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FP4 Plus Is an Exceptionally Fine Grain, Medium Speed Black and White Film
HARMAN technology Limited TECHNICAL INFORMATION F P4 PLUS ISO 125/22º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD FP4 Plus is an exceptionally fine grain, medium speed black and white film. It is ideal for high quality indoor and outdoor photography, particularly when giant enlargements are to be made. In addition to general photography, FP4 Plus is also suited to copying and internegative work, and has many applications in scientific, technical and industrial photography. FP4 Plus is robust and will give usable results even if it is overexposed by as much as six stops, or underexposed by two stops. It is compatible with all major processing systems, including those which give the standard short fixing and washing times. FP4 Plus 35mm film is coated on 0.125mm/5-mil acetate base and is available in 24 or 36 exposure cassettes, or in bulk lengths of 17 or 30.5 metres (56 and 100ft). FP4 Plus 35mm film is supplied in DX coded cassettes, suitable for all 35mm cameras. FP4 Plus roll film is coated on 0.110mm/4-mil clear acetate base with an anti- halation backing which clears during development. It is available in 120 lengths and is edge numbered 1 to 19. FP4 Plus sheet film is coated on 0.180mm/7-mil polyester base with an anti- halation backing which clears during development. It is available in a wide range of standard sizes. The emulsion faces the user when sheet film is held in the position shown opposite. EXPOSURE RATING FP4 Plus has a speed rating of ISO 125/22º to daylight. -
Film Grain, Resolution and Fundamental Film Particles
FFFiiilllmmm GGGrrraaaiiinnn,,, RRReeesssooollluuutttiiiooonnn aaannnddd FFFuuunnndddaaammmeennntttaaalll FFFiiilllmmm PPPaaarrrtttiiicccllleeesss Version 9 March 2006 Tim Vitale © 2006 use by permission only 1 Introduction 1 2 Fundamental Film Particles – Silver-Halide 0.2 - 2.0 um 3 Feature Size and Digital Resolution: Data Table 1 4 Dye Clouds are the Fundamental Particles Color Film 6 3 Film Grain 6 Dye Clouds are the Film Grain in Color Film 6 Film Grain in Black-and-White Film 7 Cross-Section of Film 9 Grain Size Variability 9 RMS Granularity – Film Image Noise 9 RMS Granularity of Several Films: Data Table 2 10 Film Resolution – Sharpness 10 System Resolving Power Equation 12 Lens Issues Effecting Resolution 12 Film Issues Effecting Resolution 12 Evaluation a System: Camera, Lens and Film 13 Selected Film & Lens Resolution Data: Data Table 3 13 Camera System Resolving Power: Data Table 4 14 Measuring Film Grain 14 Print Grain Index 14 Size of Perceived Film Grain: Example 15 Size Domains for Enlargement & Magnification: Data Table 5 15 Maximum Resolution of a Microscope: Data Table 6 16 4 Eliminating Film Grain from an Image 18 Drum Scan Aperture 18 Feature size vs. Digital Resolution vs. Film: Data Table 7 19 Scan Resolution in Flatbed Scanning 19 Wet Mounting for Film Scanning 20 New Generation of Flatbed Scanners 21 Future Generation of Scanners – Epson Perfection V750-M 23 Software for Diminishing Film Grain 24 1 Introduction The purpose of this complex essay is to demonstrate the following: • Fundamental film particles (silver -
Photographic Films
PHOTOGRAPHIC FILMS A camera has been called a “magic box.” Why? Because the box captures an image that can be made permanent. Photographic films capture the image formed by light reflecting from the surface being photographed. This instruction sheet describes the nature of photographic films, especially those used in the graphic communications industries. THE STRUCTURE OF FILM Protective Coating Emulsion Base Anti-Halation Backing Photographic films are composed of several layers. These layers include the base, the emulsion, the anti-halation backing and the protective coating. THE BASE The base, the thickest of the layers, supports the other layers. Originally, the base was made of glass. However, today the base can be made from any number of materials ranging from paper to aluminum. Photographers primarily use films with either a plastic (polyester) or paper base. Plastic-based films are commonly called “films” while paper-based films are called “photographic papers.” Polyester is a particularly suitable base for film because it is dimensionally stable. Dimensionally stable materials do not appreciably change size when the temperature or moisture- level of the film change. Films are subjected to heated liquids during processing (developing) and to heat during use in graphic processes. Therefore, dimensional stability is very important for graphic communications photographers because their final images must always match the given size. Conversely, paper is not dimen- sionally stable and is only appropriate as a film base when the “photographic print” is the final product (as contrasted to an intermediate step in a multi-step process). THE EMULSION The emulsion is the true “heart” of film. -
General Introduction Sustainability Issues in the Preservation of Black and White Cellulose Esters Film- Based Negatives Collections
Élia Catarina Tavares Costa Roldão Licenciada em Conservação e Restauro A contribution for the preservation of cellulose esters black and white negatives Dissertação para obtenção do Grau de Doutor em Ciências da Conservação do Património, Especialidade em Ciências da Conservação Orientador: Doutora Ana Maria Martelo Ramos, Professora Associada, FCT NOVA Co-orientadores: Doutor Bertrand Lavédrine, CRC Doutor António Jorge D. Parola, Professor Associado com Agregação, FCT NOVA Júri: Presidente: Doutora Maria João Seixas de Melo, Professora Catedrática, FCTNOVA Arguentes: Doutor Hugh Douglas Burrows, Professor Catedrático Jubilado, FCT-UC Doutora Ana Isabel S. C. Delgado Martins, Directora do AHU-DGLAB Vogais: Doutora Ana Maria Martelo Ramos, Professora Associada, FCT NOVA Doutor João Pedro Martins de Almeida Lopes, Professor Auxiliar, FF- UL Novembro, 2018 A contribution for the preservation of cellulose esters black and white negatives Copyright © Élia Catarina Tavares Costa Roldão, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa. A Faculdade de Ciências e Tecnologia e Universidade Nova de Lisboa têm o direito, perpétuo e sem limites geográficos, de arquivar e publicar esta dissertação através de exemplares impressos reproduzidos em papel ou de forma digital, ou por qualquer outro meio conhecido ou que venha a ser inventado, e de divulgar através de repositórios científicos e de admitir a sua cópia e distribuição com objectivos educacionais ou de investigação, não comerciais, desde que seja dado crédito ao autor e editor. -
Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev
Avid® Media Composer® and Film Composer® Input and Output Guide a tools for storytellers® © 2000 Avid Technology, Inc. All rights reserved. Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev. A • August 2000 2 Contents Chapter 1 Planning a Project Working with Multiple Formats . 16 About 24p Media . 17 About 25p Media . 18 Types of Projects. 19 Planning a Video Project. 20 Planning a 24p or 25p Project. 23 NTSC and PAL Image Sizes . 23 24-fps Film Source, SDTV Transfer, Multiformat Output . 24 24-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 27 25-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 30 Alternative Audio Paths . 33 Audio Transfer Options for 24p PAL Projects . 38 Film Project Considerations. 39 Film Shoot Specifications . 39 Viewing Dailies . 40 Chapter 2 Film-to-Tape Transfer Methods About the Transfer Process. 45 Transferring 24-fps Film to NTSC Video. 45 Stage 1: Transferring Film to Video . 46 Frames Versus Fields. 46 3 Part 1: Using a 2:3 Pulldown to Translate 24-fps Film to 30-fps Video . 46 Part 2: Slowing the Film Speed to 23.976 fps . 48 Maintaining Synchronized Sound . 49 Stage 2: Digitizing at 24 fps. 50 Transferring 24-fps Film to PAL Video. 51 PAL Method 1. 52 Stage 1: Transferring Sound and Picture to Videotape. 52 Stage 2: Digitizing at 24 fps . 52 PAL Method 2. 53 Stage 1: Transferring Picture to Videotape . 53 Stage 2: Digitizing at 24 fps . 54 How the Avid System Stores and Displays 24p and 25p Media . -
Thermal Degradation of Cellulosic Materials 1,2 S
Iournal of Research of the National Bureau of Standards Vol. 60, No.4, April 1958 Research Paper 2853 Thermal Degradation of Cellulosic Materials 1,2 S. 1. Madorsky, V. E. Hart,3 and S. Straus Fortisan, cellulose triacetate, and NOroxidized cellulose were pyrolyzed in a vacuum in the temperature range 180 0 to 465 0 C. Cotton cellulose and cellulose triacetate were also pyrolyzed in nitrogen at atmospheric pressure. The tar yields were in the decreasing order from: Cotton, Fortisan, cellulose triacetate, and oxidized cellulose. The other volatiles consisted mainly of acetic acid, carbon dioxide, and carbon monoxide, from the triacctate; and water, carbon dioxide, and carbon monoxide from the other celluloses. In all cases there was a carbonaceous residue (volatilization end point), the amount depending on t he nature of the cellulose and the temperature of pyrolysis. When pyrolyzed in nitrogen at atmospheric pressure, cotton cellulose and cellulose triacetate yielded less tar than when pyrolyzed in a vacuum. T he tar from cellulose triacetate consisted of a compound whose infrared spectrum resembled that of the original triacetate. Cotton cellulose, Fortisan, and cellulose triacetate do not differ much in their initial rates and activation energies of thermal degradation. Oxidized cellulose has very high initial rates of thermal degradation. 1. Introduction Agriculture. Details of its purification have been described previously [1]. The purified coLton had a It was shown in an earlier publica Lion [1] 4 by the moistme content of 3.7 percent, based on the dry present authors that cotton cellulose, cotton hydro weight. cellulose, and viscose rayon, when pyrolyzed in a Fortisan,6 a regenerated cellulose, was purified by vacuum, yield volatile products consisting mainly scouring for 1 hI' in an aqueous solution containing d of tar, H 20 , CO2, and CO, and also a nonvolatile percent a 2C03 and 0.5 percent Castile soap, a1 carbonaceou residue. -
Ep 2532683 A2
(19) & (11) EP 2 532 683 A2 (12) EUROPEAN PATENT APPLICATION (43) Date of publication: (51) Int Cl.: 12.12.2012 Bulletin 2012/50 C08B 3/16 (2006.01) C08B 3/18 (2006.01) C08B 15/00 (2006.01) C08B 15/04 (2006.01) (2006.01) (2006.01) (21) Application number: 12006226.0 C08B 15/06 C08B 3/22 C09D 17/00 (2006.01) C08L 1/14 (2006.01) (2006.01) (2006.01) (22) Date of filing: 23.11.2004 C08L 1/12 C08L 1/10 C08B 3/24 (2006.01) C08B 3/06 (2006.01) C08B 3/04 (2006.01) A61K 47/38 (2006.01) A61K 9/48 (2006.01) A61K 9/20 (2006.01) (84) Designated Contracting States: • Lambert, Juanelle Little AT BE BG CH CY CZ DE DK EE ES FI FR GB GR Gray HU IE IS IT LI LU MC NL PL PT RO SE SI SK TR TN 37615 (US) •Posey-Dowty, Jessica Dee (30) Priority: 28.11.2003 US 525787 P Kingsport TN 37663 (US) (62) Document number(s) of the earlier application(s) in • Watterson, Thelma Lee accordance with Art. 76 EPC: Kingsport 04812002.6 / 1 689 787 TN 37660 (US) • Wood, Matthew Davie (71) Applicant: EASTMAN CHEMICAL COMPANY Gray Kingsport, TN 37660-5075 (US) TN 37615 (US) • Malcolm, Michael Orlando (72) Inventors: Kingsport • Buchanan, Charles Michael TN 37664 (US) Kingsport • Lindblad, Margeretha Soderqvist TN 37660 (US) 186-50 Vallentuna (SE) • Buchanan, Norma Lindsey Bluff City (74) Representative: Wibbelmann, Jobst TN 37618 (US) Wuesthoff & Wuesthoff • Carty, Susan Northrop Patent- und Rechtsanwälte Kingsport Schweigerstrasse 2 TN 37660 (US) 81541 München (DE) • Kuo, Chung-Ming Kingsport Remarks: TN 37660 (US) This application was filed on 03-09-2012 as a divisional application to the application mentioned under INID code 62. -
Graphic Materials: Rules for Describing Original Items and Historical Collections
GRAPHIC MATERIALS Rules for Describing Original Items and Historical Collections compiled by Elisabeth W. Betz Library of Congress, Washington, D.C., 1982 WordPerfect version 6/7/8 (July 2000; with MARC21 tagging added March 2002) With cumulated updates: 1982-1996 and List of areas to update for second edition: 1997-2000 Cover illustration: "Sculptor. Der Formschneider." Woodcut by Jost Amman in Hartmann Schopper's Panoplia, omnium illiberalium mechanicarum aut sedentariarum artium genera continens, printed at Frankfurt am Main by S. Feyerabent, 1568. Rosenwald Collection, Rare Book and Special Collections Division. (Neg. no. LC-USZ62-44613) TABLE OF CONTENTS Graphic Materials (1996-1997 Updates)...................p. i Issues to consider for second edition (1997-2000).......p. iii Preface.................................................p. 1 Introduction............................................p. 3 0. General Rules........................................p. 8 0A. Scope.............................................p. 8 0B. Sources of information............................p. 9 0C. Punctuation.......................................p. 10 0D. Levels of description.............................p. 12 0E. Language and script of the description............p. 13 0F. Inaccuracies......................................p. 14 0G. Accents and other diacritical marks (including capitalization)..................................p. 14 0H. Abbreviations, initials, etc......................p. 14 0J. Interpolations....................................p. 15 1. -
User's Manual
M User’s Manual User’s Microsoft® Picture It!® PREMIUM 10 User’s Manual spine = 0.204" M 0604 Part No. X10-53891 Black only Black MS Color Bar v Bar Color MS .5 03080 .5 1 Microsoft® ® Picture It! Premium User’s Manual Contents at a Glance Information in this document, including URL and other Internet Web site references, is subject to change without notice. Unless otherwise noted, the example companies, organizations, products, domain names, e-mail addresses, logos, people, places, and events depicted herein are fictitious, and no association with any real company, organization, product, domain name, e-mail address, logo, person, place, or event is intended or should be inferred. Complying with all applicable copyright laws is the responsibility of the user. Without limiting the rights under copyright, no part of this document may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), or for any purpose, without the express written permission of Microsoft Corporation. Microsoft may have patents, patent applications, trademarks, copyrights, or other intellectual property rights covering subject matter in this document. Except as expressly provided in any written license agreement from Microsoft, the furnishing of this document does not give you any license to these patents, trademarks, copyrights, or other intellectual property. © 2000-2003 Microsoft Corporation. All rights reserved. Microsoft, Picture It!, and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. This product contains images from PhotoDisc/Getty Images, Inc.; Dave Johnson, Tony Chor; Tim Hedlund; Charlotte Lowrie; David Parlin; Tom Simmons; and Faith Szafranski. -
Ulisse Evo Next Stage of Ptz Camera Evolution
ULISSE EVO NEXT STAGE OF PTZ CAMERA EVOLUTION EN OUTDOOR VIDEO SECURITY WITNESS THE EVOLUTION OF OUTDOOR VIDEO SECURITY Videotec is an Italian manufacturer operating in the security industry since 1986 and specialized in the design and creation of professional video surveillance products for outdoor environments. FUTURE-PROOF TECHNOLOGY OUR MISSION All product ranges offered are proudly "Made As a unique firm created with the aim of shaping by Videotec" and, therefore, Videotec owns and enhancing a select market, we strive complete expertise for all of its products with total relentlessly to boost our clients' growth and control over mechanics, electronics, positioning, satisfaction by constantly making an effort to networking, software and firmware. cultivate our teams’expertise, professionalism, and creativity. Thanks to our focus on client This gives a significant competitive advantage in prosperity and well-being, we are all better off. DIFFERENTIATORS: 100% INTERNAL KNOW-HOW AND TECHNOLOGY meeting the needs of personalized solutions or Designed to be zero maintenance. integrations with third-party systems, with the CERTIFIED QUALITY AS A COMPETITIVE Durability: 3 Years warranty as a standard. Extended warranty available up to 5 years. guarantee of Videotec quality, cyber-security, Variety of custom choices: Build the best product configuration for your specific application in house. ADVANTAGE Certified products: From international industry standards and other environmental product testing. reliability and future-proof technology. -
Video Over Ip Design Guidebook
Project: 0-5942 Product: 0-5942-P1 December 2009 VIDEO OVER IP DESIGN GUIDEBOOK http://tti.tamu.edu/documents/0-5942-P1.pdf Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. FHWA/TX-10/0-5942-P1 4. Title and Subtitle 5. Report Date VIDEO OVER IP DESIGN GUIDEBOOK February 2009 Published: December 2009 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. Robert E. Brydia, Byron E. Brackin, Robert F. De Roche, Jeremy D. Product 0-5942-P1 Johnson, and Gary B. Thomas. 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Texas Transportation Institute The Texas A&M University System 11. Contract or Grant No. College Station, Texas 77843-3135 Project 0-5942 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered Texas Department of Transportation Product Research and Technology Implementation Office September 2007–August 2008 P. O. Box 5080 14. Sponsoring Agency Code Austin, Texas 78763-5080 15. Supplementary Notes Project performed in cooperation with the Texas Department of Transportation and the Federal Highway Administration. Project Title: Comprehensive Guide to the Use of IP-Based Video for Traffic Operations URL: http://tti.tamu.edu/documents/0-5492-P1.pdf 16. Abstract Texas Department of Transportation (TxDOT) engineers are responsible for the design, evaluation, and implementation of video solutions across the entire state. These installations occur with vast differences in requirements, expectations, and constraints. Because the systems require extensive interoperability to other systems, agencies, and deployments, a systems engineering process (SEP) is employed to develop a consistent and structured approach to the development of concepts, needs, requirements, design, testing, and ongoing operations. -
Performance Analysis of Blended Membranes of Cellulose Acetate with Variable Degree of Acetylation for CO2/CH4 Separation
membranes Article Performance Analysis of Blended Membranes of Cellulose Acetate with Variable Degree of Acetylation for CO2/CH4 Separation Ayesha Raza 1,*, Sarah Farrukh 1, Arshad Hussain 1, Imranullah Khan 1, Mohd Hafiz Dzarfan Othman 2 and Muhammad Ahsan 1 1 Department of Chemical Engineering, School of Chemical and Materials Engineering, National University of Sciences and Technology, Islamabad 44000, Pakistan; [email protected] (S.F.); [email protected] (A.H.); [email protected] (I.K.); [email protected] (M.A.) 2 Advanced Membrane Technology Research Centre (AMTEC), Faculty of Chemical and Energy Engineering, University of Technology Malaysia, Skudai 81310, Malaysia; hafi[email protected] * Correspondence: [email protected] Abstract: The separation and capture of CO2 have become an urgent and important agenda because of the CO2-induced global warming and the requirement of industrial products. Membrane-based technologies have proven to be a promising alternative for CO2 separations. To make the gas- separation membrane process more competitive, productive membrane with high gas permeability and high selectivity is crucial. Herein, we developed new cellulose triacetate (CTA) and cellulose diacetate (CDA) blended membranes for CO2 separations. The CTA and CDA blends were chosen because they have similar chemical structures, good separation performance, and its economical Citation: Raza, A.; Farrukh, S.; and green nature. The best position in Robeson’s upper bound curve at 5 bar was obtained with Hussain, A.; Khan, I.; Othman, M.H.D.; Ahsan, M. Performance the membrane containing 80 wt.% CTA and 20 wt.% CDA, which shows the CO2 permeability Analysis of Blended Membranes of of 17.32 barrer and CO2/CH4 selectivity of 18.55.