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Waterloo at Windsor: 1815 - 2015

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Waterloo at Windsor: 1815 - 2015 PRESS RELEASE November 2014 Waterloo at Windsor: 1815 - 2015 A new exhibition and themed visit marking the bicentenary of the battle of Waterloo Windsor Castle 31 January 2015 – January 2016 In 2015 a special themed visit at Windsor Castle, incorporating an exhibition, a trail and a new multimedia tour through the State Apartments, will mark the bicentenary of the Battle of Waterloo and the peace that followed nearly 25 years of war between France, under the Emperor Napoleon Bonaparte, and the allied forces including those of Great Britain, Austria, Prussia and Russia. Throughout the State Apartments visitors will discover unique artefacts associated with Waterloo, including items that belonged to the defeated Emperor, trophies from the battlefield and documents from the Royal Archives. The centrepiece of the visit is the magnificent Waterloo Chamber, commissioned by George, Prince Regent (the future George IV) as a lasting monument to the battle at the Sir Thomas Lawrence, Arthur Wellesley, 1st Duke of heart of Windsor Castle. Throughout 2015, the route will Wellington, 1814-15 be extended allowing visitors to walk into and around the room, rather than viewing the room from either end. For nearly a quarter of a century Napoleon fought his way across Europe. In 1814 he was finally defeated and imprisoned, but in February of the following year he escaped exile from the Italian island of Elba. In the 100 days that followed, Napoleon overthrew the newly- restored French king and gathered his troops, before facing the leader of the allied army, the Duke of Wellington, 13 kilometres south of Brussels at Waterloo. The Waterloo Chamber: This vast room, measuring nearly 30 by 14.5 metres, was created for the sole purpose of displaying portraits of the statesmen, politicians, diplomats and military leaders who were responsible for the overthrow of Napoleon. Despite never seeing active service, the Prince Regent regarded himself as a key player in the victory. In celebration of Napoleon's abdication in April 1814, he invited several of the allied leaders and commanders to London and commissioned Britain's pre-eminent portraitist, Sir Thomas Lawrence, to paint those attending. After Napoleon's final defeat at Waterloo, Lawrence travelled to the Congress of Peace at Aix-la-Chapelle, then to Vienna and finally to Rome to complete the series. Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.royalcollection.org.uk The Waterloo Chamber remained unfinished at George IV's death and was completed by his successor, William IV, who wanted the room to be more a commemoration of the battle than a celebration of the diplomacy that saw peace brought to Europe. A further nine portraits were added to the Waterloo Chamber's 'hall of fame' by William IV and in Queen Victoria's reign, bringing the total to 38. Lawrence's portrait of the Duke of Wellington dominates the room. The national hero stands beneath a triumphal arch, holding aloft the Sword of State, symbolising the sovereign's royal authority. Beside him on a ledge rests a baton and letter signed George P.R., signifying his promotion to Field Marshal and the gratitude of the Crown. Wellington is flanked by portraits of Count Platov, commander of the Cossack cavalry, and Field Marshal Blücher, the head of the Prussian forces – the 72-year-old was nicknamed 'Marshal Forwards' because of his eagerness in battle. Lawrence's portrait of Pope Pius VII, who was instrumental in the peace negotiations, is considered to be among the artist's finest works. Imprisoned by Napoleon for many years, the Pope became a figurehead for the political and cultural regeneration of Europe after his release in 1814. The exhibition: Bringing together material from the Royal Collection and Royal Archives, the exhibition covers the days preceding the battle to the aftermath of conflict. Prints and drawings record the military action, devastated buildings and burial of casualties, as well as the celebration of victory. Public curiosity about Napoleon was fed by popular prints, such as those produced by the caricaturist Thomas Rowlandson. Highlights of the trail: George IV and his successors were avid collectors of works of art and souvenirs relating to the defeated Emperor. Napoleon's cloak, taken from his fleeing carriage in the aftermath of the battle and later presented to George IV by Field Marshal Blücher, will be on display in the Castle's Grand Vestibule. Made of red felt and lined with yellow silk brocade, it is appliquéd with Napoleon's Imperial Eagle in silver thread. The cloak will be shown with other items removed from the Emperor's baggage train, including Napoleon's silver-gilt porringer - a small bowl used for food. The Table des Grands Capitaines (Table of the Great Commanders, 1806–12), which will be on display in the King's Drawing Room, was commissioned by Napoleon to immortalise his reign. Among the finest works ever produced by the Sèvres factory, it is decorated with the profile of Alexander the Great, the supreme military leader of antiquity, and other great commanders and philosophers. The table never left the factory and, after Napoleon's final defeat, was presented to George IV by the restored French king, Louis XVIII, in gratitude for the allied victory. It was one of George IV's most prized possessions and appears in his State portrait and in the painting by Lawrence in the Waterloo Chamber. Waterloo at Windsor: 1815 – 2015 is at Windsor Castle, 31 January 2015 – January 2016. Tickets, visitor information and details of the associated events programme: www.royalcollection.org.uk, T. +44 (0)20 7766 7301. Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.royalcollection.org.uk A selection of images is available from www.picselect.com. For further information and photographs, please contact the Royal Collection Trust Press Office, T. +44 (0)20 7839 1377, [email protected]. Notes to Editors Royal Collection Trust, a department of the Royal Household, is responsible for the care of the Royal Collection and manages the public opening of the official residences of The Queen. Income generated from admissions and from associated commercial activities contributes directly to The Royal Collection Trust, a registered charity. The aims of The Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational programmes. Royal Collection Trust’s work is undertaken without public funding of any kind. The Royal Collection is among the largest and most important art collections in the world, and one of the last great European royal collections to remain intact. It comprises almost all aspects of the fine and decorative arts, and is spread among some 13 royal residences and former residences across the UK, most of which are regularly open to the public. The Royal Collection is held in trust by the Sovereign for her successors and the nation, and is not owned by The Queen as a private individual. The charity Waterloo 200 is working with the National Army Museum and Culture24 to coordinate the commemoration of the Waterloo bicentenary in 2015. Admission to Windsor Castle is managed by The Royal Collection Trust, a registered charity in England and Wales (1016972) and in Scotland (SCO39772). Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.royalcollection.org.uk .
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