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Bluegrass Outlet Banjo Tab List Sale
ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
CONCESSION 23 Opens for the JAMES KING BAND
BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 2—April 2010 Winter Concert Series—February 23—Ottawa hosted by The Ottawa Valley Bluegrass Association CONCESSION 23 opens for THE JAMES KING BAND www.bmacc.ca BMACCPhotos CourtesyNotes—April of Rosemary 2010 Page Davis1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 877-876-3369 1/8 Page (Business Card) $25.00 $ 90.00 Secretary – Leann Chadbourn 1/4 Page 35.00 126.00 705-776-7754 1/2 Page 55.00 198.00 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large WEBSITE Gord deVries 519-668-0418 Quarterly Annual Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 30.00 108.00 Open 400 px X 250 pixels 35.00 180.00 Full Page 50.00 252.00 Bernie Melosh Open COMBO NEWSLETTER + WEBSITE Larry Johnston BEST VALUE 519-576-9768 Quarterly Annual Open 100 px X 250 pixels $35.00 $126.00 200 px X 250 pixels 50.00 180.00 400 px X 250 pixels 75.00 270.00 Full Page 115.00 414.00 Members receive 25% discount off the above rates. Maximize Your Membership WHAT”S INSIDE From the President—Page 3 If there are individual members of BMACC that belong to a band or Leadership Bluegrass 2010—Page 5/6 other organization, you should consider paying an additional $30 to take advantage of what BMACC can offer. -
Ctba Newsletter 0304
REA ONGOING EVENTS AUSTIN AREA Chriesman Community Center CTBA Don Cook 979-567-0573 PARIS •Beginner/Intermed. Jam CLEBURNE • Jam & Stage Show Central Texas A • Show & Jam • 3rd Sat: Jam 5:00, Show 7:00 1st & 3rd Thursday 7-9 pm 3rd Fri Cleburne Civic Center, Chisum HS, Hwy 19 & 24, south Steve Mangold 512-345-6155 1501 W Henderson (Hwy 67)7 pm, of Paris $5-members $6-others • CTBA Jam Session $3 www.geocities.com/ntbbluegrass Brenda Burks 903-784-8859 Sunday at Artz Rib House COPPERAS COVE PEARL Bluegrass 3-5 pm,512-442-8283 • Jam • Jam & Stage Show ARTZ RIB HOUSE Fri-VFW Post 8577 at 1506 1st Sat: Jam 12:00, Show 4:30 Volume 25 • Live Bluegrass Show Veterans Ave 7 pm Hwy 183, 7 mi. south of Purmela 2330 S. Lamar, 6:00 pm Number 4 512-442-8283 254-542-6710 [email protected] Ronald Medart 254-865-6013 AAAMS JAM GARLAND ROCKNE Wed, Anderson Mill Baptist • Bluegrass on the Square • Bluegrass/Country Jam April 2003 Church,10633 Lake Creek Pkwy Sat- March thru October between 1st Sat: 3pm til ..., 8 mi. S. of Dinner 5:30 ($3) 6:30-8:30 pm, Main and State Sts. at 6th, 7:30- Cedar Creek on FM 535 Bulletin 1 am Jim Miller 972-276-3197 TOMBALL 259-7702- call to join for dinner GRANITE SHOALS • Spring Creek Club Jam/Show Tom, Brad & Alice Fredericksburg •AFTM (Austin Friends of • Bluegrass and Gospel Jam 4th Sat: 5pm-jam, 7pm-show Traditional Music)Contra Dance Last Sat: 6:30-10:00 pm Oklahoma Community Center, 3rd Sat., Lutheran church at 3501 706 Phillips Ranch Rd. -
Charley Waller Country Songs, Old and New Mp3, Flac, Wma
Charley Waller Country Songs, Old And New mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Country Songs, Old And New Country: US Released: 1960 Style: Bluegrass MP3 version RAR size: 1599 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 724 Other Formats: WMA MP1 FLAC MIDI ASF APE DTS Tracklist Hide Credits A1 Roving Gambler 3:07 A2 The Little Sparrow 3:31 A3 Drifting Too Far 3:27 A4 Weeping Willow 2:01 A5 Tomorrow's My Wedding Day 2:09 A6 The Story Of Charlie Lawson 3:03 Turkey Knob A7 2:18 Written-By – Eddie Adcock A8 Paul And Silas 2:26 B1 Ellen Smith 2:13 The Long Black Veil B2 3:35 Written-By – Dill*, Wilkin* Honky Tonk Rag B3 2:26 Written-By – John Duffey B4 Jesse James 2:35 B5 Have Thine Own Way 2:51 A Good Woman's Love B6 3:25 Written-By – Cy Cobin* B7 The Double Eagle 2:54 B8 Darling Alalee 2:04 Credits Arranged By – Charlie Waller (tracks: 15), John Duffey (tracks: 1 to 5, 8, 12, 13, 16) Banjo, Vocals – Eddie Adcock Bass, Vocals – Jim Cox Guitar, Vocals – Charley Waller* Mandolin, Vocals – John Duffey Notes Includes insert from Folkways Records that has bios on the band and its members as well as lyrics. The vinyl label is the original Folkways Blue w/ Silver print. Other versions Category Artist Title (Format) Label Category Country Year Charley Waller*, John Charley Waller*, Duffey, Eddie Adcock John Duffey, And The Country Folkways FA 2409 Eddie Adcock And FA 2409 US 1960 Gentlemen - Country Records The Country Songs, Old And New Gentlemen (LP, Album) Charley -
Ctba Newsletter 0408
Central Texas Bluegrass Volume 26 Bulletin Number 8 August 2004 Brent Sanders: True Life Bluegrass Paintings Brent Sanders is an artist from Chattanooga, Tennessee who enjoys paint- ing people. When capturing their spirit, he says he tries to strike a harmonic bal- ance, and works to portray the diversity of the people living in the South. "I want to convey the uniqueness of the culture and the harmony in which we live with one another." Musicians are a favorite study of his, bluegrass musicians in particular. He says, "I always like the musicians because they tend to stand out and capture attention." Chuckling, he adds, "As I am some- what of a hack musician myself, I've always tended to be drawn to them." If you are interested in Brent’s work, he is repre- sented by Terry Powell of Blue Crow Studios, 4410 Medical Parkway (Just south of the Burnet Road/45th Street intersection) in Austin, and can be reached at (512) 420-0668. Or, take a look at Brent’s own website at www.brentsanders.com. New and Renewing Members: Sunny Castille 3rd Generation Gospelgrass Deering Banjos Sept. 30, October 1-2-3-Oakdale Park's Bluegrass Reunion. BIG show. The Lewis Family, Double Mountain Boys, and more. Oakdale Park, Glen Rose, TX www.oakdalepark.com 254-897-2321. ENTRAL TEXAS BLUEGRASS ASSOCIATION CFor information on CTBA membership and activities, contact: CTBA Artists and Bands Central Texas Bluegrass Association P. O. Box 9816 Booking Information Austin, Tx, 78766-9816 512-261-9440 Austin Lounge Lizards: Tom Pittman 512-476-3991 email:[email protected] -
RENO-STYLE WORKSHOP Arthur Wrote and Recorded the Infamous Feuding Banjos, Aka Dueling Banjos
RENO-STYLE WORKSHOP Arthur wrote and recorded the infamous Feuding Banjos, aka Dueling Banjos. Don Reno Roots, Part 2: Arthur “Guitar Boogie” Smith thought so much of Arthur that he said it took him nearly two weeks to get up the Jason Skinner nerve to quit The Crackerjacks. Although Last time we began to explore the Red Smiley in 1951. But Reno and Smiley his time with Arthur was relatively musical roots of Don Reno with one of were a “recording group only” during this short, the impact Arthur had on Don was his first influences, old-time fiddle tunes. period. So needing a steady pay check, Don tremendous. In my opinion, Arthur Smith Now let’s move up the time line to about returned to work for Arthur Smith in 1952, is the most significant influence in Don 1941. It was here that Don first joined and remained with him until May, 1955, Reno’s early musical development. You “Arthur Smith and His Crackerjacks.” Don when Reno and Smiley became a full-time can hear a little bit of Arthur in everything stayed with Arthur until the Crackerjacks band. During their time together, Don and Don plays. disbanded in 1943. Later that year Don joined the Army. After Don returned Little Rock Getaway chord positions: home from serving his country, he joined ^^^^ C E7 Am C7 F A7 Dm B°7 C Am D G C G7 F Fm Bill Monroe in 1948. He remained a Rzz>zzzzz<zzzzz:zzzzz8zzzzz7zzzzz5zzzzzz<zzzzzz6zzzzzz:zzzzz7zzzzz4zzzz5zzzzz:zzzz9zzzzz?zzzz?zzW Tzz=zzzzz<zzzzz:zzzzz8zzzzz6zzzzz5zzzzzz:zzzzzz6zzzzzz8zzzzz5zzzzz3zzzz3zzzzz8zzzz8zzzzz=zzzz=zzU Bluegrass Boy for a little -
Th Everything We’Ve Ever Mother-Of-Pearl Inlays
THE olk musician Pete Seeger knew fi rsthand the power of the banjo. On the head of his fi ve-string instrument, he inscribed these famous words: “This machine surrounds hate and forces it Fto surrender.” What Seeger didn’t realize is that the banjo can also kill zombies — at least in the world of the 2009 fi lm Zombieland. Greg Deering wasn’t aware of the banjo’s power against the undead until a couple of years ago — even though his business, the Deering Banjo Company, is North America’s largest banjo manufacturer and has turned out more than 100,000 banjos since 1975. Fortunately, the Distinguished Eagle Scout is the Scoutmaster of Troop 355 in Spring Valley, Calif. At an annual New Year’s MR. SCOUTMASTER Eve breakfast for his patrol leaders’ council, reg Deering has served as Scoutmaster of Troop Deering’s Scouts were happy to educate him. G355 since 1987. Following the example of his own One took out his smartphone and showed Scoutmaster, Bob Lawrence, he encourages Scouts him a clip of Woody Harrelson using a banjo to run their own program. “The boys do a good job,” to attract — and then kill — zombies in a he says, “and most of the time the adults have a lot grocery store. of really wonderful fellowship all on our own.” “All of a sudden, it dawned on me that we Deering has also been active on the San Diego- should do a Zombie Killer banjo,” Deering Imperial Council’s executive board, high-adventure says. “Right there at the breakfast, I’m team and Eagle Scout alumni association. -
Augusta Online Heritage Workshops
Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................14 Cajun & Creole..........27 Classic Country..........41 Old-Time.....................52 Swing..........................62 Vocal...........................72 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey • Lesson: Enhancing the Melody • We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. • Zoom Event: Coming Soon! • Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Eli Gilbert • Lesson: Write and Improvise Your Own Licks • In this intermediate-to-advanced class students will learn to create their own Scruggs, melodic, and single-string ideas using music theory, common fretboard shapes, and ear training. We'll look at ways to improvise with common Scruggs-style licks, create variations, and create new melodic ideas based on melodic and single string patterns, as well as how to apply this information to common songs and instrumental tunes. All necessary music theory information will be included in the lesson. • Zoom Event: Coming Soon! • Bio: Eli Gilbert is a native of North Yarmouth, Maine. After seeing J.D. Crowe and the New South at a local Bluegrass festival Eli decided to pick up the banjo and eventually moved to Johnson City, Tennessee to study Bluegrass at East Tennessee State University. There he had the chance to perform as a member of Jeff Brown and Still Lonesome and the ETSU Bluegrass Pride Band. Eli currently lives in Maine and performs regionally with Laura Orshaw and the New Velvet Band, Tony Watt and Southeast Expressway, and Dreamcatcher. -
Read Ebook {PDF EPUB} John Duffey's Bluegrass Life Featuring the Country Gentlemen Seldom Scene and Washington D.C
Read Ebook {PDF EPUB} John Duffey's Bluegrass Life Featuring the Country Gentlemen Seldom Scene and Washington D.C. by Ste John Duffey's Bluegrass Life: Featuring the Country Gentlemen Seldom Scene and Washington D.C. by Stephen Moore. JOHN DUFFEY’S. BLUEGRASS LIFE: FEATURING THE COUNTRY GENTLEMEN, SELDOM SCENE, AND WASHINGTON, D.C. By STEPHEN MOORE. and G.T. KEPLINGER. Foreword by TOM GRAY. John Duffey’s Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, DC i s the definitive biography of one of bluegrass music’s most important artists . Through his work as a founding member of two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. More than 50 rare or never-before-seen photographs—some by Carl Fleischhauer—and 82 contributors among John's fellow players, friends, and family help create a fascinating portrait of the complex, iconoclastic entertainer. The book’s narrative is supplemented with a 43-page Duffey Discography that provides track listings, recording dates, producers, composers, and musicians for every song recorded by Duffey . Washington Post: 7/30/19 : Remembering John Duffey Bluegrass Unlimited: 10/1/19 Review. John Duffey’s Bluegrass Life: Featuring the Country Gentlemen, Seldom Scene, and Washington DC. John Duffey is one of the biggest characters in the 70-year history of bluegrass music, larger than life; physically imposing with a voice that covers the whole range required for the four standard vocal parts, and a style of mandolin playing all his own. He even had a mandolin all his own; the hand-built wing-shaped “duck.” Stephen Moore and co-author G.T. -
Phil Nusbaum KB: Kevin Barnes PN
Kevin Barnes Narrator Phil Nusbaum Interviewer May 5, 2010 PN: Phil Nusbaum KB: Kevin Barnes PN: I'm Phil Nusbaum. Kevin Barnes is here. This is part of the Minnesota Bluegrass Oral History Project, and we are at KBEM radio, using the microphones and everything. We are not employed here; we are independent contractors here. KB: But we control the place right now! [Laughing] It is under our control. PN: So, we're here to talk about Kevin's experience in Bluegrass in Minnesota. How did you get started with Bluegrass music? KB: It's funny, because, again, my roots go to Kentucky. I was born in Louisville, Kentucky. I used to travel down, my grandparents lived in western Kentucky, around Hopkinsville, Kentucky - Crofton area, an area that was actually fairly close to Paducah, so, pretty close to where Bill Monroe was from. My uncles - my dad's brothers - were farmers, so, as a kid, I can remember traveling down to the farm, and they'd all be talkin' about the Opry. They'd be talkin' about hearing Mack Wiseman, or they'd be talkin' about, “Oh, did you hear Bill Monroe on last week, and he did this really funny skit.” So, I can even remember as a kid, my family talkin' about Bluegrass music. Before that, and before I played banjo, my grandmother used to talk about her grandmother, actually it's too bad I don't have a - you should see the picture, her name was Algie Hickey from Crofton, Kentucky. She was a seamstress and she was a musician; she was a banjo player, played a 5-string, I've got a photo of her when she's about… PN: This is the grandmother of the grandmother… KB: Yes. -
Jam Skills Checklist
Please copy & share! AM KILLS HECKLIST Lots more free instruction J S C Pfrom Pete Wernick at ... for bluegrass, folk and country jamming Note which skills you have and which you need! Please copy & share! Lots more free instruction P Essentials Learn these and you’re ready to jam from Pete Wernick at ... BGjam.com ___ Tune your instrument (using a tuner), quicker the better. Check tuning often! ___ Learn G, C, D, and A chords, fingering each string accurately, for clear sound (check by sounding each string individually, making sure it’s clear and not muted) Bass and fiddle players don’t make chords, but need to know which notes go with which chord. ___ Switch quickly between chords, with accurate fingering (with each switch, sound any problem string individually, making sure it’s clear, not muted) Practice these sequences: ___ G-D-G (most common) Wernick Method Classes (see below) ___ G-C-G ___ D-A-D ___ C-D-C ___ G-A-G require the skills in this ___ Change chords without looking, cleanly and quickly “Essentials” section and ___ Maintain a rhythm pattern while changing chords accurately teach the others! ___ Follow chord changes watching a guitar player (see other side) ___ Find a slow jam that uses only G, C, D, and A, or play along with a slow jam recording* P Jamming is easier and better when you can... ___ Remember chord changes of a new song – which chords happen and when ___ Anticipate chord changes, to make them at exactly the right time ___ Sing a song while playing, with accurate chording and a consistent rhythm pattern ___ Play and sing a song straight through with no pauses or hesitations ___ Play and sing a song fluently from memory, not using a written version P You can add a lot to a jam if you can..