University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2018 Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging Nicole Fares University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Near and Middle Eastern Studies Commons Recommended Citation Fares, Nicole, "Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging" (2018). Theses and Dissertations. 2635. http://scholarworks.uark.edu/etd/2635 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact
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[email protected]. Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Nicole Fares American University of Science and Technology Bachelor of Arts in Translation, 2012 University of Arkansas Master of Fine Arts in Creative Writing, 2014 May 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ____________________________________ Mohja Kahf, Ph.D. Dissertation Director ____________________________________ ____________________________________ Yajaira M. Padilla, Ph.D. Lisa Ann Hinrichsen, Ph.D. Committee Member Committee Member ABSTRACT This study provides a comparative analysis of various representations of sexuality in seven transnational Arab cultural productions: Salim Haddad’s Guapa (2016), Rabih Alameddine’s The Angel of History (2016), Ahmed Dany Ramadan’s The Clothesline Swing (2017), Hasan Namir’s God in Pink (2015), Fadia Abboud’s I Luv U But (2016), Alissar Gazal’s Lesbanese (2008), and Ayse Toprak’s Mr.