DOCSLIB.ORG

15/1/15 Slagg Brothers Rhythm & Blues, Soul

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
15/1/15 Slagg Brothers Rhythm & Blues, Soul 15/1/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show (I Got) So Much Trouble In My Sir Joe Quarterman & Free Joe Quarterman, from Washington D.C, earned the title "Sir" in high school. From 3:13 Mind Soul 1973, their biggest hit. Backslop 2:33 Baby Earl & The Trinidads Reached no. 2 in 1969, composed by vocalist and lead guitarist Peter Green. Has Oh Well, Pt.1 3:30 Fleetwood Mac been viewed by some critics as one of the early crossovers between blues rock and heavy metal. June 1966. Within a month he was found dead in his car, covered in blood and also Magic Touch 2:51 The Bobby Fuller Four petrol and the resultant autopsy found his stomach was filled with petrol too. From Swindon, led by songwriters Andy Partridge and Colin Moulding and active King For A Day 3:37 XTC between 1976 and 2005. Reached no. 82 in 1989, from Oranges & Lemons, their eleventh studio album From Mansfield, Nottinghamshire. This reached No. 61 in 1981 and was their biggest Remembrance Day 4:05 B-Movie UK commercial success 1985. Led by the mononymous Lawrence. The band's name was inspired by Tom Primitive Painters 6:00 Felt Verlaine's emphasis of the word "felt" in the Television song "Venus". Cited as an influence on Belle & Sebastian, The Charlatans as well as Manic Street Preachers. An American country rock band formed in 1982 by guitarist Ryan Hedgecock and I Found Love 4:21 Lone Justice singer Maria McKee, disbanded after 2 albums in 1986. From the album Shelter, 1986. Shortly after this release, McKee broke up the band went on to a solo career. Johnny & The Self-Abusers, founded on the South Side of Glasgow in 1977. I Travel 4:05 Simple Minds 1980, Empires and Dance First released as a single with the band Arnold Corns. A re-recorded version, Moonage Daydream 4:41 David Bowie featuring Bowie and his backing band The Spiders from Mars, was released in 1972 on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Out of the Blue 4:48 Roxy Music 1974, from Country Life, their fourth album. From The Lexicon of Love, their debut album, 1982. Produced by Trevor Horn and Date Stamp 3:52 ABC features orchestrations by Anne Dudley. NME listed it number 15 on it’s list of 50 best albums of the 80s. Formed in Dundee in 1976. Biggest success was in 1982 with the Top 10 album Sulk Club Country 4:50 Associates and UK Top 20 singles "Party Fears Two" and this. 1981, one hit wonders. Written by Barbara Gogan (singer) about Steve Connelly, a I'm In Love With A German 3:59 The Passions one-time roadie for The Clash and Sex Pistols and who had minor roles in several Filmstar German films. Reached no 6 in 1976, taken from the album Deceptive Bends. This was the first The Things We Do For Love 3:32 10cc album since the departure of Kevin Godley and Lol Creme to form Godley & Creme. The Revolution Will Not Be 1971. The song's title was originally a popular slogan among the 1960s Black Power 3:02 Gil Scott-Heron Televised movements in the US. Jonathan Scott Watson (known as Smoove) and John Turrell from North East Beggarman 4:25 Smoove + Turrell England. From Antique Soul, their debut album from 2011. Take My Love With You 3:31 Eli 'Paperboy' Reed Born Eli Husock in 1983, Boston, Massachusetts. From Roll with You, 2008. Boogie On Reggae Woman 4:56 Stevie Wonder From Fulfillingness' First Finale, 1974; one of the albums from his "classic period". Everybody's Free To Wear 5:03 Baz Luhrmann Sunscreen Just Ask Me 2:14 Lenis Guess A leading exponent of “The Norfolk Soul Sound“ Twelve-bar blues from 1959 album Mingus Ah Um, rated 5 stars in The Penguin Guide Boogie Stop Shuffle 5:03 Charles Mingus to Jazz.
Load more

Recommended publications
  • Resolution May/June 08 V7.4.Indd
    craft Horn and Downes briefl y joined legendary prog- rock band Yes, before Trevor quit to pursue his career as a producer. Dollar and ABC won him chart success, with ABC’s The Lexicon Of Love giving the producer his fi rst UK No.1 album. He produced Malcolm McLaren and introduced the hitherto-underground world of scratching and rapping to a wider audience, then went on to produce Yes’ biggest chart success ever with the classic Owner Of A Lonely Heart from the album 90125 — No.1 in the US Hot 100. Horn and his production team of arranger Anne Dudley, engineer Gary Langan and programmer JJ Jeczalik morphed into electronic group Art Of Noise, recording startlingly unusual-sounding songs like Beat Box and Close To The Edit. In 1984 Trevor pulled all these elements together when he produced the epic album Welcome To The Pleasuredome for Liverpudlian bad-boys Frankie Goes To Hollywood. When Trevor met his wife, Jill Sinclair, her brother John ran a studio called Sarm. Horn worked there for several years, the couple later bought the Island Records-owned Basing Street Studios complex and renamed it Sarm West. They started the ZTT imprint, to which many of his artists such as FGTH were signed, and the pair eventually owned the whole gamut of production process: four recording facilities, rehearsal and rental companies, a publisher (Perfect Songs), engineer and producer management and record label. A complete Horn discography would fi ll the pages of Resolution dedicated to this interview, but other artists Trevor has produced include Grace Jones, Propaganda, Pet Shop Boys, Band Aid, Cher, Godley and Creme, Paul McCartney, Tina Turner, Tom Jones, Rod Stewart, David Coverdale, Simple Minds, Spandau Ballet, Eros Ramazzotti, Mike Oldfi eld, Marc Almond, Charlotte Church, t.A.T.u, LeAnn Rimes, Lisa Stansfi eld, Belle & Sebastian and Seal.
    [Show full text]
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • Recommendations
    Recommendations - Top 50 Essential Albums of the 80s ARTIST ALBUM 1927 ….ish ABC The Lexicon of Love AC/DC Back in Black Angels Dark Room Australian Crawl The Boys Light Up Australian Crawl Sirocco Billy Idol Whiplash Smile Billy Idol Rebel Yell Bon Jovi Slippery When Wet Bruce Springsteen The River Bruce Springsteen Born In The USA Cold Chisel East Cold Chisel Circus Animals Crowded House Crowded House Crowded House Temple Of Low Men Culture Club Colour By Numbers Cyndi Lauper She's So Unusual Daryl Braithwaite Edge David Bowie Let's Dance Def Leppard Hysteria Diana Ross Diana Dire Straits Brothers In Arms Divinyls What A Life Don Henley Building The Perfect Beast Duran Duran Rio Elton John Too Low For Zero Eurythmics Revenge Eurythmics Be Yourself Tonight Fine Young Cannibals The Raw & The Cooked Fleetwood Mac Tango In The Night Flowers Icehouse Frankie Goes To Hollywood Welcome To The Pleasuredome George Michael Faith Guns n' Roses Appetite For Destruction Hoodoo Gurus Blow Your Cool Hoodoo Gurus Mars Needs Guitars Hunters & Collectors Human Frailty Icehouse Man Of Colours Icehouse Primitive Man INXS Kick INXS The Swing INXS Listen Like Thieves Jimmy Barnes Freight Train Heart Jimmy Barnes For The Working Class Man John Farnham Whispering Jack John Farnham Age Of Reason John Lennon Double Fantasy John Mellencamp Scarecrow John Mellencamp Lonesome Jubilee John Mellencamp American Fool Johnny Diesel Johnny Diesel & The Injectors Kate Bush Hounds of Love Kylie Minogue Kylie Lionel Richie Can't Slow Down Madonna Like A Virgin Madonna True
    [Show full text]
  • Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
    COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.
    [Show full text]
  • A Conversation with Andy Partridge by Frank Goodman (11/2006/Puremusic.Com)
    A Conversation with Andy Partridge by Frank Goodman (11/2006/Puremusic.com) Although their notoriety seems not to have popped up on everyone's radar, those of us lucky enough to count XTC as one of our bands seem to agree that they were one of the most musical and important acts of the eighties. Their post punk roots, their pop soul that time brought to bear, and their fierce originality generated a repertoire of song unlike any other in rock history. They had their influences, but processed them uniquely. They are known for their reluctance to break the small town ties of their origin in Swindon, an English railroad town whose "magic roundabout" may be a dubious claim to fame, especially since it brought us not only XTC, but Gilbert O'Sullivan and jazz sensation Jamie Cullum. (However, you get can a magic roundabout t-shit at swindonweb.com/life/lifemagi0.htm.) In fact, their view of the world is seen so keenly through the looking glass that is Swindon, they are to pop music what small town sleuth Miss Jane Marple is to mystery. She rarely needed to go outside the hedgerows of St. Mary Mead to solve the most enigmatic of murders, or to simply find examples of the many dark cupboards of the human condition. Although drummer Terry Chambers and especially guitarist and keyboardist Dave Gregory made long-standing contributions that are forever a part of XTC's colorful history, the songwriters and nucleus of the band are bassist Colin Moulding and guitarist Andy Partridge. Although undeniably, many of the greatest and most successful songs belong to Moulding, Partridge is by far the moreprolific as well as infamous, being by turns more high-energy and socially withdrawn.
    [Show full text]
  • Utopia's 'Utopia' on Stage Page 11 Page 12 the Fourth Estate: Editorial M Bad Reputation
    0 urs, Oct. 14 / .i~ The Great ~:~' ~' Pie Lick Polity Executive Page 6 Director Resigns Billy Idol Page 3 Pac Man Fever Page 3 Utopia's 'Utopia' On Stage Page 11 Page 12 The Fourth Estate: Editorial m Bad Reputation In 1968, a drug raid occurred at Stony Brook Tightens Its Behavior Code". This article, which tation of the student body, could not have been which resulted in 29 student arrests. Suffolk extensively quotes John Marburger has, in its more damaging to the communication between County police officers came into the dorms opening paragraph, the assertion that students students and the administration. Let's hope swiftly and silently during the night and de- want to smoke pot in public places, serve alco- that President Marburger, who was hailed as a scended upon all residing there with such speed hol to minors, and throw parties in total dis- "grand visionary" when he first arrived, will 'and surprise that nobody could do much to stop regard of University curfews. All these state- be able to see the shortcomings of the present them. This occurence 14 years ago made big ments could not be farther from the truth. The Residence Life policies and avoid the con- headlines in all of the New York newspapers present student actions, including the rally in sequences of this current rash action, which and television networks, giving Stony Brook the the Administration Building were not concerned will only result in more bad press and a worse re- reputation of a "drug school", which it still with these elements of the Residence Life putation for Stony Brook by opening a channel carries to today.
    [Show full text]
  • National Album Day 2020 Celebrates Eighties Theme with Announcement of Additional Ambassadors & Album Releases
    EMBARGOED UNTIL 00.01, TUESDAY 8TH SEPTEMBER National Album Day 2020 celebrates Eighties theme with announcement of additional ambassadors & album releases Carol Decker, Jazzie B, Kim & Marty Wilde, Martin Fry, Ward Thomas (exclusive live stream performance also announced) Special re-issues, picture discs and coloured vinyl set for release for National Album Day from artists including: Sade, Iron Maiden, The Specials, Ultravox, Cyndi Lauper, Phil Collins, New Kids On The Block + soundtracks for Top Gun and Footloose Tuesday 8th September – As previously announced last month, National Album Day will return for its third edition on Saturday 10 October - and today reveals a second wave of artist ambassadors who will be championing their love for the album between now and the day itself. Joining the already announced Billy Ocean, Blossoms, La Roux, Psychedelic Furs and Toyah Willcox are T’Pau vocalist and musician Carol Decker, DJ, producer and founder of Soul II Soul Jazzie B, ABC founder and frontman Martin Fry, iconic pop father and daughter Kim & Marty Wilde, and country-pop twin sisters Ward Thomas - who will be marking National Album Day and the release of their brand new album Invitation with an exclusive global live stream headline performance from London's historic Theatre Royal Haymarket on 10th October, featuring a cover of an 80s song in keeping with the theme! Carol Decker, one of the archetypal female pop voices of the 80s said: “I know that streaming is really easy & convenient, and I too like to quickly dip into a single I just heard on the radio, but when an artist puts an album together they are creating a narrative for their work.
    [Show full text]
  • Smash Hits Volume 63
    35pUSA$l75 April 30 -May 13 1981 GIRLSCHOOL PAULWEILER THE FALL GET ENOUGH THE BANDS PlAY pRYNUMAN^ ADAM ECHO & THE B TEARDROP EX gjGS^ Vol. 3 No. 9 GREY DAY ON STIFF RECORDS THE LARCHES" lay bathed in the warm afternoon sunshine. Peregrine vas on the verandah, sipping a cool drink and dangling his toes in the When I get home it's late at night yping pool. Looking up from the Adam And The Ants colour portrait he I'm black and bloody from my life vatched a butterfly flit lazily from page to page, alighting briefly on the I haven't time to clean my hands ulian Cope feature before shooting off to inspect the Gary Numan Cuts will only sting me through my dreams entrespread. Somewhere in the distance he could hear the Head jardener whistling as he ran a heavy roller over the last part of The Jam It's well past midnight as I lie eries. In a semi-conscious state The only other sound to pierce the drowsy calm came from the back I dream of people fighting me age, where Samantha and Roderick were playing tennis on the Echo And Without any reason I can see he Bunnymen pin-up. Having completed his inspection of The Fall eature. Peregrine yawned and stretched. As Victoria began to rub the Chorus lirst of the tanning lotion into his back, he licked the end of his pencil and In the morning I awake Hon. ifl My arm* my lags my body aches The sky outside is wet and gray So begins another weary day GREY DAY Ma So begins another weary day CROCODILESJflio And Thj Builnymen After eating I go out KEEP OJpfvING YOU REO Speedwagon...|kga....8 People passing by ma shout this IT'SJPNG TO HAPPEN The Undertones....^A,9 I can't stand agony Why don't they talk to ma 1AGNIFICENT FIVE Adam And The Ants 15 the park I have to rest WIUDA TRIANGLE Barry Manilow.......
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Listen to the New Albumns from Lone Justice And
    _lI PAGE 10 The Tech FRIDAY, APRIL 10, 1987 1I~*L~l~a~L~~pa~s~s~~_~r Is~, -Rs--~---ql II~ -- ,81 bBLs·II[[ no~·-_-- R T S _ -iLl _ .-. · ~~A.. I---C III-- L -~~~~~~~~~~~~, -- , ,- .....- e I m _ r- p~-L-Ie d·I n. '·F- 'I Listen to the new albumns from Lone Justice and XTC SHELTER -Cvgf ADVIR^I 7 YLtTLAKIN U Lone C p-- Justice Pc--,c-eeeeeeeeeeeeeeee -c p _ a XTCOn G..ie. R d- On Geffen Records. On Geffen Records. By JULIAN WEST By JULIAN WEST WINDON, ENGLAND is an odd place HE FIRST I HEARD Off the new LP for a pop band to come from, and by Lone Justice was the title a stranger place still to wish to track, "Shelter." I liked it imme- stay. Take my word for it. Perhaps diately. It was catchy and seemed it is because XTC chose not to abandon to have something to say. It also sounded a their home base that they never quite hit little different from the general run of Top the top of the charts, especially in North 40 hits, for reasons mostly - but not America. quite entirely - to do with Maria McKee's Their new album, "Skylarking," could voice. She has a distinctive deepish voice well explode this theory. It rises to the level with a trace of an accent, and sounds of their earlier material, which has earned agreeably like a clear-voiced version of them critical acclaim and a devoted fol- Stevie Nicks.
    [Show full text]
  • Plusdigitale
    ilDizionario Il Dizionario del Pop-Rock 2015 su carta, aggiornato delPop-Rock ilDizionario al 2014, esamina e descrive la produzione di oltre 2300 artisti o gruppi per un totale di oltre 35 000 album, 2015 il delPop-Rock a partire dagli anni ’50. Di ogni artista dà una breve Dizionario introduzione biogra ca. Di tutti gli album, organizzati OLTRE 2300 ARTISTI 2015 in ordine cronologico, vengono forniti anche l’anno di produzione, la casa discogra ca e una valutazione E 35 000 DISCHI OLTRE 2300 ARTISTI espressa sinteticamente in stellette (da 1 a 5). di Enzo Gentile e Alberto Tonti E 35 000 DISCHI I generi presi in considerazione spaziano dal blues al delPop-Rock country, dal folk al punk e al rap, dal soul al rhythm and di Enzo Gentile e Alberto Tonti blues, dal reggae allo ska, dalla musica etnica a quella d’avanguardia, dalla musica techno alla musica leggera più convenzionale, senza tralasciare i maggiori artisti della musica francese e brasiliana. 2015 Il Dizionario del Pop-Rock PlusDigitale è aggiornato PlusDigitale a luglio 2015 PlusDigitale OLTRE 2300 ARTISTI • consultazione online Oltre alla revisione di oltre 2000 schede, sono stati aggiunti: • consultazione online E 35 000 DISCHI • versione scaricabile • 50 nuovi artisti • versione scaricabile • 800 nuovi album di Enzo Gentile Per accedere alla versione scaricabile e alla consultazione e Alberto Tonti online 2016 Collegarsi a Internet, andare sul sito dizionari.zanichelli.it 2016 e seguire le istruzioni. Sarà richiesto il codice di attivazione scritto in verticale sul bollino argentato SIAE all’interno del libro. Bisogna avere un indirizzo email per la registrazione.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) British Graffiti (These are excerpts from my book "A History of Rock and Dance Music") Pub-rock 1976-79 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. America had the garages, the basements, the small suburban clubs. Britain had the pubs. Britain's renaissance originated from the musicians who had been playing rhythm and blues and rockabilly in the pubs. The story was not all too different from what happened in the Sixties, when blues clubs kept alive the flame that the "teen idols" and Merseybeat almost killed. In the Seventies something similar happened again. While the charts were ruled by decadent stars like David Bowie and countless mainstream pop singers, the clubs were staging rhythm and blues amateurs who were playing far more exciting music. Punk-rock changed the face of the industry and, indirectly, helped these musicians get out of the pubs. From the punk civilization there emerged a new kind of singer-songwriter, solidly anchored to the roots of rock'n'roll and aware of social issues. Dave Edmunds, Nick Lowe, Graham Parker, Joe Jackson, Elvis Costello, and Tom Robinson, not to mention the demented Ian Dury and the even more demented Wreckless Eric, were the bards who launched a more sincere and vibrant approach to rock and roll.
    [Show full text]