Blacklist100 E-Book 7JUL2020 V2.3
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Steve Pamon President & Chief Operating Officer Parkwood Entertainment
Steve Pamon President & Chief Operating Officer Parkwood Entertainment Launch With GS External Advisory Council Steve Pamon is the President and Chief Operating Officer of global entertainer Beyoncé’s management and production company, Parkwood Entertainment. In his time at Parkwood Entertainment, the team has continued its history of critical and commercial success in the media, entertainment, and consumer products business, as evident in the Super Bowl 50 Halftime Show, Lemonade visual album, 22 Days Nutrition, The Formation World Tour, Coachella Homecoming, On the Run II world tour, Everything is Love album, Global Citizen Africa Festival, Adidas / Ivy Park partnership, Disney’s The Lion King: The Gift album, among many others. In addition, his team manages the careers of rapper/songwriter, Ingrid and actresses/musicians, Chloe x Halle. Prior to joining Parkwood Entertainment, Pamon was the head of sports and entertainment marketing for JPMorgan Chase, where he led a team responsible for the ongoing operations around the bank’s broad sponsorship portfolio, including Madison Square Garden (NY Knicks & NY Rangers), NY Jets, NY Giants, Radio City Music Hall, The Rockettes, The US Open Tennis Tournament, Chicago Theater, and the Los Angeles Forum. Before joining JPMC, Pamon was the Vice President of Strategy and New Business Development for the National Football League. He also served as the Senior Vice President and General Manager of HBO's digital distribution. His career began with stints at Merrill Lynch, Citigroup, McKinsey & Co., and Time Warner. Outside of his full-time role, Pamon recently completed a 10 year term as a board member of New York Road Runners ("NYRR"), a non-profit organization that produces more than 100 sports events each year - including the famed New York City Marathon. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
Black History Lectures:Talks
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kent Academic Repository Excavating Occluded Histories at Destrehan Plantation: Afro-Creole Resistance from ‘Marguerite’ to Beyoncé Destrehan Plantation in St Charles Parish, Louisiana, is a crypt replete with phantoms of the Creole past. Like many of the grand, white houses dotted along the Mississippi River Road, it articulates a narrative of Creole history—a history composed of intersections, collisions, confrontations and exchanges between a myriad of cultures in the colonial Atlantic—that privileges the experiences of elite, white landowners and their legatees. This narrative conspicuously occludes the diverse, metamorphic, and insurgent stories of the Afro-Creole culture that lay at the heart of the plantation infrastructure. Using Destrehan as a point of analytical departure, this article therefore proposes a critical reassessment of plantation sites and their hidden histories in an effort to promote new ways of seeing that foreground Afro-Creole experience and imagine routes to resistance that transcended the historical moment, and continue to resonate in the contemporary African American imaginary. In so doing, it attempts to peel back the multiple layers of occlusion, obfuscation, and erasure embedded within the Creole plantation infrastructure. It examines the narrative of the Creole plantation (as a site and sight of memory) and its various mechanisms of telling, especially through its artefacts, written histories, and docent-led tours, -
NW Magazine 22
Miranda’s NEW WEEKLY! JESS SURGERY SHOCK! . ‘MY BOOBS ARE OUT OF CONTROL!’ KOURT BETRAYED BY HER SISTERS ‘Stop partying with Scott... HeH needs help!’ A NURSERY FIT FORR TWO! TWINS Ange breaks down ‘How will I tell our kid ’ FOR BLAKE! ‘Is it Boxing Day already?’ Lights, camera, crazy... ‘Take it easy, stars act up squeezy!’ MAIN SQUEEZE Models Chanel Iman and Nina Agdal are ones to Swatch as they celebrate both the launch of the watch brand’s POP Collection and the opening of its Times Square flagship store in New York. Talk about multi-tasking! ‘You’re all about dis bass – right, Demi?’ Demi puts on a solid-gold show HARRY’S HOOKED Our favourite ginger ninja Prince Harry’s making arealfistofitashe launches the Heads Together mental health campaign at London’s Olympic Park. We reckon it’ll be a big hit! ‘No filter, no photo!’ GLITZ AND GLAM Sequins are the order of the day at 102.7 KIIS FM’s Wango Tango pop festival in Carson, California. Just ask twinkling stars Meghan Trainor and Demi Lovato, who clearly won’t be needing a mirror ball... THE RIGHT FLUFF We were really excited when we thought we spotted Big Bird, but it’s actually Lady Gaga wearing Big Bird as she’s greeted by fans outside her New York apartment building. What a muppet! NWonline.com.au 3 Beauty & The Geek: Cannes Edition, Katy? This week’s OMG moment Katy slays SelenaS l GomezG may beb theh scarlet woman, but Katy Perry is the ultimate lady in red! The singer made sure everyone forgot Who’s hoter – about those scandalous pics of Orlando Bloom with Sel in Las Vegas by slaying in Gigi or Bella? a show-stopping Marchesa gown at the ForgetForget politicspolitics – um,um, MalcolmMalcolm amfAR Gala – which Orlando atended by who?! – these are the kind of great, her side – in Cannes last week. -
Hybrid Gangs and the Hyphy Movement: Crossing the Color Line in Sacramento County
HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY Antoinette Noel Wood B.S., California State University, Sacramento, 2008 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF SCIENCE in CRIMINAL JUSTICE at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2011 © 2011 Antoinette Noel Wood ALL RIGHTS RESERVED ii HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY A Thesis by Antoinette Noel Wood Approved by: __________________________________, Committee Chair Dimitri Bogazianos, Ph.D. __________________________________, Second Reader Dan Okada, Ph.D. ____________________________ Date iii Student: Antoinette Noel Wood I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator ________________ Yvette Farmer, Ph.D. Date Division of Criminal Justice [Thesis Abstract Form] iv [Every thesis or project mustracts for some creative works such as in art or creative writing may vary somewhat, check with your Dept. Advisor.] Abstract of HYBRID GANGS AND THE HYPHY MOVMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY by Antoinette Noel Wood [Use of the next optional as long as te content is supplied.]three headings is Statement of Problem Crips and Bloods-traditional gangs whose mere names conjure up fearful images of violence and destruction-are no longer at the forefront of the gang reality in Sacramento. Instead, influenced by the Bay Area-based rap music subculture of Hyphy, gangs calling themselves "Families," "Mobbs," and "Camps" are believed to be creating a new, hybridized gang culture. -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies. -
Beyoncé As a Semiotic Resource: Visual and Linguistic Meaning Making and Gender in Twitter, Tumblr, and Pinterest Addie L
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School April 2018 Beyoncé as a Semiotic Resource: Visual and Linguistic Meaning Making and Gender in Twitter, Tumblr, and Pinterest Addie L. Sayers China University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Linguistics Commons, and the Women's Studies Commons Scholar Commons Citation China, Addie L. Sayers, "Beyoncé as a Semiotic Resource: Visual and Linguistic Meaning Making and Gender in Twitter, Tumblr, and Pinterest" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7133 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Beyoncé as a Semiotic Resource: Visual and Linguistic Meaning Making and Gender in Twitter, Tumblr, and Pinterest by Addie L. Sayers China A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Second Language Acquisition and Instructional Technology College of Arts & Sciences and College of Education University of South Florida Major Professor: Dr. Camilla Vásquez Amy Thompson, Ph.D. Nicole Tracy-Ventura, Ph.D. Michelle Hughes Miller, Ph.D. Date of Approval: March 29, 2018 Keywords: digital discourse analysis, multimodality, social networking, platform affordances, social semiotics, entextualization Copyright © 2018, Addie L. Sayers China DEDICATION I dedicate this dissertation to my two sweet and kind children, Aubry June Sayers China, and John Giovanni Sayers China. -
How Hip-Hop Saved Adidas
how hip-hop saved adidas HOLD U P, I AIN’T TRYING TO ST UNT, MANBUT THESE YEEZYS JUMPED OVER THE JUMPMAN WENT FROM MOST HATED TO THE CHAMPION GOD FLOW I gUESS THAT’S A FEELING ONLY ME AND LEBRON KNOW I’M LIVING THREEBy Nathan CanilaoDREAMS, BIGGIE SMALLS’, ason’s last name is unknown. But he is a self-proclaimed exclusive Air Force One’s in his cart, an alarming message Jinvestor and devout Denver Broncos fan. And he was popped up on his dashboard. All of his excitement, exhil- one of the lucky ones. Really, it wasn’t luck though. He aration and thrill went out the window when Jason got the was online at 4 a.m., waiting diligently, depriving himself notorious message from Nike.com: “We’ve encountered an of sleep. He earned this purchase of the coveted Nikes, and error. Please try again later.” his son was going to be the beneficiary of his sacrifice. Jason was devastated. His son was going to be the fresh- These weren’t just any shoes, either. They were the Tra- est kid on the block while Jason would have bragging rights vis Scott designed and endorsed Air Force 1s. The shoes as the coolest dad. But that didn’t happen. The Nike gi- that prompted millions to get up so early. The shoes that ants only sold a limited amount of units, and the resale were so popular, the customers price on any Travis Scott sneaker who won the online race that is usually three times that of the Nov. -
Horace Brown Biography
Horace Brown Biography Horace Brown is a musical force with which to be reckoned. His soulful and sensual R&B vocals float effortlessly over Hip Hop beats. His smooth lyrical style tells stories about human emotions and character delivered with intent and swagger. He’s enjoyed commercial success with singles including “One for the Money”, “Taste Your Love” and “Things We Do For Love” featuring Jay Z. Due to explicit lyrics, “Taste Your Love” was banned in much of the South, specifically the Bible Belt regions. Horace has since spent the last twenty years enjoying a successful International touring career. Now he’s back in the States to release long awaited new music as well as his autobiography "The Life of an R&B Singer." The son of an Apostolic Minister, Horace was born in Hartford Connecticut and had an early exposure to Gospel music. But Horace has always had a love of all music that was cultivated under the tutelage of his older brother. His brother introduced him to all styles and genres of music from The Gap Band to Genesis, Bobby Caldwell, Level 42 and Stevie Wonder. While he hadn’t yet discovered his gift for singing, he did play the baritone sax and trombone in the high school marching band further developing the depth of his musicality. It was only after a critical knee injury that he began to focus on his singing. Initially, he was discovered by legendary r&b artist/producer DeVante Swing from the group Jodeci. As a result of working with DeVante on music for other artists, he was discovered by Uptown Record’s Founder and CEO, Andre Harrell, at the time when the label was home to artists such as Mary J. -
Genealogies of Capture and Evasion: a Radical Black Feminist Meditation for Neoliberal Times by Lydia M. Kelow-Bennett B.A
Genealogies of Capture and Evasion: A Radical Black Feminist Meditation for Neoliberal Times By Lydia M. Kelow-Bennett B.A., University of Puget Sound, 2002 M.A., Georgetown University, 2011 A.M., Brown University, 2016 A dissertation submitted in partial fulfillment of the requirements for the Doctorate of Philosophy in the Department of Africana Studies at Brown University Providence, RI May 2018 © Copyright 2018 by Lydia Marie Kelow-Bennett This dissertation by Lydia M. Kelow-Bennett is accepted in its present form by the Department of Africana Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date________________ ______________________________ Matthew Guterl, Advisor Recommended to the Graduate Council Date________________ ______________________________ Anthony Bogues, Reader Date________________ ______________________________ Françoise Hamlin, Reader Approved by the Graduate Council Date________________ ____________________________________ Andrew G. Campbell, Dean of the Graduate School iii [CURRICULUM VITAE] Lydia M. Kelow-Bennett was born May 13, 1980 in Denver, Colorado, the first of four children to Jerry and Judy Kelow. She received a B.A. in Communication Studies with a minor in Psychology from the University of Puget Sound in 2002. Following several years working in education administration, she received a M.A. in Communication, Culture and Technology from Georgetown University in 2011. She received a A.M. in Africana Studies from Brown University in 2016. Lydia has been a committed advocate for students of color at Brown, and served as a Graduate Coordinator for the Sarah Doyle Women’s Center for a number of years. She was a 2017-2018 Pembroke Center Interdisciplinary Opportunity Fellow, and will begin as an Assistant Professor in the Department of Afroamerican and African Studies at the University of Michigan in Fall 2018. -
“My Logo Is Branded on Your Skin”: the Wu-Tang Clan, Authenticity, Black Masculinity, and the Rap Music Industry
“MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Master of Arts 2014 ABSTRACT “MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey The rap group, the Wu-Tang Clan came out of a turbulent period of time in both the rap music industry and American society in the early 1990s. Lawsuits over sampling in rap music forced producers to rethink the ways they made music while crack cocaine and the War on Drugs wreaked havoc in urban communities across the nation, as it did in the Clan’s home borough of Staten Island, New York. Before the formation of the group, Gary “GZA” Grice, had managed to land a recording contract as a solo artist, but his marketing was mismanaged and his career stagnated. He returned in 1992 as one of the nine member collective, who billed themselves as kung fu movie buffs melding low-fi, eerie productions with realistic raps about ghetto life. Drawing from the vibrant underground rap scene of New York City in the 1970s and 1980s, Brooklyn’s rich African American chess tradition, the teachings of the Five Percenters, and the cult following for Hong Kong action cinema, the Clan became a huge hit across the country. Each member fashioned a unique masculine identity for himself, bolstering their hardcore underground image while pushing the boundaries of acceptable expressions of manhood in rap music. -
By Mary J Blige ABOUT MARY J.BLIGE
by Mary J Blige ABOUT MARY J.BLIGE conic Grammy Award-winning singer, songwriter, actress, pro- Christmas (2013) and The London Sessions (2014). Along the way, ducer and philanthropist, Mary J. Blige is a figure of inspiration, she’s lined up a string of hit singles, including Not Gon’ Cry, Love Is Itransformation and empowerment making her one of the defin- All We Need, Seven Days, All That I Can Say, Family Affair and Just ing voices of the contemporary music era. With a track record Fine. J of eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, Blige most recently released her 14th studio album Strength of a two Golden Globe nominations, and a SAG nomination, among Woman in 2017. The first single, “Thick of It,” held the number 1 spot many other accolades, Blige has cemented herself as a global on the Urban AC Chart for 16 consecutive weeks after its release in superstar. And in the ensuing years, the singer/songwriter has November. Blige also scored her latest #1 single off this album with attracted an intensely loyal fan base—responsible for propelling “U + Me (Love Lesson).” worldwide sales of more than 50 million albums. On the acting side, Blige starred as Florence Jackson in the 2017 Born in the Bronx, New York, Blige began moving people with Netflix breakout film MUDBOUND, to which she received critical ac- her soulful voice when at 18 she signed with Andre Harrell’s claim including two Academy Award nominations for Best Support Uptown Records in 1989, becoming the MCA-distributed la- Actress and Best Original Song.