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Conversation with Rosi Braidotti 27/01/16 11:33
Conversation with Rosi Braidotti 27/01/16 11:33 nYwebsite en tijdschrift voor literatuur, kritiek & amusement, voorheen yang & freespace Nieuwzuid Nieuwste nummer > Transitzone/ RosiConversation Braidotti, Sarah Posman with Rosi Braidotti Published: 19/06/2013 Tags: litcrit interview philosophy psychoanalysis Sarah Posman (nY) in conversation with Rosi Braidotti on contemporary feminism and amor fati, in March 2012. Sarah Posman: In Metamorphosis: Towards a Materialist Theory of Becoming you write that “time is on our side.” Do you still feel that way in the light of the present moments of crisis that we’re witnessing in society and academia – the lack of funding for Women’s Studies departments in the low countries is an urgent example. When there is revolt against these developments – the riots in cities across Europe, the academe-affiliated Occupy movements – it doesn’t seem to come in the Dionysian guise you promote. Rosi Braidotti: The phrase “time is on our side” is grounded both in an intellectual and institutional practice of feminism. For me feminist theory is transformative. This implies a debate with gender and gender mainstreaming, which is one of the great growth areas not only of the academe but of our society, and an area that will produce a great deal of employment for our students. Gender mainstreaming is egalitarian and terribly important. I support it completely, but it is not transformative, necessarily. I was watching TV last night, on the eve of international women’s day, and all the major international networks were doing features on the status of women. Al Jazeera had a wonderful set of interviews about women in the Arab world and women entrepreneurs in India. -
Mallarmé and the Politics of Literature Sartre, Kristeva, Badiou, Rancière
Mallarmé and the Politics of Literature Sartre, Kristeva, Badiou, Rancière ROBERT BONCARDO Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Robert Boncardo, 2018 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 10.5/13 Sabon by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 1 4744 2952 8 (hardback) ISBN 978 1 4744 2954 2 (webready PDF) ISBN 978 1 4744 2955 9 (epub) The right of Robert Boncardo to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi Abbreviations vii Series Editor’s Preface ix Introduction: Comrade Mallarmé 1 1 Jean-Paul Sartre’s Mallarmé: Hero of an Ontological Drama, Agent of the Counter-revolution 22 2 Julia Kristeva’s Mallarmé: From Fetishism to the Theatre-Book 79 3 Alain Badiou’s Mallarmé: From the Structural Dialectic to the Poetry of the Event 122 4 Jean-Claude Milner’s Mallarmé: Nothing Has Taken Place 175 5 -
Thinking the Ecological Present
THINKING THE ECOLOGICAL PRESENT by Eva Perez de Vega THINKING THE ECOLOGICAL PRESENT ABSTRACT p.1 ECOLOGICAL THINKING p.2 1.1 The nature‐culture dialectic 1.2 Deep and dark ecology 1.3 Flat ecology EXPRESSIVE ECOLOGY p.8 2.1 Ecology beyond essences 2.2 Non‐human expressivity 2.3 Ecology as abstract machine ACTING ECOLOGICALLY p.15 3.1 Practicing and acting 3.1 Matter and transformation 3.2 Intentional omissions NOTES p.19 BIBLIOGRAPHY p.21 ABSTRACT Thinking about the present ecological situation necessarily implies a re‐thinking of the thinking about nature. This paper will look at some of the recent critiques to this thinking (deep, dark and flat ecology) in an attempt to extract and formulate possibilities for action. As will be developed, deep ecology subjectifies nature; shallow ecology objectifies nature; dark ecology rejects nature; while flat ecology intensifies it, treating it as a comprehensive ontology of nonhierarchical complex material systems, both human and non‐human, defined by their process of production within an energetic environment.1 This generalized ecology turns ecology into a complex transdisciplinary project linking philosophy, sociology, anthropology, art, literature, politics, music, history, and the sciences. With disciplinary promiscuity2 we introduce more questions and unknowns that could possibly be answered. Yet with all its problems, it is this promiscuity that gives rise to potentiality; to the emergence of the possible and the possible emergence of a new way of operating on the environment. Eva Perez de Vega 1 ECOLOGICAL THINKING 1.1 The nature‐culture dialectic Vase made by bees Thinking about the present ecological situation necessarily implies a re‐thinking of the thinking about nature. -
Deterritorializing the Canadian Museum for Human Rights Adam Muller
82 Deterritorializing the Canadian Museum for Human Rights Adam Muller Abstract: This article asserts the value of assemblage theory to making sense of a museum like the Canadian Museum for Human Rights (CMHR), which has struggled with the formidable challenge of comparatively representing human rights in ‘difficult’ cultural and historical contexts. While acknowledging the many merits and productive outcomes of the relatively recent intersectional and interdisciplinary turn in ‘new’ museology, I argue that a fully realized assemblage theory such as that developed by the Mexican-American filmmaker and philosopher Manuel DeLanda holds the potential to substantially refine and extend the explanatory power of this kind of approach. With particular reference to the CMHR’s interactions/ intersections (and so positionality) with the various legacies of Canadian settler colonialism, and more specifically debates over the question of genocide and the nation’s commitment to upholding the right to water, I argue that ‘assemblage thinking’ permits us to appreciate more richly, and in a more nuanced way, the museum’s evolving identity, representational strategies, and growing accumulation of expressive power. More broadly, I contend that assemblage theory is ideally configured to map the dynamic interaction/intersection of overlapping clusters of large- and small-scale objects, spaces, ideologies, memories, feelings, structures, histories, and experiences constitutive of institutions and sites of conscience such as the CMHR. Key words: Assemblage; -
The Feminist Futures of Reading Diffractively: How Barad's Methodology Replaces Conflict-Based Readings of Beauvoir and Irigaray
Issue 30 (2016) » DOI: 10.20415/rhiz/030.e02 The Feminist Futures of Reading Diffractively: How Barad's Methodology Replaces Conflict-based Readings of Beauvoir and Irigaray Evelien Geerts and Iris van der Tuin Abstract Quantum leaps happen in texts, too. This reading of the role of the quantum leap in Karen Barad's agential realism is necessary, because arguing that the diffractive reading strategy proposed by Barad's ethico-onto-epistemology mirrors the physical phenomenon of diffraction would indeed be representationalist. Reviewing how Barad—in her own oeuvre—has transformed diffraction into an innovative reading methodology that could not only potentially challenge the epistemological underpinnings of the canonization process that is at work in feminist theory, but could also radically change the canonization practice of feminist oeuvres itself, our article embarks on a detailed examination of the ways in which the oeuvres of Simone de Beauvoir and Luce Irigaray have been mistakenly categorized and canonized in a hierarchical and Oedipalized manner. This conflict-based narrative has not only paralyzed the oeuvres of Irigaray and Beauvoir, but also has had a negative impact on the canonization of sexual difference philosophy as a whole in feminist theory. By (re)reading the oeuvres diffractively, this article brings the feminist philosophies of Beauvoir and Irigaray together by invalidating the idea that the feminist canonization process always has to run along the lines of discontinuity, Oedipalization and dialectization. Introduction: from conflict to affirmation [1][1] Most feminist theorists will have a hard time when confronted with philosopher Slavoj Žižek's recent engagements with physicist-philosopher Karen Barad's work. -
Debashish Banerji Makarand R. Paranjape Editors Critical Posthumanism and Planetary Futures Critical Posthumanism and Planetary Futures Debashish Banerji • Makarand R
Debashish Banerji Makarand R. Paranjape Editors Critical Posthumanism and Planetary Futures Critical Posthumanism and Planetary Futures Debashish Banerji • Makarand R. Paranjape Editors Critical Posthumanism and Planetary Futures 123 Editors Debashish Banerji Makarand R. Paranjape California Institute of Integral Studies Jawaharlal Nehru University San Francisco, CA New Delhi USA India ISBN 978-81-322-3635-1 ISBN 978-81-322-3637-5 (eBook) DOI 10.1007/978-81-322-3637-5 Library of Congress Control Number: 2016947189 © Springer India 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer (India) Pvt. -
Writing As a Nomadic Subject
Comparative Critical Studies 11.2–3 (2014): 163–184 Edinburgh University Press DOI: 10.3366/ccs.2014.0122 C British Comparative Literature Association www.euppublishing.com/ccs Writing as a Nomadic Subject ROSI BRAIDOTTI I am rooted but I flow Virginia Woolf, The Waves1 My lifelong engagement in the project of nomadic subjectivity has been partly motivated by the conviction that, in these globalized times of accelerating technologically mediated changes, many traditional points of reference and age-old habits of thought are being re-composed, albeit in contradictory ways. Paradoxically, old power relations are not only confirmed but in many ways exacerbated in the new geo-political context.2 At such a time more conceptual creativity is necessary, and more theoretical courage is needed in order to bring about the leap across inertia, nostalgia, aporia and the other forms of critical stasis induced by our historical condition. It has become like a mantra to me: we need to learn to think differently about the kind of subjects we have already become and the processes of deep-seated transformation we are undergoing. The philosopher in me believes that a new alliance between philosophy, the arts and science is a crucial building block for this qualitative shift of perspective.3 The writer in me, on the other hand, continues to muse about the complex ways in which the imaginary both propels and resists in-depth transformations. A MATTER OF STYLE At the beginning of it all, for my generation, is the commitment to writing. Presented as a form of political and ethical engagement, it is essentially a visceral gesture. -
La Crítica Feminista Bajo El Prisma Del Materialismo Agencial. Un Enfoque Posthumanista
Miriam Fernández-Santiago Journal of Feminist, Gender and Women Studies 10:31-39, Marzo/March 2021 La crítica feminista bajo el prisma del materialismo agencial. Un enfoque posthumanista Agential Materialism and the Feminist Paradigm. A Posthumanist Approach Miriam Fernández-Santiago 1, @ 1English Department, University of Granada, Spain. Departamento de Filologías Inglesa y Alemana, Facultad de Filosofía y Letras. Campus Universitario de Cartuja C.P. 18071 Granada, Spain. Recibido: 21/08/2018 Aceptado: 19/02/2021 @ Autor/a de correspondencia: [email protected] Resumen El fértil campo de la crítica feminista ha producido abundantes y brillantes frutos en su desarrollo a lo largo del siglo veinte, pero es desde la ventaja que da la distancia en el tiempo que podemos ahora tomar cierta perspectiva sobre los contextos generales de producción y recepción en que dicha crítica feminista ha tomado el cuerpo de nuevos mitos que subvierten el falogocentrismo de los que la precedieron. El presente artículo pretende establecer un diálogo entre estos nuevos cuerpos discursivos (principalmente en el trabajo de Cixous, Hayles, de Bauvoir, y Haraway) y el materialism agencial de Karen Barad, utilizando su constructo crítico de “fenómeno” como instrumento para comprender las dimensiones que el paradigma feminista adquiere en el contexto posthumanista para proponer la intra-acción difractiva como alternativa a los constructos naturalizados. Palabras clave: materialismo agencial, responsabilidad, paradigma feminista, Karen Barad, post-humanismo. Abstract Much has been argued within the fertile critical field of feminism in the second half of the twentieth century. With the advantage of distance from the twenty-first century, we can now gain a certain perspective on the general context of production and reception of feminist criticism as it becomes embodied in new myths that subvert the old phallogocentric ones. -
HISTORY and EVENT in ALAIN BADIOU Quentin Meillassoux, Translated by Thomas Nail1
PARRHESIA NUMBER 12 • 2011 • 1 - 11 HISTORY AND EVENT IN ALAIN BADIOU Quentin Meillassoux, translated by Thomas Nail1 I would like to lay out for you the main theoretical decisions in the philosophy of Alain Badiou concerning the themes of today’s seminar: history and event.2 I do not speak as a disciple of Alain Badiou, because I develop philosophical positions distinct from his: but it seems important to me, that if one seeks to enter into a conceptual contemporaneity with the Marxist and Post-Marxist demands of politics and history, that one do so with the full scope of Badiou’s system in view, a system, now built around his two principle books Being and Event (BE) and Logics of Worlds (LW). This philosophy is particularly complex, but it seems to me that one can bring it into view through the two notions of history and event. I will thus attempt to explain a nodal and seemingly paradoxical thesis of Badiou’s: that there is only a history of the eternal, because only the eternal proceeds from the event. In other words: there is only a history of truths insofar as all truth is strictly eternal and impossible to reduce to any relativism. Badiou refuses therefore two antithetical positions: on the one hand that there can be eternal truths deprived as such of their historicity—a position proper to classical metaphysics—and on the other hand conversely that there can be no eternal truth, all discursive statements being irremediably inscribed in a historico-cultural context that strictly delimits the scope of truth to the particular instance that it supports. -
Rosi Braidotti, the Posthuman
The Posthuman The Posthuman Rosi Braidotti polity Copyright © Rosi Braidotti 2013 The right of Rosi Braidotti to be identifi ed as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. First published in 2013 by Polity Press Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Polity Press 350 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-13: 978-0-7456-4157-7 ISBN-13: 978-0-7456-4158-4 (pb) A catalogue record for this book is available from the British Library. Typeset in 10.5 on 12 pt Sabon by Toppan Best-set Premedia Limited Printed and bound in Great Britain by MPG Books Group Limited, Bodmin, Cornwall The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. -
A Cartography of Angry Indian Goddesses Towards Nomadic Affect
Indi@logs Vol 7 2020, pp 11-25, ISSN: 2339-8523 DOI https://doi.org/10.5565/rev/indialogs.150 ------------------------------------------------------------------------------------------------ A CARTOGRAPHY OF ANGRY INDIAN GODDESSES TOWARDS NOMADIC AFFECT INDRANI MUKHERJEE Jawaharlal Nehru University [email protected] Received: 31-10-2019 Accepted: 17-12-2019 ABSTRACT This paper attempts to draw a cartography of becoming Angry Indian Goddesses as transnational nomadism towards an embodied and material rethinking of women’s friendships from outside the constraints of systemic binaries. The friends are all professional women who are globally wired, whose thinking minds and non-docile bodies detach themselves from any normative modes of belonging in their respective personal and professional realms. They map a post-humanist spatiality of rhizomic linkages with other animate and non-animate entities, throwing up a new ethics of nomadic affect and responsibility. The film begins with a panoramic gaze of the Goan landscape, overlapped with flash images of Hindu goddesses and their animal escorts framed within a power packed song “Kattey”, which intersects Bhanwari Devi’s powerful folk composition of Meera Bai’s 15th century mystic tradition with Haard Kaur’s rap. The crossing of the song and the violent events of rejection that the women face, unbridle a becoming angry goddesses through a pastiche of the anxious goddesses and women sited on an axis of re/de-valorised difference. Goa becomes a potential third space entangled with all of the above, as it dwells on the contemplative scope of this cartography as redemptive and suggests a re-humanization of schizophrenic splintered objects through love and affect. -
Re(Con)Figuring the Ethico-Onto-Epistemological
Beatriz Revelles Benavente University of Utrecht, the Netherlands Re(con)figuring the ethico-onto-epistemologi- cal question of matter Karen Barad, Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning Duke University Press: Durham, 2007, 524 + xiii pp. ISBN 978–0–8223–3917–5 Key Words: apparatus, diffractive, new materialism, methodology, quantum physics, language Meeting the Universe Halfway is in order to challenge representation- an answer to the reflective method- alism, which has, for all fields men- ology found in representationalist tioned, unwanted consequences. In scholarship which has previously so doing, Barad joins the theory of characterised not just feminist stud- new materialism, which, though still ies but social and scientific studies in the process of being constructed in general, and which presumed (see Sheridan, 2002; Colebrook, the separate ontological existence, 2008; DeLanda, 2006), is part of a however mute or devoid of agency, wider movement in critical theory of the object which is being repre- away from theories associated with sented. The author’s aim is to con- the linguistic turn. New Materialism figure a ‘diffractive methodology is an epistemological/methodologi- […] to provide a transdisciplinary cal trend which has entered the aca- approach’ (25) which cuts across demic arena not as a contestation, ‘quantum physics, science studies, but as one of the theoretical frames the philosophy of physics, feminist of third wave feminism (Van der theory, critical race theory, postco- Tuin, 2009), which postulates affir- lonial theory, (post-) Marxist theory, mative readings instead of critical and poststructuralist theory’ (25). ones of past theories. This new methodology is necessary Karen Barad is a professor of Graduate Journal of Social Sicence June 2010, Vol.