'The Student Prince"
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The Student Prince in Old Heidelberg (1927) Performing Live: Neil Brand Friday Night Gala: 23 March 2018
The Student Prince in Old Heidelberg (1927) Performing live: Neil Brand Friday Night Gala: 23 March 2018 In 1899 Wilhelm Meyer-Forster published his novel Karl Heinrich about the impossible love between a crown prince and an innkeeper's daughter. He made it into a play Alt- Heidelberg in 1901. Two years later the play opened in New York in a translation by Rudolf Bleichmann, Old Heidelberg. A film adaptation directed by John Emerson and starring Wallace Reid and Dorothy Gish came out in 1915. A German film version was made in 1923 by Hans Behrendt, with Paul Hartmann and Eva May. An operetta version by Dorothy Donnelly and Sigmund Romberg, The Student Prince, opened in New York in 1924, breaking all box-office records. Noting its success, in 1926 MGM decided to make a film of it directed by Ernst Lubitsch. MGM secured Hans Kraly, Lubitsch's regular scenarist, to make the screen adaptation and chose two of their biggest stars for the principal roles. The romantic Ramon Novarro, who had just played the lead in Ben-Hur, was ideally cast as the Crown Prince. But the casting of Norma Shearer, wife of MGM's 'boy wonder' Irving Thalberg, proved troublesome. The usually genial Lubitsch protested saying she was too grandly mannered for the part. An extract from Sam Marx's book Mayer and Thalberg describes what happened when Thalberg and Shearer returned from honeymoon and Shearer began work on the set: “Mein Gott,” Lubitsch shouted. “I can get a waitress from the commissary who will do better than you!” The tearful star asked that Thalberg be called to the set. -
The Student Prince Program 2018
Light Opera of Portland presents THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg THANK YOU SPECIAL THANKS TO Home Depot for discounts on supplies for building the set MKTX for marketing and promotion support Dennis Freeze for photography Gallery Theater for lending costumes City of Beaverton for rehearsal space TVFR for use of Firestation 65 community room for rehearsals Brother’s Bookkeeping for setting up and managing our books Set Design and Construction Joe Rosenthal, David Ridley, Dennis Britten, Dennis Freeze, David Smith, Gabrielle Widman, Jacob Mott, Linda Smith, Pat Lach, Ron Swingen Costume Design and Construction Lucy Tait, Barbara Berger, Elaine Dinsel, Phyllis Fort, Cynthia Mintun, Marguerite Kendall, Sandra King Donors Dennis Britten, Paul Crable, Phyllis Fort, Helens Pacific Costumes, Catherine Huard, Jilane and David Onasch, Wanda Silverman, David & Linda Smith YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. Sponsored by Jilane and David Onasch THE STUDENT PRINCE A Spectacular Light Opera Book and Lyrics by Dorothy Donnelly Music by Sigmund Romberg Directed by Dennis Britten Music directed by Linda Smith Costumes by Lucy Tait Set by Joe Rosenthal Produced by David Smith March 16 7:30 PM | March 17 2:00 PM | March 18 6:30 PM March 23 7:30 PM | March 24 7:30 PM | March 25 2:00 PM Alpenrose Opera House 6149 Shattuck Rd. -
ROMBERG Time (1887-1948)
CMYK N 8.110866 Sigmund Playing AXOS Historical ADD ROMBERG Time (1887-1948) h THIS COMPACTAND COPYING OF BROADCASTING DISC PROHIBITED. UNAUTHORISED PUBLIC PERFORMANCE, RESERVED. TRANSLATIONS ALLAND TEXTS ARTWORK, THIS SOUND RECORDING, RIGHTS IN 74:35 8.110866 Romberg conducts Romberg, Volume 1 2003 HNH International Ltd. Shirlee Emmons, Lois Hunt, Genevieve Rowe, Sopranos Jo Cameron, Lillian Cornell, Mezzo-Sopranos Stuart Churchill, Eric Mattson, Richard Wright, Tenors Lawrence Brooks, William Diehl, Warren Galjour, Baritones RCA Victor Chorus • The Robert Shaw Chorale • Robert Shaw, Chorus master BLOSSOM TIME: Sigmund Romberg is often 1 Blossom Time Waltzes 3:10 considered to be the link between Romberg conducts • 1 2 Tell Me Daisy 4:44 two musical worlds, the richly 3 Song of Love 3:13 melodic operetta and the © 4 THE BLUE PARADISE: Auf Wiedersehen 5:01 American stage musical. Born in 2003 HNH International Ltd. 5 MAYTIME: Will You Remember 3:19 Hungary, he emigrated to THE STUDENT PRINCE: America in 1909 where he found 6 Drinking Song 2:50 work as a pianist and conductor at 7 Deep in my Heart, Dear 3:41 a bistro which became a stepping- 8 Ballet Music 3:24 stone to a composing career in Tin 9 Golden Days 4:49 Pan Alley and later Broadway. 0 Serenade 4:56 Romberg contributed songs to ! Student Prince Waltzes 3:02 some 66 stage shows and 7 screen @ ROSALIE: West Point Song 4:11 musicals. At the height of his # THE NIGHT IS YOUNG: When I Grow Too Old to Dream 3:01 career, two companies across the DESERT SONG: street from each other, performed $ Riff Song 3:43 Maytime simultaneously. -
Ernst Lubitsch & the Transnational Twenties: the Student Prince in Old Heidelberg (USA 1927)
UC Berkeley TRANSIT Title Ernst Lubitsch & the Transnational Twenties: The Student Prince in Old Heidelberg (USA 1927) Permalink https://escholarship.org/uc/item/6t02590p Journal TRANSIT, 10(2) Author McCormick, Rick Publication Date 2016 DOI 10.5070/T7102031166 Peer reviewed eScholarship.org Powered by the California Digital Library University of California McCormick: Ernst Lubitsch & the Transnational Twenties: The Student Prince in Old… Ernst Lubitsch & the Transnational Twenties: The Student Prince in Old Heidelberg (USA 1927) TRANSIT vol. 10, no. 2 Rick McCormick The silent cinema was already transnational to a degree that would be difficult to maintain once film industries began to convert to sound cinema, and Ernst Lubitsch epitomized the transnationalism of the 1920s. His last two films in Germany were financed with American money; arriving in Hollywood at the end of 1922, he brought other German artists and technicians with him and sent for more over the course of the decade. Lubitsch used European—mostly Central European—plays and operettas as the basis of his American films, and he followed the German cinema closely in the 1920s, imitating technical innovations and popular genres, meanwhile publishing articles in the trade journals in Germany. In 1927 he made his first silent operetta film, which was also his first American film set in Germany: The Student Prince in Old Heidelberg, a film meant to compete with similar films being made in Germany. In discussing this film, I will demonstrate that it is not only transnational in terms of the movements mentioned above of artists, technicians, ideas, styles, and genres back and forth across the Atlantic, but also because of the ethnic, gender, and sexual politics of the film and its production itself. -
Život I Rad Sigmunda Romberga
Život i rad Sigmunda Romberga Cerovečki, Ina Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:280587 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula Sveučilište Jurja Dobrile u Puli Muzička akademija u Puli INA CEROVEČKI ŽIVOT I RAD SIGMUNDA ROMBERGA Završni rad Pula, 2017. Sveučilište Jurja Dobrile u Puli Muzička akademija u Puli INA CEROVEČKI ŽIVOT I RAD SIGMUNDA ROMBERGA Završni rad JMBAG: 0303042896 Studijski smjer: Glazbena pedagogija Predmet: Povijest glazbe Mentorica: doc. dr. sc. Lada Duraković Komentor: Branko Okmaca, v. pred. Pula, 2017. IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Ina Cerovečki, kandidat za prvostupnika Glazbene pedagogije ovime izjavljujem da je ovaj Završni rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Završnog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. Izjavljujem, također, da nijedan dio rada nije iskorišten za koji drugi rad pri bilo kojoj drugoj visokoškolskoj, znanstvenoj ili radnoj ustanovi. Student: _____________________________ U Puli, 20. rujna, -
The Student Prince Petersen · Wortig · Blees · Schirrmacher WDR Rundfunkchor · WDR Funkhausorchester Köln John Mauceri Sigmund Romberg Sigmund Romberg (1887–1951)
Sigmund Romberg The Student Prince Petersen · Wortig · Blees · Schirrmacher WDR Rundfunkchor · WDR Funkhausorchester Köln John Mauceri Sigmund Romberg Sigmund Romberg (1887–1951) THE STUDENT PRINCE Buch und Gesangstexte von Dorothy Donnelly Sprachregie: Sabine Müller Dominik Wortig, Tenor Karl-Franz Anja Petersen, Sopran Kathie Frank Blees, Bass-Bariton Dr. Engel Arantza Ezenarro, Sopran Gretchen Vincent Schirrmacher, Tenor Graf Hugo-Detlef Wieland Satter, Bass-Bariton Lucas Joan Ribalta, Tenor Von Asterberg Theresa Nelles, Sopran Prinzessin Margaret Christian Sturm, Tenor Captain Tarnitz WDR Rundfunkchor Köln (Einstudierung: David Marlow) WDR Funkhausorchester Köln John Mauceri CD 1 1 Overture 6'32 Act 1 2 1. Prologue By our bearing so sedate (Four male quartet [Chorus], Four Lackeys) 2'05 3 2. Golden Days. Down where the Neckar flows swiftly along 3‘04 (Prince, Engel & Chorus) 4 3. Change of Scene & Chorus Garlands Bright (Gretchen, Ruder & Girls) 3'07 3a. Nicolas‘ Pipe (Solo Flute: Brigitte Schreiner) 5 4. Entrance of Students and Kathie To the Inn we‘re marching 1‘44 (Detlef, Von Asterberg, Lucas & Boys) 6 5. Drinking song and concerted number Where is the maid - Come, boys, 6‘42 let‘s all be gay (Kathie, Detlef, Van Asterberg, Lucas & Boys) 7 5a. Reprise: Drinking song (Detlef, Von Asterberg, Lucas & Boys) 0'16 5b. Exit of Students To the Inn we‘re marching (Boys) 8 6. Entrance of Prince & Engel Heidelberg, beloved vision 3‘36 (Engel, Prince Karl, Ruder, Kathie, Lutz, Gretchen & 3 Girls) 9 6a. Gaudeamus igitur (Boys) 1‘52 6b. Reprise: Golden Days (Engel) 10 7. Deep in my heart (Kathie & Prince Karl) 4'35 11 8. -
Curriculum Vitae
CV_Wright-Costa_2020-2021 Julie Wright Costa Professor Curriculum Vita 6165 S. Rodeo Lane The University of Utah Salt Lake City, UT 84121 School of Music Mobile: 801.598.3649 204 David P. Gardner Hall 1375 East Presidents Circle Salt Lake City, UT 84112-003 Work: 801.581.7812 Fax: 801.581.5683 [email protected] EDUCATION/PREPARATION/TRAINING Doctorate of Musical Arts-Voice Performance University of Michigan 1988 – 1992 (inactive) Emphases: Performance, Opera, Education Apprenticeship Michigan Opera Theatre, 1991 Master of Music-Voice Performance University of Michigan, 1988 Emphases: Performance, Opera Bachelor of Arts-Music Education Pfeiffer College, Misenheimer, NC, 1983 Emphases: Voice, K-High School Music, General Music, Liberal Arts High School Diploma Lincolnton H.S., Lincolnton, NC, 1979 Emphases: College Preparatory Curriculum Selected instructors, Coaches, Directors and Conductors: Mary Anderson, Robert Baldwin, David Bamberger, Michael Barrett, Michael Borowitz, Richard Brewer, Steven Byess, Ken Cazan, Betty Jeanne Chipman, Steven Daigle, Paul Dorgan, David Effron, Michael Ehrman, Mark Gibson, Phil Hall, Lorna Haywood, Martin Katz, Mitchell Krieger, Jay Lesenger, Joanna Levy, Gustav Meier, Johnathan Pape, Uriel Segal, Joseph Silverstein, Robert Swedberg, Robert Tweten, and Evan Whallon. HONORS/PRIZES/AWARDS 2020 Nomination: CFA Faculty Excellence in Teaching Award 1998 University of Michigan Friends of Opera Gala: Scholarship recipient. Julie Wright- Costa: C.V./ Page 1 CV_Wright-Costa_2020-2021 1994 University of Michigan Friends of Opera Gala: Scholarship recipient. 1992-93 University of Michigan Presidential Fellowship. 1991-92 University of Michigan Friends of Opera Scholarship: 1st place. 1991 Adrian Symphony Orchestra-Schorr Competition: Finalist. 1991 University of Michigan: Graduate Student Teaching Assistant in Vocal Pedagogy. -
Serenade Words by (Solo Version) Music by DOROTHY DONNELLY SIGMUND ROMBERG Andante, Molto Tranquillo PP Ii I
p t' ~ ~ f) ~ ... ~ c In E~," (M to b',J r1 ~Wt J FROM THE MUSICAL ROMANCE "THE STUDENT PRINCE" WORDS BY DOROTHY DONNELLY MUSIC BY SIGMUND ROMBERG PUBLISHED FOR THE FOLLOWING ARRANG EMENTS : Vocal Solo, El> . .50 4 Part Mixed (S ATB) Arr. Scotson . .16 Piano Solo (Gotham Classics No. 26) . .50 4 Part Mi xed (SATB) Arr . Lawrence . .20 2 Part Treble (SA) . .15 4 Part Male (TTBB) . .20 3 Part Treble (SSA) Arr. Scotson . .15 Vocal Score " The Student Prince" ............... 5.00 3 Part Treble (SSA) Arr. Lawrence ........ ... .15 Viol in and Piano ......... .75 3 Part Male (TBB). .15 Small Orchestra . 1.25 3 Part Mixed (SAB) . .16 Full Orchestra .......... 1.75 Band-"B" Set ..... 2.50 " C" Set. ..... 1.50 W HEN P ER FOR M ING THIS CO MPOS ITIO N KI NDLY G IVE ALL P ROG RAM C R E DITS TO HAR M s INCORPORATED BY ARRANGEMEN~ WITH M. WITMARK €5 SONS NEW YORK PRINTED IN U . 5 . A. 2 Serenade Words by (Solo Version) Music by DOROTHY DONNELLY SIGMUND ROMBERG Andante, molto tranquillo PP Ii I.. ,,, ... -r ,. II - VOICE .. V A - .... - .. - .... - 'V - .... I - ... - - -I v - T'. -- r l CD Clll Ov - er head the moon lS beam - mg, 0 0 0 0 fl I ,,,,---.. ~ I I ...... I II. A . - , = "" ~ ~ '" . .. j •- " II A -r"' .. r"' ... " -- '"' - - -. .... -- - - - - - - - - - "'" "- , v j._ i - f" i-- - - "11 .... - - Piano PP dolcissimo ==-==-- c') : \. I I t!r-., L'• A .. .... .. .. 0 !!!!: ., ,- z - II -r .. ·- - - C> , .. ~ ~ _.. _, . - . ......, -F' - ,.., Y II "+ " - - z :JO - - - 0 4' 4 ~ c (/) >> ~-- -< : ~ . ~ . * con pedale (/) - - ~ ,..,=.i! !<~ ~> ..., (/) (/) z Noth - mg ls heard but the ~> C> :I: ~ ~ _: ~ : z (/)-z - < C> ..... -
Rare Books and Manuscripts Ruth M. Howland Collection (Muny
Rare Books and Manuscripts Ruth M. Howland Collection (Muny) Accession Number: SC 06:02 Location: RB-M Dates: 1914-2011 Size: 7 record cartons, 1 legal Hollinger; 7.3 cubic feet Creator/Collector: Ruth M. Howland Acquisition info: Donated to SLPL by George A. Copeland, Howland’s nephew Accruals: No accruals expected Custodial history: Created by Ruth Howland and donated to SLPL by Mr. Copeland Language: English Processed by: Tom Pearson, November 2009; reprocessed by Melissa Miller, May 2018 Conservation notes: Items placed in acid-free folders Scope and Content: The collection contains programs for Municipal Theatre performances collected by Ruth M. Howland. Other items in the collection include newspaper clippings, ticket stubs, and programs from a variety of theaters in the St. Louis area. Arrangement: Chronological; newspaper clippings and miscellaneous programs located at end of collection Restrictions: No restrictions Remarks: Some municipal opera programs donated by Harry Fender and placed in collection; Civic Music League programs collected by Susie Isabel Howland-Copeland. May 2018 Rare Books and Special Collections Series: RB-M Acc. # SC 06:02 Ruth M. Howland Collection 1914-2011 7 record cartons, 1 legal Hollinger; 7.3 cubic feet Box/Folder Description 1/1 Finding Aid 1/2 1918 Season -“Ye Merrie A’ventures of Robin Hood” 1/3 1919 Season -“The Chimes of Normandy” 1/4 1920 Season -“Firefly” -“The Gondoliers” -“Katinka” -“The Mascot” -“The Mikado” -“Robin Hood” -“The Waltz Dream” 1/5 1921 Season -“The Beggar Student” (3) -“The -
A Margin of Playful Ambiguity: Off-Screen Space in the Student Prince in Old Heidelberg (Ernst Lubitsch, 1927) = Un Margen De Al
47 NOTEBOOK · EXPERIMENTATION, AVANT-GARDE, AND DEVIATION FROM THE NORM A MARGIN OF PLAYFUL AMBIGUITY: OFF-SCREEN SPACE IN THE STUDENT PRINCE IN OLD HEIDELBERG (ERNST LUBITSCH, 1927) ASIER ARANZUBIA COB A DOUBLE MOVEMENT As is well known, by 1923 the mode of produc- tion and basic norms of the Hollywood film style Of the large number of European filmmakers who were already fully established. As Kristin Thomp- went to Hollywood in the 1920s, Ernst Lubitsch was son (2005) has explained in great detail, Lubitsch probably the one who adapted best to the style and would soon claim as his own a style of storytelling mode of production of the studio system. Although whose basic premises were not all that different what had attracted the attention of American crit- from the ones he had been using previously in ics and producers were his historical films (with German films. But although his films may be eas- sumptuous sets and frames replete with extras), the ily classified within a mainstream style, a closer German director was relatively quick to find the look at them reveals that those same films, in a genre and style that would bring him success on the kind of double movement, offer enough devia- other side of the Atlantic (at least in terms of criti- tions from the norm to be considered atypical of cal acclaim and professional prestige, as none of his Hollywood production in the 1920s. silent films were big box office hits1): sophisticated The most significant deviation is ontological, comedy. The fact that Paramount would make him as it directly targets the weak point of the style their production manager in the following decade which, since Noël Burch (1978-1979), has come is perhaps the most definitive proof of his rapid ac- to be known as the Institutional Mode of Repre- ceptance in Hollywood. -
Of the History of Recorded Music, in the Best and Truest Sound That Contemporary Technology Can Provide
120639bk Crooks 6/12/02 4:52 pm Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Peter Dempsey A tenor singer of wide range and performing experience, Peter Dempsey specialises in Victorian and Edwardian genre ballads and art-song, and has recorded various CDs, including Love’s Garden Of Roses for Moidart. Quite apart from his personal enthusiasm for music in the broadest sense, through his assiduous collecting and study of 78s over many years, Peter has acquired not only a wide knowledge of recorded musical performance but also a heartfelt awareness of the need to conserve so many “great masters” who – were it not for CD – might now be lost for future generations. A recognised authority on old recordings, Peter now regularly researches and produces CD albums from 78s. Also available in the Naxos Nostalgia series 8.120555 8.120595* 8.120628 * Not Available in the U.S. 120639bk Crooks 6/12/02 4:52 pm Page 2 12. IF I AM DREAMING (Karl Millöcker–Rowland Leigh, from The Dubarry) RICHARD CROOKS With Frank La Forge, piano Songs from Operetta, Musical Comedy and Films (Victor BVE 74733) Recorded 28 December 1932, New York 3:39 Original Recordings 1924–1933 13. ONE ALONE (Sigmund Romberg–Otto Harbach, from The Desert Song) With Victor studio orchestra conducted by Nathaniel Shilkret (Victor BVE 49073-4) Recorded 11 February 1929, New York 3:37 Probably the finest lyric tenor America ever produced – and in the 1930s on radio and in opera and concert certainly the most popular – Richard Crooks was born into a family of 14. -
Majestic Theatre Rose-Marie Program
s DISTINCTION qA Klew n^jer-Kiss ’’Conceit” at the fashionable shops 'X TOW smart shops are showing a new X^and novel aid to beauty: A Vanity Bag in blue, black or brown morocco, or tan ecras6 leather. Containing: the Djer-KissTwo-FoldCompact in matte-gold finish! Djer-Kiss Lip Rouge! and a con- venient purse-pocket iot Madame^ change! The Djer-Kiss Two-Fold Compact is, of double compacts, the most convenient and praaical. It presents in compact form, Djer-Kiss Rouge, Djer-Kiss Face Powder and two mirrors — a detail mirror to reflect any part of the face; a convex reducing mirror to reflect the entire face at a glance. O A. H. S. Co. 1926 GOLD MEDALS DIPLOMAS ST. LOUIS 1922 BOSTON 1924 Steaming or Oil Process PERMANENT WAVE Manicure Marcel Waving Hair Tinting Parisian Hair Clipping SPECIALIST Facial Shampoo Hair Goods Etc. 234 Boylston St. B. B. 3790 and 7514 Room 507 Boston, Mass. HINCKLEY &WOODS^ PACKING MOVING INSURANCE^ fire 40 BROAD liabil- ity, AUTO- STORING SHIPPING BOSTON. MOBILE. BUR- GLARY AND EVERY We Ship Hou^hold Goods and Office DESCRIPTION OF INSUR- Furniture to All Parts of the World ANCE AT LOWEST RATES. BUSINESS ESTABLISHED 1868 46 Bromfield St. Telephones: Main 4771 South Boston 3932 ^shingtonStjUH^^^I 3oium I 9^ Storage and^R^oir^ Old Timers Column Some time a^o we were looking over an old program, way back in the sixties or seventies and this supreme stellar attraction extraordinary billed in large letters that the lavish sum of $2000 had been spent on bedroom fur- niture necessary in one of the scenes.