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The Medical & Scientific Library of W. Bruce
The Medical & Scientific Library of W. Bruce Fye New York I March 11, 2019 The Medical & Scientific Library of W. Bruce Fye New York | Monday March 11, 2019, at 10am and 2pm BONHAMS LIVE ONLINE BIDDING IS INQUIRIES CLIENT SERVICES 580 Madison Avenue AVAILABLE FOR THIS SALE New York Monday – Friday 9am-5pm New York, New York 10022 Please email bids.us@bonhams. Ian Ehling +1 (212) 644 9001 www.bonhams.com com with “Live bidding” in Director +1 (212) 644 9009 fax the subject line 48 hrs before +1 (212) 644 9094 PREVIEW the auction to register for this [email protected] ILLUSTRATIONS Thursday, March 7, service. Front cover: Lot 188 10am to 5pm Tom Lamb, Director Inside front cover: Lot 53 Friday, March 8, Bidding by telephone will only be Business Development Inside back cover: Lot 261 10am to 5pm accepted on a lot with a lower +1 (917) 921 7342 Back cover: Lot 361 Saturday, March 9, estimate in excess of $1000 [email protected] 12pm to 5pm REGISTRATION Please see pages 228 to 231 Sunday, March 10, Darren Sutherland, Specialist IMPORTANT NOTICE for bidder information including +1 (212) 461 6531 12pm to 5pm Please note that all customers, Conditions of Sale, after-sale [email protected] collection and shipment. All irrespective of any previous activity SALE NUMBER: 25418 with Bonhams, are required to items listed on page 231, will be Tim Tezer, Junior Specialist complete the Bidder Registration transferred to off-site storage +1 (917) 206 1647 CATALOG: $35 Form in advance of the sale. -
Florence & the Arts
F L O R E N C E & THE ARTS From Botticelli ’s Dante to the Uffizi Gallery CALIFORNIA INTERNATIONAL ANTIQUARIAN BOOK FAIR February 10th-12th, 2017 Oakland Marriott City Center - 1001 Broadway Oakland, CA Booth 101 F L O R E N C E & THE ARTS From Botticelli ’s Dante to the Uffizi Gallery cahier n° 9 CALIFORNIA INTERNATIONAL ANTIQUARIAN BOOK FAIR February 10th-12th, 2017 Oakland Marriott City Center 1001 Broadway Oakland, CA Booth 101 21, rue Fresnel. 75116 Paris M. + 33 (0)6 80 15 34 45 - T. +33 (0)1 47 23 41 18 - F. + 33 (0)1 47 23 58 65 [email protected] Conditions de vente conformes aux usages du Syndicat de la Librairie Ancienne et Moderne et aux règlements de la Ligue Internationale de la Librairie Ancienne N° de TVA.: FR21 478 71 326 “I was in a sort of ecstasy, from the idea of being in Florence, close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty... I reached the point where one encounters celestial sensations... Everything spoke so vividly to my soul. Ah, if I could only forget. I had palpitations of the heart, what in Berlin they call 'nerves.' Life was drained from me. I walked with the fear of falling.” Stendhal, Rome, Naples et Florence, 1826 4 n° 2 : Sermartelli 5 [1] DANTE ALIGHIERI La Commedia Florence, Nicolaus Laurentii Alamanus, August 30 1481. FINE COPY OF Botticelli ’S DANTE. WITH FOUR ENGRAVINGS (ONE REPEATED) AND SOME PRESTIGIOUS ENGLISH PROVENANCES : MARK MASTERMAN SYKES (1824) AND JOHN THOROLD (1833). -
Shaping the Soul from Birth in Early Modern Italy
chapter 13 Delight in Painted Companions: Shaping the Soul from Birth in Early Modern Italy Maya Corry Just over ten years ago, a curious sixteenth-century picture was sold by Christie’s in New York for the relatively small sum of 3840 dollars, a little under its lower estimate [Fig. 13.1]. It is not the sort of work that much troubles art historians. We do not know who painted it, and it is not of high quality. The anatomy of the figures is chunky and clumsy, they are unconvincingly superimposed onto the landscape, and the handling of light and shade is crude. A note accompa- nying the painting’s sale stated that ‘The present composition is based on The Virgin of the Rocks by Leonardo in the Musée du Louvre, Paris. The figure of the Virgin has been replaced here by the Christ Child and another male child has been introduced to the composition’.1 Cheap, small-scale religious works on panel such as this were produced in enormous numbers throughout the sixteenth century. The dimensions of this particular picture (42.5 × 35.6 cm) are typical of those made for domestic contexts. For the first time, ordinary homes around Italy were adorned with paintings – commissioned from artists, bought directly from workshops, or purchased from mercantile middle-men. Their primary function was to in- voke divine blessings and protection on the home, and provide a focus for the prayers of members of the household. Why then, in this case, has the Madonna been removed from the composition? Faith in her intercessory power and ma- ternal love for mankind meant that she was by far and away the most popular subject for domestic works of art. -
Seventeenth-Century News NEO-LATIN NEWS
180 seventeenth-century news NEO-LATIN NEWS Vol. 60, Nos. 3 & 4. Jointly with SCN. NLN is the offi cial publica- tion of the American Association for Neo-Latin Studies. Edited by Craig Kallendorf, Texas A&M University; Western European Editor: Gilbert Tournoy, Leuven; Eastern European Editors: Jerzy Axer, Barbara Milewska-Wazbinska, and Katarzyna Tomaszuk, Centre for Studies in the Classical Tradition in Poland and East- Central Europe, University of Warsaw. Founding Editors: James R. Naiden, Southern Oregon University, and J. Max Patrick, University of Wisconsin-Milwaukee and Graduate School, New York University. ♦ Bessarion Scholasticus: A Study of Cardinal Bessarion’s Latin Library. By John Monfasani. Byzantios: Studies in Byzantine His- tory and Civilization, 3. Turnhout: Brepols, 2011. XIV + 306 pp. 65 euros. Bessarion fi rst made a name for himself as a spokesman for the Greek side at the Council of Ferrara-Florence in 1438-39. He became a cardinal in the western church and was a serious candidate for the papacy more than once. Bessarion amassed an enormous library that was especially famous for its collection of Greek manuscripts, then left it to the Republic of Venice with the intention of making it the core of what is now the Biblioteca Marciana. He patronized humanist scholars and writers and was himself Italy’s leading Platonist before Marsilio Ficino, with his In calumniatores Platonis being an important text in the Renaissance Plato-Aristotle controversy. He died in 1472, well known and well respected. Th is is the Bessarion we all think we know, but the Bessarion who emerges from the pages of Bessarion Scholasticus stubbornly refuses to be constrained within these limits. -
The Printing Revolution in Europe, 1455-1500 Author Index 1
Incunabula: The Printing Revolution in Europe, 1455-1500 Author Index Aaron Hakohen. Abraham ibn Ezra. Orhot Hayyim. Perush ha-Torah. [Spain or Portugal: Printer of Alfasi's Halakhot. [before Naples: Joseph ben Jacob Ashkenazi Gunzenhauser and his 1492?] son [Azriel]. 2 May 1488 ia00000500: GW 486; Offenberg 2; Thesaurus Tipog. ia00009300: H 23; Fava & Bresciano 262; Sander 4; IGI 6 = Hebraicae B37. VI E2; IDL 2448; Sajó-Soltész 1; Voulliéme, Berlin 3178; Fiche: IH 52 Ohly-Sack 4; Madsen 2; Proctor 6729; Cowley p.14; De Rossi (p.58) 21; Encyclopaedia Judaica 122; Freimann p.115; Abbey of the Holy Ghost. Freimann, Frankfurt 1; Goldstein 52; HSTC 73; Jacobs 53; Westminster: Wynkyn de Worde. [about 1497] Marx 1; Offenberg 56; Offenberg, Rosenthal 13; Schwab 46; ia00001500: Duff 1; H 19; STC 13609; Oates 4142; Proctor Steinschneider, Bodley 4221(1); Thesaurus Tipog. Hebraicae 9721; GW 1; Fac: ed. F. Jenkinson, Cambridge, 1907. A60; Wach II 158; Zedner p.22; GW 114. Fiche: EN 129 Fiche: IH 1 Abiosus, Johannes Baptista. Abrégé de la destruction de Troie. Dialogus in astrologiae defensionem cum vaticinio a Paris: Michel Le Noir. 1500 diluvio ad annos 1702. With additions by Domicus Palladius ia00009700: CIBN A-4, GW 119. Soranus. Fiche: RM 78 Venice: Franciscus Lapicida. 20 Oct. 1494 ia00008000: H 24*; GfT 2207; Klebs 1.1; Pellechet 17; CIBN Abstemius, Laurentius. A-2; IGI 2; IBP 1; IBE 2; Essling 756; Sander 1; Walsh Fabulae (Ed: Domicus Palladius Soranus). Aded: Aesopus: 2626A; Sheppard 4581; Proctor 5543; BSB-Ink A-2; GW 6. Fabulae (Tr: Laurentius Valla). -
Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539 Ellen A. Hurst Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/51 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ITALIANS AND THE NEW BYZANTIUM: LOMBARD AND VENETIAN ARCHITECTS IN MUSCOVY, 1472-1539 by ELLEN A. HURST A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 ELLEN A. HURST All Rights Reserved This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Professor James M. Saslow Date Chair of Examining Committee Professor Claire Bisop Date Executive Officer Professor James M. Saslow Professor Jennifer Ball Professor Warren Woodfin Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539 by Ellen A. Hurst Advisor: Professor James M. Saslow This dissertation explores how early modern Russian identity was shaped by the built environment and, likewise, how the built environment was a result of an emerging Russian identity. -
9. Bibliography Abrams, MH
Beyond beauty : reexamining architectural proportion in the Basilicas of San Lorenzo and Santo Spirito in Florence Cohen, M.A. Citation Cohen, M. A. (2011, November 15). Beyond beauty : reexamining architectural proportion in the Basilicas of San Lorenzo and Santo Spirito in Florence. Retrieved from https://hdl.handle.net/1887/18072 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/18072 Note: To cite this publication please use the final published version (if applicable). 9. Bibliography Abrams, M.H. “Art-as-Such: The Sociology of Modern Aesthetics.” Bulletin of the American Academy of Arts and Sciences 38 (1985): 8-33. Ackerman, James S. “The Certosa of Pavia and the Renaissance in Milan.” Marsyas 5 (1947- 49): 23-37. ———. “‘Ars Sine Scientia Nihil Est:’ Gothic Theory of Architecture at the Cathedral of Milan.” Art Bulletin 26 (1949): 84-111. ———. Palladio. London: Penguin Books, 1966. ———. “Rudolf Wittkower’s Influence on the History of Architecture.” Source: Notes in the History of Art 8-9 (1989): 87-90. ———. Postscript to “The Certosa of Pavia and the Renaissance in Milan.” In Distance Points, 300-302. Cambridge, Massachusetts: MIT Press, 1991. Alberti, Leonis Baptiste. De re aedificatoria. Florence: Nicolaus Laurentii, 1485. Alberti, Leon Battista. On the Art of Building in Ten Books. Translated by Joseph Rykwert, Neil Leach and Robert Tavernor. Cambridge, Massachusetts and London: MIT Press, 1988. “Amaestramenti dell’architettura positive.” In Gregor Reisch, Margarita filosofica […]. Translated into Italian by Giovan Paolo Gallucci, 999. Venice: Iacomo Antonio Somascho, 1599. -
Treasures from UCL Gillian Furlong Treasures from UCL Treasures from UCL
TREASURES FROM UCL GILLIAN FURLONG TREASURES FROM UCL TREASURES FROM UCL Gillian Furlong Contents Contributors 8 8 Witch-hunting handbook with a Ben Jonson connection 46 Concordance 9 Jakob Sprenger and Heinrich Kramer Institoris, Malleus Maleficarum Foreword 10 Michael Arthur, Provost and President of UCL 9 Part of Book V of Confessio Amantis (‘The Lover’s Confession’) 48 UCL Library Services and its Collections – a history 12 John Gower, Confessio Amantis Gillian Furlong, Head of Special Collections, UCL Library Services 10 A guide to the good Christian life 50 Andrew Chertsey, The crafte to lyve well and to dye well First published in 2015 by 1 Illuminated Bible of the 13th or 14th century, Italy 22 UCL Press Biblia Latina 11 Miles Coverdale and the genesis of the Bible University College London in English 54 Gower Street 2 Jewish service book of the 13th or 14th century, Miles Coverdale, Biblia: the Byble: that is the holy Scripture London WC1E 6BT Spain 26 of the Olde and New Testament Castilian Haggadah Paul Ayris Text © Gillian Furlong and contributors listed on p.8, 2015 Images © 2015 University College London 3 A beautiful Lectionarium, or reader, with fragments 12 The art of practising Judaism in the 16th century 58 of two texts 30 Italian Mahzor This book is published under a CC BY-NC-SA licence. 13th-century Lectionary 13 Islamic art in the 15th century 60 A CIP catalogue record for this book is available 4 A rare late medieval chemise binding 34 Fragment of the Holy Qur’an from The British Library. -
The Sempiternal Nature of Architectural Conservation and the Unfinished Building and Drawing
The Sempiternal Nature of Architectural Conservation and the Unfinished Building and Drawing Federica Goffi Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Architecture and Design Research Marco Frascari Paul Emmons Jaan Holt Susan Piedmont Palladino Marcia Feuerstein Stephen Fai February 19th 2010 Alexandria, Virginia Keywords: Time, Architecture, Conservation, Drawing, St. Peter’s, Renaissance Copyright © 2010 Federica Goffi The Sempiternal Nature of Architectural Conservation and the Unfinished Building and Drawing Federica Goffi ABSTRACT Conservation is today often interpreted as the preservation of a still-shot, an understanding informed by the belief that by displaying photographic memory of the past, it is possible to gain access to it. Naturalistic representation is unequivocal and presents the onlooker with a single meaning. The dominance of the photorealistic image as model for memory, should be challenged by undermining the notion that architectural representation is a portrayal of likeness, restoring its full potential as an iconic representation of presence. A micro-historical study of the Renaissance concept of restoration, focused on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, offers an alternative paradigm in order to inform, critically, contemporary theory and the practice of the renewal of mnemic buildings. The hybrid drawing (1571) extends beyond the opera of graphic architecture, realizing a real effigy. Alfarano factured a track-drawing, providing memory traces on the drawing-site, which, acting like a veil, bear marks of the building’s presence within time. The ichnography makes visible a ‘hallowed configuration’, conceived as a substratum for the imagination of conservation. -
42 • Cartography in the German Lands, 1450–1650
42 • Cartography in the German Lands, 1450 –1650 Peter H. Meurer Introduction the degree of their subjection under royal sovereignty dif- fered greatly. They included the secular dominions The state structure in the heart of central Europe was a (duchies, counties, and baronies) as direct or indirect group of individual regions that in some cases were po- fiefs; the ecclesiastical territories (dioceses and imperial litically and culturally very independent. Additionally, abbeys) somewhat outside the immediate feudal struc- many developments and influences affected these regions ture; the imperial cities; and, as a special case, the king- differently for more than two eventful centuries—from dom of Bohemia, a fief of the German crown since 1198, about 1450 to 1650. This highly complex situation is re- but which was also ruled by kings from non-German dy- flected with unusual clarity in the history of cartography.1 nasties. The main criterion for affiliation with the king- Parallel events and continuities in space and time can be dom of Germany was the right to attend meetings of the recognized in only a few cases. Taken as a whole, Re- joint parliament (Reichstag). naissance cartography in that area is a mosaic of individ- Along with the German lands were the two “side lands” ual parts differing in type and importance, and the sys- (Nebenländer), united with the German crown since the tematic structure applied here is only one of several Middles Ages: the kingdom of Italy, which, after 1454, logical possibilities. At the threshold of the modern age, “Germany” was a Abbreviations used in this chapter include: Karten hüten for Joachim federation of more than six hundred territories that had Neumann, ed., Karten hüten und bewahren: Festgabe für Lothar grown together over a period of about seven hundred Zögner (Gotha: Perthes, 1995); Lexikon for Ingrid Kretschmer, Jo- years.2 It included an area that is covered today by Ger- hannes Dörflinger, and Franz Wawrik, eds., Lexikon zur Geschichte der many, Austria, Switzerland, Belgium, Luxembourg, and Kartographie, 2 vols. -
ITALY CALL # A-782 Antoninus, Florentinus Confessionali
GOFF AUTHOR TITLE IMPRINT: ITALY CALL # A-782 Antoninus, Florentinus Confessionali: Curam illius habe: Medicina dell'anima Bologna: [Balthasar Azoguidus], 1472 6032 A-843 Antoninus, Florentinus Confessionale Bologna: [Balthasar Azoguidus], 1472 6038 S-714 Statuta (Genoa) Statuta et decreta communis Genuae Bologna: Caligula de Bazaleriis, 30 June [i.e. after 4 July] 1498 6656 Bologna: Franciscus (Plato) de Benedictis, 9 June, 15 June, 28 June P-897 Politianus, Angelus Silva cui titulus Manto Rusticus Ambra 1492 6556 B-1045 Bossus, Matthaeus Recuperationes Faesulanae Bologna: Franciscus (Plato) de Benedictis, 20 July 1493 6194 B-1329 Burtius, Nicolaus Bononia illustrata Bologna: Franciscus (Plato) de Benedictis, 1494 6204 B-482 Beroaldus, Philippus De felicitate Bologna: Franciscus (Plato) de Benedictis, 1 Apr. 1495 6896 B-1047 Bossus, Matthaeus Sermo in jesu christi passionem Bologna: Franciscus (Plato) de Benedictis, 11 Nov. 1495 6775 P-765 Platina, Bartholomaeus De honesta Vol.uptate et valetudine Bologna: Johannes Antonius de Benedictis, 10 May 1499 6543 C-280 Catharina Senensis Epistole (XXXI) Bologna: Johannes Jacobus de Fontanesis, Regiensis, 18 Apr. 1492 6218 S-299 Savonarola, Michael De pulsibus, urinis et egestionibus Bologna: Henricus de Harlem and Johannes Walbeck, 8 May 1487 6627 P-632 Picus de Mirandula, Johannes Opera Bologna: Benedictus Hectoris, 1496 6537 B-487 Beroaldus, Philippus Heptalogos Bologna: Benedictus Hectoris, 18 Dec. 1498 6886 A-938 Apuleius Madaurensis, Lucius Asinus aureus, sive Metamorphosis Bologna: Benedictus Hectoris, 1 Aug. 1500 6889 B-182 Bartolinus, Pius Antonius Correctio locorum LXX Iuris Civilis De ordine imperatorum Bologna: Danesius Hectoris, [not before Sept. 1495] 6104 B-314 Benedictus de Nursia De conservatione Sanitatis Bologna: Dominicus de Lapis, for Sigismundus de Libris, 1477 6107 Bologna: Balthasar de Ruberia, for Jacobus de Peregrino, 8 and 15 A-956 Ariostis, Alexander de De usuria Apr. -
Acting and Reading Drama: Notes on Florentine Sacre Rappresentazioni in Print
Journal of Early Modern Studies, n. 8 (2019), pp. 69-132 DOI: http://dx.doi.org/10.13128/JEMS-2279-7149-24883 Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print Paola Ventrone Catholic University of Milan (<[email protected]>) Abstract The purpose of the article is to investigate the complex link between theatre, as a practice involving a number of people, and the change in the use of dramatic texts occurred at the origins of the Italian printing industry, when dramatic texts were no longer only acted but also read as books. With the invention of printed books, theatre has been transformed from a performative action to a container of memory images fixed through the book illustration. On the one hand, the article investigates the printed tradition of sacre rappresentazioni (‘sacred plays’) in connection with the other religious literary texts published between the end of the fifteenth and the beginning of sixteenth centuries, putting it in relation with the birth of devotional books widely used in Florence during the age of Savonarola. On the other hand, it deals with the problem of illustrations by reconstructing the relationship between faithful people and sacred images before their diffusion was multiplied by the printing industry, and by looking at the real meaning of the link between written texts and woodcuts, in order to understand how the sacra rappresentazione, being a dramatic genre, was conceived when it was transformed into an object for reading. Keywords: Devotional Illustrated Books, Florentine Printing Industry, Girolamo Savonarola, Sacra Rappresentazione, Sacred Images and Devotion 1.