DOCSLIB.ORG

Hixson-Lied College of Fine and Performing Arts and Affiliate Organizations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hixson-Lied College of Fine and Performing Arts and Affiliate Organizations HIXSON-LIED COLLEGE OF FINE AND PERFORMING ARTS AND AFFILIATE ORGANIZATIONS Reports and Proposals for the Hixson-Lied Advisory Board For Presentation and Discussion at the Spring Meeting of the Advisory Board April 24, 2008 2 University of Nebraska-Lincoln Core Values We value…………….. • The uncompromising pursuit of excellence • A diversity of ideas and people • A learning environment that prepares students for success and leadership in their lives and their careers • Research and creative activity that informs teaching, fosters discovery, and contributes to the economic prosperity and quality of life of Nebraskans • Engagement with academic, business, and civic communities throughout Nebraska and the world • An institutional climate that challenges every member of the University community to advance these core values and that celebrates their successes. 3 Table of Contents Introduction ....................................................................................................................................................... 5 SECTION ONE: REPORTS Reports: Programs Lied Center for Performing Arts: Value and Impact Study (Final Report) .............................................. 9 Sheldon Memorial Art Gallery and Sculpture Garden “Sheldon Survey” ......................................................................................................................................... 11 Lentz Center for Asian Culture: Installation of New Storage System ...................................................... 13 Mary Riepma Ross Media Arts Center: “Film and Video Showcase” (Year 1)....................................... 15 Department of Art and Art History: “Visiting Artist/Scholar Program” (Year 1).................................... 17 “Visual Arts Community Service Learning Project” (Year 1) ...... 18 School of Music: Chiara String Quartet Residency (Year 3 Final Report).............................................. 19 Johnny Carson School of Theatre and Film: 40th Anniversary Celebration (Final Report)..................... 24 Digital Arts Initiative: Technology Equipment Match (1st Year Update)................................................. 26 Reports: Faculty Support Faculty Research/Creative Activity Grants completed since October, 2007............................................ 27 Faculty Research/Creative Activity Grants Awarded in March, 2008...................................................... 30 Faculty Research Travel Grants Completed since October, 2007 ............................................................. 31 Faculty Research Travel Grants Awarded in February, 2008.................................................................... 38 Faculty Development Grants Completed since October, 2007.................................................................. 39 Reports: Student Support Student Presentation of Scholarly/Creative Work ...................................................................................... 41 Hixson-Lied Graduate Fellows: “Reflections” ........................................................................................... 46 Appendix A ................................................................................................................................................... 67 4 Introduction This academic year marks the sixth year of funding from the Hixson-Lied Endowment. Over the past six years, a variety of successful initiatives have been developed to enhance and celebrate the work of our faculty and students. These initiatives include graduate fellowships, faculty and student support for creative and scholarly projects, funding to support student international study, and travel assistance for faculty and students to present their scholarly and creative work, and for faculty to engage in professional development activities and events. Endowment funding has also made possible a number of noteworthy and outstanding projects that have been highly successful, and that have brought national recognition to the College and its affiliate organizations. A full, three-year report on the impact of Endowment funding will be presented to the Board at its upcoming October meeting. This coming fall, the College will begin reviewing and reshaping its strategic goals and priorities to set its course for the next five years. This process will include exploring some new directions for Endowment funding that will mirror those goals and priorities and that will be fashioned to bring increased national recognition to the College and to the accomplishments of its faculty and students. Conversations have already begun along these lines this past year, resulting in several new projects for which funding is being requested in this report. 7 SECTION ONE – REPORTS 8 Hixson-Lied College of Fine and Performing Arts Report on Proposal for Program Enhancement Funding Affiliate Unit: Lied Center for Performing Arts Program Supported: Major University Presenters Value and Impact Study - $25,000 over two years (Final report) The Lied Center and other university performing arts presenters participated in a two-year “Value and Impact Study” commissioned by the Major University Presenters Consortium. The results of this extensive research undertaking were provided to the partners in two parts: “Assessing the Intrinsic Impacts of a Live Performance” (January, 2007), and “A Segmentation Model for Donors to 12 University Presenting Programs” (May, 2007). The completed study was released publically by WolfBrown, a national arts research firm, in January, 2008. The project was conceived to define and measure how audiences are transformed by a live performance. Increasingly, performing arts centers, traditionally a vital component of university life, grapple with decreasing ticket sales, diminished attendance at live events and overall dwindling interest in the performing arts. Because of the traditional difficulty articulating true impact of the arts on audiences and communities, we hoped to gain greater understanding about how values drive participation and a picture of personal benefits and public value of performing arts centers. The results of the study, collected through face-to-face interviews, and pre/post performance surveys provide specific data for the project partners and other presenters. The results are influencing program selection, audience communication strategies and development and donor/supporter cultivation. We seek to learn not only more about what our audiences wants to see or hear, but also about the values affecting their decision making, how they are personally changed and their perception of true benefit of the performing arts in their community and lives. Summary of Results 1. Assessing the Intrinsic Impacts of a Live Performance Part one of this study attempted to define and measure how audiences are transformed by a live performance addressing three hypotheses: 1) that the intrinsic impacts derived from attending a live performance can be measured, 2) that different types of performances create different sets of impacts, and 3) that the audience member’s ‘readiness-to-receive’ the art affects the impacts received. While most findings from this study are intuitive, they have strategic implications for presenters, such as the Lied Center. Specifically: • The data suggest that presenters should focus more on pre-performance engagement strategies to create higher anticipation levels. • Presenters should consider steps to take, in cooperation with artists, to increase the likelihood that audience members will be drawn into the performance. • Efforts should be expanded to provide audience members with context in advance of the performance. • Marketing is strategic in creating anticipation and effective messaging about the possible impacts of the performance. • Aesthetic growth may be achieved by programming new or challenging works for sophisticated audiences or be attracting new/infrequent attendees to programs of works less familiar. 9 • Audiences choose programs that are relevant to their lives, thus artistic curation not only shapes art but also defines constituency. • Presenters should shift focus from measuring satisfaction to measuring intrinsic impacts. 2. A Segmentation Model for Donors to 12 University Presenting Programs The second part of the Values study focused on attitudinal information—values, beliefs, preferences and tastes—that relate to attending and supporting performing arts presentations. For the first time, data collected through the survey was matched to purchase and donation behavior. This resulted in evaluation of a wide range of attitudinal variables based on how they predict donor behavior or purchase preference. The vision behind this part of the study is that presenters are creating the next generation customer database allowing for a higher level of customer relationship management. The idea is to create continuously updating customer information linked to ticketing and donor data. Based on analysis, a five- segment donor model was selected: • Intrinsics—donors who believe in the transformative power of art. • Networkers—socially-oriented donors whose patronage is driven by a desire to gain the esteem of their peers. • Co-Creators—donors who have a desire to commission new work and be part of the evolution of new art forms. • Marquee—donors who want public recognition for their gifts and are most interested in priority seating. • Youth-Focused—donors who are motivated by a desire to expand the arts to children and the disadvantaged. Conclusion
Load more

Recommended publications
  • Download Booklet
    161Booklet 12/3/09 09:38 Page 1 ALSO AVAILABLE on signumclassics Peter Warlock: Some Little Joy I Love All Beauteous Things: Choral and Organ Music SIGDVD002 by Herbert Howells The Choir of Christ Church Cathedral, Dublin A film drama about a man who, by his SIGCD151 death at thirty six, had composed some of the most perfect gems of English Herbert Howells has an assured place in the annals of English songwriting and elevated hedonism to an church music, however his popular reputation is founded largely on art form. the frequent performance of a small body of core works. This recording redresses the balance in exploring some much less well- known pieces, with impassioned performances from the Choir of Christ Church Cathedral, Dublin. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 161Booklet 12/3/09 09:38 Page 3 THE frostbound wood 16. When the Dew is Falling Herbert Howells [3.36] 17. Full Moon Herbert Howells [2.59] 1. My Little Sweet Darling Peter Warlock [1.59] Noble Numbers Betty Roe 18. To His Saviour, a Child; a Present, by a Child [1.35] 2. Take, O Take Those Lips Away Peter Warlock [1.35] 19. To God; An anthem sung before the King in 3. And Wilt Thou Leave Me Thus? Peter Warlock [1.59] the chapel at Whitehall [2.43] 4. Sleep Peter Warlock [2.10] 20. To God [0.53] 21. To His Angrie God [1.41] 5. The Droll Lover Peter Warlock [0.57] 22.
    [Show full text]
  • Walker's Point Strategic Action Plan MILWAUKEE
    MILWAUKEE comprehensive Department of City Development Plan • June, 2015 Walker’s Point Strategic Action Plan A Plan for the Area ii Acknowledgments Neighborhood Associations and Continuum Architects + Planners Interest Groups Ursula Twombly, AIA, LEED AP Arts@Large Walker’s Point Association GRAEF The Mandel Group Greater Milwaukee Committee Larry Witzling, Principal The Harbor District Initiative Craig Huebner, Planner/Urban Designer 12th District Alderman Jose Perez University of Wisconsin - Milwaukee Urban Development Studio City of Milwaukee Department of City Development Carolyn Esswein, AICP, CNU-A, Faculty Member in Charge Rocky Marcoux, Commissioner Vanessa Koster, Planning Manager Sam Leichtling, Long Range Planning Manager Mike Maierle, former Long Range Planning Manager Greg Patin, Strategic Planning Manager Dan Casanova, Economic Development Specialist Janet Grau, Plan Project Manager Nolan Zaroff, Senior Planner GIS, Eco- nomic Development Jeff Poellmann, Planning Intern (Urban Design) Andrew Falkenburg, Planning Intern (GIS/Mapping, Editing) City of Milwaukee Redevelopment Authority David Misky, Assistant Executive Director - Secretary Department of Public Works Mike Loughran, Special Projects Manager Walker’s Point Kristin Bennett, Bicycle Coordinator Strategic Action Plan Historic Preservation Carlen Hatala, Historic Preservation Principal Researcher iii Plan Advisory Group Sean Kiebzak, Arts@Large Juli Kaufmann, Fix Development Dan Adams, Harbor District Initiative Joe Klein, HKS/Junior House Dean Amhaus, Milwaukee Water Council Anthony A. LaCroix Nick & JoAnne Anton, La Perla Scott Luber, Independence First Samer Asad, Envy Nightclub Barry Mandel, The Mandel Group Luis “Tony” Baez, El Centro Hispano Megan & Tyler Mason, Wayward Kitchen Tricia M. Beckwith, Wangard Partners Robert Monnat, The Mandel Group Kristin Bennett, Bike Ped Coordinator Cristina Morales Brigette Breitenbach, Company B Lorna Mueller, The Realty Company, LLC Mike Brenner, Brenner Brewing Co.
    [Show full text]
  • German Jews in the United States: a Guide to Archival Collections
    GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ...................................................................................................
    [Show full text]
  • The Parish Magazine for the Presteigne Group of Parishes Has Continued to Appear – Either Online Or in Print
    Your Parish Magazine Throughout the Covid-19 pandemic crisis, the Parish Magazine for the Presteigne Group of Parishes has continued to appear – either online or in print. The parish magazine Deadline dates for Copy and Artwork For as at 28th April 2021 Presteigne With th Wednesday 19 May June issue Discoed, Kinsham, Lingen and Knill rd Wednesday 23 June July/August issue Wednesday 18th August September issue Here Is your socially-distanced but Colourful We are particularly grateful to the Town Council, our friends in Lingen, our gardener, our new weather reporter and our occasional nature-noter. We include requests for support from community groups and charities. We hope to inform and Online MERRY MONTH OF may 2021 Issue, Fa La perhaps entertain you. The Editor welcomes announcements (remember them?) and appreciates contributions from anyone and everyone from our churches and parishes, groups, schools etc. Artwork (logos, etc) should be not too complicated (one day we will be printing again in black only on a photocopier so please keep designs simple). Articles as well as artwork must be set to fit an A5 page with narrow margins. The editor reserves the right to select and edit down items for which there is insufficient space. While you may be reading this issue on screen, you can print the whole issue, or selected pages, on A4 paper in landscape to both sides (Duplex). We suggest you select ‘short-side stapling’. Note: The ‘inside’ pages have been consecutively numbered on each sheet - unlike the pages which normally make up a magazine. You are encouraged to forward this magazine to others by email or as hard copy, as above – on condition that it is neither added to, nor the text altered, in any way.
    [Show full text]
  • Sculptor Nina Slobodinskaya (1898-1984)
    1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia.
    [Show full text]
  • Gazeta Winter 2016
    Chaim Goldberg, Purim Parade, 1993, oil painting on canvas Volume 23, No. 1 Gazeta Winter 2016 A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Fay Bussgang, Julian Bussgang, Shana Penn, Vera Hannush, Alice Lawrence, Maayan Stanton, LaserCom Design. Front Cover Photo: Chaim Goldberg; Back Cover Photo: Esther Nisenthal Krinitz J.D. Kirszenbaum, Self-portrait, c. 1925, oil on canvas TABLE OF CONTENTS Message from Irene Pipes ............................................................................................... 1 Message from Tad Taube and Shana Penn ................................................................... 2 RESEARCH PROJECT The Holocaust in the Eyes of Polish Youth By Dr. Jolanta Ambrosewicz-Jacobs .................................................................................. 3 ART AS FAMILY LEGACY A Daughter Returns with Memories in Art By Bernice Steinhardt .......................................................................................................... 7 Resurrection of a Painter: “From Staszów to Paris, via Weimar, Berlin and Rio de Janeiro” By Nathan Diament ........................................................................................................... 12 Creating a New Museum in Kazimierz By Shalom Goldberg ......................................................................................................... 16 CONFERENCES, SPRING/SUMMER PROGRAMS, AND FESTIVALS Conference on Launch of Volume
    [Show full text]
  • Six Canonical Projects by Rem Koolhaas
    5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript
    [Show full text]
  • Clifton Chronicle
    SUMMER 2012 Volume Twenty-Two Number One CA Publicationlifton of Clifton Town Meeting C You Dohronicle It You Write It We Print It Cincinnati, Ohio 45220 Box 20067 P.O. Clifton Chronicle Clifton Home Composite—You will not be touring this home any time soon, made up of the homes on Evanswood Place by Bruce Ryan, former resident and producer of yearly Evanswood block party invitation where this illustration first appeared. Clifton House Tour this Mother’s Day By Eric Clark Every third year on Mother’s are like stepping back in time to the sored them throughout the ‘70s and Day, a group of Clifton homeowners period in which they were built. ‘80s, taking a hiatus between 1988 open their doors to greater Cincinnati Although we do not disclose and 1997. Since the resumption and say, “Come on in and have a look pictures or the addresses of the of the tours, the event has drawn around!” So, mark your calendars for homes until the day of the tour. We people from all over Cincinnati and Mother’s Day, May 13, 2012. are confident that if you have an ap- has been a great way to spend part Clifton Town Meeting has lined preciation for architecture or interior of Mother’s Day. up some great houses for the 2012 design, or if you just enjoy touring Tickets are $17.50 in advance tour and it includes something for beautiful Clifton homes, you will and $22.50 the day of the tour. Tick- everyone with a wide and eclectic NOT be disappointed.
    [Show full text]
  • Les Sirènes Female Chamber Choir There Is No Rose
    Les Sirènes Female Chamber Choir There is No Rose NI6249 Les Sirènes Royal Conservatoire of Scotland At the Royal Conservatoire we are creating the Female Chamber Choir future for performance. There is No Rose We provide vocational education at the highest professional level in dance, drama, music, production, and screen. We offer an extraordinary blend of intensive BENJAMIN BRITTEN (1913-1976) TARIK O’REGAN (b.1978) tuition, world-class facilities, a full performance A Ceremony of Carols, Op.28 (23:25) 16. Bring Rest, Sweet Dreaming Child (4:25) schedule, the space to collaborate across the disciplines, 1. Procession (1:51) teaching from renowned staff and industry practitioners, 2. Wolcum Yole! (1:21) TRADITIONAL arranged LIONEL SALTER (1914-2000) and unrivalled professional partnerships. 3. There is no rose (2:44) 17. The Coventry Carol (2:44) 4. That yongë child (1:43) World premiere recording We have over 900 students from around the world 5. Balulalow (1:28) studying on our specialist undergraduate and postgraduate degree programmes. Alongside, we offer 6. As dew in Aprille (1:01) GUSTAV HOLST (1874-1934) evening and weekend classes, short courses, summer 7. This little babe (1:30) 18. Jesu, thou the Virgin-born (2:56) schools, and a programme of continuing professional 8. Interlude (3:46) development. Our Junior Conservatoire for 7-18 year 9. In freezing winter night (3:38) SIR PHILIP LEDGER (1937-2012) olds nurtures young musical talent and we also organise 10. Spring carol (1:14) 19. Matthew, Mark, Luke and John (2:46) the Royal Conservatoire Music Centres programme, 11.
    [Show full text]
  • Reappraisal of Metabolic Dysfunction in Neurodegeneration: Focus on Mitochondrial Function and Calcium Signaling Pooja Jadiya, Joanne F
    Jadiya et al. acta neuropathol commun (2021) 9:124 https://doi.org/10.1186/s40478-021-01224-4 REVIEW Open Access Reappraisal of metabolic dysfunction in neurodegeneration: Focus on mitochondrial function and calcium signaling Pooja Jadiya, Joanne F. Garbincius and John W. Elrod* Abstract The cellular and molecular mechanisms that drive neurodegeneration remain poorly defned. Recent clinical trial fail- ures, difcult diagnosis, uncertain etiology, and lack of curative therapies prompted us to re-examine other hypothe- ses of neurodegenerative pathogenesis. Recent reports establish that mitochondrial and calcium dysregulation occur early in many neurodegenerative diseases (NDDs), including Alzheimer’s disease, Parkinson’s disease, Huntington’s disease, and others. However, causal molecular evidence of mitochondrial and metabolic contributions to pathogen- esis remains insufcient. Here we summarize the data supporting the hypothesis that mitochondrial and metabolic dysfunction result from diverse etiologies of neuropathology. We provide a current and comprehensive review of the literature and interpret that defective mitochondrial metabolism is upstream and primary to protein aggregation and other dogmatic hypotheses of NDDs. Finally, we identify gaps in knowledge and propose therapeutic modulation of 2 mCa + exchange and mitochondrial function to alleviate metabolic impairments and treat NDDs. Keywords: Mitochondria, Metabolism, Calcium, Neurodegeneration, Alzheimer’s disease, Parkinson’s disease, Huntington’s disease Introduction action potential [4]. Te energetic demand of neurons Te brain consumes 20% of the body’s ATP at rest, results in a substantial dependence on mitochondria although it accounts for only 2% of body mass [1]. Te for ATP production through oxidative phosphoryla- high-energy requirements of the brain support neuro- tion (OxPhos) [4].
    [Show full text]
  • 4920 10 Cc D22-01 2Pac D43-01 50 Cent 4877 Abba 4574 Abba
    ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA TRECHO DA MÚSICA 4920 10 CC I´M NOT IN LOVE I´m not in love so don´t forget it 19807 10000 MANIACS MORE THAN THIS I could feel at the time there was no way of D22-01 2PAC DEAR MAMA You are appreciated. When I was young 9033 3 DOORS DOWN HERE WITHOUT YOU A hundred days had made me older 2578 4 NON BLONDES SPACEMAN Starry night bring me down 9072 4 NON BLONDES WHAT´S UP Twenty-five years and my life is still D36-01 5 SECONDS OF SUMMER AMNESIA I drove by all the places we used to hang out D36-02 5 SECONDS OF SUMMER HEARTBREAK GIRL You called me up, it´s like a broken record D36-03 5 SECONDS OF SUMMER JET BLACK HEART Everybody´s got their demons even wide D36-04 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT Simmer down, simmer down, they say we D43-01 50 CENT IN DA CLUB Go, go, go, go, shawty, it´s your birthday D54-01 A FLOCK OF SEAGULLS I RAN I walk along the avenue, I never thought I´d D35-40 A TASTE OF HONEY BOOGIE OOGIE OOGIE If you´re thinkin´ you´re too cool to boogie D22-02 A TASTE OF HONEY SUKIYAKI It´s all because of you, I´m feeling 4970 A TEENS SUPER TROUPER Super trouper beams are gonna blind me 4877 ABBA CHIQUITITA Chiquitita tell me what´s wrong 4574 ABBA DANCING QUEEN Yeah! You can dance you can jive 19333 ABBA FERNANDO Can you hear the drums Fernando D17-01 ABBA GIMME GIMME GIMME Half past twelve and I´m watching the late show D17-02 ABBA HAPPY NEW YEAR No more champagne and the fireworks 9116 ABBA I HAVE A DREAM I have a dream a song to sing…
    [Show full text]
  • SPC Changes Dow Tactics
    EAR Basically, EG fans, we have shot our wad fo r this quarter: This is the last issue. Good luck on finals, EL GAUCHO have nice holidays. Love and Kisses. -T h e Editors Voi. 48 - No. 51 Santa Barbara, California Friday, Dec. 1,1967 SPC Changes Dow Tactics; Regents Consider Draft Card Turn-In Set Sig Chi, Salaries ByNINAPINSKY JEAN FISHER By STEVE BAILEY EG City Editor EG Feature Editor and EG Staff Writer Dow Chemical Co. is making its long awaited appearance on this campus Mon­ SAN DIEGO—Sigma Chi came under fire again yesterday at the monthly meet­ day and Tuesday, with Student Peace Committee (¡SPC) spokesman Jim Gregory ing of the Committee on Educational Policy of the Board of Regents here. declaring Dow's compliance "a moral victory" for the SPC. At the Board's October meeting at Davis, acting University President Harry According to Gregory, "Dow has complied right down the line with every­ R. Wellman informed the Board of a letter he had sent to Floyd R. Baker, Grand thing we've asked forgone of their west coast public relations heads is appear­ Consul of Sigma Chi, asking about the initiation practices of the fraternity. ing here to discuss Dow's policies and recruitment with all interested parties." SpecificaUy asked was: "If a chapter of Sigma Chi located at one of the cam­ The public relations expert from Dow, as yet unnamed, will speak with stu­ puses of the University of California should pledge a Negro, would it subsequently dents at 2 p.m.Monday in the UCen Program Lounge.
    [Show full text]