accessory Kit Offer!

    2015 Free Accessory Kit Offer!

    2015 Free Accessory Kit Offer! UTERMS AND CONDITIONS: 1. Buy one of the following Epiphone electric guitars from any participating Authorized Epiphone Retailer Uduring the authorized time periodU. See your authorized retailer or visit 0TUwww.Epiphone.comU0T for details. • Dot Studio (EDTSxxxxx) • Wildkat (ETBKxxxxx) • Dot (ETDTxxxxx) • Casino Coupe (ETCCxxxxx) • ES-339 PRO (ET33xxxxx) • Tom Delonge ES-333 (ETD3xxxxx) • Riviera Custom P93™ (ETR3xxxxx) • Ultra-339™ (ET39xxxxx) • Sheraton™ (ETS2xxxxx) • Casino™ (ETCAxxxxx) • Joe Pass Emperor-II™ (ETE2xxxxx) • B. B. King Lucille™ (ETBBxxxxx) • Emperor Swingster™ (ETS2xxxxx) • Elitist Casino™ (ELCSxxxxx) • Gary Clark Jr Casino (ETGCxxxxx) • Goth LP Studio (ENL1PBBH1) • Goth Explorer (EXP2PBBH1) • G-400 PRO (EGGPxxxxx) • Blueshawk Deluxe (EDBCxxxxx) • Wilshire Phant-o-matic (ENW2xxxxx) • Robb Flynn Flying-V (EGRFxxxxx) • 1984 Explorer (EX84xxxxx) • Les Paul Studio (ENL1xxxxx) • Les Paul Standard (ENSxxxxxx) • Les Paul Standard Plustop PRO (ENLPxxxxx) • Les Paul Custom PRO (ENCTxxxxx) • Les Paul Classic-T (ENETxxxxx) • Prophecy LP Custom Plus EX or GX (ENCHxxxxx) • Les Paul Tribute (ENTPxxxxx) • Les Paul Black Beauty (ENBBEBGH1) • Les Paul Ultra-III (ENU3xxxxx) • Matt Heafy Les Paul Custom (ENCTxxxxx) • Matt Heafy Les Paul Custom-7 (ENC7xxxxx) • Lee Malia Les Paul Custom Artisan (ENLCxxxxx) (Applicable Model & SKU family listed above. Any color for all above models OK.) 2. Authorized time period is: USeptember 1, 2015 through September 30, 2015. 3. UOffer valid to shipping addresses in the following countries only: (1) • USAP (1) • CanadaP (2) • GermanyP (2) • United KingdomP (2) • FranceP (2) • ItalyP (2) • SpainP (2) • AustriaP (2) • GreeceP (2) • PortugalP (2) • NetherlandsP (2) • BelgiumP (2) • LuxembourgP (2) • HungaryP (2) • SloveniaP (2) • SlovakiaP (3) • JapanP (1) U UPU UPU 4. For U.S.A.
  • 2005 – Building for the Future

    2005 – Building for the Future

    2005 – 2006 2005 – Building for the future Working with communities is an important part of ZSL’s effort to involve local people in the welfare of their wildlife Reading this year’s Living Conservation report I am struck by the sheer breadth and vitality of ZSL’s conservation work around the world. It is also extremely gratifying to observe so many successes, ranging from our international animal conservation and scientific research programmes to our breeding of endangered animals and educational projects. Equally rewarding was our growing Zoology at the University of financial strength during 2005. In a year Cambridge. This successful overshadowed by the terrorist attacks collaboration with our Institute of in the capital, ZSL has been able to Zoology has generated numerous demonstrate solid and sustained programmes of research. We are financial growth, with revenue from our delighted that this partnership will website, retailing, catering and business continue for another five years. development operations all up on last Our research projects continued to year. influence policy in some of the world’s In this year’s report we have tried to leading conservation fields, including give greater insight into some of our the trade in bushmeat, the assessment most exciting conservation programmes of globally threatened species, disease – a difficult task given there are so risks to wildlife, and the ecology and many. Fortunately, you can learn more behaviour of our important native about our work on our award-winning* species. website www.zsl.org (*Best Website – At Regent’s Park we opened another Visit London Awards November 2005). two new-look enclosures.
  • Completeandleft

    Completeandleft

    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
  • Toys for Joys by Adam Byrnes the Ram Experience by Mikayla Bell

    Toys for Joys by Adam Byrnes the Ram Experience by Mikayla Bell

    North Th urston High School RAMPAGEDecember 18, 2012 Volume 5, Issue 504 The Ram Experience by Mikayla Bell Imagine, you get off the plane. Unsure where very excited, I wanted to live in another country, travel, rainy! Also very wet!” What is one thing you noticed to go, every sign is in a language you don’t understand. and see what it was like [being an exchange student].” about America, we asked. “Oh, America is very cheap! Suddenly you are confronted with a group of people with He noticed many things when he fi rst arrived. “Besides Japan is much more expensive. It is also very large here signs, and saying how happy they are to have you here. everyone talking in English, probably just how the people everything is bigger.” Her favorite American food is You read the sign and see your name in the language; the act, and how you live. It’s very different.” He has visited a Costco Sandwich. She has also notice many people only word you can read. They offer to carry you bags, many places, while in the US. “I have not visited many don’t like fi sh here in the USA.”I have not eaten fi sh in and lead you to their car. You barely understand what places here in Washington; I haven’t even been to Seattle America. I eat fi sh almost every day in Japan! It’s very they are saying, so you just say “Yes!’ or “No?”. When yet. But I have been to California, Oregon, and before different.” Activities Yuriko have joined are Girls Swim you arrive at their home they show you to your room I came here, I spent a few days in New York.” Leopold Team and DECA.
  • Trivium Ember to Inferno Mp3, Flac, Wma

    Trivium Ember to Inferno Mp3, Flac, Wma

    Trivium Ember To Inferno mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ember To Inferno Country: Germany Released: 2003 Style: Heavy Metal, Thrash MP3 version RAR size: 1240 mb FLAC version RAR size: 1741 mb WMA version RAR size: 1736 mb Rating: 4.6 Votes: 958 Other Formats: ADX AHX MP2 RA AAC FLAC AU Tracklist 1.1 –Trivium Inception The Bleeding Skies 0:35 1.2 –Trivium Pillars Of Serpents 4:35 1.3 –Trivium If I Could Collapse The Masses 4:42 1.4 –Trivium Fugue (A Revelation) 4:22 1.5 –Trivium Requiem 4:53 1.6 –Trivium Ember To Inferno 4:11 1.7 –Trivium Ashes 0:54 1.8 –Trivium To Burn The Eye 7:01 1.9 –Trivium Falling To Grey 5:37 1.10 –Trivium My Hatred 4:35 1.11 –Trivium When All Light Dies 6:23 1.12 –Trivium A View Of Burning Empires 1:50 1.13 –Trivium Blinding Tears Will Break The Skies 5:41 1.14 –Trivium The Deceived 6:00 1.15 –Trivium Demon 3:28 Lifeforce Records Sampler 2006 2.1 –Raunchy Abandon Your Hope 4:45 2.2 –Deadsoil Unspoken 4:11 2.3 –Herod Lies And Betrayal 4:24 2.4 –Fall Of Serenity Out Of The Clouds 4:33 2.5 –Endstand Right From The Start 3:07 2.6 –Deadlock Awakened By Sirens 5:25 2.7 –Fear My Thoughts Ghosts Of Time 4:10 2.8 –Withered Within Your Grief 3:37 2.9 –Heaven Shall Burn Unleash Enlightment 5:06 2.10 –Hand To Hand Preamble 4:12 2.11 –Hell Within Redemption..
  • 12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus

    12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus

    All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 --
  • Mychildren Mybride Gwar No Warning Cannibal Corpse

    Mychildren Mybride Gwar No Warning Cannibal Corpse

    MYCHILDREN MYBRIDE GWAR NO WARNING CANNIBAL CORPSE THROUGH THE EYES VICIOUS WORLD THE BLOOD OF GODS TORTURE CULTURE RED BEFORE BLACK OF THE DEAD METAL/ENTERTAINMENT ONE METAL BLADE METAL/ENTERTAINMENT ONE METAL BLADE DISOMUS While so many of their contemporaries The Blood of Gods is nothing less than a After nearly a decade away, No Warning Many words come to mind when you hear METAL/ENTERTAINMENT ONE cranked out disposable albums with forgetta- sacred text chronicling the rise of humanity return with Torture Culture, a third album that the name Cannibal Corpse, but one truly Revered as one of the groups that pioneered ble repetitiveness, in an effort to meet the de- against their makers, and the massive battle is as scrappy, self-assured, and unrelenting defines the soon-to-be thirty-year death metal the aggressive and abrasive mixture of death mands of the music industry, MyChildren between GWAR and the forces of all that is as it was once unthinkably improbable. No veterans: Unstoppable. Returning with their metal and hardcore, East Coast-based MyBride entered into a willful creative hiber- uptight and wrong with the world. Along the Warning is confrontational, uncompromis- fourteenth full-length slab, the monstrous Red Through the Eyes of the Dead nation instead. Like a creature that spins itself way, the band challenges the sins of their ing, and unapologetic, like the best in hard- Before Black, serves to not only reiterate this triumphantly return with Disomus, the long a cocoon to evolve into something bigger and great mistake, from politics, pollution, and core, metal, crossover, and thrash before but to once more raise the stakes, making it anticipated follow up to 2010’s Skepsis.
  • Q Prime Fax Cover

    Q Prime Fax Cover

    THREE DAYS GRACE DEBUT NEW TRACK “I AM AN OUTSIDER” AND OUTSIDER TRACK LISTING VIA BILLBOARD FIRST SINGLE “THE MOUNTAIN” IS #1 MOST ADDED TRACK ON ACTIVE ROCK RADIO FOR SECOND WEEK SET TO RELEASE NEW ALBUM OUTSIDER ON MARCH 9TH VIA RCA RECORDS OUTSIDER IS THE 6TH STUDIO ALBUM FROM THE MULTI-PLATINUM CERTIFIED ONTARIO BAND Recent Critical Praise for Outsider’s First Single, “The Mountain” “…seismic new single…” - Alt Press “Workout warriors should be thrilled with this motivational new clip and cut.” - Loudwire “Those cinematic sonic flourishes augment arena-ready riffs before summiting towards a seismic refrain…” - Blabbermouth This morning, Three Days Grace debut “I Am An Outsider,” the second track from their forthcoming album, Outsider (March 9th, RCA Records), along with the album’s tracklisting via Billboard, who say "I Am The Outsider" “…defines both the theme of Three Days Grace's upcoming album Outsider and the Canadian band's lyrical outlook in general.” Drummer Neil Sanderson spoke to Billboard about the process of creating the new album and the band’s upcoming tour dates. Read Billboard’s interview and listen to “I Am An Outsider” here. Recently, Three Days Grace debuted their new music video for the song “The Mountain” which Alt Press called a “…seismic new single” and has been streamed over 3.5M times on YouTube alone. The song is the #1 greatest gainer on the Active Rock Chart for the second week in a row, and currently top 10 on the Billboard and Mediabase charts. Taped at a UFC octagon, the music video for Outsider’s first single was directed by Sean Cartwright, and features a cameo by UFC fighter Misha Cirkunov.