Spiderman by Stan Lee Amazing Fantasy #15 Marvel Comics, 1963

Total Page:16

File Type:pdf, Size:1020Kb

Spiderman by Stan Lee Amazing Fantasy #15 Marvel Comics, 1963 Spiderman By Stan Lee Amazing Fantasy #15 Marvel Comics, 1963 Page 1 (1 frame) Panel Description Dialog 1.1 Caption: title: SPIDER-MAN 1.2 frame 1 (splash) Caption: Like costume heroes? SCENE 1: EXT. MIDTOWN HIGH Confidentially, we in the comic SCHOOL - DAY mag business refer to them characters: PETER as "long underwear characters" PARKER(casting SPIDERMAN ! And as you know they’re a shadow) in bg, a crowd of dime a dozen! But, we think you 6-- 2 BOYS ans 1 GIRL are may find our Spiderman just talking in foreground while a bit...different! 3 dialogue 2 additional boys and 1 girl balloons: look on. FIRST BOY Say Gang, We need one more guy for the dance! How about Peter Parker over there? SECOND BOY Are you kiddin’? That Bookworm wouldn’t know a cha-cha from a Waltz! GIRL Peter Parker? He’s Midtown High’s only professional Wallflower! Page 2 (8 frames) Panel Description Dialog 2.1 scene 2: INT. PETE’S BEDROOM - Caption: As you may have gathered, DAY (1 frame) Peter Parker was far from being Peter Parker and UNCLE BEN the biggest man on campus! But, his Uncle Ben thought he was a pretty special lad... text box:narration (character description) 2 dialogue balloons UNCLE BEN You’re not foolin’ me, Petey! I know you’re awake and it’s time for school! PETER PARKER Gosh, Uncle Ben you’re worse than a room full of alarm clocks! 2.2 scene 3: INT. DINING ROOM - Caption: As for Pete’s Aunt May, DAY (1 frame) she thought the sun rose and set Peter Parker, Uncle Ben, and upon her nephew! AUNT MAY text box: narration (new character) 2 dialogue balloons AUNT MAY I cooked your favorite breakfast, Petey -- wheatcakes! UNCLE BEN Don’t fatten him up too much, dear! I can hardly out wrestle him now! Page 2 (8 frames) Panel Description Dialog 2.3 scene 4: INT. CHEMISTRY CLASS Caption: The faculty at Midtown - DAY (1 frame) High was also fond of the cleancut hard working honor student! text box: character and scene description 2 dialogue balloons CHEMISTRY TEACHER Keep up the good work, Parker, and you’re sure to rate a scholarship when you graduate! PETER PARKER I’ll do my best, sir! 2.4 scene 5: EXT. SCHOOL - DAY (2 frames) frame 1 2.5 Caption: But, alas, other teenagers can sometimes, unwittingly, be so very cruel to a shy young man. text box: character desc/ conflict. 2 dialogue balloons PETER PARKER Sally, I, eh, was wondering if you’re busy tonight? SALLY Peter, for the umpteenth time, you’re just not my type. 2.6 frame 2 SALLY 2 dialogue balloons (more not when dream boats like conflict) FlashThompson are around! FLASH THOMPSON I admire your good taste, doll! Get lost bookworm! Page 2 (8 frames) Panel Description Dialog 2.7 scene 6: EXT. SCHOOL - DAY (3 PETER PARKER frames) Look, there’s a great new exhibit (same as page 1) at the science hall tonight! Would 3 dialogue balloons (pete’s any of you like to go with me? fail) SECOND BOY Science hall! Hah! FIRST BOY You stick to science, son! We’ll take the chicks! 2.8 frame 4 Caption: Yes, for some, being a teenager has many heart-breaking moments! text box: narration FIRST BOY See you around, bookworm! GIRL Give our regards to the atom smashers, Peter! (crowd drive off in convertible) 2.9 frame 5 PETER PARKER Some day I’ll show them. Some day they’ll be sorry! Sorry that they laughed at me! Caption: SIGN:Science Exhibit Experiments in Radioactivity Open to the Public Room 30. Page 3 (8 frames) Panel Description Dialog 3.1 scene 7: INT. SCIENCE LAB, Caption: And a few minutes later, ROOM 30 - DAY Peter Parker forgets the taunts (6 frames)SCIENTISTS, of his classmates as he is AUDIENCE, Peter Parker transported to another world -- the fascinating world of atomic science! SCIENTIST And now for a demonstration of how we can control radioactive rays here in the laboratory. 3.2 Caption: But as the experiment begins, no one notices a tiny spider descending from the ceiling on an almost invisible strand of web. 3.3 Caption: A spider whom fate has given a starring, if brief, role to play in the drama we call life! 3.4 Caption: Accidentally absorbing a fantastic amount of radioactivity, the dying insect, in sudden shock, bites the nearest living thing, at the split second before life ebbs from its radioactive body! PETER PARKER Ow! 3.5 PETER PARKER A a spider! It bit me! But why is it burning so? Why is it glowing that way? Page 3 (8 frames) Panel Description Dialog 3.6 PETER PARKER My head -- it feels strange! I I need some air! SCIENTIST Looks as though our experiment unnerved young Parker! COLLEAGUE Too bad! He must have a weak stomach! 3.7 scene 8: EXT. CITY STREET PETER PARKER AND TALL BUILDINGS - DAY (8 What’s happening to me? I feel frames/2 pages) -- different! As though my entire body is charged with some sort of fantastic energy! Caption: sfx:Honk! Honk! 3.8 Caption: Wrapped in his thoughts, Peter doesn’t hear the auto which narrowly misses him, until the last instant! And then, unnoticed by the riders, he unthinkingly leaps to safety -- but what a leap it is! CAR DRIVER That was one egghead who won’t daydream any more when he crosses a street! PASSENGER You can say that again! (car swoops by as peter sticks to wall, dropping books) Page 4 (8 frames) Panel Description Dialog 4.1 PETER PARKER What’s come over me? I I’m scaling this wall just as easily as I can walk! 4.2 SMALL BOY Mommy! Look at the man walking up the side of a building! MOTHER That’s the last horror movie I take you to, young man! 4.3 PETER PARKER It’s incredible! I reached the roof in just a few seconds! PETER PARKER What’s this? I crushed this steel pipe as though it were paper! 4.4 PETER PARKER It’s the spider! It has to be! Somehow -- in some miraculous way, his bite has transferred his own power -- to me! 4.5 PETER PARKER I can walk down this cable as effortlessly as the spider itself can glide along its web! 4.6 PETER PARKER I I’ve got to have time to think! I’ve got to plan what to do with this unbelievable ability which fate has given me! Page 4 (8 frames) Panel Description Dialog 4.7 scene 9: INT. DOORWAY OF Caption: A few minutes later. WRESTLING RING - DAY (1 frame) PETER PARKER Hmmm this will be a good chance to test my power again! Caption: $100 to the man who can stay in the ring three minutes with crusher Hogan. 4.8 scene 10: INT. PETE’S BEDROOM Caption: Filled with - DAY (1 frame) excitement, Pete races back home and, PETER PARKER I’ll put on some old clothes, and leave my glasses here! But -- what if I fail? I don’t want to be a laughingstock! I I’ll find some way to disguise myself! Page 5 (7 frames) Panel Description Dialog 5.1 scene 11: INT. WRESTLING RING Caption: A few minutes later, - DAY (8 frames/2 pages) PETER PARKER I’ll try for that hundred dollars, crusher! CRUSHER HOGAN Well, well! If it ain’t a little masked marvel! Step up, sucker! 5.2 CRUSHER HOGAN Now just relax, shorty! I’ll try to make this as painless as possible! 5.3 5.4 PETER PARKER It works! I have the speed, the agility, the very strength of a gigantic spider! CRUSHER HOGAN Hey! 5.5 CRUSHER HOGAN Put me down! You win! You win! 5.6 CRUSHER HOGAN You -- you’re not human! Nobody can do that! PETER PARKER Wanna bet? Page 5 (7 frames) Panel Description Dialog 5.7 FIRST MAN IN AUDIENCE Greatest act I’ve ever seen! SECOND MAN IN AUDIENCE Sensational! Fantastic! And that mask gimmick gives him just the right touch of mystery. He was terrific! PROMOTER (thought balloon) Hmmm, that masked character may be just what I’ve been looking for! Page 6 (8 frames) Panel Description Dialog 6.1 PROMOTER Listen, friend. I’m a TV producer! With that act of yours I can make you a fortune! And keep the mask angle -- it’s great showmanship! Here’s my card! Call me! You’d be a smash on EdSullivan’s show! PETER PARKER Thanks. 6.2 scene 12: INT. PETE’S BEDROOM Caption: Later, at home again, - DAY (7 frames) PETER PARKER showmanship? He hasn’t seen anything yet! Since I have the powers of a spider, I’ll design myself a spider costume! And -- oh, hi, Aunt May! AUNT MAY You look a little tired, Petey, so we brought you some crackers and milk! 6.3 PETER PARKER Crackers and milk! Bless ’em -- if they only knew! PETER PARKER Now, let’s see -- a spider needs a web! This little device should just do the trick! 6.4 PETER PARKER I’ll fasten one to each arm -- it’ll operate by the slightest pressure of any finger! Page 6 (8 frames) Panel Description Dialog 6.5 PETER PARKER I’ll need a name -- well, guess Spider-man is as good as any! Looks pretty good, if I do say so myself! 6.6 PETER PARKER So they laughed at me for being a bookworm, eh? Well, only a science major could have created a device like this! 6.7 PETER PARKER With some strong liquid cement at the end, I can pull myself up anywhere with my little web! PETER PARKER And my costume is thin enough to wear, unseen, under my street clothes! 6.8 PETER PARKER Okay, world -- better hang onto your hat! Here comes the Spider-man.
Recommended publications
  • Download the Expanded Digital Edition Here
    Spring 1999 December 2002 April 2002 February 2003 May 2003 September 2003 November 2003 October 2004 March 2005 October 2003 November 2007 August 2009 July 2010 April 2012 September 2012 September 2010 April 2011 June 2012 June 2012 November 2012 November 2012 November 2012 January 2013 January 2013 January 2013 I created The Rainbow Orchid because making comics is such hard work that I wanted to write and draw one that I could be absolutely certain at least one person would really like – that person being me. It is steeped in all the things I love. From the adventure stories of H. Rider Haggard, Jules Verne and Arthur Conan Doyle I took the long build-up to a fantastic element, made all the more amazing because the characters are immersed in the ‘real world’ for so much of the story. From the comics medium I dipped my pen into the European tradition of Hergé, Edgar P. Jacobs, Yves Chaland and the descendents of their ligne claire legacy, along with the strong sense of environment – a believable world – from Asterix and Tintin. Yet I wanted characters and a setting that were very strongly British, without being patriotic. Mixed into all this is my fondness for an involving and compelling plot, and artistic influences absorbed from a wealth of comic artists and illustrators, from Kay Neilsen to Bryan Talbot, and a simple love of history and adventure. No zombies, no bikini-clad gun-toting nubiles, and no teeth-gritting ... grittiness. Just a huge slice of pure adventure, made to go with a big mug of tea.
    [Show full text]
  • Portrayals of Stuttering in Film, Television, and Comic Books
    The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No.
    [Show full text]
  • ABSORBING MAN Villain
    ABSORBING MAN Villain Real Name: Carl "Crusher" Creel Occupation: Professional criminal. Identity: Publicly known. Legal Status: Citizen of the United States with a criminal record. Other Aliases: None. Place of Birth: Houston, Texas. Marital Status: Presumably single. Known Relatives: None. Group Affiliation: None. Base of Operations: Mobile. First Post-Reboot Appearance: THOR: GOD OF THUNDER # History: Crusher Creel was a small-time criminal serving a prison sentence for aggravated assault when he was made an unwitting pawn in one of the schemes cooked up by the Norse trickster god, Loki (see Loki). Posing as one of the inmates assigned to work the prison cafeteria, Loki laced Creel's food with a rare Asgardian herb, granting him superhuman powers. Creel used these new powers to break out of prison, after which he was manipulated into combat with the Norse thunder god, Thor (see Thor). He has since clashed with the thunder god on a second occasion. It has recently come to light that the idea to transform Creel into the Absorbing Man was Sif's; Loki simply implemented it (see Sif). Height: 6' 4" Weight: 265 lbs. Eyes: Brown Hair: Bald; has brown facial hair. Uniform: None. Strength Level: Without changing his body, the Absorbing Man has the normal human strength of a man his age, height, and build who engages in intensive regular exercises. When using his powers, he can increase his strength to many times that, ultimately possessing the ability to lift (press) over 50 tons. Known Superhuman Powers: By touching an item, the Absorbing Man can take on its physical properties.
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • Super Heroes
    BRP WRE Bizarro Day! (DC Super Friends) Crime Wave! (DC Super Friends) Super Hardcover B8555BR Brain Freeze! (DC Super Friends) Heroes H2934GO Going Bananas (DC Super Friends) S5395TR T. Rex Trouble (DC Super Friends) W9441CR Crime Wave! (DC Super Friends) Juvenile Fiction Beginning Readers Paperback JUV ASH Batman: The Brave and the Bold Paperback BRP ASH Batman and Friends JUV DCS The Flash: Shadow of the Sun Captain Cold’s Artic Eruption (The BRP BRI Batman Versus Man-Bat Flash) Gorilla Warfare (The Flash) BRP ELI Flying High (DC Super Friends) Shell Shocker (The Flash) BRP FIG Spider-Man Saves the Day The Attack of Professor Zoom! (The Flash) BRP HIL Spider-Man Versus the Scorpion Wrath of the Weather Wizard (The Flash) Spider-Man Versus the Lizard Battle of the Blue Lanterns (Green Spider-Man Amazing Friends Lantern) Beware Our Power (Green Lantern) BRP LEM Superman Versus the Silver Banshee Guardian of Earth (Green Lantern) Batman: Who is Clayface? The Last Super Hero (Green Lantern) The Light King Strikes! (Green Lantern) BRP ROS Friends and Foes (Superman) Man of Steel: Superman’s Superpowers JUV JAF Wonder Woman Team Spirit (Marvel Super Hero Squad) The Trouble with Thor JUV JUS In Darkest Night (Justice League) BRP SAZ Superman: Escape from the Phantom Secret Origins (Justice League) Zone The Gauntlet (Justice League) Wings of War (Justice League) BRP SHE T. Rex Trouble (DC Super Friends) Aliens Attack (Marvel Super Hero JUV LER Batman Begins: The Junior Novel Squad) JUV SUP Superman Returns: The Last Son of BRP STE I Am Wonder
    [Show full text]
  • THE AMAZING SPIDER-MAN CHARACTER CARDS Original Text
    THE AMAZING SPIDER-MAN CHARACTER CARDS Original Text ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple>Pages per sheet select Custom and enter 1 by 2. 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. TABLE OF CONTENTS Blade™, 10 Cloak™, 5 Dagger™, 6 Electro™, 8 Mysterio™, 9 Rhino™, 7 Scarlet Spider™, 12 Shocker™, 11 Spider-Girl™, 13 Spider-Man™, 4 ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. Spider-Man™ 201 SPIDER-MAN™ Avengers, Marvel Knights, Reporter, Spider-Man Family NO ONE DIES! (Super Senses) BEING SPIDER-MAN IS HABIT FORMING Have No Fear, Spidey is Here! (Combat Reflexes) Morph: Identity Crisis Give Spider-Man a move action or ranged combat action. After actions resolve, you may replace him with any other character with this trait on the same click number. If an opposing character took damage during that action, you may instead deal Spider-Man 1 unavoidable damage and then replace him with a character with the Morph: Changing Frequencies trait on the same click number.
    [Show full text]
  • Dan Dare the 2000 Ad Years Vol. 01 Pdf, Epub, Ebook
    DAN DARE THE 2000 AD YEARS VOL. 01 PDF, EPUB, EBOOK Pat Mills | 320 pages | 05 Nov 2015 | Rebellion | 9781781083499 | English | Oxford, United Kingdom Dan Dare The 2000 AD Years Vol. 01 PDF Book I guess I'd agree with some of the comments about the more recent revival attempts and the rather gauche cynicism that tends to pervade them. Thanks for sharing that, it's a good read. The pen is mightier than the sword if the sword is very short, and the pen is very sharp. The cast included Mick Ford Col. John Constantine is dying. There are no discussion topics on this book yet. Hardcover , pages. See all 3 brand new listings. Al rated it really liked it Feb 06, Archived from the original PDF on The stories were set mostly on planets of the Solar System presumed to have extraterrestrial life and alien inhabitants, common in science fiction before space probes of the s proved the most likely worlds were lifeless. Mark has been an executive producer on all his movies, and for four years worked as creative consultant to Fox Read full description. Standard bred - ; vol. The first Dan Dare story began with a starving Earth and failed attempts to reach Venus , where it is hoped food may be found. You may also like. Ian Kennedy Artist. Pages: [ 1 ] 2. SuperFanboyMan rated it really liked it Jul 16, In Eagle was re-launched, with Dan Dare again its flagship strip. John Wiley and Sons, Author : Michigan State University. In a series of episodic adventures, Dare encountered various threats, including an extended multi-episode adventure uniting slave races in opposition to the "Star Slayers" — the oppressive race controlling that region.
    [Show full text]
  • Batwoman and Catwoman: Treatment of Women in DC Comics
    Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D.
    [Show full text]
  • Form Card First Name Last Name Set Name 25 1 Abomination Marvel 3D
    Form Card First Name Last Name Set Name 25 1 Abomination Marvel 3D 25 2 Baron Zemo Marvel 3D 25 3 Black Widow Marvel 3D 25 4 Captain America Marvel 3D 25 5 Destroyer Marvel 3D 25 6 Enchantress Marvel 3D 25 7 Frost Giant Marvel 3D 25 8 Hawkeye Marvel 3D 25 9 Hulk Marvel 3D 25 10 Iron Man Marvel 3D 25 11 Leader Marvel 3D 25 12 Lizard Marvel 3D 25 13 Loki Marvel 3D 25 14 Maestro Marvel 3D 25 15 Maria Hill Marvel 3D 25 16 Melter Marvel 3D 25 17 Nick Fury Marvel 3D 25 18 Red Skull Marvel 3D 25 19 Shield Agent Marvel 3D 25 20 Shield Trooper Marvel 3D 25 21 Thor Marvel 3D 25 22 Master Strike Marvel 3D 25 23 Ultron Marvel 3D 25 24 Whirlwind Marvel 3D 25 25 Ymir Marvel 3D 25 26 Zzzax Marvel 3D 25 27 The Hand Marvel 3D 25 28 Bystander Marvel 3D 25 29 Doctor Octopus Marvel 3D 25 30 Green Goblin Marvel 3D 25 31 Spider-Man Marvel 3D 25 32 Venom Marvel 3D 25 33 Scheme Twist Marvel 3D 25 34 Cyclops Marvel 3D 25 35 Deadpool Marvel 3D 25 36 Emma Frost Marvel 3D 25 37 Gambit Marvel 3D 25 38 Magneto Marvel 3D 25 39 Savage Land Mutates Marvel 3D 25 40 Sentinels Marvel 3D 25 41 Storm Marvel 3D 25 42 Wolverine Marvel 3D 25 43 Wound Marvel 3D 25 44 Egghead Marvel 3D 25 45 Daredevil Marvel 3D 25 46 Elektra Marvel 3D 25 47 Gladiator Marvel 3D 25 48 Punisher Marvel 3D 25 49 Blade Marvel 3D 25 50 Daredevil Marvel 3D 25 51 Elektra Marvel 3D 25 52 Ghost Rider Marvel 3D 25 53 Iron Fist Marvel 3D 25 54 Punisher Marvel 3D 25 55 Blade Marvel 3D 25 56 Daredevil Marvel 3D 25 57 Ghost Rider Marvel 3D 25 58 Iron Fist Marvel 3D 25 59 Punisher Marvel 3D 25 60 Electro Marvel
    [Show full text]
  • Marie Severinseverin
    MarieMarie SeverinSeverin THE MiRTHful MisTREss Of COMiCs bY DEwEy CAssEll WiTH AAROn sulTAn FOREWORD INTRODUCTION .............................. HOME ............................................. Family .............................................................4 ............................................................. Interview with Marie Interview with John Severin 5 Friends ................................ 7 ......................................................... Interview with Marie 7 78 ..................... 7 .............. 80 .............................. 9 80 12 Interview with Jim Mooney 81 12 .................................................... ......................... The Cat .................. 83 nterviewI with Jean Davenport Interview with Marie Interview with Eleanor Hezel Interview with Linda Fite HORROR 83 ................................................................ EC ................................................ Kull 87 ........................................................... ......... REH: Lone Star ............................................ Fictioneer Interview ................... with Interview with Marie ............ 13 87 John Severin Interview with Al Feldstein 17 87 Other Characters ............................................ and Comics I 23 87 nterview with Jack Davis .................... Spider-Man 23 ............................................... Interview with Jack Kamen on Man 88 ............23 Ir ...................................... “The Artists of EC comics” ............... izard
    [Show full text]
  • Marvel Comics Marvel Comics
    Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe.
    [Show full text]
  • Teutonic Mythology Vol. 1
    Teutonic Mythology Vol. 1 By Viktor Rydberg Teutonic Mythology Vol. 1 I. INTRODUCTION. A. THE ANCIENT ARYANS. 1. THE WORDS GERMAN AND GERMANIC. Already at the beginning of the Christian era the name Germans was applied by the Romans and Gauls to the many clans of people whose main habitation was the extensive territory east of the Rhine, and north of the forest-clad Hercynian Mountains. That these clans constituted one race was evident to the Romans, for they all had a striking similarity in type of body; moreover, a closer acquaintance revealed that their numerous dialects were all variations of the same parent language, and finally, they resembled each other in customs, traditions, and religion. The characteristic features of the physical type of the Germans were light hair, blue eyes, light complexion, and tallness of stature as compared with the Romans. Even the saga-men, from whom the Roman historian Tacitus gathered the facts for his Germania—an invaluable work for the history of civilisation— knew that in the so-called Svevian Sea, north of the German continent, lay another important part of Germany, inhabited by Sviones, a people divided into several clans. Their kinsmen on the continent described them as rich in weapons and fleets, and in warriors on land and sea (Tac.,Germ., 44). This northern sea-girt portion of Germany is called Scandinavia—Scandeia by other writers of the Roman Empire; and there can be no doubt that this name referred to the peninsula which, as far back as historical monuments can be found, has been inhabited by the ancestors of the Swedes and the Norwegians.
    [Show full text]