Eyrbyggja Saga and Legal Change
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Grettis Saga Through Time and Space: an Exploration of Topics in Old Norse Sagas
Academic Journal 157 of Modern Kornelia Lasota Philology University of Silesia in Katowice ISSN 2353–3218 The Grettis Saga through Time and Space: An Vol. 10 (2020) s. 157–162 Exploration of Topics in Old Norse Sagas. Abstract The paper provides a brief summary of the Old NorseGrettis Saga and examines it in terms of research aspects outside of the field of literary studies. It highlights the historical, cultural, social, and religious contexts of the work, giving explanation as to where indications of them can be found in the saga. At the same time it tries to explain some of the more obscure aspects, such as the supernatural elements, in order to give clarity to the method of interpretation. Vital information on the grouping of Old Norse sagas, as well as the importance of ancestry in the texts, are provided and elaborated. Definitions of key terms essential to understand the source material are provided and kept on a level clear to a reader not fluent in the topic. Categorizations of the mentioned saga genre are also provided, with the hope to spark interest in the vast variety of motifs and key aspects of the Old Norse sagas. Further suggestions for research outside of the field are presented; however, they are not taken up completely. The paper shows the Old Norse sagas as potent, yet often overlooked, literary works worthy of attention as possible research material in the field of humanities. Keywords: Old Norse saga, Grettis Saga, literature, medieval studies, sagas of the Icelanders The aim of the following paper is to present the Old NorseGrettis Saga highlighting some of the many aspects in which the text can be useful in research, even outside of purely literary theses. -
The Role of the Dead in Medieval Iceland: a Case Study of Eyrbyggja Saga1
CM 2011 ombrukket7_CM 22.03.12 12:50 Side 23 The Role of the Dead in Medieval Iceland: A Case Study of Eyrbyggja saga1 kIRSI kANERVA The article concerns the ghost story of Eyrbyggja saga, the so-called ‘wonders of fróðá’ (fróðárundr), and examines the symbolic meanings of this episode as they were interpreted in medieval Iceland. The analysis presupposes that, although the restless dead could be understood as ‘real’ by medieval readers and as part of their social reality, the heterogenic nature of the audience and the learning of the writers of the sagas made possible various interpretations of the ghost-scene, both literal and symbolic. It is argued that the living dead in Eyrbyggja saga act as agents of order, whose restlessness is connected to past deeds of those still living that have caused social disequilibrium. In fróðárundr these actions involve expressions of disapproved sexuality and birth of offspring with indeterminate social status. for the ghost-banisher the hauntings represent an opportunity to improve his own indeterminate status. In this article I intend to discuss the role of the malevolent restless dead in medieval Iceland by making a case study of the so-called wonders of fróðá, the Fróðárundr episode in Eyrbyggja saga. In general, for the living such creatures seem to be a source of various forms of malice and fear. They can make people lose their minds, become ill or even die. Their strength often exceeds that of the living, but it is not limitless, and is always ultimately challenged and conquered by the hero, who with great strength and skill banishes the monster for good. -
Icelandic Folklore
i ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE ii BORDERLINES approaches,Borderlines methodologies,welcomes monographs or theories and from edited the socialcollections sciences, that, health while studies, firmly androoted the in late antique, medieval, and early modern periods, are “edgy” and may introduce sciences. Typically, volumes are theoretically aware whilst introducing novel approaches to topics of key interest to scholars of the pre-modern past. iii ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE by ERIC SHANE BRYAN iv We have all forgotten our names. — G. K. Chesterton Commons licence CC-BY-NC-ND 4.0. This work is licensed under Creative British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds The author asserts their moral right to be identi�ied as the author of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted determinedprovided that to thebe “fair source use” is under acknowledged. Section 107 Any of theuse U.S.of material Copyright in Act this September work that 2010 is an Page exception 2 or that or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/ 29/ EC) or would be 94– 553) does not require the Publisher’s permission. satis�ies the conditions speci�ied in Section 108 of the U.S. Copyright Act (17 USC §108, as revised by P.L. ISBN (HB): 9781641893756 ISBN (PB): 9781641894654 eISBN (PDF): 9781641893763 www.arc- humanities.org print-on-demand technology. -
Download Download
Dan Laurin THE EVERLASTING DEAD: SIMILARITIES BETWEEN THE HOLY SAINT AND THE HORRIFYING DRAUGR OS MORTOS ETERNOS: SEMELHANÇAS ENTRE O SANTO SAGRADO E O HORRIFICANTE DRAUGR Dan Laurin1 Abstract: The purpose of this article will be to examine the lives of different Icelandic and Continental Scandinavian saints in biskupasögur and compare them to the uniquely Icelandic revenant known as a draugr found mainly—but not limited to—the Íslendingasögur category. The morphology of the saint and the draugr will be analysed through the scope of the physical, behavioural, and supernatural motifs apparent in each literary figure. This approach will be useful to better understand a comparison between how each figure reconciles the concept of death and the afterlife, as well as their liminal grasp of corporeality which displays their similarity. Keywords: Icelandic sagas; Supernatural; Medieval literature; Draugr. Resumo: O objetivo deste artigo será examinar as vidas de diferentes santos escandinavos islandeses e continentais nas biskupasögur e compará-las ao morto-vivo exclusivamente islandês conhecido como draugr encontrado principalmente - mas não limitado na - categoria Íslendingasögur. A morfologia do santo e do draugr será analisada através do alcance dos motivos físicos, comportamentais e sobrenaturais aparentes em cada figura literária. Essa abordagem será útil para entender melhor uma comparação entre como cada figura concilia o conceito de morte e vida após a morte, bem como sua compreensão liminar da corporeidade que mostra sua semelhança. Palavras-chave: Sagas islandesas; Sobrenatural; Literatura medieval; Draugr. 1 Dan Laurin is a recent Medieval Master of Studies graduate from the University of Oxford, after having earned his Bachelor of Studies from the University of Berkeley, California. -
On the Authorship of Hrafnkels Saga
KIRSTEN WOLF On the Authorship of Hrafnkels saga i A number of literary works have in the course of time been attributed to the Icelandic bishop Brandr Jónsson (d. 1264), though it may well be that his fame (“Hann ... var ágætr höfðingi, klerkr góðr, vitr ok vinsæll, rikr ok góðgjarn. Ok í þann tíma hafði hann mesta mannheill þeira manna, er þá váru á íslandi” [Svínfellinga saga-, Sturlunga saga 2:87]) as well as our fairly limited knowledge about his life and activities (see Tryggvi Þórhallsson 1923) have led scholars to credit him with more works than he actually composed. Brandr Jónsson is commonly held to be the author of Gyðinga saga (GS);1 this assumption is based on the epilogue of GS, which says that it was originally translated into Latin by Jerome and thence into Norse by the priest Brandr Jónsson, later bishop of Hólar, at the request of King Magnús Hákonarson.2 As there are no other documents extant or no other evidence to prove that anyone else wrote GS, one is obliged to place some credence in the testimonial of the epilogue. Moreover, there appears to be no reason to dismiss the epilogue, appearing as it does in a codex (AM 226 fol.) written within a century of Brandr Jónsson’s death in a community where he was likely to be remembered. Since it is known that both Brandr Jónsson and King Magnus spent the winter 1262-3 in Trondheim, it has been argued that the saga was written by Brandr Jónsson or under his supervision during this year. -
The Proverbial Heart of Hrafnkels Saga Freysgoða: “Mér Þykkir Þar Heimskum Manni at Duga, Sem Þú Ert.”
The Proverbial Heart of Hrafnkels saga Freysgoða: “Mér þykkir þar heimskum manni at duga, sem þú ert.” RICHARD L. HARRIS ABSTRACT: This essay considers the thematic force of a proverbial allusion in Hrafnkels saga when the political dilettante Sámr Bjarnason reluctantly agrees to help his uncle Þorbjǫrn seek redress for the killing of his son by Hrafnkell Freysgoði. “Mér þykkir þar heimskum manni at duga, sem þú ert” [I want you to know that in my opinion I am helping a fool in helping you], he comments, alluding to the traditional proverb Illt er heimskum lið at veita [It’s bad to give help to the foolish] setting one theme of this short but complex and much studied narrative. Examination of the story suggests that nearly all of its characters behave with varying degrees of foolishness. Further, it can be seen that Sámr’s foolishness dictates his fall after defeating Hrafnkell in legal proceedings and that, conversely, Hrafnkell’s rehabilitation is the result of correcting that unwise social behaviour which led to his initial defeat. RÉSUMÉ: Cet article examine la force thématique derrière une phrase proverbiale trouvée dans l’œuvre Hrafnkels saga. Lorsqu’un dilettante politique, Sámr Bjarnason, accepte à contrecoeur d’aider son oncle, Þorbjǫrn, à obtenir réparation pour le meurtre de son fils aux mains de Hrafnkell Freysgoði, il déclare, « Mér þykkir þar heimskum manni at duga, sem þú ert » [je veux que vous sachiez que, selon moi, j’aide un abruti en vous aidant]. Son commentaire fait allusion au proverbe traditionnel, Illt er heimskum lið at veita [il est mal d’offrir de l’aide à un sot]. -
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD the Waning Sword Conversion Imagery and EDWARD PETTIT P
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. -
Chapter 21 Imagining the Holy Land in the Old Norse World
Mikael Males Chapter 21 Imagining the Holy Land in the Old Norse World In Old Norse literature as elsewhere in the literature of medieval Europe, many im- ages of Jerusalem and the Holy Land are to be found, not mutually exclusive, but rather adding to a range of functions and meanings. In an Icelandic twelfth-century itinerary, we encounter the pious pilgrim, admiring the blood of Christ on the ground where the cross had stood. From twelfth-century Orkney, by contrast, we have runic and poetic evidence of boastful Viking crusaders, belittling the cowards who stayed at home and viewing the concept of the Holy Land through the lens of the world of the sagas. In thirteenth-century Iceland, we find a peculiar version of the Holy Land in a local setting, fully integrated into Icelandic saga style. As late converts on the fringe of the known world, the Nordic peoples were removed in time and space from the events and sites that mattered most to salvation. In the Orcadian and Icelandic material, we see a creative negotiation of both the spatial and temporal distance. This chapter focuses on the attitudes to Jerusalem and the Holy Land found in some Old Norse sources, as well as the strategies used for mak- ing them, as it were, domestic. The first obvious act of domestication lies in the name Jerusalem itself, which in Old Norse was called Jórsalir. This is apparently the result of a reanalysis of the name, and it is likely that the name meant something like “royal halls” or “the city of the king” at the time of imposition. -
REVIEWS Chieftains and Power In
REVIEWS as many as 50-60 chieftencies. Jon Vidar Sigurdsson After that their number started decreasing, and by 1118 there Chieftains and Power in the were no more than c. 30 left. Icelandic Commonwealth "There was a similar reduction in numbers in the period from 1118 Translated by Jean Lundskrer to 1220, when about 20 Nielsen disappeared" (p. 64). So early in the thirteenth century there were Odense University Press, Odense, only nine or ten chieftains in the 1999, pp. 215 entIre country controlling as many 'domains', instead of the thirty-six chieftencies back in The book under review is a 930. The original power system translation of a Ph. D. thesis from had in fact collapsed. the University of Bergen, and JSV's account of this betrays its ongins in a number of development is partly based on ways. Like so many other theses conjecture, but on the whole it is of its kind it is brimming with lucid and well-argued. My enthusiasm for its subject and principal criticism of his book is devoid of the cynicism we often abouthis treatment of the Sagas of find in the works of older Icelanders, which tell us much scholars. On the other hand, the more about the goaar and ideas author's (hereafter referred to as relating to them than his book JVS) perception of early Icelandic serves to indicate. Vatnsdrela saga literature is somewhat vague at which has seen called hofOingja times. skuggsjd "a mirror for chieftains" The essential Eurpose of the presents porsteinn Ingimundarson book is to is descnbe the nature and evolution of political power as an ideal gooi: he is moderate, in Iceland, in particular the fair-minded, patient, shrewd, system of gOOar (sg. -
Hrafnkels Saga and Other Icelandic Stories Free Download
HRAFNKELS SAGA AND OTHER ICELANDIC STORIES FREE DOWNLOAD Hermann Palsson | 144 pages | 29 Jan 1976 | Penguin Books Ltd | 9780140442380 | English | London, United Kingdom Hrafnkel's Saga and Other Icelandic Stories He refuses and rides back home. Stay in Touch Sign up. Copenhagen: Munksgaard. For these reasons, it has served as a test case in the dispute on the origins of the Icelandic sagas. These fascinating tales deal with powerful human emotions, suffering and dignity at a time of profound transition, when traditional ideals were gradually yielding to a more peaceful pastoral lifestyle. There are great moments of sacrifice, honour, and a subtle sense of humour in some of these stories. This is the book I ought to have started with when I began to dip into Icelandic sagas again recently. I was especially drawn to the sense of place in these tales, and how places became tied to events when Freyfaxi the horse is killed on a bluff, it is forever after known as Freyfaxahamar. Fulk, R. Hrafnkell longs for power Hrafnkels Saga and Other Icelandic Stories soon establishes himself as a chieftain by bullying people in neighbouring valleys. Copenhagen: G. Several of the other stories have similar themes but have a somewhat different tone, being more like a cross between a short biography of an individual and the anecdotes about him that would get told down the pub on a long winter's night. Scholars have identified the likely author as Abbot Brand Jonson, a 13th century intellectual, church leader, teacher, and mediator. Bogs and moors are described in great detail, as if the reader were being told how to get to Thorkel's farmstead. -
Terry Gunnell. Scripta Islandica 66/2015
SCRIPTA ISLANDICA ISLÄNDSKA SÄLLSKAPETS ÅRSBOK 66/2015 REDIGERAD AV LASSE MÅRTENSSON OCH VETURLIÐI ÓSKARSSON under medverkan av Pernille Hermann (Århus) Else Mundal (Bergen) Guðrún Nordal (Reykjavík) Heimir Pálsson (Uppsala) Henrik Williams (Uppsala) UPPSALA, SWEDEN Publicerad med stöd från Vetenskapsrådet. © Författarna och Scripta Islandica 2015 ISSN 0582-3234 Sättning: Ord och sats Marco Bianchi urn:nbn:se:uu:diva-260648 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-260648 Innehåll LISE GJEDSSØ BERTELSEN, Sigurd Fafnersbane sagnet som fortalt på Ramsundsristningen . 5 ANNE-SOFIE GRÄSLUND, Kvinnorepresentationen på de sen vikinga- tida runstenarna med utgångspunkt i Sigurdsristningarna ....... 33 TERRY GUNNELL, Pantheon? What Pantheon? Concepts of a Family of Gods in Pre-Christian Scandinavian Religions ............. 55 TOMMY KUUSELA, ”Den som rider på Freyfaxi ska dö”. Freyfaxis död och rituell nedstörtning av hästar för stup ................ 77 LARS LÖNNROTH, Sigurður Nordals brev till Nanna .............. 101 JAN ALEXANDER VAN NAHL, The Skilled Narrator. Myth and Scholar- ship in the Prose Edda .................................. 123 WILLIAM SAYERS, Generational Models for the Friendship of Egill and Arinbjǫrn (Egils saga Skallagrímssonar) ................ 143 OLOF SUNDQVIST, The Pre-Christian Cult of Dead Royalty in Old Norse Sources: Medieval Speculations or Ancient Traditions? ... 177 Recensioner LARS LÖNNROTH, rec. av Minni and Muninn: Memory in Medieval Nordic Culture, red. Pernille Herrmann, Stephen A. Mitchell & Agnes S. Arnórsdóttir . 213 OLOF SUNDQVIST, rec. av Mikael Males: Mytologi i skaldedikt, skaldedikt i prosa. En synkron analys av mytologiska referenser i medeltida norröna handskrifter .......................... 219 PER-AXEL WIKTORSSON, rec. av The Power of the Book. Medial Approaches to Medieval Nordic Legal Manuscripts, red. Lena Rohrbach ............................................ 225 KIRSTEN WOLF, rev. -
Saga Form, Oral Prehistory, and the Icelandic Social Context.” New Literary History 16(1984-1985): 153-173
Jesse Byock. “Saga Form, Oral Prehistory, and the Icelandic Social Context.” New Literary History 16(1984-1985): 153-173. Saga Form, Oral Prehistory, and the Icelandic Social Context Jesse L. Byock HE Icelandic family sagas (the Íslendingasögur) are anonymous prose stories.1 They are not heroic epics, folktales, chronicles, or romances T but plausible vernacular tales about often real people who lived in Iceland in the period from the settlement in the 980s until about 1030. More than thirty major family sagas are extant; there are also many short stories called Þættir (sing. Þáttr). As a written literary form the sagas suddenly appeared at the end of the twelfth century, and their production ended abruptly in the early decades of the fourteenth century.2 Although no one denies a mixture of oral and literary elements, theories differ widely as to how much the sagas reflect an oral compositional prehistory and how much they reflect the artistry of a literate self-conscious author. The bitter controversy in the first half of the twentieth century over the extent of orality evidenced in the family sagas polarized scholars into "freeprosists" believing in the oral origin of saga narrative and "bookprosists" advocating a written origin.3 The two groups debated the issue of whether the family sagas were factually accurate arid hence memorized and essentially fixed texts or whether they were nonhistorical, late literary fictions. By the mid-1950s the bookprosists, led by the Icelanders Sigurður Nordal and Einar Ól. Sveinsson, had prevailed.4 In their view the sagas, though owing a small and undetermined debt to an oral prehistory, were literary stories created by Icelanders of the late twelfth and thirteenth centuries.5 In recent decades many saga scholars have bogged down in their attempts, largely frustrated, to prove that the family sagas as sophisticated narratives stemmed from some discernible European narrative model.