1. Asian Gay Literature
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I Was Just Named a 2018 Guggenheim Fellow!
2018 Guggenheim Fellow, Filmmaker and Author Parvez Sharma “I am a storyteller and change-maker and if I stumble on what I think is truth, while telling that story or making that change, it is my job to share it with you, if I still have your attention” *Contact Main-man à Manager, Milos Foreman at [email protected] Film Agent, The Film Sales Company at [email protected] Literary Agent, Sterling Lord Literistic at [email protected] Publicist at [email protected] Our websites parvezsharma.com -> ❤ <- mothership asinnerinmecca.com ajihadforlove.org I was just named a 2018 Guggenheim Fellow! Two words = gratitude -> ❤ <- humility A SINNER IN MECCA -> ❤ <- asinnerinmecca.com *click link not working?! -> ❤ <- https://youtu.be/bzshP2k5FMk The New York Times Critics’ Pick: “Mr. Sharma has created a swirling, fascinating travelogue and a stirring celebration of devotion…. we emerge from his film more enlightened” The Hollywood Reporter: “Wrenching… gritty… surreal and transcendent; Visceral and Abstract… an undeniable act of courage and hope” The Los Angeles Times: “Challenging his own faith in the face of adversity” The Washington Post: “Complex… Revelatory…” The Village Voice: “Next time you hear politicians or right-wing broadcasters asking why “moderate” Muslims don't denounce terrorism, show them this movie” Thompson on Hollywood: “Combines the political, personal and spiritual in a remarkable way” The Guardian: “With poetic simplicity… a delicately personal story and a call to action” NBC News: “The talk of the -
Sexual Subversives Or Lonely Losers? Discourses of Resistance And
SEXUAL SUBVERSIVES OR LONELY LOSERS? DISCOURSES OF RESISTANCE AND CONTAINMENT IN WOMEN’S USE OF MALE HOMOEROTIC MEDIA by Nicole Susann Cormier Bachelor of Arts, Psychology, University of British Columbia: Okanagan, 2007 Master of Arts, Psychology, Ryerson University, 2010 A dissertation presented to Ryerson University In partial fulfillment of the requirements for the degree of Doctor of Philosophy In the program of Psychology Toronto, Ontario, Canada, 2019 © Nicole Cormier, 2019 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract Title: Sexual Subversives or Lonely Losers? Discourses of Resistance and Containment in Women’s Use of Male Homoerotic Media Doctor of Philosophy, 2019 Nicole Cormier, Clinical Psychology, Ryerson University Very little academic work to date has investigated women’s use of male homoerotic media (for notable exceptions, see Marks, 1996; McCutcheon & Bishop, 2015; Neville, 2015; Ramsay, 2017; Salmon & Symons, 2004). The purpose of this dissertation is to examine the potential role of male homoerotic media, including gay pornography, slash fiction, and Yaoi, in facilitating women’s sexual desire, fantasy, and subjectivity – and the ways in which this expansion is circumscribed by dominant discourses regulating women’s gendered and sexual subjectivities. -
Boys' Love, Cosplay, and Androgynous Idols
Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 3(1-2), 19 ISSN: 2542-4920 Book Review Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan Jenny Lin 1* Published: September 10, 2019 Edited By: Maud Lavin, Ling Yang, and Jing Jamie Zhao Publication Date: 2017 Publisher: Hong Kong: Hong Kong University Press, Queer Asia Series Price: HK $495 (Hong Kong, Macau, Mainland China, and Taiwan) US $60 (Other countries) Number of Pages: 292 pp. hardback. ISBN: 978-988-8390-9 If, like me, you were born before 1990 and are not immersed in online fan cultures, you may never have heard of the acronyms BL and GL that comprise the primary thrust of Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan (hereafter Queer Fan Cultures). Fortunately, this captivating anthology’s editors Maud Lavin, Ling Yang, and Jing Jamie Zhao define ‘BL (Boys’ Love, a fan subculture narrating male homoeroticism)’ and ‘GL (Girls’ Love, a fan subculture narrating female homoeroticism)’ (p. xi) at the outset in the Introduction. Lavin, Yang, and Zhao expertly unpack and contextualise these and other terms that may be new to the less enlightened reader – ‘ACG (anime, comics, and games)’ (p. xii); ‘slash/femslash (fan writing practices that explore male/female homoerotic romances)’ (p. xiv); and Chinese slang ‘tongzhi (gay), guaitai (weirdo), ku’er (cool youth)’ (p. xix) – which reappear in fruitful discussions in the following chapters. I recently assigned Queer Fan Cultures in a seminar, and my millennial students, who enthusiastically devoured the book, already knew all about BL, GL, and ACG, as well as related concepts like “cosplay” (costume play, as when people dress like manga and anime characters) and “shipping,” which denotes when fans couple two seemingly heterosexual characters in a same-sex relationship. -
Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together. -
Taylor Boulware a Dissertation Submitted in Partial Fulfillment of The
Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake Taylor Boulware A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Thomas Foster, Chair Anis Bawarshi Katherine Cummings Program Authorized to Offer Degree: Department of English Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake by Taylor Boulware The University of Washington, 2017 Under the Supervision of Professor Dr. Thomas Foster ABSTRACT This dissertation examines contemporary television slash fandom, in which fans write and circulate creative texts that dramatize non-canonical queer relationships between canonically heterosexual male characters. These texts contribute to the creation of global networks of affective and social relations, critique the specific corporate media texts from which they emerge, and undermine homophobic ideologies that prevent authentic queer representation in mainstream media. Intervening in dominant scholarly and popular arguments about slash fans, I maintain a rigorous distinction between the act of reading homoerotic subtexts in TV shows and writing fiction that makes that homoeroticism explicit, in every sense of the word.This emphasis on writing and the circulation of responsive, recursive texts can best be understood, I argue, through the framework of Rhetorical Genre Studies, which theorizes genres and the ways in which they are deployed, modified, and circulated as ideological and social action. I nuance the RGS concept of uptake, which names the generic dimensions of utterance and response, and define my concept of queer uptake, in which writers respond to a text in ways that refuse its generic boundaries and status, motivated by an ideological resistance to both genre and sexual normativity. -
Max Reinhardt and William Dieterle's a Midsummer Night's Dream And
Guy Patricia, Anthony. "Max Reinhardt and William Dieterle’s A Midsummer Night’s Dream and the queer problematics of gender, sodomy, marriage and masculinity." Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. London: Bloomsbury Arden Shakespeare, 2017. 1–40. Bloomsbury Collections. Web. 27 Sep. 2021. <http://dx.doi.org/10.5040/9781474237062.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 27 September 2021, 03:39 UTC. Copyright © Anthony Guy Patricia 2017. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 Max Reinhardt and William Dieterle ’s A Midsummer Night’s Dream and the queer problematics of gender, sodomy, marriage and masculinity I Before helming Warner Brothers’ 1935 film ofA Midsummer Night’s Dream, co-director Max Reinhardt had staged the play many times in live-theatre venues in Germany and Austria and on the east and west coasts of America.1 Thus, even though cinema provided a new medium in which to work, he was no neophyte to Shakespeare in performance. The movie Reinhardt and his colleague William Dieterle made offers audiences as much spectacle as Shakespearean comedy: sumptuous sets and intriguing special effects; remarkably 9781474237031_txt_print.indd 1 29/07/2016 14:51 2 QUEERING THE SHAKESPEARE FILM innovative cinematography for the time of its making and a mise-en-scène that reward careful attention; a range of -
Homoeroticism in Neoclassical Poetics: French Translations of the Ideal Male Nude in Late-Eighteenth-Century Word and Image
Homoeroticism in neoclassical poetics: French translations of the ideal male nude in late-eighteenth-century word and image. Satish Padiyar, University College London, PhD. 1999 BIBL LONDON flnv. 1 Abstract The thesis consists of four chapters, an Introduction and a Conclusion. The Introduction considers the theoretical frameworks within which recent readings of the late-eighteenth-century French homoerotic ideal male nude have been developed; and how these readings have in turn emerged from a wider extra-art-historical discourse on the sexual politics of representation and the representation of sexual politics. A clear picture of the ideal male nude as a contested field emerges; and a justification of the materials which will be used in the thesis clarifies their critical engagement with these polemical debates surrounding the object of study. Chapter 1 is in two parts. Part one deals with the possibilities of a textual representation of homosexuality in French neoclassical poetics by focusing on the notion of 'anacréontisme' as a synonym for 'veiled' homoeroticism. Contrary to the present understanding of the notion, it is argued here, by recourse to successive French translations of the Greek source text, that homosexuality was explicitly problematized in the development of anacréontisme as a critical term, rather than consensually hidden. Part two reviews a social history of homosexuality in eighteenth-century France, in order to contextualize the preceding anacreontic debate. A Kantian reading of the beau ideal, in Chapter 3, attempts to contradict the now dominant understanding of this figure as being simply a high-cultural sign of patriarchal dominance. The chapter traces the philosophical coordinates of the beau ideal from the late seventeenth century until the moment when this figure coincides with the Kantian transcedental aesthetic, and thereby propels it into an anti-ideological space. -
Logging Into Horror's Closet
Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005). -
ANNUAL REPORT INTERNATIONAL LESBIAN GAY BISEXUAL TRANS and INTERSEX ASSOCIATION Table of Contents
2012 ANNUAL REPORT INTERNATIONAL LESBIAN GAY BISEXUAL TRANS AND INTERSEX ASSOCIATION TABLE OF CONTENTS 02 Vision, Mission and Strategic objectives 03 Thanks and acknowledgements Foreword from the Secretaries Generals 04 by Gloria Careaga and Renato Sabbadini A message from the Executive Director 07 by Sebastian Rocca Your Global LGBTI federation: Embracing the movement! Stockholm: global movement meets in the snow for a 09 warm and successful world conference Membership: ILGA reaches 1005 members and “talks” to 4500 LGBTI 13 organisations worldwide! Supporting the growth of LGBTI movements in 15 the Global South: ILGA’s Regional Development and Communication Project 18 World Pride in London: ILGA under the spotlight! Your voice at the United Nations: LGBTI rights are human rights! 2012 at the UN: ILGA deepens its engagement at the 19 United Nations Activism! Tools for change for the L, G, B, T and I communities 24 Second Forum on Intersex Organising 6th edition of the State Sponsored Homophobia 26 report 27 Global maps go… local! 29 ILGA stands up for lesbian rights! Activism! Tools for change for the L, G, B, T and I communities 30 Financial information 32 ILGA Executive Board and its members in 2012 FRIC AN A A IL P GA S T L H E S G I B R I A N N A * M G U A Y H * E B R I A S T E X H U G I A R L * T R R E A T N N S I * ILGA ANNUAL REPORT 2012 THIS REPort OUTLINES THE WORK undertaKEN BY ILGA staFF, board, MEMBERS AND Volunteers FroM January – DECEMBER 2012. -
Case Studies ‘Best Of’ 2014 These Case Studies Represent the Winning and Highly Commended Entries from the 2014 PRINZ Awards – Celebrating 40 Years!
Case studies ‘best of’ 2014 These case studies represent the winning and highly commended entries from the 2014 PRINZ Awards – celebrating 40 years! Corporate Public Relations Not for Profit Public Relations Peter Parussini and the ANZ Corporate Affairs Team Sharon Walls “Banking on the new ANZ” – the post ANZ and The Mercy Ships National Bank merger communications strategy and plan Mercy by Moonlight Courtney Bennett, Telecom New Zealand Internal Communications Lee Hales and Georgia Moselen-Sloog, Whitaker Group Amanda Schaake, for Fonterra Givealittle by the Telecom Foundation, the Growth of Zero Fees Connecting employees to mission and purpose: Fundraising in New Zealand Turning boring into bring it on! Warren Rosser, Susan Rockliffe and Lauren Lau Paul Dryden Tertiary Award Westpac NZ Ltd Anna Johnstone, Caroline Leeming, Zureena Habib, Bringing our people together Alexandra Harman and Nina Magan AUT University – Outside the Square Auckland’s Most Noteworthy Teacher Issues, Crisis & Emergency Management Megan Wiltshire and Emily Davies Bank of New Zealand Special Event or Project Shake, rattle and roll: Responding to the 2013 Central Crystal Beavis North Island earthquakes Strategic Lighting Partners Ltd Turning the spotlight onto LED road lighting: Road Lighting 2014, 11–12 March, Auckland Limited Budget Public Relations Suzanne McNamara Deepti Bhargava, Paul Weeks, Bev Armstrong, Convergence Darren Horsman, Claire McCarthy and Elizabeth Phillips Splore’s sustainability message changes audience behaviour Unitec Institute of Technology -
Film Sales Catalog Edit AUGUST2021
The Film Sales Company 2021 CATALOG 515 E. 118th Street NEW YORK, NY 10035 USA WWW.FILMSALESCORP.COM NARRATIVE FEATURES BLOODLINE - Blumhouse Horror - 2018 - USA - English - 95 minutes Official Selection: Sitges Evan (Sean William Scott) takes his job of high counselor very seriously, some might say to an extreme. When his beautiful wife Lauren (Mariela Garriga) begins to suspect the violent, sadistic nature of her husband’s evening meetings, their world begins to spiral out of control. Also starring Dale Dickey ("Leave No Trace”, “True Blood”). Rights Available Worldwide excl. North America, South America, Japan, UK/Ireland, Middle East, India, France, Benelux, Russia/CIS, Scandinavia, North Africa, Australia/NZ, Germany, Korea CATCH THE FAIR ONE Thriller - 2021 - USA - English - 85 minutes With raw energy and brute force, Kali sets out to save her young sister recently abducted by sex traffickers preying on Native American and other mixed race girls. Sparing no one, sacrificing everything and relentless, Kali will penetrate the depths of organized crime in the barren Northwest to rescue the only person in the world she cares about. Written by and starring US boxing champion Kali Reis, this film’s searing authenticity will leave you breathless. If Wonder Woman were real, she would be Kali Reis. Produced by 2021 Oscar winning Producer Mollye Asher of Nomadland and executive produced by Darren Aronofsky (Due to its violence and difficult themes, this unforgettable film may not be suitable for viewers of all ages). Rights Available in North America excl. US DEAD SOUND Thriller - 2018 - USA - English - 83 minutes Based on a true story, what started as a celebratory outing went terribly terribly wrong. -
Master Eastern European Languages and Cultures University of Ghent
Master Eastern European languages and cultures University of Ghent Academic year 2013-2014 The legal situation towards homosexuals in Russia. A closer look at the law on propaganda. Masterscription for the degree of Master in Eastern European languages and cultures. By: Tom Bauweleers Promotor: Dennis Ioffe May 2014 II Master Eastern European languages and cultures University of Ghent Academic year 2013-2014 The legal situation towards homosexuals in Russia. A closer look at the law on propaganda. Masterscription for the degree of Master in Eastern European languages and cultures. By: Tom Bauweleers Promotor: Dennis Ioffe May 2014 III IV Table of contents Table of contents .............................................................................................................................. V Introduction .................................................................................................................................................. 7 1. Defining homosexuality ............................................................................................................... 10 1.1. Defining homosexuality ..................................................................................................................... 10 1.2. Homosexuality in the West ............................................................................................................... 10 1.3. Homosexuality in Russia.................................................................................................................... 11 2.