Fantasy in Translation
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Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
ISSN: 2342-2009 Fafnir vol 2, iss 1, pages 29–30 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org A Book review: Andrzej Wicher, Piotr Spyra & Joanna Matyjaszczyk (eds.) – Basic Categories of Fantastic Literature Revisited. Markku SoikkeliSoikeli Andrzej Wicher, Piotr Spyra, and Joanna Matyjaszczyk (eds.). Basic Categories of Fantastic Literature Revisited. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. ISBN-13: 978-1443866798. A collection of academic articles is like a collection of short stories: the differences between articles (or stories) are more interesting than the thematic similarities. The free play of imagination is breaking even the genre rules, and that is exactly what makes the stories (or articles on genre texts) so interesting. This Polish-British collection Basic Categories of Fantastic Literature Revisited (2014) is aiming to rethink the concept of the fantastic as it is defined in the theory of Tzvetan Todorov. As stated in Todorov's Introduction à la littérature fantastique (1970), there are three modes of fiction outside the great barrier of mainstream literature: the marvellous (with recognizable supernatural elements), the uncanny (with explanations about exceptional things), and the fantastic (with ambivalent signs of the non-natural). Todorov's definition of the fantastic is usually considered to be more anachronistic than the texts that it is used for, but there still remains the mystery of readers’ pleasure in the kind of "Todorovian hesitation". And it is here where this Polish-British collection of twelve researchers steps in. According to the publisher's info-blurb, the articles are "unified by a highly theoretical focus." But is there anything "highly theoretical" in Todorov's legacy? It may be a valuable goal to rethink the usability of Todorov's view of the fantastic, but the articles in this collection consist of quite usual academic matter with emphasis on case studies. -
The Obdurate Eye #3 November 2018
The Obdurate Eye #3 November 2018 This month: Fandom Classic – all the lists I could make! Masthead Welcome to The Obdurate Eye #3, dated November 2018, a personalzine distributed by Garth Spencer at [email protected]. (I just realized I have been omitting my snailmail address, partly because Canada Post is threatening rotating postal strikes again. For what it’s worth, I can also be reached at 4240 Perry Street, Vancouver, BC, CANADA V5N 3X5.) This zine is available for contributions in the form of articles, letters, illustrations, or other zines in trade. Contents Editorial blather ...................................................................................................................................... 1 Letters of Comment................................................................................................................................. 2 Amateur Publishing Associations ............................................................................................................. 7 APAs 2018 ............................................................................................................................................... 7 Aurora Awards 2018 .............................................................................................................................. 10 Awards 2018 ......................................................................................................................................... 11 Conreport: VCON 42 ............................................................................................................................. -
Introduction
INTRODUCTION The wuxia film is the oldest genre in the Chinese cinema that has remained popular to the present day. Yet despite its longevity, its history has barely been told until fairly recently, as if there was some force denying that it ever existed. Indeed, the genre was as good as non-existent in China, its country of birth, for some fifty years, being proscribed over that time, while in Hong Kong, where it flowered, it was gen- erally derided by critics and largely neglected by film historians. In recent years, it has garnered a following not only among fans but serious scholars. David Bordwell, Zhang Zhen, David Desser and Leon Hunt have treated the wuxia film with the crit- ical respect that it deserves, addressing it in the contexts of larger studies of Hong Kong cinema (Bordwell), the Chinese cinema (Zhang), or the generic martial arts action film and the genre known as kung fu (Desser and Hunt).1 In China, Chen Mo and Jia Leilei have published specific histories, their books sharing the same title, ‘A History of the Chinese Wuxia Film’ , both issued in 2005.2 This book also offers a specific history of the wuxia film, the first in the English language to do so. It covers the evolution and expansion of the genre from its beginnings in the early Chinese cinema based in Shanghai to its transposition to the film industries in Hong Kong and Taiwan and its eventual shift back to the Mainland in its present phase of development. Subject and Terminology Before beginning this history, it is necessary first to settle the question ofterminology , in the process of which, the characteristics of the genre will also be outlined. -
Weird Detectives: Recent Investigations Free Ebook
FREEWEIRD DETECTIVES: RECENT INVESTIGATIONS EBOOK Paula Guran,Neil Gaiman,Simon R. Green,Charlaine Harris,Caitlin R. Kiernan,Joe R. Lansdale,Carrie Vaughn | 480 pages | 03 Apr 2013 | Prime Books | 9781607013846 | English | United States Weird Detectives: Recent Investigations Apr 3, Weird Detectives: Recent Investigations by Neil Gaiman, , available at Book Depository with free delivery worldwide. Weird Detectives: Recent Investigations [Neil Gaiman, Caitlin R. Kiernan, Paula Guran, Simon R. Green, Charlaine Harris, Joe R. Lansdale] on Sep 10, Sherlock Holmes – No list about the best fictional detectives will ever be Known for his 'holistic' approach to investigations, Dirk uses this to justify his is one of the most famous and prolific figures in recent detective fiction. Occult Detective Fiction Weird Detectives: Recent Investigations Paranormal investigators. Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and. Discover the best Occult Detective Fiction books and audiobooks. Learn from Occult Detective Weird Detectives: Recent Investigations. AuthorPaula Guran. Apr 3, Weird Detectives: Recent Investigations by Neil Gaiman, , available at Book Depository with free delivery worldwide. Occult detective fiction Weird Detectives: Recent Investigations Paranormal investigators. Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and. Weird Detectives book. Read 79 reviews from the world's largest community for readers. Paranormal investigators. Occult detectives. Ghost hunters. Monste. Discover the best Occult Detective Fiction books and audiobooks. Learn from Occult Detective Weird Detectives: Recent Investigations. AuthorPaula Guran. 30 Best Fictional Detectives Sword and sorcery · Tokusatsu · Urban fantasy · Weird fiction · Weird West · Wuxia · Fandom · Harry Potter fandom · Tolkien fandom. Categories. Fantasy · Awards · Subgenres · Television · Tropes · Portal · v · t · e. -
Shonen - Eric Minh Cuong Castaing
KAIJU SHONEN - ERIC MINH CUONG CASTAING Danse urbaine, théâtre contemporain, arts numériques KAIJU littéralement “Bête étrange” ou “bête mystérieuse” est un terme japonais pour désigner les monstres géants des films japonais. Dans un dispositif de réalité augmentée, un danseur hip hop, un graphiste de dessin animé et un plasticien tentent de manipuler les images d’aujourd’hui qui nous habi- tent, qui nous transforment. Kaiju pose la question de l’enfance éternelle : Dans la société du divertissement et de l’hyper-actualité, quel monstre d’égo et d’irrésolu grandit en nous ? durée : 65 min Une production de Shonen en coproduction avec le CCN de La Rochelle, Initiatives d’Artistes en Danses Urbaines (Fondation de France, Parc de La Villette avec le soutien de la Caisse des Dépôts et Consignations et de l’Acsè), CCN de Créteil, [Ars] numerica, Centre Européen pour la création numérique à Montbéliard, Le Cube - Centre de création numérique à Issy- les-Moulineaux, le Théâtre de L’ Archipel - Scène Conventionnée de Perpignan. Avec l’aide à la création chorégraphique de la DRAC Ile de France, du dispositif pour la créa- tion artistique multimédia (DICREAM) - Centre National du Cinéma et de l’image animée, aide à la maquette et à la production et l’aide ADAMI et de la SPEDIDAM. KAIJU à reçu le prix Danse / nouvelle technologie de l’Office Franco -Québécois de la Jeu- nesse lors de la compétition internationale du festival Bains Numériques en juin 2010 et la bourse numérique Lagardère 2010. Direction, chorégraphie et interprétation Eric Minh Cuong Castaing assisté de Gaétan Brun- Picard / interprétation et chorégraphie Salomon Baneck-Asaro / scénographie et interpréta- tion Grégoire Faucheux / dramaturgie Céleste Germe / graphisme Pierre Thirion / concep- tion vidéo Pierre Gufflet / musique Naun / lumière Sébastien Lefèvre / costumes Emilie Carpentier / administration Aurélien Guillois (bureau FormART) “Si vous voulez interpréter une fleur, vous pouvez la mimer, elle sera la fleur de tout le monde, banale, sans intérêt. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
Universidade Federal De Santa Catarina Pós
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE Dissertação Submetida à Universidade Federal de Santa Catarina em cumprimento dos requisitos para obtenção do grau de MESTRE EM LETRAS Florianópolis Fevereiro, 2003 My heart gave a sudden leap of unholy glee, and pounded against my ribs with demoniacal force as if to free itself from the confining walls of my frail frame. H. P. Lovecraft Acknowledgments: The elaboration of this thesis would not have been possible without the support and collaboration of my supervisor, Dra. Anelise Reich Courseil and the patience of my family and friends, who stood by me in the process of writing and revising the text. I am grateful to CAPES for the scholarship received. ABSTRACT WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE UNIVERSIDADE FEDERAL DE SANTA CATARINA 2003 Supervisor: Dra. Anelise Reich Corseuil The objective of this thesis is to verify if the concept of weird fiction can be classified not only as a sub-genre of the horror literary genre, but if it constitutes a genre of its own. Along this study, I briefly present the theoretical background on genre theory, the horror genre, weird fiction, and a review of criticism on Lovecraft’s works. I also expose Lovecraft’s letters and ideas, expecting to show the working behind his aesthetic theory on weird fiction. The theoretical framework used in this thesis reflects some of the most relevant theories on genre study. -
NVS 3-1-5 M-Perschon
Steam Wars Mike Perschon (Grant MacEwan University/University of Alberta, Canada) Abstract: While steampunk continues to defy definition, this article seeks to identify a coherent understanding of steampunk as an aesthetic. By comparing and contrasting well-known cultural icons of George Lucas’s Star Wars with their steampunk counterparts, insightful features of the steampunk aesthetic are suggested. This article engages in a close reading of individual artworks by digital artists who took part in a challenge issued on the forums of CGSociety (Computer Graphics Society) to apply a steampunk style to the Star Wars universe. The article focuses on three aspects of the steampunk aesthetic as revealed by this evidentiary approach: technofantasy, a nostalgic interpretation of imagined history, and a willingness to break nineteenth century gender roles and allow women to act as steampunk heroes. Keywords: CGSociety (Computer Graphics Society), digital art, gender roles, George Lucas, Orientalism, Star Wars , steampunk, technofantasy, visual aesthetic ***** It has been over twenty years since K.W. Jeter inadvertently coined the term ‘steampunk’ in a letter to Locus magazine in 1987. Jeter jokingly qualified the neo-Victorian writings he, James P. Blaylock, and Tim Powers were producing with the ‘-punk’ appendix, playing off the 1980s popularity of cyberpunk. Ironically the term stuck, both as descriptor for nearly every neo-Victorian work of speculative fiction since Jeter’s Infernal Devices (1987), while retroactively subsuming works such as Keith Roberts’s Pavane (1968), Michael Moorcock’s The Warlord of the Air (1971) , the 1960s television series Wild, Wild West (1965-1969, created by Michael Garrison), and even the writings of H.G. -
Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard’S “Monument Aux Marges”: L’Oiseau De Feu
Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard’s “Monument aux marges”: L’Oiseau de feu Amy J. Ransom xcitement over what appeared to be a monument of la sci- ence-fiction québécoise (SFQ) in the making accompanied the release of L’oiseau de feu-1. Les années d’apprentissage (1989), Ethe first volume of a new series by Jacques Brossard. Its author swept Canada’s awards for genre literature in 1990, receiving the Casper (now the Aurora Prize) for best work in French, as well as Québec’s Prix Boréal, and the Grand Prix de la science-fiction et du fantastique québé- cois. At the time, Claude Janelle asserted in L’année de la science-fiction et du fantastique québécois 1989 that “Il s’agit certainement du projet le plus ambitieux de l’histoire de la SF québécoise et qui pourrait devenir, au terme de l’entreprise, un véritable monument” (41; emphasis added).1 A decade after the publication of the series’ last volume in 1997, this essay examines the question implied in Janelle’s use of the conditional: has L’oiseau de feu realized the potential that critics saw in it when it first appeared? On the one hand, its author has been canonized by Québec’s science- fiction and fantasy community with the recent renaming of the Grand Prix de la Science-fiction et du fantastique québécois as the Prix Jacques Brossard. Academic and literary critic Michel Lord describes Brossard as one of five “incontournables” writers of science fiction in Québec (with Daniel Sernine, Esther Rochon, Élisabeth Vonarburg, and Jean-Pierre April) (“Feu roulant” 159). -
Science, Religion, and the Novels of Magic/Superstition in Contemporary China
Article Xiuzhen (Immortality Cultivation) Fantasy: Science, Religion, and the Novels of Magic/Superstition in Contemporary China Zhange Ni Department of Religion and Culture, Virginia Polytechnic Institute and State University, Blacksburg, VA 24061, USA; [email protected] Received: 11 October 2019; Accepted: 22 December 2019; Published: 2 January 2020 Abstract: In early twenty-first-century China, online fantasy is one of the most popular literary genres. This article studies a subgenre of Chinese fantasy named xiuzhen 修真 (immortality cultivation), which draws on Daoist alchemy in particular and Chinese religion and culture in general, especially that which was negatively labelled “superstitious” in the twentieth century, to tell exciting adventure stories. Xiuzhen fantasy is indebted to wuxia xiaoshuo 武俠小說 (martial arts novels), the first emergence of Chinese fantasy in the early twentieth century after the translation of the modern Western discourses of science, religion, and superstition. Although martial arts fiction was suppressed by the modernizing nation-state because it contained the unwanted elements of magic and supernaturalism, its reemergence in the late twentieth century paved the way for the rise of its successor, xiuzhen fantasy. As a type of magical arts fiction, xiuzhen reinvents Daoist alchemy and other “superstitious” practices to build a cultivation world which does not escape but engages with the dazzling reality of digital technology, neoliberal governance, and global capitalism. In this fantastic world, the divide of magic and science breaks down; religion, defined not by faith but embodied practice, serves as the organizing center of society, economy, and politics. Moreover, the subject of martial arts fiction that challenged the sovereignty of the nation-state has evolved into the neoliberal homo economicus and its non-/anti-capitalist alternatives. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Frankenstein; Or, the Modern Prometheus
KICK Students’ magazine Publisher University of Osijek Faculty of Humanities and Social Sciences Publisher address Lorenza Jägera 9 31000 Osijek Language editing Ljubica Matek Editors Ljubica Matek Juraj Gerovac Vanessa Kupina Zvonimir Prtenjača Tomislav Berbić Proofreading Ljubica Matek Juraj Gerovac Zvonimir Prtenjača Tomislav Berbić Vanessa Kupina Cover design Ena Vladika ISSN 2623-9558 Br. 2, 2019. Printed by Krešendo, Osijek Printing run 100 copies The magazine is published twice a year. The magazine was published with the support of the Faculty of Humanities and Social Sciences Osijek. Contents EDITORIAL ...................................................................................................... V Dr. Ljubica Matek, Assistant Professor Hope as the Main Driving Force of Humanity in the Grimdark Universe of Warhammer 40,000 ................................................. 7 Marcel Moser A New Approach to Religion in the Fantasy Genre .................................13 Juraj Gerovac A Capitalist Future in The Time Machine: A Social Statement and the Representation of the Bourgeois and the Proletariat ................21 Robert Đujić Voldemort or Grindelwald: Who Takes Place as the Number One Villain? ......................................................................................................27 Maligec Nikolina Man is not Truly Two, but Three: Psychoanalytical Approach to Personalities in The Strange Case of Dr Jekyll and Mr Hyde ..............35 Katarina Stojković Nature vs. Nurture in the Case of the Monster in