SLASH ...... MARSHALL JCM 2555 presence 7, output master 6, lead master 10, mid 4.5, imput gain 6.5, treble 7, bass 7, on a guitar -

SYSTEM OF A DOWN ...... ON a line 6 spider amp ch insane, drive 7 - 8, bass 10, mid 2, treble 6 - 7, ch vol 9 - 10, reverb 0 - 1

METALLICA ...... On a line 6 spider amp ch metal, drive 10, bass 10, mid 0, treble 7, ch vol 8

CRAZY TRAIN ...... On a line 6 spider amp ch insane, drive 6.5, bass 10, mid 10, treble 6, reverb 2 - 3

SMELLS LIKE TEEN SPIRIT on a line 6 spider amp ch crunch, drive 3, bass 5, mid 3, treble 7, reverb 0

PUNK SETTING on a Marshall MG amp drive 8, treble 6, mid 7.5, bass 4.5, presence 10

EVH ...... on a Fender champ dsp 30 amp treble 6, mid 7, bass 5, gain 5, rat pedal set at distortion 3 - 4, filter 7 - 8, vol max

SHARP DRESSED MAN ...... Marshall JCM 900 amp ch A master vol 2, gain high, reverb 2, presence 10, bass 10, mid 10, treble 3, ch B on, mode low, humbucker on a Les Paul guitar HEAVY METAL SETTING treble 9, mid 4, bass 10,

Boss metal zone set at high just under 1, low max, mid just under 1, mid freg. distortion max, vol. set to arrest level

BORN TO BE WILD MARSHALL jcm 900 amp ch B, master vol 2, lead gain 8, reverb 1.5, presence 4, bass 8, mid 9, treble 6, ch B on, mode low, use a Les Paul lead humbucker

SEX PISTOLS ...... On a Vox ad30vt amp gain 2/3 o clock vol max treble 4/5 o clock mid 2/3 o clock bass 10 o clock

AC/DC ...... BACK IN BLACK drive at 6, treble 5, mid 6, bass 8, reverb 3, overdrive on

BLACK SABBATH - PARANOID

DRIVE 7, treble 3, mid 6, bass 6, reverb 4, distortion on

TONI IOMMI bass 6, treble 6, mid 6, gain 7/8 BLINK 182 - ALL THE SMALL THINGS drive 5, treble 7, mid 4, bass 8, reverb 1, distortion on

DEEP PURPLE - SMOKE ON THE WATER drive 7, treble 3, mid 7, bass 9, reverb 3, with overdrive

DEEP PURPLE ...... Highway Star bass 8, mid 5, treble 7, gain 4

GUNS AND ROSES - SWEET CHILD OF MINE drive 10, treble 3, mid 5, bass 7, reverb 3, with overdrive complied by THIRD STONE

JIMi HENDRIX - PURPLE HAZE drive 8, treble 7, mid 9, bass 6, reverb 3, with overdrive

JIMI HENDRIX gain 4, treble 5, mid 5, bass 8, reverb 5

JOE SATRIANI - SURFING WITH THE ALIEN drive 7, treble 6, mid 3, bass 6, reverb 0, with distortion

LED ZEPPELIN - WHOLE LOTTA LOVE drive 7, treble 3, mid 6, bass 7, reverb 5, with overdrive LED ZEPPELIN - VOX AMP gain 7, treble 8, vol. max, mid 6, bass 4/5

LED ZEPPELIN - SPIDER AMP amp model, either crunch, bass 8, mid 3, treble 9, drive 10, reverb 3

JIMMY PAGE gain 4, treble 8, mid 3, bass 7, reverb 2

Jimi Hendrix of Jimi Hendrix Experience Gain - 4 Treble - 5 Mid - 5 Bass - 8 Reverb - 5

Tom Morello of Audioslave/Rage Against the Machine Gain - 7 Treble - 10 Mid - 4 Bass - 4 Reverb - 0

Eric Clapton of Eric Clapton Gain - 7 Teble - 5 Mid - 7 Bass - 7 Presence - 8

Mick Thompson of Slipknot Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Note tuning of B F B E Gsharp Csharp (low to high)

Jimmy Page of Led Zeppelin Gain - 4 Treble - 8 Mid - 3 Bass - 7 Reverb - 2

Kurt Cobain of Nirvana Gain - 7 Treble - 7 Mid - 4 Bass - 3 Reverb - 2

Eddie of Van Halen Gain - 6 Treble - 4 Mid - 3 Bass- 9 Reverb - 4

John Frusciante of Red Hot Chili Peppers Gain - 4 Treble - 8 Mid - 2 Bass - 6 Reverb - 7

Kirk Hammet of Gain - 7 Treble - 7 Mid - 2 Bass - 7 Reverb - 2

Keith Richards of Rolling Stones Gain - 4.5 Treble - 4.5 Mid - 6.5 Bass - 5.5 Reverb - 1.5 Note use of open G tuning, D G D G B D (low to high)

The Edge of U2 Gain - 1.5 Treble - 7 Mid - 5 Bass - 3 Reverb - 8.5

Brian May of Queen Gain - 8.5 Treble - 4 Mid - 9 Bass - 5.5 Reverb - 4 Note Brian famously uses old sixpences to pick the strings of his guitar.

Jack White of The White Stripes Gain - 8 Treble - 7 Mid - 5 Bass - 8 Prescence - 8

Slash of Guns N' Roses Gain - 6.5 Treble - 4.5 Mid - 7 Bass - 7 Presence ? 8

Justin Hawkins of The Darkness bass- 6 treble-8 mid-8 gain-7 reverb-5

Dimebag Darrel of Pantera Gain - 7 Treble - 10 Mid - 4 Bass - 9 Reverb ? 0

Billie Joe Armstrong (newer) of Green Day Drive - 6 Treble - 10 Mid - 8 Bass - 5 Reverb ? 3

Billie Joe Armstrong (older) of Green Day Gain:9 Treble:10 Mid:8 Bass:5 Reverb:3

Dave Murray of Drive - 7 Treble - 9 Mid - 7 Bass - 4 Reverb - 0 Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially

Gary Moore of Thin Lizzy Bass 7 Treble 7 Mids 8-10 Gain 5-7 depends on song Coutour at 3-4 not so high to suck the mids but not os low to sound crappy maybe a splash of reverb Neck pickup

Dave Grohl of Foo Fighters Distortion:8 Treble:7 Middle:5 Bass:3 Reverb:3 (room)

Joe Walsh of Eagles Treble: 7 Bass:3 Mid: 4 Master:3 Reverb:2 Presence:3

Billy Corgan of Smashing Pumpkins For songs like 1979:

Bass: 8 Mid: 7 High/Treble: 6 Pickup Position: 2 or 4 (Strat)

For heavier songs like Zero or Jellybelly:

Bass: 10 Mid: 4 High/Treble: 8

Use a thick heavy distortion with medium tone and a lot of sustain.

Angus Young of AC/DC Gain - 5 Treble - 10 Mid - 10 Bass - 5

Gary Rossington of Lynyrd Skynyrd Treble - 5 Mid - 10 Bass - 5 Gain - 2-3

Mark Tremonti of Creed/ Gain:10 Treb.:6 Mid.:3 or 4 Bass:7 Presence:6 Mike McCready of Pearl Jam Treble: 7 Mid: 7 Low: 5

Daron Malakian of Amp Used: Crate VFX5212 Gain: 8 Treble: 6-7 Mids: 3-5 Bass: 10 Presence: 8 Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

Tony Iommi of

Gain - 7 or 8 Bass - 6 Middle - 6 Treble - 6 Channel - Overdrive

Mick Mars of Motley Crue Gain - 3 Bass - 2-3 Contour - 2-3 Treble - 10 Channel - Overdrive

Kurt Cobain - Chorus Effect bits of Nirvana Effects/Other - Ibanez CF-7 Pedal Speed- 10 Depth- 5 Delay Time- 0 or 1.5 Regen- 3

Mick Thompson of Slipknot

Gain - 9-10 Treble - 8 Mid - 7 Bass - 8 Reverb - 2 Effects/Other - Tuning of B F B E G# C# (low to high) Channel - Distortion

Noel Gallagher of Oasis

Gain- 5.5 Volume- 10 Treble- 7 Middle- 5.5 Bass- 4.5 Ray Davies of The Kinks

Gain- 7.5 Volume- 10 Treble- 10 Middle- 6 Bass- 4

Steve Jones of Sex Pistols

Gain- 7 Volume- 10 Treble- 8.5 Middle- 6 Bass- 4

Alex Laiho of Children of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge

David Gilmour of Pink Floyd Bass: 10 Middle: 6.5 Treble: 10 Gain: 1.5 or

Gain-2-3 Treble- 7-8 Mids- 9-10 Bass- 5-6 Reverb- 60-70%

Mark Tremonti of Creed/Alter Bridge Gain: 7 Bass: 6 Mids: 4 treble: 7.5 Reverb: 1-2

Carlos Santana of Carlos Santana gain 7 treble 10 mid 6 bass 5 reverb 2 Jerry Cantrell of Alice in Chains Gain 6-7 Treble 6-7 Mids 5-6 Bass 5-6 Reverb 3

Joe Perry of Gain: 5.5 Treble: 2 Mid: 7 Bass: 2 Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)

Pete Willis of Gain- 4 Bass-4 Mid- 5 Treble-7 Reverb-4

Billy Gibbons of ZZ Top Treble: 3 Middle: 10 Bass: 10 Prescense: 10 Gain: about 5 (crunchy type of sound) Use a Les Paul guitar with not to much output in the pups and select both!

Buckethead of Buckethead Bass: 5-6 Mids: 5-7 Treble: 7-8 Presence: 6

Boost clean channel with an OD Tone: 5-6 Volume: 5-8 (have it boost the volume of the amp a little) Distortion: 0

Randy Rhoads of Ozzy Osbourne Gain 7 Bass 7 Mids 7 Treble 10 Reverb 0

Stevie Ray Vaughan of Stevie Ray Vaughan Low 10 (full) Mid 7.5 High 5 Steve Vai Clean: Treble: 8 Mid: 5 Bass: 4

Lead: Presence: 6 Treble: 6 Mid: 7 Bass: 7 Gain: 8

Sublime General Treble 9-10 mid:0 bass: 7 with a hint of chorus...on clean

Slayer Gain: 7 Treble: 7 Mid: 2 Bass: 9

Kerry King Gain - 9-10 Treble - 10 Mid - 4 Bass - 6-7 Reverb – 3

Graham Coxon of Blur Gain 7 Treble 7 Mid 6 Bass 5 Reverb 0

Atreyu Gain - 8 Bass -8 Mid - 2 - 3 Tremble – 9

Nickelback Gain 9 Bass 8.5 Mid 1 Treble 5.5

Rage Against The Machine Drive: 6 Treble: 8 Middle: 0 Bass: 6 Reverb: 2 (Distortion)

Rush Gain - 6 Bass - 8 Mid - 6 Treble – 4

Neil Young Bass: 5 Middle: 10 Treble: 10 Presence: 10 Gain: 5

Steve VaiClean Channel Settings #1 Reverb 0 Treble 9 Mid 5 Bass 3

Clean Channel Settings #2 Reverb 0 Treble 8 Mid 4 ½ Bass 4

Lead Channel Settings #1 Presence 6 Treble 6 Mid 8 Bass 7 ½ Drive 9

Lead Channel Settings #2 Presence 6 ½ Treble 6 ½ Mid 6 Bass 7 ½ Drive 8

Lead Channel Settings #3 Presence 6 Treble 6 Mid 6 Bass 7 Drive 8 Lead Channel Settings #4 Presence 6 Treble 6 Mid 7 Bass 7 ½ Drive 8

Adam Gontier/Barry Stock of Gain: 7 Treble: 10 Middle: 2 Bass: 2 Reverb: 6 Channel: Overdrive

Joe Satriani 1.) Gain 7 Treble 6 Mid 10 Bass 6 Reverb 1

2.) gain: 7 Treble: 6 Middle: 3 Bass: 6 Reverb: 0 (Distortion)

3.) Gain: 6 Treble: 7 Bass: 9 Mids:0

Bullet for my valentine High-Gain amp Model. Bass-6 Mid-5 Treble-8

Wolfmother Gain: 7 Bass: 6 Mid: 6 Treble: 4 Reverb: 2

Megadeth Gain 10 Bass 4 Contour 10 Treble 10

AFI General Early AFI Treble: 9 mid: 7 bass: 5 gain: 10.

Middle AFI Treble: 8 middle: 5 bass: 7 gain: half

New AFI Treble: 7.5 middle: 6 bass: 6 Gain: just before half

The Strokes Gain 4 Treble 8 Mid 4-6 Bass 6 USing the bridge pickup when using dist and neck pickup when clean

Jerkyll and hyde ultimate overdrive settings Drive full, turn down for softer songs l tone full volume set to desire

Distortion Drive 3 oclock for songs like juicebox, heavy songs ect turned down for softer songs tone 10 - 11 o'clock EQ 7 - 8 o'clock volume set to desire

Rhcp- under the bridge tone Black 2x12 Gain- 9 o'clock Volume- max Treble- max Middle- 3/4 o'clock Bass- 9/10 o'clock Use compressor effect as well

Classic rock ie. led zepplin AC30TB setting Gain- 2 o'clock Volume- max Treble- 3 o'clock Middle- 1 o'clock Bass- 10/11 o'clock Reverb obviously works well too.

Kinks tone UK 70's setting Gain- 4 o'clock Volume- max Treble- max Middle- 2 o'clock Bass- 10/11 o'clock

Sex pistols tone AC30TB setting Gain- 2/3 o'clock Volume- max Treble- 4/5 o'clock Middle- 2/3 o'clock Bass- 10 o'clock

New indie type tone e.g. futureheads, bloc party, razorlight AC30TB setting Gain- 10/11 o'clock (mess around with this to get the right amount for a particular band Volume- max Treble- max Middle- 3 o'clock Bass- 9 o'clock

Lake Bodom - CHildren of Bodom Treble: 9 Mid: 4 Bass: 7 Gain: 8 Reverb: 4 (on guitar) Tone: 10 Pickup: Bridge

Pink Floyd-Comfortably Numb BASS: 10 MIDDLE: 6.5 TREBLE: 10 GAIN: 1.5

Greg Ginn from Black Flag (not o'clocks) Gain:10 Bass:10 Middle:10 Treble:5 Contour(if applicable):8 Effects:none Reverb: 0 Channel: Overdrive

David Gilmour- Dark Side of the Moon Gain-2-3 Volume-10 Treble- 7-8 Mids- 9-10 Bass- 5-6 Reverb- 60-70% Fuzz- 100% Phaser- 40% Delay- about 310ms

Adam Jones-Laterlarus Gain- 5 Volume- 10 Treble- 8 Mids- 5-6 Bass- 7 Reverb -variable, usually below 40%

Offspring-Come Out and Play Treble: 8 Mids: 3 Bass: 5 Reverb: 3 Dist: 10

Matt Heafy from Trivium Treble- 8.5 Mid-6.5 Bass-6 Gain-7.5 Reverb-none

Avenged Sevenfold Low - 7 Mid - 6 High - 8 Drive - 10 (on a Boss DS-1) Reverb - 2 or 3

Daron Malakian of System Of A Down (newer) Pre-Amp: 7 Gain: 5 Trebble: 8 Mid:9 Bass: 7.5 Presence: 9

Sum 41- Fat lip Scooped Mids Gain 6-10 Bass 5-8 Mids 0-2 Treble8-10

Killswitch Engage Reverb:4 Bass:6 Mid:6 Treble:4 or 7 depending on song. Gain:8

Random Speed/Power metal settings Gain: 4 Bass: 4 Mid: 8 Treble: 4 Reverb: 3

Gain: 7 Bass: 8 Mid: 3 Treble: 7 Reverb: 3

Hank Marvin of The Shadows Gain - 2 Treble - 6 Mid - 9 Bass - 9 Reverb - 10 MORE Metallica (Hetfield and Hammet, with specific amps, effects, and years) James Hetfield

Mesa/Boogie Triaxis

Late 90's

Program/Channel- Main Crunch Gain- 7 Bass- 4.5 Middle- 0 Treble- 6.5 Drive 1- 0 Drive 2- 6.5 Master- 5 Presence- 6.5 Dynamic Voice- 0 Mode- LD2 Yellow

Program/Channel- Clean Gain- 2 Bass- 4 Middle- 2 Treble- 5 Drive 1- 0 Drive 2- 0 Master- 5.5 Presence- 5.5 Dynamic Voice- 0 Mode- Rhy 1 Yellow

2003

Program/Channel- Frantic Gain- 8 Bass- 5 Middle- 3 Treble- 6 Drive 1- 0 Drive 2- 6 Master- 6 Presence- 5 Dynamic Voice- 0 Mode- LD2 Yellow

Diezel VH-4

Gain- 6 Volume- 8 Bass- 9 Middle- 3 Treble- 8 Volume- 6 EFX Mix- 5 Presence- 6 Deep- 5

Gain- 8 Volume- 8 Bass- 10 Middle- 4 Treble- 8.5 Volume- 6 EFX Mix- 5 Presence- 6 Deep- 5

Triple Rectifier

Clean

Master- 2 Presence- 8 Bass- 5 Mid- 6 Treble- 6 Gain- 2

Dirty

Master- 5 Presence- 6 Bass- 5 Mid- 4.5 Treble- 6 Gain- 5

Kirk Hammett:

Triaxis

Clean Gain- 1 Bass- 1 Middle- 5 Treble- 4 Lead 1- 0 Lead 2- 0 Master- 10 Presence- 6 Dynamic Voice- 6.5 Mode- Rhy. Green

Solo Gain- 9 Bass- 5 Middle- 7 Treble- 3 Lead 1- 0 Lead 2- 1 Master- 2 Presence- 2 Dynamic Voice- 8 Mode- Ld.2 Green

Garage Inc. 1 Gain- 10 Bass- 10 Middle- 7 Treble- 5 Lead 1- 0 Lead 2- 0 Master- 10 Presence- 6 Dynamic Voice- 6.5

Garage Inc. 2 Gain- 4 Bass- 8 Middle- 4 Treble- 5 Lead 1- 0 Lead 2- 0 Master- 10 Presence- 6 Dynamic Voice- 4.5

Dual Rectifier

Clean Presence- 7 Bass- 7.5 Middle- 1.5 Treble- 8.5 Gain- 5 Dirty Master- 4 Presence- 2 Bass- 5 Middle- 3.5 Treble- 5.5 Gain- 5-7

TS-9 Tube Screamer Drive- 1 o'clock Level- 12 o'clock Tone- 1 o'clock

Pete Townshend of The Who Gain: 5 Treble: 10 Middle: 10 Bass: 10 Reverb: 3

Cradle Of Filth Gain: 10 Bass: 10 Mids: 1 Treble: 10 Volume: 10

Boston settings Gain - 5 Treble - 5 Mid - 10 Bass - 3 Reverb - 0

Rammstein Bass: 9-10 Mids: 4-5 Treble: 9-10 Gain: 10

Phish- Chalkdust torture Gain:6 Bass:8 Mid:7 treble:4 reverb:3

Dez Cadena of The Misfits Gain: 9 Bass: 9.5 Mid: 6 Treble: 5 Post gain: 5

Zakk Wylde of Black Label Society Preamp: 10 Volume: 4-6 Bass: 10 Middle: 4-6 Treble: 4-6 Presence: 2

John Squire of The Stone Roses Gain 7 Bass 7 Mids 7 Treble 3 Reverb 5

Andy Summers of The Police Gain 5 Bass 7 Mids 5 Treble 5 Reverb 5

Paul Weller Gain 7 Bass 10 Mids 10 Treble 10 Reverb 3

Strapping Young Lad Gain 7 Bass 8 Mids 6 Treble 7 Reverb 0

Darkest Hour Gain-6 Bass-7-8 Middle-7 Treble-5 Presence-7 Allan Holdswoth Gain: 2 o'clock Treble: 2 o'clock Middle: 2 o'clock Bass: 0 Presence: 10 o'clock

Dethklok Gain- 8-9 Treb-5-6 Mid-6 Bass-8

10 Years Gain:8 Treble:6 Bass:7 Mids:5 Reverb:2

Jeff Beck Gain - 10 Bass - 6 Mid - 5 Treble - 7 Reverb - 4

Tool Bass: 4 Mid: 4 Treble: 8 Gain: 7.5

Testament Bass- 6-7 Mids- 2-3 Treble- 4 Presence- 7-8 Gain- 5-7

John 5 Gain- 3-5 Bass-10 Mids-4 Treble- 8

Savatage Gain 9 Treb 6 Mid 2 Bass 5 Presence 6

Thurston Moore of Sonic Youth Gain 6 Treble 8 Mid 3-4 Bass 6

Radiohead - My Iron Lung Drive: 10 Treble: 6 Middle: 7 Bass: 6 Reverb: 3

Herman Li of Dragonforce gain- 10 bass- 8 mid- 5 treble 7

Nevermore Pre Gain- 6-9 Low- 4-7 Mid- 5-7. High- 5-7 Post Gain- 7-10. Presence- 5-7

Yngwie Malmsteen Bass 5-7 Mid 2-5 Treble 6-8 Presence 4-6 Volume 10

Paul Gilbert of Racer-X Gain 7 Bass 7 Mid 5 Treble 7

Misery Signals Distortion channel gain-5 bass-6 mid-5 treble-6 resonance-5 presence-6 clean gain-2 or 3 bass-8 mid-5 treble-4 resonance-8 presence-3

Norma Jean gain:7-8 bass:7 mid:4 treble:6

Queens Of The Stone Age Gain: 7 Treble: 3 Mid: 8 Bass: 6 Reverb: 0

Linkin Park (older) Bass = 2-3 o clock Treble - 1-2 o clock Mid - 10.5-11 o clock Gain - 3-4

George Thorogood Drive: 6.5 Bass: 2.5 Mids: 7 Treble: 8 Chan. Vol.: 7.5

Slash of Velvet Revolver Gain: 5-7 Treble: 4-6 Mid: 7-8 Bass: 6-8

Parkway Drive bass 10 treble 9 gain 8 high 9 low 10 mid 9 mid frequency 6

Mattias Eklundh of Freak Kitchen: Drive 7 Gain 7 Bass 10 Middle 4.5 Treble 4.5 Reverb 0 Presence 4

Tom Morello's exact amp setting on his Marschall JCM 800 2205:

Master section: Presence: 7 Volume: 9 Reverb: 0

Boost section: Bass: 9 Middle: 6 Treble: 1 Volume: 8 Gain: 9

Normal section: Bass: 10 Treble: 10 Volume: 10

Meshuggah Amp : Mesa Single Recto Channel : Vintage Gain : 2 o'clock Treble : 3 o'clock Mid : 9 o'clock at the most Bass : 2:30-3 o'clock

Amon Amarth (On a Peavey 6505+) Gain - 4 Bass - 4.5 Middle - 4 Treble - 6 Resonance - 10 (7 on lead channel) Presence - 0 (7 on lead channel)