September 2018 Issue V
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Innovation Economy Azerbaijan
1 Development of a Knowledge-Based and Innovative Economy in Azerbaijan –– Evaluation and Recommendation Document Innovation Economy Azerbaijan Focus on ICT UNDP 2 This document has been prepared by the United Nations Development Programme (UNDP) in Azerbaijan We wish to express our appreciation to the many persons who performed background research for this document, and to the many persons in Azerbaijan who gave the ir time for interviews. 3 Table of Contents List of Abbreviations ................................................................................................................... 6 Executive summary ..................................................................................................................... 8 Defining a National Innovation System ....................................................................................... 9 The Challenges of National Innovation ................................................................................................. 10 The Landscape of Azerbaijan’s Economy .................................................................................. 10 Structural Characteristics of the Economy in Azerbaijan...................................................................... 11 Institutional Characteristics of Azerbaijan’s National Innovation System .................................. 12 Demographics ....................................................................................................................................... 12 Role of Petroleum ................................................................................................................................ -
Azerbaijan's Journey Through Jazz
Art 40 www.irs-az.com 43, SPRING 2020 Ian PEART Saadat IBRAHIMOVA Azerbaijan’s journey through jazz - Another Sarabski Milestone - www.irs-az.com 41 Art Outstanding Azerbaijani composer Uzeyir Hajibeyov istory, geography and character have Azerbaijani was finally persuaded to take on the role of Leyli. As for people ideally placed to enrich their own cul- Majnun, the role proved to be the springboard for the Hture with the best of the many others that pass long and distinguished career of Huseyngulu Sarabski. this way. Cultural exchange was a feature of the ancient An operatic tenor, Sarabski was equally proficient at Silk Road and is likely to continue as the current Belt and singing mugham and in 1926 was a soloist with the Road Initiative progresses. This has been no one-way Eastern Orchestra entrancing Moscow audiences with process; spot the carpets from this region that found traditional songs and music1. Remember that family their way into Renaissance paintings. And over the last name, its reappearance 83 years later forms the second hundred years or so, Azerbaijan has made remarkable part of this story. contributions to cross-cultural exchanges of music. As if Uzeyir bey did not do enough in introducing Musical pioneer opera, promoting local culture and women’s eman- On 12 January 1908, an opera was staged in a Baku cipation among other more liberal social values in his theatre. Composed by the 22-year-old Uzeyir Hajibeyov, theatrical works, he was also instrumental in the found- it was the first opera in the Muslim East; the first to fea- ing of the Azerbaijan State Conservatoire in 1920 (since ture traditional Azerbaijani folk instruments alongside 1991 the Baku Academy of Music). -
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572666 bk Azerbaijan EU_572666 bk Azerbaijan EU 28/07/2011 11:01 Page 1 Murad Adigezalzade Royal Philharmonic Orchestra Murad Adigezalzade was born in 1973 in Baku and in 1980 entered the Bulbul Acknowledged as one of Britain’s most prestigious orchestras, the Royal AZERBAIJANI Secondary Special Music School. In 1991 he entered the Uzeir Gadjibeyli Baku Philharmonic Orchestra enjoys an international reputation for bringing State Music Academy and in 1996 won first prize in the National Pianists’ audiences worldwide first-class performances and the highest possible Competition, winning the titles of Best Pianist of the Year and Best Musician of the standards of music-making across a diverse range of musical repertoire. PIANO CONCERTOS Year. After graduating, he entered the Munich Musikhochschule completing his Since its formation, the orchestra has been directed by some of the world’s studies there in 1998 and embarking on postgraduate studies at the Tchaikovsky finest conductors, continuing with current Artistic Director and Principal Conservatory in Moscow. Since 2004 he has been a soloist of the Moscow State Conductor, Charles Dutoit. The Royal Philharmonic Orchestra is resident Amirov/Nazirova • Adigezalov Academic Philharmonic. In 2005 he was made Honoured Artist of the Azerbaijan at London’s Cadogan Hall, performs regularly at the Royal Albert Hall Photo: Robert Taylor Republic, and in 2007 received the Presidential award. In addition to concert and gives a prestigious series of concerts each year at Southbank Centre’s Guliyev • Badalbeyli activity that has taken him to Turkey and elsewhere, he is piano professor at the Royal Festival Hall. The orchestra is committed to offering an extensive British regional touring programme and has Baku Musical Academy. -
Statesmen and Public-Political Figures
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CONTENTS STATESMEN, PUBLIC AND POLITICAL FIGURES ........................................................... 4 ALIYEV HEYDAR ..................................................................................................................... 4 ALIYEV ILHAM ........................................................................................................................ 6 MEHRIBAN ALIYEVA ............................................................................................................. 8 ALIYEV AZIZ ............................................................................................................................ 9 AKHUNDOV VALI ................................................................................................................. 10 ELCHIBEY ABULFAZ ............................................................................................................ 11 HUSEINGULU KHAN KADJAR ............................................................................................ 12 IBRAHIM-KHALIL KHAN ..................................................................................................... 13 KHOYSKI FATALI KHAN ..................................................................................................... 14 KHIABANI MOHAMMAD ..................................................................................................... 15 MEHDİYEV RAMİZ ............................................................................................................... -
The Piano Music of Azerbaijan: National and Cross- Cultural Influences on Contemporary Performance Practices
City Research Online City, University of London Institutional Repository Citation: Mirzayeva, G. (2020). The piano music of Azerbaijan: national and cross- cultural influences on contemporary performance practices. (Unpublished Doctoral thesis, Guildhall School of Music and Drama) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25377/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Piano Music of Azerbaijan: National and Cross- Cultural Influences on Contemporary Performance Practices A thesis submitted to Guildhall School of Music & Drama for the degree of DMus in the Department of Research January 2020 Gunel Mirzayeva Table of Contents Table of Contents ii List of Figures and Maps vii Abstract ix Acknowledgments x Abbreviations and Notes on Transliteration -
Mapping of the Culture Sector Governance System in the Republic
Twinning Project AZ/15/ENP/OT/35 Support to the Ministry of Culture and Tourism of the Republic of Azerbaijan for the modernization of its policy and management system in the culture sector ACTIVITY 1.2 MAPPING OF THE CULTURE SECTOR GOVERNANCE SYSTEM IN THE REPUBLIC OF AZERBAIJAN Rapporteurs: Michela Diodato | Elisa Petrucci August 2016 Table of Contents Methodological introduction ...................................................................................................... 4 Milli Mejlis "Culture Committee" - an introductory meeting ................................................... 8 Ministry of Culture and Tourism ............................................................................................. 10 Method employed ................................................................................................................ 10 Analysed departments – detailed description ...................................................................... 12 Arts department ................................................................................................................ 12 Tourism Department ........................................................................................................ 16 Science, Education and Youth Affairs Department ......................................................... 21 Book circulation and work with publishing houses department ...................................... 25 Investment and property management department .......................................................... 28 -
Kristina Lillemets: "LOLA Demonstrates Us That Technology
AZ EN RU AZERBAIJAN NATIONAL ACADEMY OF SCIENCES INSTITUTE OF INFORMATION TECHNOLOGY Home News Conferences, assemblies 320 Kristina Lillemets: "LOLA demonstrates ANAS announces us that technology admission to Phd and and networks can doctoral studies for 2019 create incredible performances ” The V Republican 20.12.2019 21:13 / Conference "Actual Conferences, assemblies Photo Multidisciplinary Today, at the Baku Academy Scientific and Practical of Music named after Uzeyir Hajibayli, a LOLA (LOw LAtency - low latency) Problems of audiovisual broadcast system has been put into operation with the participation Information Security" of representatives of GEANT (European Association of Science and Education Networks). Vice-President of ANAS, Director of Institute Information Technology, “İnformasiya təhlü Academician Rasim Alguliyev, Minister of Education of the Republic of Azerbaijan, Jeyhun Bayramov, Rector of Baku Academy of Music named after Uzeyir Hajibeyli, Professor Farhad Badalbeyli, as well as Senior International Project manager at GEANT Veronika Di Luna (via video), Coordinator on Advanced Application Services Cladiou Allachio, Director of infrastructure of Estonian National Research and Education Network (EENet of HITSA) Kristina Lillemets, Director Infrastructure of EENet of HITSA and Rector of the Estonian Academy of Music and Theater, Professor Ivari Ilja took part at SERVICES the event. Welcoming the guests, Rector of BMA Farhad Badalbeyli said that the event is of great importance for the science, education and culture of Azerbaijan. The − WEB-SERVICES LOLA project aims to provide real-time music shows and connect singers and musicians physically who are far away from each other through online networking services, he noted. The rector emphasized that this technology INQUIRE YOUR permits singers and musicians to attend events in different geographical areas BUSINESS PRESENCE without the need of travel by joining them online. -
Mugham Creativity in Pre-Soviet, Soviet, and Post-Soviet Azerbaijan
Musical and Ontological Possibilities of Mugham Creativity in pre-Soviet, Soviet, and post-Soviet Azerbaijan by Polina Dessiatnitchenko A thesis submitted in conformity with the requirements for the degree of Doctor of Philosoophy Graduate Department of Music University of Toronto © Copyright by Polina Dessiatnitchenko 2017 Musical and Ontological Possibilities of Mugham Creativity in pre-Soviet, Soviet, and post-Soviet Azerbaijan Polina Dessiatnitchenko Doctor of Philosophy in Ethnomusicology Graduate Department of Music, University of Toronto 2017 Abstract The different angles from which the phenomenon of mugham creativity can be approached all point to the significance of sung ghazal poetry. Even in instrumental renditions of mugham, the overriding presence of sung texts manifests itself through the musical structure, pace, technique and, most importantly, an imaginative and interpretive engagement with meanings that musicians undergo. In this dissertation, the link between music and poetry and its role in mugham creativity are investigated from both diachronic and synchronic perspectives. First, pre-Soviet, Soviet and post-Soviet contexts are examined to reveal how changes in musical and textual parameters influenced creativity and shaped its historical trajectory in Azerbaijan. Second, native terminology, musical examples, characteristics and experiences of creativity are explored using hermeneutic phenomenology in order to shed light on the creative process in the moment of performance. It is my contention that interpretation based on meanings in ghazal – ii – poetry that are rooted in Islamic sciences opens up both musical and ontological possibilities for musicians embarked on the mugham journey. This creates a state that is often difficult to express discursively as musicians themselves resort to phrases such as “revelation”, “explosion of thinking”, and “the self is taken from the self” that show only the limits of language to explain what goes on. -
The System of Music Education in Azerbaijan: the Role of Sound Engineering and Concert Sound Engineering in the Educational Process
Eurasian music science journal 2020 Number 2 2020/2 Article 3 12-13-2020 The System of Music Education in Azerbaijan: the Role of Sound Engineering and Concert Sound Engineering in the Educational Process Aleksey Khmirov The state conservatory of Uzbekistan, [email protected] Follow this and additional works at: https://uzjournals.edu.uz/ea_music Part of the Music Pedagogy Commons Recommended Citation Khmirov, Aleksey (2020) "The System of Music Education in Azerbaijan: the Role of Sound Engineering and Concert Sound Engineering in the Educational Process," Eurasian music science journal: 2020 : No. 2 , Article 3. DOI: doi.org/10.52847/EAMSJ/vol_2020_issue_2/A6 Available at: https://uzjournals.edu.uz/ea_music/vol2020/iss2/3 This Article is brought to you for free and open access by 2030 Uzbekistan Research Online. It has been accepted for inclusion in Eurasian music science journal by an authorized editor of 2030 Uzbekistan Research Online. For more information, please contact [email protected]. Recently, a group of young teachers from the State Conservatory of Uzbekistan visited Azerbaijan as part of international professional development. The main task of this visit to the fraternal Republic was to study and borrow the best practices of the teaching staff of the Azerbaijan National Conservatory. During a month, the group thoroughly got acquainted with the research, educational and cultural sphere of higher educational institutions of culture and art in Baku. Among them: Azerbaijan National Conservatory (ANC), Baku Music Academy named after U. Hajibeyov (BMA), Azerbaijan State University of culture and arts (ASUCA) and Department of the faculty of "Ashugs" in ASUCA and concert halls. -
CURRICULUM VITAE Alexandria Sultan Von Bruseldorff Soprano/ Vocal Coach [email protected] EDUCATION
CURRICULUM VITAE Alexandria Sultan von Bruseldorff Soprano/ Vocal Coach [email protected] www.CaspianOpera.com EDUCATION 2013 Master of Music in Vocal Performance and Pedagogy, Westminster Choir College of Rider University, Princeton, NJ, USA 2013 Certificate /American Institute of Musical Studies (AIMS), Graz, Austria 2013 Certificate / Vienna Language of Lied, Summer Fellowship Programs, Vienna, Austria 2012 Certificate / Florence Voice Seminar, Fellowship Program, Florence, Italy 2005-2007 Opera Workshop Series of Evening Division, The Julliard School, New York, USA 2006 Bachelor of Music, Virginia Commonwealth University, Richmond, USA 2005 Diploma / The Henry W. Abts III Institute For Estate Preservation & Planning, Nevada, USA 1999 Diploma / Operafestival di Roma, International Opera Training Program, Rome, Italy PRINCIPAL TEACHERS Margaret Cusack Christopher Arneson Eric Hung J.J. Penna Martin Neron Scott McCoy SCOLALRY & PROFESSIONAL EXPERIENCE CONFERENCES & SYMPOSIUMS 2014 International Conference of Systematic Musicology (SysMus14), Music, Mind & Brain Research Group with support of SEMPRE, Goldsmiths University, London, UK 2011 International Musicological Conference, Russian and Soviet Music; Reappraisal and Rediscovery, University of Durham, England 2011 The Fourth Annual Celebration of Student Research Conference, Westminster Choir College of Rider University, Princeton, USA 2010 The Third Annual Celebration of Student Research Conference, Westminster Choir College of Rider University, Princeton, USA 2009 PAX TURCICA 2009 The First Major Turkic-American Academic Grassroots Conference, Colombia University, NY, New York, USA MASTER CLASSES 2013 Wolfgang Holzmair Guest Artist, Mozarteum (Salzburg), Vienna, Austria 2013 Michael Pinkerton Vienna Conservatoire / Language of Lieder, Vienna, Austria 2013 Walter Moore University of Music and Performing Arts / Language of Lieder, Vienna, Austria 2012 Elem Eley Westminster Choir College / Language of Lieder, Vienna, Austria 2012 Dalton Baldwin German Lieder and French Melody Master Class, & J.J. -
Ruslan Bayramov
# 4/34 February 2019 RUSSIA AND AZERBAIJAN: COOPERATION BASED ON TRUST DREAM AS THE ENGINE OF SUCCESS NORTH- SOUTH RUSSIA- TURKEY: UNION OF EAST AND NORTH RUSLAN BAYRAMOV, PRESIDENT OF DIALOGUE OF CULTURES – UNITED WORLD FOUNDATION: “WE NEED TO BUILD BRIDGES OF RELATIONS SO THAT THIS WORLD BECOMES KINDER” Невозможно не обратить внимание It is impossible not to draw на тот исторический путь, который про- attention to the historical path that шел Азербайджан с момента получения Azerbaijan has undergone since независимости. Этот путь, как известно, its independence. This path, as we был чрезвычайно сложен и тернист. know, was extremely complicated А потому особо ценными нам представ- and thorny. Therefore, the ляются достижения и результаты, кото- achievements and results achieved рых добился Азербайджан сегодня. by Azerbaijan today are especially Современный Азербайджан ста- valuable to us. новится все более значимым факто- Today Azerbaijan is becoming an ром нынешнего этапа развития меж- increasingly important factor in the дународных отношений и мировой current stage of development of политики. Это обусловлено, прежде international relations and world всего, объективными причинами: до- politics. This is primarily due to стижением внутриполитической ста- objective reasons: the achievement of бильности, высокими и устойчивыми domestic political stability, high and темпами экономического роста и stable rates of economic growth and формированием эффективной много- the formation of an effective multi- векторной внешней политики, в шка- vector -
Concept of New Culture Sector Governance Model
Twinning Project AZ/15/ENP/OT/35 Support to the Ministry of Culture and Tourism of the Republic of Azerbaijan for the modernization of its policy and management system in the culture sector Component 1 - Cultural Sector Policy and Governance Reform Activity 1.4: Draft a concept of new culture sector governance model Concept of new culture sector governance model Mid and long-term strategy papers FOREWORD ...................................................................................................................................... 3 SECTION 1 - OBJECTIVES ............................................................................................................ 5 Upgrading and updating culture policy mechanisms ................................................................... 6 1) Application of modern methods in culture management - Development of cooperation with the local self- government bodies in culture management, including art management ..................................................................... 6 2) Diversification of funding sources and improvement and expansion of culture services .................................. 14 3) Improvement of the educational and re-training systems in the field of culture ............................................... 22 Preservation and restoration of national tangible and intangible cultural heritage ............... 30 4) Restoration and protection of historical and cultural monuments .................................................................... 30 5) Modernization of