P28-32 Layout 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download (2399Kb)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Men's Soccer Ousts Boston U, 2-0 See Back Page the Daily Campus Serving the Storrs Community Since 1896
Men's soccer ousts Boston U, 2-0 See back page The Daily Campus Serving the Storrs Community Since 1896 VoL LXXXIXNo.10 The University of Connecticut Thursday, Sept 19, 1985 Speedier toll removal urged HERTFORD. (AP)—Spurred by two accidents in We've had eight deaths there in the last two three days at the Connecticut Turnpike toll in years." he said Stratford Gov. William A. O'Neill plans to ask "The statistics relative to accidents and death Transportation Commissioner J. William Burns and injury at the Stratford toll plaza really jump about speeding up the current toll-removal out at you"' schedule Seven people died in an accident at the plaza That toll and the seven others on the turnpike in 1983. A Massachusetts man was killed in an are to be removed by July 31, 1986. Toll collec- accident there on Saturday, and there were no tions, however, will cease on Dec. 25. injuries in a Stratford toll accident Tuesday. O'Neill called for the meeting with Burns after A law passed in 1983 requires the removal of getting a letter from state Sen Thomas Scott R- the turnpike tolls next year. Milford, who asked the governor to close the DeBear said O'Neill was concerned that the Stratford plaza immediately. removal of the toll booths be done in an Larry deBear. the governors news sec- orderly fashion retary, said the time ans place for the meeting "You could end up creating more problems between Burns and O'Neill had not been set than you're trying to remove." he quoted the Burns is on vacation until Monday. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
1; Iya WEEKLY
Platinum Blonde - more than just a pretty -faced rock trio (Page 5) Volume 39 No. 23 February 11, 1984 $1.00 :1;1; iyAWEEKLY . Virgin Canada becomes hotti Toronto: Virgin Records Canada, headed Canac by Bob Muir as President, moves into the You I fifth month flying its own banner and has become one of the hottest labels in the Cultu country. action THE PROMISE CONTINUES.... Contributing to the success of the label by th has been Culture Club with their albums of th4 Basil', Kissing To Be Clever and Colour By Num- bers. Also a major contributor is the break- W. out of the UB40 album, Labour Of Love, first ; boosted by the reggae group's cover of the forth Watch for: old Neil Diamond '60s hit, Red Red Wine. sampl "Over100,000 Colour By Numbers also t albums were shipped in the first ten days band' -the new Images In Vogue video of 1984 alone," said Muir. "The last Ulle40 Tt album only did about 13,000 here. Now, The' albun ... with Labour Of Love, we have the first gold Lust for Love album outside of Europe, and the success ships here is opening doors in the U.S. The record and c; broke in Calgary and Edmonton and started Al -Darkroom's tour (with the Payola$) spreading." Colour By Numbers has just surpassed quintuple platinum status in Canada which Ca] ...Feb. 17-29 represents 500,000 units sold, which took Va. about 16 weeks. The album was boosted and a new remixed 7" and 12" of San Paku by the hit singles Church Of The Poison Toros Mind, now well over gold, and the latest based single, Karma Chameleon, now well over of Ca the platinum mark in less than ten weeks prom This - a newsingle by Ann Mortifee of release. -
Oslo 5—8 June 2013
OSLO 5—8 JUNE 2013 MachineDreams ‘Everywhere it is machines – real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy- source-machine: the one produces a flow that the other interrupts.’ Gilles Deleuze & Felix Guattari, Anti Oedipus: Capitalism and Schizophrenia In our software-operated society celebrations of the vanishing white noise we use surfaces on flat, shiny objects between FM stations where voices are to access information and heard fading in and out of range; an entertainment. And through these examination of the vocoder, a human- objects we communicate. voice scrambling machine born within the But when machines began to US military which went on to define the make their way into everyday life sound of electro; explorations of time following the Industrial Revolution, machines; mechanical pianos; machines the prospect of automation was met transforming images into sound and vice with fear as well as euphoria; with the versa; customised sonic tools as well as concern that some important human obsolete technology which seemed to dimension might be lost. The American offer the possibility of communication writer Henry David Thoreau wrote in with another world altogether. 1854, in the opening chapter of Walden: The ‘progress’ which machines “We are in great haste to construct are said to bring has always had its a magnetic telegraph from Maine to supporters and its critics. Through Texas, but Maine and Texas, it may our diverse programme, we hope to be, have nothing to communicate”. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
National Portrait Gallery Announces Shortlist for BP Portrait Award 2020 As Exhibition Moves Online
News Release STRICTLY EMBARGOED UNTIL 10.00am on THURSDAY 23 APRIL 2020 National Portrait Gallery Announces Shortlist for BP Portrait Award 2020 as Exhibition Moves Online L-R: Night Talk by Jiab Prachakul, 2019 © Jiab Prachakul; Portrait of Denis: Actor, Juggler and Fashion Model by Sergey Svetlakov, 2019 © Sergey Svetlakov; Labour of Love by Michael Youds, 2019 © Michael Youds Three artists have been shortlisted for the BP Portrait Award 2020, which will open as a virtual exhibition on Tuesday 5 May while the National Portrait Gallery, London is temporarily closed due to the current Coronavirus pandemic. The three portraits in the running for the £35,000 First Prize are Night Talk by Jiab Prachakul; Portrait of Denis: Actor, Juggler and Fashion Model by Sergey Svetlakov and Labour of Love by Michael Youds. The shortlisted portraits were selected from 1,981 entries from 69 countries. It is the first time any of the artists have been shortlisted for the Award or selected for exhibition. The prize winners will be announced on Tuesday 5 May on the National Portrait Gallery’s social media channels. All 48 works selected for the BP Portrait Award 2020 exhibition will be shown in a virtual gallery space that replicates the rooms of the National Portrait Gallery, enabling online visitors to view the portraits collectively, read the labels and get insights from the artists, as well as exploring each individual work in more detail. The popular Visitor’s Choice feature, which offers the public the opportunity to vote for their favourite portrait will also run online. The BP Portrait Award 2020 exhibition was originally due to open at the National Portrait Gallery on the 21 May 2020, but has been postponed following the Gallery’s temporary closure to help prevent the spread of Coronavirus and ensure the safety and wellbeing of visitors and staff. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
UB40 UB44 Mp3, Flac, Wma
UB40 UB44 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: UB44 Country: UK Released: 1982 Style: Dub, Synth-pop MP3 version RAR size: 1482 mb FLAC version RAR size: 1783 mb WMA version RAR size: 1693 mb Rating: 4.7 Votes: 266 Other Formats: AIFF MP1 ADX MPC WAV DMF ASF Tracklist A1 So Here I Am 3:53 A2 I Won't Close My Eyes (Remix) 3:44 A3 Forget The Cost 4:21 A4 Love Is All Is Alright (Remix) 4:58 A5 The Piper Calls The Tune 3:48 B1 The Key 5:05 B2 Don't Do The Crime 4:13 B3 Folitician (Remix) 4:10 B4 The Prisoner 5:55 Companies, etc. Published By – New Claims Published By – ATV Phonographic Copyright (p) – DEP International Recorded At – Windmill Lane Studios Mixed At – The Town House Mastered At – The Town House Distributed By – Virgin Records Ltd. Credits Bass – Earl Falconer Cover, Illustration – Steve Crisp Design – Rocking Russian, UB40 Drums, Percussion [Syncussion], Vocals – James Brown* Engineer – Paul Thomas Engineer, Producer [Assistant Production] – Rafe McKenna Guitar, Vocals – Robin Campbell Keyboards – Michael Virtue Percussion, Trombone – Norman Hassan Photography By [Photos] – Martyn Goddard Producer – Ray 'Pablo' Falconer*, UB40 Saxophone [Saxophones] – Brian Travers Tape Op – Howard Gray, Kevin Maloney Toasting, Trumpet, Vocals – Astro Vocals, Guitar – Ali Campbell Written-By – UB40 Notes Includes a printed inner sleeve with lyrics and credits. Recorded at WIndmill Lane, Dublin. Mixed at The Town House, London. Distributed through Virgin Records Ltd. Published by New Claims/ATV A: ℗ 1982 Dep International B: ℗ 1981 Dep International Category LP DEP 3 on spine. -
Arbiter, April 15 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 4-15-1998 Arbiter, April 15 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. t~ ..... _i1~1'98 ~ "~~;;;;;iIiii". _m.'!,:p~ ~ J\I./1Y 17TH I:....""l\TiO"h.,l. ... ltD-; RL'O"' 'CK CONCERTCLLTB j~' . -e- "'L. 'Tr!fI (" ..,.... "'r' , -,'-, :..,[.Af=' . :-;J,LlU, "" ) • .In!,> IV! lD::F f)"imam:' 'DnSi!: IT-HSffii:iJ\ ~ J1tiJ:J1'OOnn;gl·~.a~ ;;J1:mth~!d;~:i ~ IT:cic:tIThIt%:E, t I ~ I I i I I r I I · . .-...., -~.,.. by LISA GOETZMAN 0.- :. J l ( J ..t, Di(lLpolitical nUlchinery determine this years. .presidency before thevote7 someone on the inside of the process, not inter- . by ASENCIONRAMIREZ there was only one presidential ticket, and it was ested in fair competition neglected to mention to OPINION EDITOR only obvious that whatever opposition appeared would have an uphill battle to wage. this ticket the free press that is afforded them by the election issue. t was a frenzied afternoon in front of Unfortunately, it looks like the machinery Maybe the same person that did this also . the ASBSU offices. The campaigning installed to formalize BSU elections took an .