May 24 - 29, 2018 in Toronto Program Guide
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Annu Al Repor T 2005 C O Ven Ant
COVENANT HOUSE ANNUAL REPORT 2005 T 2005 AL REPOR ANNU Our Principles Table of Contents IMMEDIACY ANT HOUSE Kids come to us in crisis, desperately needing help.We provide VEN Message from the Executive Director . 3 for their basic human needs – food, clothing, a shower and O C medical attention – immediately. Message from the Chair . 4 Message from the President . 5 SANCTUARY Achievements 2004-2005 . 6 Kids trying to get off the street are often scared and mistrustful. We protect our kids from violence and degradation by providing Our Programs and Services . 7 safety. How Dollars Are Raised . 12 VALUE COMMUNICATION Special Events . 13 We show our youth, by example, that wholesome, caring Donor Recognition . 14 relationships are based on trust, respect and honesty. Financial Report . 19 STRUCTURE Board of Directors . 25 Street life is unstable and unpredictable.We provide structure How to Contact Us . 25 and a reasonable set of expectations to give our kids a chance to focus on their future. CHOICE We help our youth make positive choices.We give them the encouragement they need to believe in themselves and to change. 1 T 2005 AL REPOR ANNU Our New vision Statement ANT HOUSE VEN O C Covenant House Toronto is a leading expert in and advocate for homeless youth in Canada.We serve the largest homeless youth population and provide the most complete range of housing and support services through our facilities, or in collaboration with community partners, to meet the needs of street youth. We are flexible and responsive to emerging needs of homeless youth. -
Download Program
23RD ANNUAL Ready. Set. Fall / Winter Live+Virtual Concert Series September 2020 – March 2021 • ALEXIS BARO • SPY JAZZ WITH JUNE GARBER + IRENE TORRES, HOSTED BY JAYMZ BEE • DONOVAN LOCKE • TANIKA CHARLES • MARK KELSO • MONEKA ARABIC JAZZ AND MORE AMAZING MUSICIANS! www.markhamjazzfestival.com WELLNESS, THE NEW LUXURY BY KYLEMORE. Mindfully focusing on wellness in the homes and communities we shape. To register for upcoming communities visit KylemoreCommunities.com WELCOME Welcome to the 23rd Annual TD Markham Jazz Festival’s Live + Virtual Concert Series! Message from the Artistic Director Different times indeed! Amid so much change, it’s comforting to turn to our friends and our community. The team at the TD Markham Jazz Festival has been busy sharing tunes and talk- ing, spreading the word about online jazz performances, hearing new works by artists we love, and continuing to support jazz in Canada. Although we couldn’t celebrate our festival in the usual ways this year, our mandate to bring people together through our shared love of jazz is as vital now as ever. So, we are thrilled to bring you this Live + Virtual Concert Series! We’re embracing the virtual landscape while we ease back into a world where we can gather and enjoy live music in person. With the aid of a local recording studio – and the support of outstanding sponsors – we are bringing fabulous live jazz right to the comfort of your home. Each concert will take place in a unique venue around Markham and be streamed through our website. When it’s safe to do so, we will offer ways to attend in person. -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Stich Wynston
Stich Wynston Drummer – Composer – Arranger – Improviser – Demon 529A Parliament St., Apt 3, Toronto, ON, Canada M4X 1P3 437-225-7795 | [email protected] | www.StichWynston.com ________________________________________________________________________ Personal Info Name: Stich Wynston Date of Birth: January 29, 1961 Birthplace: Toronto Citizenship: Canadian Professional Summary 1980 – present: Professional freelance musician (drum kit, percussion) & international performing and/or recording artist for renowned performers in jazz, classical, pop, avant-garde, rock, blues, folk, funk, soul, RnB, calypso, reggae, swing & world music genres. Teaching Experience 2004 – present Workshops/Clinics at music festivals, public schools, high schools, universities and music and cultural institutions all over the world with the Shuffle Demons Education Formal Training 1981 – 1985 York University Toronto, ON Bachelor of Fine Arts Degree Majoring in Music 1982 – 1984 Banff School of Fine Arts Banff, AB - Summer Jazz Music Program Diploma 1978 / 1979 Jamey Aebersold Summer Jazz Clinics DeKalb, IL 1978 Ontario College of Percussion Toronto, ON - Drumming Studies Diploma Private Study 2006 – 2007 Drum lessons with Sean Rickman, Tacoma Park, MD 1978 – 1988 Drum lessons with Jim Blackley, Toronto, ON 1980 – 1985 Piano lessons with Brian Rudolph, Toronto, ON Professional Associations • Co-founding member & co-leader of iconic music group the Shuffle Demons • Leader of ground-breaking creative improvisation ensemble Modern Surfaces Stich Wynston – CV – page -
3 Free Stages !
AUGUST 19 NNUAL TH A 18-21 2016 MOLLY JOHNSON | DR LONNIE SMITH RICH BROWN | DIONE TAYLOR AND THE BACKSLIDERZ TANIKA CHARLES | HARPOONIST AND THE AXE MURDERER B OXCAR BOYS | YUKA | PERIPHERAL VISION | ALISON YOUNG SHUTTLE BUS from www.markhamjazzfestival.com all weekend and 3 moremany on S FREE T (page A 26) Markville MallGES ! WELCOME! From the Artistic Director It’s a thrilling time to program a jazz festival, and an honour to be a part of the team that executes the TD Markham Jazz Festival! Music is a conversation – a boisterous dialogue between artist and audience. It’s a shared experience we can collectively engage in and communicate through, to better understand our culture and ourselves. Jazz has been the vanguard of that conversation for decades. Luminaries like Stan Getz and Miles Davis are an example. Through exploration and improvisation, they seemed to be asking, “What’s next?” The dialogue continues today. Whether you define jazz as Bebop or Swing or Dixieland, our Festival aims to present contemporary artists who are seeking, discovering and pushing the boundaries of the genre. Our 2016 line-up kicks off with Canadian musical royalty – Molly Johnson in our Thursday opening night concert at the Varley Art Gallery, followed by Rich Brown’s JUNO-nominated project, The Abeng, on Friday night at the Millennium Bandstand. Imaginative and daring, The Abeng takes its name from the African instrument used by the Maroons of Jamaica to call the community together. A fitting start to the weekend. Hot on the scene are the Boxcar Boys and their inventive take on Dixieland, Klezmer and New Orleans jazz. -
Music Matters a Round-Up of New Releases for Producers, Librarians and Anyone with an Interest in Music
Music Matters A round-up of new releases for producers, librarians and anyone with an interest in music. November 18, 2010. vol. #10-42 CANCON : In the BRYAN ADAMS KENDRA GALE SPOTLIGHT... … RYAN COOK JULIE MICHELS & KEVIN BARRETT JOEY WRIGHT BRYAN ADAMS – Bare Bones – (Polydor/Universal) – MAL TANIA GILL JOHNNY MAX BAND TERRY GOMES Four Bryan Adams songs were included in Bob ONE TAKE Mersereau’s brand new coffee table tome “The Top DANIEL MOIR 100 Canadian Singles”, and just three of them show DEAN LONSDALE GREG MADILL up on the concert souvenir BARE BONES. We’d say that speaks to the breadth of the Vancouver INTERNATIONAL : rocker’s catalogue of hits. By now iconic, Adams was one of four musicians pictured on the second BRUCE SPRINGSTEEN NORAH JONES series of the Canadian Recording Artist stamps CEE-LO GREEN issued by Canada Post. A member of the Order of Canada, he has 18 Juno Awards and not long ago stopped by the Prime Minister’s residence for a jam session. Even more pared down than 1996’s MTV: UNPLUGGED Researched and written by : session, BARE BONES features Adams, on guitar and harmonica, backed only by Gary Breit on piano. A man of the people, Adams compiled the Mark Rheaume set list for the album by soliciting fan feedback via Twitter. The 20 tracks (416) 205-6984 [email protected] were recorded at various concert venues, primarily New York, Maryland, Joan Chung and Oslo. Anything here will work for us, with highlights to be found in Laura Warner the less well known material like the rousing opener “You’ve Been a Friend to Me” , “It Ain’t a Party (If You Can’t Come ‘Round)” , “Cloud Published by: Music Resources Number Nine” , “I Still Miss You…A Little Bit” , and “The Right Place” . -
Accession Item # 2010-026 Pilot 01 the Dini Petty Show : Near Death
Date_created Date_issued Unique id Accession Item # Title Episode Count Format Generation Description Time Language Sound Standard 8/15/1989 Consists of the first pilot episode of the Dini Petty Show, consisting of interviews with UFO expert Budd Hopkins ("Intruders") and alien abductees Debbie Tomey, Dorothy Wallace, and Betty Stwart and hypnotherapist Dr. David Gottleib. Includes The Dini Petty Show : Near Death 1 inch questions from the 2010‐026 Pilot 01 Experience [Pilot 01?] 1 videotape audience. 57:55:00 English 8/16/1989 Consists of second pilot episode of The Dini Pety Show, consisting of Michele Russell, who had child at age of 13; Sharon Hart, a youth program coordinator at the YWCA; pediatrician Dr. Miriam Kaufman, video footage of Rosalie Hall a shelter and educational program for teenage mothers in Toronto, a video of the life of teen mother Samantha and interview with Corina Watford a streetkid who is now pregnant and living in a shelter. Includes numerous questions and The Dini Petty Show : Children Having 1 inch discussions from the Stereo 2010‐026 Pilot 02 Children [Pilot 02?] 1 videotape audience. 57:55:00 English audio Master tape. Consists of 9/5/1989 9/5/1989 episode featuring Dr Rhoda Glasberg, Dr Alan 1 inch Lye ‐ Marriage 2010‐026 1 The Dini Petty Show : Chemistry of Love [Episode 001?] 1 videotape Master Councellor. 57:55:00 English Master tape. Consists of 9/6/1989 9/6/1989 episode featuring Dr Mel The Dini Petty Show : Laughter Is the 1 inch Borins, Valerie Kalis ‐ 2010‐026 2 Best Medicine [Episode 002?] 1 videotape Master Humourist. -
Starlight Foundation Events
Foqndation CANADA THE STARLIGHT FOUNDATION CANADA/ LA FONDATION STARLIGHT April 12, 1991 Shirley Lang Brooke International S tudios Chum/City Building 151 John Street Suite # 505 Toronto, Ontario MlsY 2T2 Dear Shirley, help in the I am writing to extend thanks and orpresq my appreciation for your planning of our pariy at the Copa on March 7 ,1991' the total The event was a huge success. Over 700 people attended the party and amount raised was $7,000. The I cannot thank you enough for your help- in-making the.party such a success' greqty ract trral-yoo toor. [riri oot oi yo*"bury sihedole to-worli on our party is ;pp,,!d"'d-Uy oo. commitee. Most i*fonantly, you were always there to provide a-dvice whenever we needed it. Our comnritte is now in the proocss oi piaiining evenis for.the upcomiiig summgr encourage you and winiei months. If you have tirne to pop in on one of our meetings-we ai are confirmed. to do so. In the rn"untiirii i *itt t y6u informeO o,n any events .they ""p 'lhanl( you agam' I hope that we can work together on another event in the near tuture' tuSincerely, Aaron Silverberg ontario M2J 4V6 oNTARIO CHAPTER: 250 consumers Road, suite 206, Willowdale, No' 0816744-09 Phone: (416) 502-WlsH (g474) Fax: (41 6) 502-9477 charity gtduht fo.fndatiorr ( III ri\I CANADA IHE STARLIGt']T FOUNDAI ION 'rn'l"lr ION STABLIGI-1T --uie 13 , 19 9 0 Slr.:,r iey LanE Brooke International Studios L51 John Street Suite 505 Toronto, Ontario Ll5V 2T2 Dear ShirleY: what a f antastic party you put oir j-ast rveek I on behalf of the Starlight Foundation banada, I woulcl Irke to express my most sincere appreciation for alI your efforts, which paid off so I can weII upptetiate Lhe amount of time and effort handsomely. -
St.R5s MAP,CH
313 ext. 0067 598 (416) Associates & Feldman SL Mills, Richard Agent: Booking F THE FEATURING II MAP,CH sT.R5s 2- RPM - Monday March 10,1997 Virgin warms up to Lakefield, Ontario family nights, we'd show up at the farm, first thing you know someone would pull the fiddle out, then the LEAHY continued from page 3 The year of the Leahy television. Mom and dad started the ball rolling guitar, and we'd be playing till three in the morning not listen to fiddle music, it's ju; with a fiddle and a stepdance but the kids quickly some nights," he says. "It was a blast. And we happened. People would ask me so by Rod Gudino took over, occasioning impromptu jams at the decided why not take it to a bar?" listen to? And I would say nothing j Leahy household that took the party to the wee Chance and convenience brought them to the was always working and in school The family name is an important institution, house." especially when it bears the weight of the hours of the night. It is not entirely surprising to Windsor House in Toronto, where the Leahys (then whittled down to five for their first public outing) Music is the great love of th achievements of the collective. Perfect examples hear Donnell say that things "just happened." cast the proverbial magic spell over an audience despite the fact that the developme: are seen in the cases of the Kennedys, the Jacksons, "It got to the point on Friday and Saturday expecting just another bar band. -
MS Coll 00278
MS. KlLODNEY, (CRAD) COLL. Papers 278 26 boxes (5 metres) Drafts ofpublished and unpublished works, notes, correspondence, business records and correspondence, cassettes ofreadings, reprinted appearances, scrapbooks. MS. KILODNEY (CRAD) 2 COLL. 278 CHRONOLOGY 1948 Born at Jamaica, New York. 1968 B.S. in Astronomy from the University ofMichigan. 1978 Published Mental Cases. (New Orleans, La.). 1979 Founded Charnel House Press. Published World Under Anaesthesia. (Charnel House). 1980 Published GainfUlly Employed in Limbo. (Charnel House). Lightning Struck My Dick. (Virgo Press). 1981 Published Human Secrets, Book One. (Charnel House). 1982 Published Human Secrets, Book Two. Charnel House). Published Sex Slaves o/the Astra-Mutants. (Charnel House). 1983 Published Terminal Ward. (Charnel House). 1984 Published Bang Heads Here, Suffering Bastards. (Charnel House). Published The Orange Book. (Charnel House). Pork College. (Coach House Press). 1985 Published The Blue Book. (Charnel House). Published Cathy. (Charnel House). Published The Green Book. (Charnel House). Published The Scarlet Book. (Charnel House). 1986 Published Foul Pus From DeadDogs. (Charnel House). 1987 Edited Worst Canadian Stories. Volumes 1 and 2. (Charnel House). 1988 Published Excrement. (Charnel House). MS. KILODNEY (CRAD) 3 COLL. 278 CHRONOLOGY 1988 Published Nice Stories for Canadians. (Charnel House). Published I Chewed Mrs. Ewing's Raw Guts. (Charnel House). Malignant Humours: Selected Stories. (Black Moss Press). 1989 Published Blood-Sucking Monkeys from North Towanda. (Charnel House). Published The First Charnel House Anthology of Bad Poetry. (Charnel House). 1990 Girl on the Subway and Other Stories. (Black Moss Press). Published Junior Brain Tumors in Action. (Charnel House). 1991 Published Putrid Scum. 1992 Suburban Chicken Strangling Stories. (Charnel House) The Second Charnel House Anthology ofBad Poetry (Charnel House} MS.