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Tuesday June 18 : New York
Written by: Rob van Oosten Hondsdrafstraat 1 1441 PB Purmerend The Netherlands E – Mail : [email protected] © R. van Oosten 1 Introduction. When I was in training to become a teacher ( In the Netherlands that’s the Teachers Training College ) there was an advertisement for Counselors in the United States. Together with my friend Raymond we applied and after a sollicitation talk and the approval of our college we were allowed to go . Working in a summer camp for about 9 weeks and a round trip for 4 weeks. At that time I was 19 years old and did not spend such a long time away from home. I went to several European countries with my parents and was on a holiday in France with another friend ( for a month) the year before. My parents and girl friend ( Gerda to whom I ‘m married ) did not really like the idea but did not stop me. The experience of working in Camp Hurley is one I will never forget. It was a long and hard summer and I lost beside the sweat also a lot of weight. It was a period in which I foumd out that working together is not as easy as it seems to be, working with children can be difficult and it means that you have to invest in yourself and others. So to work in Camp Hurley with these difficult kids has been fundamental in my life. Every year, maybe every month I think about that period and I tried to go back there 6 years ago. -
1Guitar PDF Songs Index
Material on Guitar Website Reference Beginning Guitar Music Guitar Cover Beginning Chords Fingerpicking Bass Runs for Guitar Guitar Christmas Song List Guitar Care Guitar PDF Song Index 1/4/2017 Good Reader Web Downloads to Goodreader How to Use Goodreader Downloading Files to the iPad from iTunes Saving Your Internet Passwords Corrected Guitar and PDF 509 Songs 1/4/2017 A Bushel and a Peck Bad Moon Rising A White Sport Coat Ballad of Davy Crockett All I Ask of You Ballad of Green Berets All My Ex’s Live in Texas Battle Hymn of Aging All My Lovin’ Be Our Guest All My Trials Beautiful Brown Eyes Always On My Mind Because of You Am I That Easy to Forget Beep Beep Amanda - bass runs Beer for My Horses + tab Amazing Grace - D Begin the Beguine A America the Beautiful Besame Mucho American Pie Beyond the Reef Amor Big Rock Candy Mountain And I Love Her Blame It On Bossa Nova And I Love You So Blowin’ in the Wind Annie’s Song Blue Bayou April Love Blue Eyes Crying in the Rain - D, C Aquarius Blue Blue Skies Are You Lonesome Tonight Blueberry Hill Around the World in 80 Days Born to Lose As Tears Go By Both Sides Now Ashokan Farewell Breaking Up Is Hard to Do Autumn Leaves Bridge Over Troubled Water Bring Me Sunshine Moon Baby Blue D, A Bright Lights Big City Back Home Again Bus Stop Bad, Bad Leroy Brown By the Time I Get to Phoenix Bye Bye Love Dream A Little Dream of Me Edelweiss Cab Driver Eight Days A Week Can’t Help Falling El Condor Pasa + tab Can’t Smile Without You Elvira D, C, A Careless Love Enjoy Yourself Charade Eres Tu Chinese Happy -
NACUSA LA June 28 2021 Concert Program
NACUSA Los Angeles LA CONVERSATIONS SERIES June 28, 2021 Monday 7 pm Concert Have a Good Day! for baritone, flute, and piano Kathryn Mishell (ASCAP) Divertissements for solo marimba (2020) Carla K. Bartlett (ASCAP) Only Everyday for voice and piano Words and Music by Jay Asher (BMI) Performed by Jay Asher and Stephen Michael Schwartz (BMI) Colvin House Haunts for violin and violoncello (2016) Greg A. Steinke (ASCAP) Sharing for cello and piano David Raiklen (ASCAP) At Ends: The Transformation performed by Curtis Macomber, violinist Coda Michelle Green Willner (ASCAP) performed by Jeffrey Steinberg Shir Chadash Concert, UCLA Lowel Milken Fund. Doni Silver Simons (Performance Direction) Nicole Powell (Choreography) Program Notes and Biographies Kathryn Mishell was born in Los Angeles, where she received her early musical training. Her college and graduate work were done at Pomona College, The University of Kansas, and the University of Southern California. Ms. Mishell’s works include over a hundred piano pieces, ensemble and orchestral works, and music for chorus, dance and theatre. Ms. Mishell was producer and host of Into the Light, a weekly radio program devoted to the music of women composers, for ten years. Produced at KMFA, the fine arts station in Austin, Texas, it won national 2010, 2009 and 2007 Gracie Awards for outstanding portrait/biography, and three international Communicator Awards of Distinction for excellence in broadcasting. As pianist, Ms. Mishell has performed extensively in the U.S. and Mexico as soloist and in chamber music. A teacher of many award-winning young pianists, Ms. Mishell taught at the Oberlin Conservatory of Music and has acted as clinician, adjudicator, and was, as early as 1988, consultant in the use of computers in music instruction. -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
Simply Folk Sing-Along 2018 If I Had a Hammer If I Had a Hammer, I'd Hammer in the Morning, I'd Hammer in the Evening, All Over
Simply Folk Sing-Along 2018 If I Had a Hammer If I had a hammer, I'd hammer in the morning, I'd hammer in the evening, all over this land I'd hammer out danger, I'd hammer out a warning I'd hammer out love between my brothers and my sisters, all over this land If I had a bell, I'd ring it in the morning, I'd ring it in the evening, all over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, all over this land If I had a song, I'd sing it in the morning, I'd sing it in the evening, all over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, all over this land Well I've got a hammer, and I've got a bell, and I've got a song to sing, all over this land It's the hammer of justice, it's the bell of freedom It's the song about love between my brothers and my sisters, all over this land You Are My Sunshine The other night dear as I lay sleeping, I dreamed I held you in my arms, But when I woke dear I was mistaken, and I hung my head and I cried You are my sunshine, my only sunshine, you make me happy when skies are gray, You'll never know dear, how much I love you, please don't take my sunshine away I'll always love you and make you happy, if you will only say the same, But if you leave me and love another, you’ll regret it all someday You told me once dear, you really loved me, and no one could come between, But now you've left me to love another, you have shattered all of my dreams In all my dreams, dear, you seem to leave me; when I awake my poor heart pains So won’t you come back and make me happy, I’ll forgive, dear, I’ll take all the blame City of New Orleans Riding on the City of New Orleans, Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, three conductors and twenty-five sacks of mail. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
57 Lessons: CD 1 57 Lessons: CD 2
57 Lessons: CD 1 Track Title Artist/Comooser 1 Star Spangled Banner U.S. Army ~and 'i~. 2 " "" Jose Feliciano ~1 3 " "" Jimi Hendrix- ~;~i 4 Barbara Allen Joan Baez'" 4:li~ 5 ,," Harry & Jeannie West 3:Sj1 6 Fanfare For the Common Man, Copland. '. 2:54i7: 7 Billy the Kid " 19:17 8 Hard Traveling Woody Guthrie 2:07 9 If I Had a Hammer Peter, Paul & Mary 2:09 " 10 The Times They Are a Changin' Bob Dylan 3:16 ~ 11 Richard Cory Simon & Garfunkel 2:53 12 Both Sides Now Judy Collins 3:12 13 Salty Dog Blues Lester Flatt & Earl Scruggs 1:54 (~ 14 Just Between You and Me Charley Pride 2:Q:?,~~; 15 "dialogue" "" l:3Q, i6 Love Sick Blues "" , 2:36) 17 The Ceremony Tammy Wynette & George Jones 3:01J:~ 18 Folsom Prison Blues Johnny Cash 2:45.~; 19 The Gambler K~nny Rodgers 3:3(31 20 In America Charlie Daniels 3:l3t'i' 21 Ceremonial Music of a Chieftan & his Tribe ., 1:17tl 22 ,Secret So~iety Dance Song' Nigetja 2:00:~: ,!:3Decret SO~letypx:ums Q:>~ly~hrtllms) . "_,,_, __,".~~Jq;~¢f 57 Lessons: CD 2 Tr,!!ck Title Artist/Composer rune 1 Tell Every body Herbie Hancock 7:52 2 Lucumi Song(Eastern Cuba) Yoruba Tribe Descendants 2:38 3 Steel Drwns of Trinidad <';;;~."!'> ,4:25 4 My Name Has Been Written Down Spiritual(Missis.slppi, 1949) 2:24 5 Said I W asn 't GDnna Tell Nobody Abyssinian Baptist Gospel Clwir 5:35 '6 Maple Leaf Rag Scott Joplin 3:12 7 Boogie \Voogie Man "" 2:40 8 Good Morning Blues Leadbelly 2:22 9 Reckless Blues Bessie Smith 3:05 10 Crying Time Ray Charles 2:52 11 Tiger Rag (1918) Original Dixieland Jazz Band 3:06 12 Livery Stable Blues "" "" 3:05 13 Eb Blues Fats Waller 2:29 14 Snake Drive Eric Clap ton 2:21 15 Telephone Blues John Mayall 3:54 16 Rhapsody in Blue George Gershwin 14:52 17 Porgy & Bcss-I Got Plenty of Nothin'"'' 3:04 18 Porgy & Bess-Summeriime '"" 2:38 19 Porg,.v& Bess-Bess You Is My Woman Now " 5:12 57 Lessons: CD 3 Track --.-litleu __ m Artist/Composer Tim~ 1 Porgy & Be~It Ain't Nc-ccssarilySo G. -
Peter Paul and Mary.Pptx
Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village. -
05-23-2014.Pdf
Year 56 NO. 51BASSETERRE, ST. KITTS, W.I. FRIDAY, MAY 23rd 2014 EC$2.00 At The Pumps This Weekend Maximum Price ULG per gallon - Dated : 22/04/14 DELTA $16.68 / SOL $15.77 IMF Says the LABOUR’s 82nd Anniversary National Economic Conference a Resounding Success Recovery in Party all set for an unprecedented 5th term in Government. St. Kittsand Nevis has Gathered Momentum (Page 22) St. Kitts and Nevis’ Prime Minister the Right Hon. Dr. Denzil L. Douglas (right), Acting Premier of Nevis, the Hon. Mark Brantley A eection of the massive crowd of Labour supporters in attendance at last Sunday’s National (left) with IMF Mission Chief Ms. Judith Gold (center) and St. Kitts Conference at the Marriott Resort, Frigate Bay. (See editorial on page 2) and Nevis Financial Secretary, Mrs. Hilary Hazel (partly hidden). Energy, Utilities and Public Works, PM Douglas Re-elected Labour Party as Deputy Political Leader. Minister of Health, Gender Affairs, Community and Social Leader for 26th Consecutive Year Development, the Hon. Marcella Liburd was re-elected un-opposed BASSETERRE, ST. KITTS, as Party Chairperson. (CUOPM) - St. Kitts and Nevis’ The National Vice Chairman is Prime Minister, the Rt. Hon. Dr. the Hon. Nigel Carty, Minister of Denzil L. Douglas has been re- Education, Information and elected National Political Leader of Agriculture. the governing St. Kitts-Nevis National Secretary- Mrs. Diana Labour Party for the 26th Williams-Humphrey; National consecutive year. Assistant Secretary- Ms. Karen Dr. Douglas, who was first Crossman and the National elected in 1989, was re-elected un- Treasurer, Mr. -
September / October
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 5 Number 5 September-October 2005 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE TILT OF THE KILT Wicked Tinkers Photo by Chris Keeney BY RON YOUNG inside this issue: he wail of the bagpipes…the twirl of the dancers…the tilt of the kilts—the surge of the FADO: The Soul waves? Then it must be the Seaside Highland Games, which are held right along the coast at of Portugal T Seaside Park in Ventura. Highly regarded for its emphasis on traditional music and dance, this festival is only in its third year but is already one Interview: of the largest Scottish events in the state. Games chief John Lowry and his wife Nellie are the force Liz Carroll behind the rapid success of the Seaside games. Lowry says that the festival was created partly because there was an absence of Scottish events in the region and partly to fill the void that was created when another long-standing festival PLUS: was forced to move from the fall to the spring. With its spacious grounds and variety of activities, the LookAround Seaside festival provides a great opportunity for first-time Highland games visitors who want to experience it all. This How Can I Keep From Talking year’s games will be held on October 7, 8 and 9, with most of the activity taking place on the Saturday and Sunday. -
Northern Union Outlook for 1952
STATISTICAL SECRETARY GENERAL CONFERENCE OF S. D. A . TAcx.1A PARK 110111.11 lic H111011 FLOOR Official Organ of the northern Union Conference of Seventh-day Adventists Volume 15 Nevada, Iowa, January 29, 1952 Number 35 Union College in 1951-52 Sixty years have passed since the BY PEARL L. REES many a student is visiting near-by fathers of this denomination in the homes giving Bible studies with the Midwest, with forward-looking who entered Union's halls this aid of the projectors and other vision and undaunted faith, gave year, made so by the unsettled con- helps. A new plan has become ef- willingly of their little for the es- ditions that prevail the world over, fective, too. TV groups go to Lin- tablishment of Union College. and so from the very beginning of coln homes having television and What of their sacrifice? Has the school a fine spirit of loyalty and ask the people to listen to the Faith history of the college proved wor- cooperation has been manifest. for Today telecast each week. Then thy? Has it paid? A thousand times, Bobby Roberts and Deljean several efforts and branch Sabbath yes! Ask the men and women now Wolfe, the delegates from the col- schools are beginning. Only in grown gray, who attended Union in lege and the Central Union Con- eternity will the results be known the years gone by; ask those who ference to the Paris Youth Con- of the many spiritual activities con- are leaders in the Advent Move- gress, who had just returned to ducted during the 1951-52 school ment all over this land of ours; ask the States, set the pace during the year. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.